Fairfield County - Mixed Media

This contemporary abstract painting by Jill haas features a contemporary style, often exploring themes of introspection and emotion through abstract forms and thoughtful color palett...

This textured, Modern Abstract Expressionist painting Stanley Bate features a neutral palette with both warm and cool undertones. Muted blues and reds seem to be incorporated into a ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Artist: Peter Max (1937) Title: Liberty Head Year: 2005 Medium: Mixed Media on archival paper Size: 30 x 24 inches Condition: Excellent Inscription: Signed b...

This abstract fine art mirror by Alina B is made with dichroic film on mirror, and is framed in a champagne-toned frame. The film on the mirror allows for it, and the space it reflec...

Artist: Peter Max (1937) Title: Angel with Spread Wings Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 11 x 15 inches Inscription: Signed in ink Notes: Publishe...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

In this original botanical painting, Jill Haas presents a lush stand of blossoms in layered shades of lavender, violet, plum, and soft pink set against a warm golden ground. Vertical...

Patricia Dahlman was born in Cincinnati, Ohio and studied art at Wright State University in Dayton, Ohio and Yale University Summer School of Art and Music in Norfolk, Connecticut. Dahlman has lived and worked as an artist in Seattle, San Francisco and the New York City area. She has received a New Jersey Printmaking Fellowship to the Brodsky Center, two Geraldine R. Dodge Foundation Fellowships to attend Vermont Studio Center and Virginia Center for Creative Arts, a Puffin Foundation Grant Award for The War and Peace Print Project, a Yaddo Residency, a Gallery Aferro Studio Residency and recently was an artist in residence at SLAK Atelier in Arnhem, Netherlands. Dahlman has exhibited her work all over the United States and has been included in exhibitions at George Adams Gallery...

In this original botanical painting, Jill Haas captures the dramatic elegance of orchids through a bold interplay of saturated color, silhouette, and form. Deep plum and soft lilac b...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

Working in oils layered with cold wax, Julia Maleeva builds paintings through an involved process of painting, drawing, scraping, and reapplying, a technique she describes as a kind ...

This mandala thangka is hand painted on canvas with 24k gold. Different hues of Red,green and White colors blend seamlessly with the shimmering of real gold. The size of unframed can...

In Fifteen on the Farm, Jill Haas arranges florals into a richly layered composition alive with warmth, movement, and graphic clarity. Creamy white blossoms, soft pink forms, and dee...

Artist: Peter Max (1937) Title: Magic Carpet Ride Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 13.75 x 12 inches Inscription: Signed in ink Notes: Published, ...

Vibrant Conversation, horsehair, cotton, linen, 49” x 70” x 6", 2018. This vibrant contemporary abstract textile wall sculpture was done by textile artist, Marianne Kemp (b. 1976, W...

This contemporary abstract painting by Karin Olah, titled Chambray Sea 12, captures the quiet drama of an ocean horizon beneath a luminous sky. The composition layers acrylic paint a...

This large abstract fine art mirror by Alina B is made with dichroic film on mirror, and is framed in a champagne-toned frame. The film on the mirror allows for it, and the space it ...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

flax, silk, polyester

Artist: Peter Max (1937) Title: Angel with Spread Wings Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 15 x 11 inches Inscription: Signed in ink Notes: Publishe...

Artist: E.M. Zax Title: $100 Year: 2023 Medium: 3D Polymorph Mixed Media on Paper Size: 12 x 28 inches Condition: Excellent Inscription: Signed by the artist (E.M. ZAX) E.M. Zax is ...

Palisades, wool and sisal, 55" x 70", 1992. Contemporary Abstract Textile Wall Sculpture, Woven Tapestry. Anna Urbanowicz-Krowacka (b 1938, Poland) gra...

En Face, Agneta Hobin, mica and steel, 70" x 48", 2007. This 7-piece mica and steel hanging installation and sculpture is by Finnish artist, Agneta Hobin...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 9 x 12 inches Inscription: Signed in ink Notes: Published, printed, ...

Artist: Peter Max (1937) Title: Superbly Free Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 11 x 15 inches Inscription: Signed in ink Notes: Published, printed...

This abstract fine art mirror by Alina B is made with dichroic film on mirror, and is framed in a champagne-toned frame. The film on the mirror allows for it, and the space it reflec...

This abstract statement painting by Roger Mudre features a warm red and yellow palette and light layers of circular shapes arranged in a larger circle at the center of the compositio...

This large abstract fine art mirror by Alina B is made with dichroic film on mirror, and is framed in a champagne-toned frame. The film on the mirror allows for it, and the space it ...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Mixed media on canvas 48" x 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing the use of industrial ...

Jinni Oil, bitumen, graphite, marble powder, burlap on canvas 63" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of pa...

Artist: Peter Max (1937) Title: Better World Year: 1998 Medium: Acrylic, lithograph on Arches paper Size: 14 x 12 inches Inscription: Hand signed Notes: Published, printed by Via Max...

Jill Haas’s original botanical painting reimagines the peony as a bold, contemporary study in color, shape, and form. Layered hues of pink, lavender, plum, and green unfold across th...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

piece is made of rayon and aluminum

Spanish Windows II Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

photo collage, screen print, impressed silver leaf on handwoven kasuri silk

Artist: Peter Max (1937) Title: Flag Year: 1997 Medium: Acrylic, lithograph on Arches paper Size: 12 x 14 inches Inscription: Hand signed Notes: Published, printed by Via Max, New Yo...

A Tie as Wide as Ryan Cronin Oil Paint on Board 48" x 38" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw...

Untitled III Ryan Cronin Oil Pastels on Paper 30" x 22.5" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. The raw...

Box of Strings Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Mixed media on panel

nylon and stainless steel

Aquaessence 48" x 60" CANTICLES Series: “[These] are my Chants, my sacred songs of contemplation about my experience in painting the mystery within the Tidepools. These works hav...

made of silk and wood

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Roses By The Sea by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 16x16x2filled with bright colors and dimension. It is on a wood frame and wi...

Untitled (Blue) Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 30" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Series: Neon 40.5" x 53.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Middle Ground Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

cotton twill tape, thread, wood spring clothespins

nylon and stainless steel

woven wool

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

I Heart Roller Skate Ryan Cronin Oil Paint on Board 40.5" x 48" When people look at his work Cronin wants them to feel an immediate impact, even if they’re not sure what hit them. T...

Mixed media on panel

TIDEPOOLS Series: “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the larger cycle of ...

This beautiful blue and white dimensional butterfly piece is made of wood panel, butterflies, acrylics and bioresins. The artist, Kristina Grace, re...