Fairfield County - Mixed Media

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Chainsaw Ryan Cronin Oil Pastels on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, al...

Mt Moped Ryan Cronin Oil Pastels on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, al...

Low Tide Ryan Cronin Oil Pastels on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, al...

Bunny Ryan Cronin Oil Paint, Wood, and Fiberglass 52" (Height) x 25" (Width) x 12.5" (Depth) When people look at his work Cronin wants them to feel an immediate impact, even if they...

When it Rains it Pours II Ryan Cronin Oil Paint on Board 30" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them...

Love Can Fly Ryan Cronin Oil Paint on Board 48" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, al...

The Elk Ryan Cronin Oil Paint on Board 34" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw, almost ...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Art history has always been a source of inspiration. Since 2010 she has been specifically interested in investigating Tibetan Tangkas. Visiting key collections nearby at the Newark Museum, the Metropolitan Museum and the Rubin Museum repeatedly studying their structure and content. Pat Lay has used computer data and computer parts...

A Monument for Ice takes the vastness of glaciers and presents a monument that asks the viewer to look into rather than look out to the subject. It becomes ahypothetical tribute to i...

Tom Pfannerstill recreates trash he finds - he then hand paints on wood - painted on carved basswood. These are carved wood sculptures and hand painted. There is no collage - it is ...

Tom Pfannerstill recreates trash he finds - he then hand paints on wood - painted on carved basswood. These are carved wood sculptures and hand painted. There is no collage - it is ...

"Deviation" Gyöngy Laky, apple, acrylic paint, screws, 30" x 60" x 2.5" (installed), 2020. This contemporary mixed media wall sculpture was done by San Fr...

This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). Minkowitz mixes her own interlacing technique with the...

"Three Chairs" (Triptych) steel mesh, gold, silver and background rust steel board, 35" x 42 1/2" x 2", 2010. This three-piece mixed media textile work was done by artist, Jin-Sook ...

"Lyric Space" Korean silk fabric and handmade ramie threads, maple floater frame. This contemporary silk textile piece is by Korean fiber artist, Shin You...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

Fish Light #34 48 x 22.5 x 3.5 D Mixed media on Plexiglas with LEDs When lit, the colors intensify and have a warm glow. Frank Hyder has participated in more than 150 group shows and has had over 80 solo exhibitions throughout North, South and Central America, including 10 individual exhibitions in New York City. He has been one of the few North Americans to have solo museum exhibitions in Venezuela at the Museo de Arte Contemporaneo de Caracas Sofia Imber (MACCSI), and Museo Universidad de Los Andes . Other solo museum exhibitions include the Pennsylvania Academy of Fine Art’s Museum of American Art, the Carnegie Museum in California, the La Salle Museum of Art in Philadelphia, and the National Museum of Catholic Art...

This minimalist green 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflects inner states. Not a mir...

This painting features a bright and cheerful storefront on a snowy day. A contemporary blend of impressionism and modern day, this canvas is a unique combination of high quality pri...

This beautiful layered floral work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural...

A fabulous composition that is inspiring and uplifting. Technically, it is executed very well with a lot of detail, which shows in our detail shots. This is an artist who is coming...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Artist: Peter Max (1937) Title: Two Sages Year: 1997 Medium: Acrylic, lithograph on Arches paper Size: 12 x 14 inches Inscription: Hand signed Notes: Published, printed by Via Max, N...

TIDEPOOLS Series: “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the larger cycle of ...

TIDEPOOLS Series: “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the larger cycle of ...

TIDEPOOLS Series: “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the larger cycle of ...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

Born in Mexico City in 1953, artist Noé Katz lives and works in the U.S., and his paintings and sculptures can be found around the world. He received his formal training at the Schoo...

hook-and-loop fasteners on wood

This beautiful blue and white dimensional butterfly piece is made of wood panel, butterflies, acrylics and bioresins. The artist, Kristina Grace, re...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

This minimalist dark pink 3D wall piece is by Barry Katz. He creates pieces that allude to the artist looking into a mirror. And in particular, one which reflects inner states. Not a...

This is a set of 13 works, each 10 1/2 x 3 1/2 inches. The overall size of the set as shown in the photo is 64 x 64 x 3 1/2 inches. The works are made of aluminum with gloss paint...

The medium of this KX2 diptych is aluminum with oil on canvas KX2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematica...

Burned pieces by Paul Chojnowski. I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the s...

Mixed media on paper, mounted. This work needs to be framed.

Series: Neon 15" x 60" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of the...

Series: Neon 48" x 40.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of t...

Series: Neon 18.5" x 57.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Series: Neon 18.5" x 57.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Series: Neon 40.5" x 53.5" x 6" -Edition of 9 "Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts o...

Series: Neon 15" x 60" x 6"- Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of the ...

Series: Neon 40.5" x 53.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Series: Neon 40.5" x 53.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Series: Neon 40.5" x 53.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Series: Neon 40.5" x 53.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Series: Neon 36" x 18" x 6" -Edition of 9 "Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of the...

Series: Neon 18" x 36" x 7.5" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of t...

Series: Neon 18.5" x 57.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Series: Neon 51.5" x 38" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of t...

Series: Neon 40" x 30" x 7.5" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of t...