Fairfield County - Mixed Media

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Camael Oil, graphite, sand, dry pigment on paper, laid canvas 47" x 35" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...

wood clothespins, wire

"Lyric Space" Korean silk fabric and handmade ramie threads, maple floater frame. This contemporary silk textile piece is by Korean fiber artist, Shin You...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Series: Neon 24" x 24" x 13.75" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Series: LIPS & LOVE 22" x 24" Edition of 6 David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality,...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

silver brazed stainless steel/mixed colored plexiglass

Spanish Windows IV Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

Series: Neon 15" x 60" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of the...

Series: Neon 15" x 60" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of the...

Series: Neon 40.5" x 53.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Series: Neon 30" x 40" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of the...

Series: Neon 10" x 60" x 7.5" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of t...

False Bar II Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily i...

Did You See the Moon Tonight? Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in ...

Mirror to the Sun IV Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

Zapata Tylose and Burlap On Canvas 30" x 40" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing the use of...

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Watching the Ocean Bend II Oil, acrylic, muslin on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painti...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Adaizan Oil, Marble Powder, Asphalt, Burlap On Canvas 73.3 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

white willow, silver plaited pins

In My Garden at Night Oil, Collage On Canvas 34" x 30" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing ...

Taysha Oil, Marble Powder, Asphalt, Burlap On Canvas 73.25 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Roots Go Deep by Sherry Karver is a 16x20 one of a kind artwork created with photo images, jigsaw puzzle pieces, oil, resin on Wood Panel. It is part of the Missing Pieces of the Pu...

"Three Chairs" (Triptych) steel mesh, gold, silver and background rust steel board, 35" x 42 1/2" x 2", 2010. This three-piece mixed media textile work was done by artist, Jin-Sook ...

"Shop" James Bassler, brown paper Trader Joe's shopping bags, cut and twisted, with yellow and red waxed linen thread, 16" x 11" x 5", 2009. "Shop", by ...

cotton twill tape, thread, wood spring clothespins

Sounds of Serenity is an abstract painting filled with blue, white and yellow by Australian artist, Jill Morton. It is 40 x 30, acrylic on canvas. It is filled with a range of colo...

old cotton, rayon ribbon, thread, miniature wood clothespins

"Cradle to Cradle" apple, commercial wood, screws, 16" x 30" x 30", 2007. This mixed media sculptural vessel was done by San Francisco-based artist, Gyöngy Laky...

Jacquard woven silk, silver leaf

This contemporary mixed media piece is made with mixed media on a circular mirror. Deep blue-grey color has been applied over the mirror, giving it a painterly aesthetic but also allowing for mirror to continue to show through. The mirror base reflects its surroundings and changes color in alternating light. It hangs beautifully and safely with a wooden cleat, giving the illusion that the work is almost floating on the wall. "'Moon Series' is a collection of works all created in the shape of a circle," the artist says. "I was drawn to the magic of this shape. It has no beginning or end, and no divisions, making it the perfect symbol of completeness. Each uniquely different in the use of color, composition and nature of experience it brings while standing in front it. I like the idea of interactive art...

Eva Vargo fuses paper and linen-thread materials into her weaving techniques. No. 55 (Book of Changes) was hand woven with linen, thread, paper strings and g...

Collage of snippets of numerous celebrities creating a puzzle of a dozen faces of distinction. Framed. Mike Tesch was a legendary Madison Avenue advertising creative who created uniq...

This abstract painting by Roger Mudre features an earthy palette, contrasted by greys and blue accents. Imperfect circular shapes are organically layered over one another. The painti...

"Wild in the Woods" fiber, wood, mixed media, 40 x 11 x 16, 1997. This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing te...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Football "The Perfect Fit: Shoes Tell Stories “, mixed media, 7.5” x 13” x 4”, 2006. This mixed media sculpture was done by American fiber artist, Norma Minkowitz...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Sacred geometry is the tool that I use most in the Unity series to explore our relationship to the Divine and to the power and process of creation. Sacred geometry can be seen almo...

Continuing on with the Unity series I am starting to feel even more connected to the theme which seems to unite us all. Looking at cultures and spiritual traditions from around the ...

Another area of focus while exploring the number 3 has been the three centers within the body for creation; the mind, the heart, and the groin/sexual center. From the power center o...

The Unity series is best described by a short story found in the introduction to author Don Miguel Ruiz’s book The Four Agreements. Three thousand years ago there was a [man] just...