Fairfield County - Mixed Media

Series: LIPS & LOVE 22" x 24" Edition of 6 David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality,...

Continuing on with the Unity series I am starting to feel even more connected to the theme which seems to unite us all. Looking at cultures and spiritual traditions from around the ...

In dealing with numbers and geometry there is a lot of symbology at every turn. The equilateral triangle when facing upwards is the symbol of the element of Fire. The number 3 indi...

Another area of focus while exploring the number 3 has been the three centers within the body for creation; the mind, the heart, and the groin/sexual center. From the power center o...

"Sat Chit Ananda" My soul is free from all restrictions My soul has spontaneous knowing My soul exists in complete fulfillment/bliss "Sat Chit Ananda" is a sutra that describes the ...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Did You See the Moon Tonight? Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in ...

Spanish Windows III Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in th...

Series: Neon 40.5" x 53.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

made of silk and wood

Series: Neon 10" x 60" x 7.5" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of t...

Series: Neon 40.5" x 53.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Series: LIPS & LOVE 22" x 24" Edition of 6 David Drebin’s “Lips & Love” etching on crystal starfire glass are limited-edition masterpieces that add desire, love, sensuality,...

Zapata Tylose and Burlap On Canvas 30" x 40" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing the use of...

"Folded Form I", steel mesh, painted, electroplaited, gold and silver leaf, 12 1/4" x 12 1/4" x 12 1/4", 2004. This abstract geometric wall sculpture was done by fiber artist, Jin-S...

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

24 Hours at Sea Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the me...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Watching the Ocean Bend II Oil, acrylic, muslin on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painti...

I want to know how the past lives in the present. When I use cut-outs from old books and maps, I’m aware that their meaning is from another time period, so that meaning therefore liv...

Untitled (Burnt Orange) Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primar...

False Bar II Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily i...

photo collage, screen print, impressed silver leaf on handwoven kasuri silk

wood clothespins, wire

"Wild in the Woods" fiber, wood, mixed media, 40 x 11 x 16, 1997. This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing te...

white willow, silver plaited pins

Tom Pfannerstill recreates trash he finds - he then hand paints on wood - painted on carved basswood. These are carved wood sculptures and hand painted. There is no collage - it is ...

In My Garden at Night Oil, Collage On Canvas 34" x 30" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing ...

Taysha Oil, Marble Powder, Asphalt, Burlap On Canvas 73.25 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

A striking and unique abstraction by abstract expressionist, Cleve Gray. His works on paper translate very well as he carefully chose his papers and combined ab-ex action painting w...

Spanish Windows II Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

Eva Vargo fuses paper and linen-thread materials into her weaving techniques. No. 55 (Book of Changes) was hand woven with linen, thread, paper strings and g...

nylon and stainless steel

nylon and stainless steel

lacquered Chinese newspapers

"Shop" James Bassler, brown paper Trader Joe's shopping bags, cut and twisted, with yellow and red waxed linen thread, 16" x 11" x 5", 2009. "Shop", by ...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Only Elephants Should Wear Ivory by Kimber Berry, is a colorful, Acrylic and Mixed Media painting on Canvas, 36x36. This is a layered, dimensional and very contemporary painting. I...

Kimber Berry, Liquid Landscape 092708, is an Acrylic and Mixed Media abstract painting on Canvas, 36x60. This is a layered, dimensional and very contemporary painting. It is filled...

old cotton, rayon ribbon, thread, miniature wood clothespins

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

R/E/A Ryan Cronin Oil-Based Pastel on Paper (ND) 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The ...

Happy Holidaze Ryan Cronin Sharpie on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, ...

Tow Truck Ryan Cronin Paint on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, almost ...

Jacquard woven silk, silver leaf

Low Tide Ryan Cronin Oil Pastels on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, al...

Chainsaw Ryan Cronin Oil Pastels on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, al...

Mt Moped Ryan Cronin Oil Pastels on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, al...

Bunny Ryan Cronin Oil Paint, Wood, and Fiberglass 52" (Height) x 25" (Width) x 12.5" (Depth) When people look at his work Cronin wants them to feel an immediate impact, even if they...

Love Can Fly Ryan Cronin Oil Paint on Board 48" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, al...

When it Rains it Pours II Ryan Cronin Oil Paint on Board 30" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them...

The Elk Ryan Cronin Oil Paint on Board 34" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, almost ...

This contemporary mixed media piece is made with mixed media on a circular mirror. Deep blue-grey color has been applied over the mirror, giving it a painterly aesthetic but also allowing for mirror to continue to show through. The mirror base reflects its surroundings and changes color in alternating light. It hangs beautifully and safely with a wooden cleat, giving the illusion that the work is almost floating on the wall. "'Moon Series' is a collection of works all created in the shape of a circle," the artist says. "I was drawn to the magic of this shape. It has no beginning or end, and no divisions, making it the perfect symbol of completeness. Each uniquely different in the use of color, composition and nature of experience it brings while standing in front it. I like the idea of interactive art...

This abstract painting by Roger Mudre features an earthy palette, contrasted by greys and blue accents. Imperfect circular shapes are organically layered over one another. The painti...

Football "The Perfect Fit: Shoes Tell Stories “, mixed media, 7.5” x 13” x 4”, 2006. This mixed media sculpture was done by American fiber artist, Norma Minkowitz...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...