Chicago - Art

This is a version of the Renaissance motif known as "Death and the Maiden". I think the motif generally was meant to condemn Voluptus (born of the...

"Rainbow", by Christina Haglid, is a meticulously detailed watercolor of a tiny sea shell painted on a blue starry background. The paper had a deckled edge and matted with a heavy w...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Jesús Curiá Perez Conectados VI bronze 29h x 9w x 5.50d in 73.66h x 22.86w x 13.97d cm ed. 1 of 8 JCP051 Jesús Curiá's sculptures arouse something more than purely aesthetic pleasur...

"During a battle reenactment At the Daniel Lady Farm in Gettysburg, I helped carry a soldier from the field to the hospital. This painting depicts that soldier as his leg is amputated. Clara Barton...

Century Guild presents a selection of never-before-seen photographs taken on the set of Caligula in 1976 by legendary Italian still photographer Mario Tursi, best known for his work ...

The sun sets over a wooded grove in this serene Midwestern landscape as only Ahzad Bogosian can capture. This tranquil landscape, devoid of any h...

Meticulously rendered stone archways lead to a stone path meandering into a lush landscape in Carol Pylant's stunning architectural painting entitled "La Prima Pietra". The pristine space suggest inner solitude and peace. This calm continues through the archway and into the rich green landscape beyond the walls. The artist often combines imagery from her travels to Italy, Spain and throughout Europe with memories of elsewhere. The artwork is framed in a heavy black wooden frame with a silver inset adding to the richness of the piece. It measures 36.5 x 42.5 inches framed. Carol S. Pylant La Prima Pietra oil on panel 30h x 36w in 76.20h x 91.44w cm CSP037 Resume Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore...

Emil Huber’s mesmerizing and surrealist eyeball design for Stirnemann u. Co. Zürich promotes an organization of commercial, industrial and administrative operations in Switzerland. ...

Printed on archival Moab Lasal Exhibition Luster Editions of 12 SILHOUETTES Humans have always adorned both themselves and their surroundings—even the earliest cave drawings are ev...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. With Suk Ja Kang...

She did this painting called "Delivrance" as a live painting for a closing show. Full of symbols, it depicts a scenery playful and joyous. :: Painting :: Abstract Expressionism :: Th...

The garments' northern African origins can be traced back hundreds of years, as far as the 7th and 8th Centuries, to the early times of the trans-Saharan t...

"True North - Identity" is a worms-eye view of a brilliant blue sky with a maze of distinctive clouds. The surreal quality of the imagery makes the viewer question reality. Are the clouds actual clouds or made by some other means? Are those fluffy clouds behind the bare branches or mountains? The ellipsed edges confirm the scene as an inner vision rather than a window on the world. The painting itself is painted on a handmade wooden panel with beautifully finished edges so no frame is needed. Mark Bowers True North - Identity oil on panel 9h x 12w in 22.86h x 30.48w cm MJB014 TRUE NORTH PAINTINGS Unconscious systemic biases may guide our actions or direct us---similar to the human construct of “True North”, which holds to coordinate systems. The Earth’s “Magnetic North” moves over time according to polar shifts; flux and correction is enabled by polarity. In these paintings (Privilege, Orientation, Belief, Identity, Equity), I use compositional elements referencing nautical com- passes to suggest that society must navigate not within systems, but naturally through positive relationships and change. I hope that my art represents our present day - but also imparts a dreamful glimpse of hope and faith within. Explanation: A magnetic compass does not point toward the true North Pole of the Earth. Rather, it more closely points toward the North Magnetic Pole of the Earth. The North Magnetic Pole is currently located in northern Canada. It wanders in an elliptical path each day, and moves, on the average, more than forty meters northward each day. Evidence indicates that the North Magnetic Pole has wandered over much of the Earth's surface in the 4.5 billion years since the Earth formed. Mark Bowers- Artist Statement With the depiction of landscape playing such a central role in the history of North American art, it seemed to offer many of the critical possibilities I was looking for, and it felt more and more like something I have always known. Something I could easily apply, stage, and manipulate as a diary. My work consists of small-scale highly detailed landscape paintings. They are inspired by the comfort, trepidation, and beauty found in the mundane Chicago Suburbs. I combine nature, decorative house wares...

Just your typical college frat house party. As long as you bring girls or beer it doesn't really matter who you are. Easily blending into the crowd and the smell of stale beer permeates your nostrils. Observe the hero that gets out of control. The soaking wet carpet and the decorated lawn of bottles and cigarette butts. Andrew LeMay Cox Do You Even Party, Bro? ink on scarf 21h x 22w in 53.34h x 55.88w cm ALC003 Andrew LeMay Cox Ink Painting Statement Within these works the exploration of visual storytelling and construction propose challenging questions to the traditions of academic painting. Two components that influence these painting practices are process and narrative. The function of materiality within these works attempts to question traditional methods of paint on canvas. They are constructed using ink that is baked at high temperatures and is assembled by painting on skins. The skins hang loosely from the stretcher and add sculptural properties to 2-dimensional surfaces. The other component is to create an aesthetic narrative that allows the viewer to escape their reality and get lost in themes outside civilizations normality’s. These characters occupy a utopian landscape outside the realms of race, religion, or politics. They ignore social or economic concerns. They are ageless and serendipitous. They sing, dance and make love without cause, limitation or destination. CV Education 2007-2011 School of the Art Institute of Chicago, Bachelor of Fine Arts Exhibitions 2017 Let Your Thoughts Flies Away, Group Show, Chicago, IL 2016 Pop-Lore, Jan Brandt Gallery, Bloomington, IL 2016 Love Spells, Linda Warren Projects, Chicago, IL 2014 Unfiltered, Filtered Warehouse, Chicago, IL 2013 Revolving Artist’s showcase, Gold Star, Chicago, IL 2013 Group Show The Squeeze, Chicago, IL 2012 Group Show, Space Camp Headquarters/Grey Ghost...

Century Guild presents a selection of never-before-seen photographs taken on the set of Caligula in 1976 by legendary Italian still photographer Mario Tursi, best known for his work with Italian directors Pier Paolo Pasolini and Luchino Visconti as well as his long collaboration with Martin Scorsese on the sets of Gangs of New York and The Last Temptation of Christ. These museum-quality fine art prints are available in extremely limited archival editions honoring the Caligula MMXX restoration. Helen Mirren and Caligula director Tinto Brass...

Century Guild presents a selection of never-before-seen photographs taken on the set of Caligula in 1976 by legendary Italian still photographer Mario Tursi, best known for his work with Italian directors Pier Paolo Pasolini and Luchino Visconti as well as his long collaboration with Martin Scorsese on the sets of Gangs of New York and The Last Temptation of Christ. These museum-quality fine art prints are available in extremely limited archival editions honoring the Caligula MMXX restoration. Malcolm McDowell and Sir John Gielgud...

Century Guild presents a selection of never-before-seen photographs taken on the set of Caligula in 1976 by legendary Italian still photographer Mario Tursi, best known for his work with Italian directors Pier Paolo Pasolini and Luchino Visconti as well as his long collaboration with Martin Scorsese on the sets of Gangs of New York...

A full moon illuminates the landscape just enough to allow this gardener to tend his night shade plants in this illustrative painting by John Hrehov. Fireflies dot the scene adding to the playfulness of the tableau. This piece is floated in a white wooden frame measuring 32h x 26w x 2d inches. John Hrehov Night Garden oil on canvas 30h x 24w in 76.20h x 60.96w cm JHR023 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street...

Adoring fans clamor for an autograph from Oprah Winfrey at the Bud Billiken Parade in Chicago. Every summer since 1929, “The Bud” has united African-Americans throughout the city of Chicago in music, dance, food, and laughter. It is a parade that openly and emphatically praises the historic roots of the South Side of Chicago. This casual look into Oprah's early life is an Artist Proof. It is matted and framed in a simple black metal frame measuring 16.25h x 20.25w inches. Richard Shay Oprah Winfrey at the Bud Billiken Parade, Chicago, 1984 archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY016 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Fierce friends - Maya Angelou, Quincy Jones and Oprah Winfrey - are pictured here in 1993 at the 65th birthday celebration for Ms. Angelou. Oprah said of Angelou - she was my mentor, mother, sister and friend. This A.P. photograph is matted and framed in a simple black frame measuring 20.25h x 16.25w inches. Richard Shay Oprah Winfrey, Quincy Jones & Maya Angelou at Maya's 65th Birthday Celebration, 1993. archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY018 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing...

Lithograph of Théo van Rysselberghe's La Libre Esthetique, published by Imprimerie Chaix, the printing house known for publishing the works of Belle Epoque master Jules Chéret. While...

An intensity and empathy that will become her trademark, is so apparent on Oprah's face as she interviews a guest on her first talk show - AM Chicago. Oprah began her storied career on A.M. Chicago, a half-hour morning talk show airing in Chicago. In 1983, the new general manager hired Winfrey to replace the program's former host. Winfrey took over as host on January 2, 1984, and, within a month, took it from last place to first place in local Chicago...

Eugénie Buffet was a French singer, actress, and pioneer of the chanson réaliste (realist song) genre, which portrayed the day to day lives of the poor and working-class in Paris. Métivet’s Ambassadeurs poster depicts Buffet as a prostitute working on the cold, windy streets of Paris; Buffet describes following working women to effectively reflect their demeanor in her roles, “Huddled in the shadow of dark alleys, I espied their beckoning calls to passersby, followed them from afar, scraping invisibly along the walls, listened to their words in the doorways of seedy hotels; sometimes, even, made up and dressed like them, I would slip among them, sitting at tables in their dives, and join in the conversation” (Buffet, 1930 via Conway, 2004). Her name, much like that of fellow performer Aristide Bruant, was further solidified in history by their likenesses in iconic and historically important artworks by Métivet’s and Henri de Toulouse-Lautrec. “Métivet’s talent is seen at its best in the Eugénie Buffet advertisements, two studies worthy a place amongst the best posters which have come from the hands of contemporary French artists” (Hiatt, 1896). This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. Notable museum collections containing this work include: Yale University Art Gallery (large-format version) (1969.3.3) Notable museum collections featuring works by Lucien...

Expressionist lithographic poster by Theodor Paul Etbauer for J. Kosbü Optik, a German optometry practice. Etbauer elegantly merges art and advertisement with a simple, striking desi...

This publicity photo of Oprah Winfrey and famed choreographer Michael Peters was for a fantasy sequence with two of the stars from the hit musical "Dreamgirls". Oprah had been heard saying this was the best thing since 64 Crayola Crayons and that she cried tears of joy upon hearing the news that this would become a reality. She became a "Dreamgirl" for the day but the metaphor of her "dream" life is what is so intriguing about this photograph. This piece is matted and framed in a simple black frame measuring 16.25h x 20.25w inches. Richard Shay Oprah Rehearses Dream Girls with Michael Peters, 1984 archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY003 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

As the personal photographer for this much loved Chicago icon, Richard Shay captured MJ on his 40th birthday celebration. This Artist Proof is matted and framed in a simple black frame measuring 16.25h x 20.25w x 1d inches. Richard Shay Michael Jordan on His 40th Birthday, 2003 archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY006 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact...

A lion strolls in front of a Range Rover in this photorealistic painting entitled "Dark Mane" by Rick Pas. Though small in scale this painting delivers gr...

The male figure, catching himself before tumbling to the ground in Ivan Markovic's paper sculpture, "Figure Buffeted by Wind" is deceptively fluid and light. The viewer senses the w...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Tree roots emerge from a vase to create a forest of trees in Christina Haglid's "Canopy". The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. Christina Haglid Canopy watercolor and gouache on paper 11h x 8w in 21.75h x 18w in framed CMH033 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...

With exquisite detail and sparkling color, this portrait of a young woman is a remarkable example of reverse glass painting. Lending the finished work a subtle three-dimensional effe...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. With Suk Ja Kang...

Ben Duke Untitled oil on canvas 55h x 63w in 139.70h x 160.02w cm BSD033 Ben Duke b. 1977 Louisville, KY Education 2006 M.F.A., Maryland Institute College of Art, Baltimore, MD 2002 B.F.A., University of Utah, Salt Lake City, UT 2001 Summer School of Music and Art, Yale University, New Haven, CT Selected Exhibitions 2023 Ben Duke & Suk Ja Kang: New Work, Gallery Victor Armendariz, Chicago, IL 2022 This Is Home, Crooked Tree Arts Council, Petosky, MI 2020 Benjamin Duke: Paintings, Vickers Theater, Three Oaks, MI 2019 Family Reunion, Roy G Biv Gallery, Columbus, OH 2018 Wrap It Up, Gallery Victor Armendariz, Chicago, IL Portraits and Place: Select Works from Gallery Victor Armendariz, curated by Corporate Art Advisory, Metropolitan Capital Bank, Chicago, IL Liberation, Gallery Victor Armendariz, Chicago, IL 2017 Distortion, Gallery Victor Armendariz, Chicago, IL Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2015 The Suburbs Eyes: Picturing the Sprawl, (invitational), Ernestine M Raclin Gallery, Indiana University, South Bend, IN 2014 21 and Counting, The Painting Center, New York City, NY A River Without Banks, Paul Collins Art Gallery, Grand Rapids, MI The Contemporary Figure, Ben Duke and Robert McCann, Moss-Thron Gallery of Art, Fort Hays, KS 2013 Benjamin Swallow Duke and Nathan Barnes, Emerson Center for the Arts and Culture, Bozeman, MT Benjamin Swallow Duke and Esther Randall, Rosewood Gallery, Kettering, OH Thresholds, Delaware Center for the Contemporary Arts, Wilmington, DE 2012 Sublime Rupture, Target Gallery, Catalog with Essay by Dominique Nahas, Alexandria, VA 2011 Identity In Itself, Lapham Gallery, Lower Adirondack Regional Arts Center, Glens Falls, NY Benjamin Duke, Tony Shumsky, Roy G. Biv Gallery, Columbus, OH Upheaval, [traveling solo exhibition] University Art Gallery, Saginaw Valley State University, Saginaw, MI 2010 Kuandu Museum Residency Show and Open Studio, Kuandu Museum of Fine Art, Taipei, Taiwan Biennial Faculty Exhibition, Kresge Art Museum, East Lansing, MI Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Upheaval, [traveling solo exhibition] Cloyde Snook Gallery, Adams State College, Alamosa, CO Floating, Fitton Art Center, Hamilton, OH 2009 Disrupted Particulars, Macomb Center for the Performing Arts, Clinton Township, MI Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Notwishstanding, Ann Nathan Gallery, Chicago, IL SOFA (Sculpture, Objects, Functional Art), 7th Regiment Armory, Ann Nathan Gallery, New York, NY Biennial 25, South Bend Museum of Art, South Bend, IN 2008 We Drew a Circle and Called it and Island, Garden City Art Space, Taipei, Taiwan Benjamin Duke and Teresa Dunn, University of Wisconsin-Parkside, Kenosha, WI Imaginary Cities, Moraine Valley Community College, Palos Hills, IL Awakening, Ann Nathan Gallery, Chicago, IL 2007 SOFA (Sculpture, Objects, Functional Art), 7th Regiment Armory, Ann Nathan Gallery, New York, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Palm Beach 3, Palm Beach County Convention Center, Ann Nathan Gallery, West Palm Beach, FL Above and Beyond, Ann Nathan Gallery, Chicago, IL Darkness: World and Culture, Caladan Gallery, Beverly, MA Baker Arts Center 10th National Juried Exhibition, Liberal, KS Nude International, Lexington Art League, Lexington, KY 2006 Launch: Graduate Thesis Show, Baltimore, MD (solo) Second Chance: Brewer’s Art, Baltimore, MD (solo) Biennial Faculty Exhibition, Kresge Art Museum, East Lansing, MI Academy 2006, Conner Contemporary, Washington, DC. Opening Exhibition, Touchet Gallery, Baltimore, MD Only Human, School 33, Baltimore, MD Go Figure, Maryland Federation of Art, Baltimore, MD 2005 Emerging Artists, Maryland Federation of Art, Baltimore, MD real vs. Real, City Café, Baltimore, MD Artscape Art Fair, Baltimore, MD Group Show, Hoffberger Gallery, Baltimore, MD 2004 Clamor, Rose Wagner Center for the Arts, Salt Lake City, UT (solo) Boxing, Fox Gallery, Baltimore, MD 2003 Paintings, Finch Lane Gallery. Salt Lake City, UT (solo) Regional Show, Saint George Art Museum, Saint George, UT Show us Your Stuff, Left Bank Gallery, Salt Lake City, UT Spring Salon, Springville Art Museum, Springville, UT 2002 Trasa Urban Arts, Salt Lake City, UT 2001 Seen and Unseen, Union Art Gallery, Salt Lake City, UT (solo) Professional Experience 2006-present Assistant Professor, Michigan State University, East Lansing, MI 2006-2005 Instructor, Ruriart Community Art Center, Ellicott City, MD 2004-2003 Instructor, Peterson Art Center, Salt Lake City, UT Selected Awards 2015 Alfred and Trafford Klots...

2019 / 20 x 24 / Oil on canvas Created for a pop-up gallery show hosted by FLATSstudio, this abstract piece elaborates on the design of "Waves", exploring different colorways and...

The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrig...

An etching is an intaglio printmaking process in which lines or areas are incised using acid into a metal plate in order to hold the ink. In etching, the plate can be made of iron, copper, or zinc. Once etched, the plate is then printed onto paper. David Becker Light Rail...

"Contaminating the Innocent" is a bold statement on our society today. Plastics are everywhere and what they are doing to the environment is devastating. What they are doing to the next generation is even more catastrophic. Bruno plays with this idea by bringing this angelic child to the forefront of the issues at hand. We are drawn in by her innocence yet taunted by her surroundings. Bruno Surdo Contaminating the Innocent oil on canvas 48h x 48w in 121.92h x 121.92w cm BRS072 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

Don Pollack BIOGRAPHY Don Pollack is a Painter and Adjunct Associate Professor of Visual Communication at theSchool of t he Art Institute of Chicago. His work investigates among other things, the relationship between personal mythologies and representation in painting and how it may simultaneously give reference to a narrative.Working in cross disciplines has influenced his perspectives as projects begin with an epic adventure. Conceptually proceeding from the premise that all vision is historic and constructed, Pollack’s research starts with the planning of a long distance trek,– such as a 3000 mile journey via bicycle following Lewis and Clark. His work has utilized maps, documents, photography, painting, and installation.This work was routed in a previous investigation into the role of museums in the process of forming collective memory. Don studied design at the University of Illinois and painting at the Ohio State University where he received his MFA.The state of Illinois has recognized his history based work with a special bicentennial edition of the ‘Order of Abraham Lincoln’ award. He has exhibited nationally and internationally and has shown many solo shows in, Chicago, NewYork, Atlanta, and Canada. True Life Novelettes is the most recent addition to the bigger project; Crossing The Great Divide which is loosely a series of landscape and history projects I began in 2009. It explores among other things, current events and personal literary interests through the construction of large scale [48x72”] book cover paintings. I use a variety of images juxtaposed with bylines and misplaced authors in order to create new meanings. I read the print edition of the New York Times for current content and subject matter, and because I still like the feel of a large document and printed typography. Recently and with a twist of prescient irony, a found myself reading a special supplemental section of the Times declaring that “the post-text future is here!” Could that be good for painting, now that we are entering an online culture ruled by pictures! But if our information will become dominated by pictures, slogans, and emotional announcements, I do fear that the arguments driving political discourse will soon become completely supplicated by popular memes. What should the new best sellers look like? Do I have enough time to read them? Underneath all this fanfare is it possible that the discussion will also be reduced to the display of personal artifacts of material culture? In the fashion section of today’s Times the headline reads, “Can you wear Dior to the Protest March?” (Enter my books.) I first start by writing columns and mixing up the authors with made-up titles (from films and books) and looking for strange connections to create a metaphorical tension. I then look for popular images and taglines in the news, print media, and the publishing business, and search for catchy phrases from film dialog. Then I combine everything into a new design layout to form a hybrid of ‘true life novelettes’ and modern classics. Climate change denial and alt/fake news declarations become great sources for topics in the overwhelming modern noise machine too grim to bear. I cancel my cable subscription. But what are the conditions for making a painting in a world saturated with images? While the representational, abstract, and technical concerns of painting collapse into the same memory well, what are we to say especially when we have “seen all the films and seen all the pictures”? The works of Tursic and Mille have pointed me into this new direction. In order to visually reclaim myself from disappearing into the ruins, I adopt a strategy combining editorial cartooning, oil painting and graphic design. I am attracted to those handsome publisher’s design formats, especially the ones that utilize carefully-placed typography and eclectic images– such as Everyman’s Library, Penguin Books, and Barnes and Noble. There are colored stripes running along the sides of the covers identifying the modern story collections, with the authors’ names set in script fonts. These various formats also hold the space to paint a combination of historic events and contemporary imagery from popular culture. I also patrol the web and search for vintage advertising campaigns for copy. Perhaps this grimness can have an uplifting thread. However, Virginie Vuillaume in Another Girl warns, “desire leads to disaster, partly bound up with fiction but also with death and catastrophe. The fate of those who are in love with images is always tragic, desire always leads to disaster.” So now Tursic and Mille’s painting that appropriated an image of a house on fire from a scene from Andrei Tarkovski’s film The Sacrifice also becomes my subject matter for the cover of the Year of Living Dangerously. For 2017, The Year of the Eclipse, the cover takes direction from a modern classic rendition of Frankenstein, with his head screwed on backwards. Maybe the only way left to paint now is by moving things forward by the only way possible,– through other mediums. The byline lyric for Eclipse is now taken from the Youngbloods popular song of 1967, Get Together,–so come on Frankenstein, ‘Smile on Your Brother’. Don Pollack EDUCATION m.f.a. Ohio State University Columbus,Ohio b.f.a. University of Illinois Urbana, Illinois SOLO EXHIBITIONS 2018 Gallery Victor Armendariz, Story Tellers, Don Pollack: True Life Novelettes, Chicago, Illinois 2016 Bridgeport Art Center, this land is not empty, Chicago, Illinois Carnegie Museum for Art and History, bernheim arboretum, New Albany, Indiana 2013 Perimeter Gallery, 34 days to washington, Chicago, Illinois 2011 Newzones Gallery, far from home, Calgary,Alberta, canada MarciaWood Gallery, far from home, Atlanta,Georgia 2010 Perimeter Gallery, mysterious island, Chicago, Illinois Marquette University Law Library, laying the foundation [a Lincoln Portrait], Milwaukee, Wisconsin 2009 Abraham Lincoln Presidential Library and Museum, the lincoln project, Springfield, Illinois The Union League Club, the lincoln project, Chicago, Illinois 2007 Newzones Gallery, the sheltering sky, Calgary,Alberta, canada Merwin andWakeley Galleries, IllinoisWesleyan University, american inheritance, Bloomington, Illinois MarciaWood Gallery, night, Atlanta,Georgia 2006 MargaretThatcher Projects, american gothic, past imperfect, NewYork,NewYork Perimeter Gallery, improvisation, Chicago, Illinois 2005 Newzones Gallery, missives, Calgary,Alberta, canada MarciaWood Gallery, south of the tennessee, remains of the campaign, Atlanta, Georgia 2004 Perimeter Gallery, voyages of discovery, from the earth to the moon, NewYork, NewYork 2003 Newzones Gallery, garden of forking paths, Calgary,Alberta, canada Perimeter Gallery, a search for heroes, lincoln & the illinois landscape, Chicago, Illinois 2002 Perimeter Gallery, ancien regime, NewYork,NewYork MarciaWood Gallery, ancien regime, Atlanta,Georgia 2001 Newzones Gallery, ancien regime, Calgary,Alberta, canada 2000 Perimeter Gallery, between heaven and earth, Chicago, Illinois Newzones Gallery, preview, Calgary,Alberta, canada 1999 Newzones Gallery, north american inheritance, Calgary,Alberta, canada MarciaWood Gallery, american inheritance, Atlanta,Georgia 1998 MarciaWood Gallery, entering the circle, Atlanta,Georgia 1997 Newzones Gallery, crossing the next meridian, Calgary,Alberta, canada 1996 Peter Miller Gallery, landscape and memory, Chicago, Illinois MarciaWood Gallery, mythopoeia, an american portrait, Atlanta,Georgia 1995 Elliot Smith Gallery, St.Louis,Missouri Marx-Saunders Gallery, International Art Exposition, Chicago, Illinois 1994 Deson-Saunders Gallery, shadowlands, Chicago, Illinois 1993 Monte Clark Gallery, Vancouver,British Columbia, canada Bess Cutler Gallery, NewYork,NewYork 1992 Deson-Saunders Gallery, Chicago, Illinois 1991 Bess Cutler Gallery, NewYork,NewYork Deson-Saunders Gallery, between earth and sky, Chicago, Illinois 1989 Deson-Saunders Gallery, Chicago, Illinois 1988 Ann Nathan Gallery, Chicago, Illinois 1987 Houghton College, Houghton,NewYork SELECTED GROUP EXHIBITIONS 2015 architectural biennial, Brininstool and Lynch, Chicago, Illinois 2014 black and white, Perimeter Gallery- Chicago, Chicago, Illinois 2012 art miami , Perimeter Gallery- Chicago, Miami, Florida Group Show, Perimeter Gallery, Chicago, Illinois 2011 art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois Group Show,Kenise Barnes Gallery, Larchemont,NewYork 2010 pull, MarciaWood Gallery, Atlanta,Georgia memory is a metaphor, Kenise Barnes Gallery, Larchmont,NewYork our kind of town, Rena Sternberg Gallery, Glencoe, Illinois 2009 nature satisfies by its loveliness, Kenise Barnes Gallery, Larchmont,NewYork the exquisite corpse, Renaissance Society, University of Chicago, Chicago, Illinois the big picture show, Newzones Gallery, Calgary,Alberta, canada 2008 this just in, MarciaWood Gallery, Atlanta Georgia portraying lincoln, Madden Arts Center, Decatur, Illinois contemporary art institute of detroit, Curator’s Choice, Detroit,Michigan art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois 2007 artwork 5, Gallery 2,Art Institute of Chicago, Chicago, Illinois artscapes, Knoxville Museum of Art, Knoxville,Tennessee atlanta gallery association preview, rep: MarciaWood Gallery, Eatonton,Georgia out of the garden, Rena Sternberg Gallery, Glencoe, Illinois art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois 2006 states of seige, Fine Arts Center Galleries, University of Rhode Island, Kingston,Rhode Island landscape x10, Newzones Gallery, Calgary,Alberta, canada pulse, MargaretThatcher Projects, NewYork,NewYork 2005 summer sensation, Thatcher Projects, NewYork,NewYork Perimeter Gallery, Chicago, Illinois landscape x9, Newzones Gallery, Calgary,Alberta, canada 2004 Perimeter Gallery, Chicago, Illinois landscape x9, Newzones Gallery, Calgary,Alberta, canada 2003 landscape x9, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada contemporary landscape, Perimeter Gallery, Chicago, Illinois deck the walls, Newzones Gallery, Calgary,Alberta, canada 2002 landscape x9, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 2001 departure: american contemporary landscape, Indiana University Northwest Gary, Indiana Rena Sternberg Gallery, Glencoe, Illinois International Art Exposition:Chicago, Perimeter Chicago, Illinois Miami Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 2000 landscape x8, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada International Art Exposition:Chicago, Perimeter Gallery Chicago, Illinois 1999 requiem, Nexus Contemporary Art Center Atlanta,Georgia family album, MarciaWood Gallery Atlanta,Georgia 1998 the nature of landscape, South Bend Regional Museum of Art South Bend, Indiana cornucopia, Winston-Wachter Gallery NewYork,NewYork paradise and its transformations, Georgia State University, School of Art & Design Gallery Atlanta,Georgia landscape x six, Newzones Gallery of Contemporary Art Calgary,Alberta, canada land, air, & sea, Elliot Smith Gallery St.Louis,Missouri 1997 Marguerite Oestricher Gallery New Orleans, Louisiana MarciaWood Gallery Atlanta,Georgia Peter Miller Gallery Chicago, Illinois International Art Exposition:Chicago, Peter Miller Gallery Chicago, Illinois Seattle International Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 1996 Center for the Arts Calgary,Alberta, canada Newzones Gallery of Contemporary Art Calgary,Alberta, canada International Art Exposition:Chicago, Peter Miller Gallery Chicago, Illinois Seattle International Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada introductions, Newzones Gallery of Contemporary Art Calgary,Alberta, canada Peter Miller Gallery Chicago, Illinois 1995 contemporary realists, Newzones Gallery of Contemporary Art Calgary,Alberta, canada the nature of landscape, Fontbonne College St. Louis,Missouri first in flight, Deson-Saunders Gallery Chicago, Illinois Newzones Gallery of Contemporary Art Calgary,Alberta, canada MarciaWood Gallery Atlanta,Georgia International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1994 contemporary realists, Newzones Gallery of Contemporary Art Calgary,Alberta, canada Monte Clark Gallery Vancouver,British Columbia, canada 10th anniversary group exhibition, Elliot Smith Gallery St.Louis,Missouri International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1993 Robert Berman Gallery Santa Monica, California the dreamer awakes, Deson-Saunders Gallery Chicago, Illinois west art and the law, traveling exhibition, John B. HynesVeterans Memorial Convention Center Boston,Massachusetts/ Kennedy Gallery NewYork,NewYork/ Loyola Law School Los Angeles, California/ James R.Thompson Center Chicago, Illinois/ Minnesota Museum of Art St. Paul,Minnesota pacific, Deson-Saunders Gallery Chicago, Illinois finesse, Skokie Public Library Skokie, Illinois skillfully, Deson-Saunders Gallery Chicago, Illinois International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1992 Bess Cutler Gallery NewYork,NewYork Robert Berman Gallery Santa Monica, California finesse, Deson-Saunders Gallery Chicago, Illinois land of 100 dancers, Deson-Saunders Gallery Chicago, Illinois International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1991 chicago art today, Gallery of Contemporary Art University of Colorado, Colorado Springs, Colorado west art and the law traveling exhibition,American Association of Law Libraries New Orleans, Louisiana/ NewVisions Gallery of Contemporary Art Atlanta,Georgia/ Minnesota Museum of Art St. Paul,Minnesota/ Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee,Wisconsin International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1990 Nature/nature, Gallery 400, University of Illinois, Chicago, Illinois on nature, Deson-Saunders Gallery Chicago, Illinois spirits in the material world, Deson-Saunders Gallery Chicago, Illinois Los Angeles Art Exposition, Bess Cutler Gallery Los Angeles, California International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1989 the unconventional landscape, John Michael Kohler Arts Center Sheboygan,Wisconsin elements of style, history of the dividing line, Deson-Saunders Gallery Chicago, Illinois west art and the law traveling exhibition, Bally’s Casino Reno,Nevada/ Arkansas State University Museum Jonesboro,Arkansas/ Robert Kahn Gallery Houston,Texas/ Minnesota Museum of Art St. Paul,Minnesota International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1988 chicago now! , Arts Center South Bend, Indiana a european celebration, Limelight Building Chicago, Illinois 1987 new works, Objects Gallery Chicago, Illinois illinois 87, small painting exhibition, Western Illinois University, Macomb, Illinois Objects Gallery Chicago, Illinois 1986 works, Dittmar Gallery Northwestern University, Evanston, Illinois RuthVolid Gallery Chicago, Illinois national first annual wildlife and landscape exhibition, GalleryTriangle Washington,D.C. 1985 75th annual columbus exhibition, Columbus Museum of Art Columbus,Ohio 1984 shreveport national exhibition, Meadows Museum of Art Shreveport, Louisiana 1982 mid america biennial, Owensboro Museum of Fine Art Owensboro,Kentucky SELECTED AWARDS 2017 enrichment grant, School of the Art Institute of Chicago, Chicago, Illinois 2016 enrichment grant, School of the Art Institute of Chicago, Chicago, Illinois 2015 sabbatical grant, Illinois Institute of Art, Chicago, Illinois 2014 bernheim arboretum, artist residency, Louisville,Kentucky 2012 illinois institute of art, faculty of the year award, Chicago, Illinois 2010 marquette university law library, commission award, Milwaukee,Wisconsin sabbatical grant, Illinois Institute of Art, Chicago, Illinois 2009 order of lincoln, bicentennial edition, State of Illinois award, Springfield, Illinois school of the art institute of chicago, faculty enrichment grant, Chicago, Illinois illinois institute of art, faculty enrichment grant, Chicago, Illinois 2008 abraham lincoln presidential library and museum, grant, Springfield, Illinois 2003 philbrook museum of art, museum purchase Tulsa,Oklahoma 2002 illinois arts council fellowship, grant, State of Illinois Springfield, Illinois 1993,‘91,‘89 west art and the law, purchase West Publishing St. Paul,Minnesota 1983 ford foundation grant, Ohio State University Columbus,Ohio PUBLIC COLLECTIONS Philbrook Museum of Art, Tulsa,Oklahoma Racine Museum of Art, Racine,Wisconsin Marquette University Law Library, Milwaukee,Wisconsin Connecticut College, New London, Connecticut Union League Club, Chicago, Illinois Abraham Lincoln Presidential Library and Museum, Springfield, Illinois Vedder, Price, & Kammholz, Chicago, Illinois Fidelity, Charlotte,North Carolina Republican Governors Association, Washington,D.C. Allston & Bird, Washington,D.C. Corboy, Demetrio, and Clifford, Chicago, Illinois Poco Petroleum, Calgary,Alberta, Canada Burnett, Duckworth, and Palmer, Calgary,Alberta, Canada Evans, Martin, andWilson, Calgary,Alberta, Canada Metropolitian Life Insurance Company, NewYork,NewYork AmericanTelephone andTelegraph Company, Chicago, Illinois Prudential Insurance Company, Newark,New Jersey Arthur Anderson and Company, Minneapolis,Minnesota Federal Home Loan Mortgage Company, Chicago, Illinois G.D. Searle Company, Westchester,NewYork Schiff, Gorman, and Krkljes, NewYork,NewYork Western Illinois University, Macomb, Illinois University of Illinois, Illini Union, Urbana, Illinois Jupiter Corporation, Chicago, Illinois Atlantic Richfield Corporation, Chicago, Illinois SELECTED BIBLIOGRAPHY Jenna Esarey, bernheim art on display at carnegie center, Courier-Journal, February 6, 2016 LaurenViera, “don pollack, mysterious island, ChicagoTribune, March 5, 2010 Jason Mojica, “don pollack: improvisation”,Time Out Chicago, February 2-9, 2006 Edward Gomez, “reimagining the landscape”,Art and Antiques,Atlanta, Georgia, October, 2003 Alan Artner, “Don Pollack”, ChicagoTribune, March 21, 2003 Anne Severson, “in the wilderness of our mind”, Fast Forward, Calgary,Alberta, Canada, December 2-8, 1999 Richard Rhodes, ed., “fast forward:a canada-wide guide to the season’s best exhibitions”,Canadian Art, Vol. 16, No. 3, , Fall/September 1999 Shelley Boettcher, “Critic’s Pick”, Calgary Herald, Gallery Guide, Calgary ,Alberta, Canada, November 18, 1999 Catherine Fox, “a convergence of landscapes”, Atlanta Constitution, October 8, 1999 Lisa A. Rundquist, “remembering beauty: the seductive & nostalgic nature of ameri - can landscape”, (Catalogue), South Bend Regional Art Museum, South Bend, Indiana, August 8-October 4, 1998 Garrett Holg, “chicago: don pollack”,Art News, January 1997 Barbara Buchholz, “don pollack”, ChicagoTribune, November 8, 1996 Jerry Cullum, “old west, new myths”,Atlanta Constitution, August 23, 1996 MarciaWood Gallery, “mythopoeia, an american portrait”, (Catalogue),Atlanta, Georgia July 27-August 24, 1996 Alexandra Bellos, “symbol pleasures”, St. Louis River FrontTimes, March 22, 1995 Debra Riley Parr, “in review, don pollack”, St Louis Post Dispatch, March 9, 1995 Malcolm Parry, column,Vancouver Sun,Vancouver, British Columbia, Canada, November 20,1993 Alan Artner, “don pollack”, ChicagoTribune, April 19, 1992 Alan Artner, “comfortable viewing”, ChicagoTribune, February 7, 1991 Alan Artner, “don pollack”, ChicagoTribune, July 7, 1989 Jacqueline Hall, “league gathers forceful raw works for exhibition”, Columbus, Dispatch, June 9, 1985 Jacqueline Hall, “arcadia inspires local artists”, Columbus Dispatch, July 14, 1985 PUBLICATIONS 2013 34 days to washington, Perimeter Gallery, Chicago, Illinois, catalog 2012 Perimeter Gallery, Chicago, Illinois, catalog 2010 art chicago international exposition, Mart Center, Chicago, Illinois, catalog marquette law review, vol. 93, number 4, Marquette University, Milwaukee,Wisconsin, catalog 2009 the lincoln project,Abraham Lincoln Presidential Library & Museum, Springfield, Illinois, catalog design school confidential, Extraordinary Class Projects from International Design Schools, Steven Heller & LitaTalarico, Rockport Publishers, Beverly Massachusetts, (selections featured from AdvancedTypography course, School of the Art Institute of Chicago) 2003 a search for heroes, lincoln & the illinois landscape, Perimeter Gallery, Chicago, Illinois, catalog 1996 remembering beauty: the seductive & nostalgic nature of american landscape, South Bend Regional Art Museum, South Bend, catalog mythopoeia, an american portrait, MarciaWood Gallery,Atlanta, Georgia catalog 1995 art chicago international exposition, Navy Pier, Chicago, Illinois, catalog 1994 private arts, nos.8&9, Chicago, Illinois, Art Consultant, magazine 1993,‘91,‘89 west art and the law,West Publishing Co., St.Paul Minnesota, catalog, traveling exhibition 1992 art chicago international exposition, Navy Pier., Chicago, Illinois, catalog 1991 10 th anniversery auction, Museum of Contemporary Art, Chicago, Illinois, catalog TEACHING EXPERIENCE school of the art institute of chicago, Chicago, Illinois, Adjunct Associate Professor, September 2005- present, courses: Image Studio,AdvancedTypography and Introduction toVisual Communications illinois institute of art, Chicago, Illinois, Professor, January 1995-present, courses: 2-D, and 3-D Foundation Design, Color,Typography, Corporate Identity, and Portfolio ray college of design, Chicago, Illinois, January 1986-January 1995, courses: 2-D, and 3-D Foundation Design, Color,Typography, Corporate Identity, and Portfolio ohio state university, Department of Art, Columbus, Ohio, January 1983- June 1984, courses: Art 290 & 190, Drawing, painting, 2-D, 3-D design, color, creative process ohio state university, Department of Art, Columbus, Ohio, GraduateTeaching Associate, September 1982 January 1983, assisted and taught, 2-D Design,Drawing TUTORIALS drawing & problems of representation, North Shore Art League,Winnetka, Illinois, January 1986-April 1986 19th century hudson river school perspectives- drawing and painting, Columbus, Ohio, June 1985- August 1985 LECTURES MLKYouth Leadership Day, Elgin Center, Elgin, Illinois,“crossing the great divide,– standing rock”, January 16, 2017 Northwestern University, Slivka College, Evanston, Illinois,“crossing the great divide”, February 1, 2016 Bronx, City College of NewYork, Bronx, NewYork, “crossing the great divide”, December 10, 2015 Fluid, Society for Literature, Science, & Art Conference, Southern Methodist University, Dallas,Texas “crossing the great divide, trying to understand the collage of my landscape”, October 9, 2014 - October 12, 2014 Postnatural, Society for Literature, Science, & Art Conference, Notre Dame University, South Bend, Indiana “34 days to washington”, October 3, 2013 - October 6, 2013 Perimeter Gallery, Chicago, Illinois, “34 days to washington”, April 25,May 14,& 17, 2013 Perimeter Gallery, Chicago, Illinois, “mysterious island”, March 5, 2010 Union League Club, Chicago, Illinois, the lincoln project, June 17, 2009 Abraham Lincoln Presidential Library & Museum, Springfield, Illinois, the lincoln project, February 6, 2009 Merwin andWakeley Galleries, IllinoisWesleyan University, Bloomington, Illinois, american inheritance, November, 13, 2007 University ofWisconsin,Eau Claire, cross cultural perspective of visual communication, presentation topic: Native America:Truth and Imagery”, April 20-21, 2007 Perimeter Gallery, Chicago, Illinois, “improvisation”, February 2, 2006 Perimeter Gallery, Chicago, Illinois, “a search for heroes, lincoln and the illinois landscape”, March 29,& April 3, 2003 Perimeter Gallery, Chicago, Illinois, “between heaven and earth”, December 7, 2000 Newberry Library, Map Society, Chicago, Illinois, tlon, uqbar, orbis tertius: taking measure across chicago, March 18, 1999 Illinois Institute of Art, Chicago, Illinois, Faculty TrainingWorkshop, teaching strategies, July 10, 1997 Illinois Institute of Art, Chicago, Illinois, Quantitative Mathematics course, March 11, 1997 Peter Miller Gallery, Chicago, Illinois, landscape and memory, October 11 & 18, 1996 MarciaWood Gallery,Atlanta, Georgia, mythopoeia, an american portrait, August 1, 1996 Northwestern University, Evanston, Illinois, Advanced Painting course, February 22, 1994 Deson-Saunders Gallery, Chicago, Illinois, October 21, 1993 Deson-Saunders Gallery, Chicago, Illinois, April 16 & 18, 1992 Objects Gallery, Chicago, Illinois, April 19, 1988 Ohio State University, Columbus, Ohio, Art 190, native & american topics, April 16 & 18, 1984 Ohio State University, Columbus, Ohio, CS 102, Religious Themes in Literature, native & american topics, November 22, 1983 INTERVIEWS MLKYouth Leadership Day, Elgin Center, JanelleWalker,“crossing the great divide,– standing rock”, January 16, 2017 FNews SAIC Magazine, by Sophie Lucido Johnson, standing ground at standing rock, January 18, 2017 ChicagoTribune, by Heidi Stevens, artist assist standing rock, January 3, 2017 KYW News Radio 1060, Philadelphia, Pennsylvania, taking measure across america, August 9, 2010 Fox/NBC, Philadelphia, Pennsylvania, taking measure across america, August 9, 2010 WGRZ NBC Buffalo, NewYork, taking measure across america, July 28, 2010 WTTW, Chicago, Illinois, arts across illinois, looking for lincoln, June 19 & 21, 2009 WFLD-Fox News...

Exquisitely painted with delicate line work and a subdued color palette, this Chinese scroll painting is an early 20th century reproduction of a famous...

Artist Commentary: Paired with "Conversation Piece (erect)" this work was inspired by childhood memories of formal dinner parties in our split-leve...

Facial expressions are used to convey information from one person to another. Here the viewer has a sense of how the artist feels about celebrating his 80th birthday. A master with vine charcoal, David Becker uses it with precision. With a rich range of value and strong darks, Becker captures his own fine details with exacting clarity. This piece is floated and framed with a simple wooden frame. David Becker Self Portrait at 80 vine charcoal on paper 35.75h x 25w in 90.81h x 63.50w cm DB0031 David Becker Exhibitions 2017 Figure8, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions. Raya, like every productive artist, is a collection of actions, utopias and talents. He is an acrylic painter and a muralist; an installation artist and a practitioner of the theory of the fragment as a synthesis of the whole; he is Chicano but his work has no passport; he is an obsessive self-portraitist (I, as the multiplicity locked within the I) and his an advocate of his community (in the fullest sense of the world); his is from Chicago and - being a nation onto himself - is a native of his art education; his yearns for the Tijuana of tomorrow while being a full-fledged inhabitant of the Tijuana of half a century back; he admires high-tech while being a fan of Frida Kahlo. --Carlos Monsivais...

The female figure in Oliver Benson's "Maid of Agora" is drawn in exquisite detail. On the reverse side, the artist has drawn another female figure. The artwork is not framed. Ple...

This painting, like each of the paintings in the Purple Dawn series, is based on an earlier work that was lost or destroyed in the course of time. Feeling that I wanted to finish wha...

The colorful paintings of Jan Pieter Fokkens transport us to distant worlds beyond our comprehension. Within seemingly infinite networks of lines, dots, and crosses, he decodes the r...

Art Shay Brooklyn: Brothers, 1952 silver gelatin print 24.25 x 20.25 framed ASY104 Art Shay photographed the community of Brooklyn, IL for Ebony Magazine, 1952. These photographs a...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Birch,” this small-scale oil painting depicts a young birch sapling against an olive wood board. Restricting the composition to only a portion of the trunk, Surdo focuses on qualities that make the tree memorable - its narrow trunk...

The sun tries to peak through the cloud filled sky as it casts a yellow hue to the horizon. The reflection is seen on the pond below adding to the serene calm of this original oil p...

Also known as the Great Northern Railway disaster and Americas deadliest avalanche. After days of traveling west and passing through the 2.6 mile Cascade Tunnel, the GNR passenger train was trapped by snow at the tiny town of Wellington Washington in the Cascade Mountains. For 6 days the passengers survived on the train while railmen worked dauntlessly through continuous avalanches to clear the tracks ahead towards the next town. Fearful of the snow looming over them on the mountain above, the passengers were assured that they were safest where they were. The weather was severe and eventually an avalanche swept the GNR passenger train and a mail train off the tracks towards the river below, resulting in 96 deaths and 23 surviving injured. Eric Edward Esper Wellington, Washington Avalanche of March 1, 1910 oil on canvas 38h x 26w in 96.52h x 66.04w cm EEE018 Eric Edward Esper After obtaining my BFA in Illustration from Northern Michigan...

Cooking the Goose by Patty Carroll presents a chaotic scene. A woman is stuck in an oven, her arms reaching out from the burners and legs kicking out...

"Reticent" by Rick Sindt is a small graphite drawing of two figures. This deceptively simple drawing is very powerful in its beauty and intimacy. The graph ...

The sun peaks though the hazy clouds in this serene Midwestern landscape as only Ahzad Bogosian can capture. This tranquil landscape, devoid of a...

Matheus is greatly influenced by the city he now calls home -- New York has long been the epicenter of fashion, hip hop, and street art, where he feels his interest in contemporary art, architecture, and interior design has grown exponentially. With this influence, he produced his first solo exhibition and debuted his signature series, Caras e Cores, at Avant Garde Gallery...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Chinese scholars used natural imagery and scenery to aid in contemplation within the walls of their studios. The complex beauty inherent to landscapes and natural forms inspired clea...

This portrait portrays a woman from the Pacific Islands who has a regal manner. My portraits combine elements of realism and abstraction. The woman is presented in profile in a rea...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. In “Furbelow I,” Thompson arranges scraps of Japanese silk to form a patchwork of contrasting pattern and color. Placed with balanced asymmetry, the panels of deep indigo and sheer silk create a dark, moody atmosphere reminiscent of a night sky. Gradients of light to dark evoke soft, moonlit clouds and delicate pine branches appear as forked bolts of...