Florida - Art

In this series the artist found that the rocks were so round that they looked like prehistoric holes, each one telling a story and reflecting a bit of her soul. Mauricio Velez's pho...

The metallic Pinocchio, which was chosen by the European Cultural Institute to participate in the Venice Biennale in 2019, uses the figure of the Italian puppet and the allegory of t...

Original watercolor and gouache on archival paper by the American contemporary artist Jim Weidle. Signed lower right “J. Weidle”. Condition is excellent. Circa 2000. The artwork is ...

Joseph Kardonne (1911-1985). Nude Woman, 1966. Watercolor on paper, sheet measures 10 x 13.5 inches. Signed, dated and titled lower right. Excellent condition. Born in Newark, New ...

Abstract oil on canvas painting by Ivan Freitas. 25" x 31" inch canvas, framed to 30" x 36". It is signed at the lower right. Bearing a Barcinski Art Gallery label verso and a second label stating that the painting was sold in 1961 at a benefit auction for the Albert Einstein Hospital held at the Museum of San Paulo. Ivan Freitas was a Brazilian Postwar & Contemporary painter and Muralist (1932-2006) Son of muralist Severino Araújo, Ivan started painting as a self-taught artist. His first individual exhibition was at the Public Library, in 1957. With the success of the exhibition, he was able to move to Rio de Janeiro the following year, in 1958, where he came into contact with the work of artists such as Salvador Dali and Rene Magritte who influenced him. Between 1962 and 1963 he resided as a fellow in Paris. Between 1969 and 1972, he was on his second tour abroad, in New York City and commissioned by the International Telephone and Telegraph Corporation. Back in Brazil, he painted a mural of over a thousand square meters on the external wall of the National School of Music in Rio de Janeiro in 1984 - the first of the Arte nos Muros Project. Still in the 70s, he married Dalva Mendes Gall whom he left after his death in 200, an extensive collection where one can find all the best works of this renowned Paraiba artist in Brazil and abroad. The stay in New York, from 1969 to 1972, was perhaps the greatest turning point in Ivan's career. Until then, according to art critic Roberto Pontual, the plastic artist followed "a phase of abstraction close to the informal". In the United States , with so much technological influence around him, Ivan becomes interested in the machine and its movement mechanisms and inserts these perceptions in his works, as kinetic constructions with small motors hidden in boxes as Pontual defines, and also and triggering light patterns in cyclic and repeated series. (similar to the Op Art works of Julio le Parc and works by Yves Tinguely being shown at Rene Denis Gallery in Paris In 1968, the magazine Galeria de Arte Moderna (GAM), published an article entitled Ivan Freitas and the Cosmic Space. In the Brazilian Dictionary of Plastic Artists , the Italian art critic Giuseppe Marchiori refers to Ivan Frentas as someone who "controls and dominates each part of the painting with a desire to deepen the image that surprises and enchants". Still according to the critic, Ivan is someone who preserves the mystery in the harmony between lines and the colorful atmosphere, where he creates pauses and rhythms for the reading of his "secret structures". Arte Neo Concreta artists Lygia Clark, Helio Oiticica and Lygia Pape, were all contemporaries The poet Ferreira Gullar writes: "Freitas does not turn to the subjective world, does not inquire into the arcana of the unconscious; he inquires into the future and, in the solitude of his paintings, promises us a serene and orderly world. And, if in his landscapes man does not appear, it is not that this order excludes him - it is that he has not yet reached it. " Selec Solo Exhibitions 1957 - João Pessoa Public Library; João Pessoa, PB. 1960 - Ivan Freitas: Painting Exhibitions , at the Penguin Gallery; Rio de Janeiro - RJ. 1961 - MAM-BA , Salvador , BA. 1962 - Rubbers Gallery; Buenos Aires , Argentina . 1962 - La Cabana Galeria; Trieste , Italy . 1962 - Brazil-United States Cultural Institute; Rio de Janeiro - RJ. 1962 - Brazil-Uruguay Institute; Montevideo , Uruguay . 1962 - Barcinski Gallery; Rio de Janeiro - RJ. 1963 - Galleria Del Canale, Naples , Italy. 1963 - Ivan Freitas: Paris 1963, at the Barcinski Gallery ; Rio de Janeiro - RJ. 1964 - Barcinski Gallery; Rio de Janeiro - RJ. 1966 - Relief Gallery; Rio de Janeiro - RJ. 1968 - Relief Gallery; Rio de Janeiro - RJ. 1969 - Pan American Union; Washington , United States. 1971 - Miramar Gallery; New York, United States. 1971 - Bloomingdale's Art Gallery; New York, United States. 1973 - Individual, at Galeria Bonino; Rio de Janeiro - RJ. 1973 - Galeria Collection; São Paulo , SP. 1974 - Ivan Freitas: Paintings / Objectives , at the Rio de Janeiro Art Exchange; Rio de Janeiro - RJ. 1975 - Arte Global Gallery; São Paulo-SP. 1976 - Ivan Freitas: Paintings / Space / Movement , at Galeria Ipanema; Sao Paulo-SP. 1977 - Paulo Prado Gallery; Sao Paulo-SP. 1978 - Paraíba State Cultural Foundation; João Pessoa, PB. 1979 - Gallery B. 75 Concorde; Rio de Janeiro - RJ. 1980 - Individual, at Galeria do Sesi; Sao Paulo-SP. 1980 - Paulo Prado Gallery; Sao Paulo-SP. 1986 - Ivan Freitas: The Reinvented Landscape , at Galeria Arte Aplicada; Sao Paulo-SP. 1987 - Applied Art Gallery; Sao Paulo-SP. 1989 - Evasion Arte Gallery; Sao Paulo-SP. 1994 - GB Arte Gallery; Rio de Janeiro - RJ. Select Group Exhibitions 1959 - 8th National Salon of Modern Art; Rio de Janeiro - RJ. 1960 - 9th National Salon of Modern Art; Rio de Janeiro - RJ. 1961 - 10th National Salon of Modern Art - jury exemption and critical award; Rio de Janeiro - RJ. 1961 - 6th São Paulo International Art Biennial , at the Ciccilo Matarazzo Pavilion; Sao Paulo-SP. 1963 - Art from America and Spain; Europe . 1963 - 2nd Youth Biennial; Paris, France. 1963 - 7th São Paulo International Art Biennial, at the Fundação Bienal; ; Sao Paulo-SP. 1964 - 2nd Art Summary of Jornal do Brasil, at MAM-RJ; Rio de Janeiro - RJ. 1965 - Current Brazilian Art; Bonn , Germany . 1965 - Current Brazilian Art; London , England . 1965 - 1st Esso Young Artists Salon, at MAM-RJ; Rio de Janeiro - RJ. 1965 - Opinion 65, at MAM / RJ; Rio de Janeiro - RJ. 1965 - 1st Esso Salon of Young Artists, at MAC / USP; Sao Paulo-SP. 1965 - 8th São Paulo International Art Biennial, at the Fundação Bienal; Sao Paulo-SP.* 1965 - Current Brazilian Art; Vienna , Austria . 1966 - 5 Contemporary Painters from Brazil; Buenos Aires, Argentina. 1966 - 5 Contemporary Painters from Brazil; Montevideo, Uruguay. 1966 - 1st National Biennial of Plastic Arts; Salvador BA. 1967 - 9th Bienal Internacional de Arte de São Paulo, at the Bienal Foundation; Sao Paulo-SP. 1968 - 2nd Esso Young Artists Salon, at MAM / RJ; Rio de Janeiro - RJ. 1969 - 7th JB Art Summary, at MAM-RJ ; Rio de Janeiro - RJ. Local de realização:(Brasil / Rio de Janeiro / Rio de Janeiro) Instituição de realização:Museu de Arte Moderna do Rio de Janeiro, Ficha Técnicado evento Resumo de Arte JB Artista participante: Anna Letycia, Darel, Farnese de Andrade, Fayga Ostrower, Flexor, Frans Krajcberg, Ione Saldanha...

Original work of the artist RUZ Ruz. astract. Vertical. blue .black - Abstract Acrylic on paper Painting Perfect state virtual frame While contemplating the painting of Ruz, we are i...

Bright colorful abstract circus scene with balloons. Born in 1941 in Sanandaj, Iran and immigrated to Israel at the age of 17. Elie Abrahami began his study of art at the Avni School...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Raccoon Watching Fish, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Hand signed lower right and bears old Hungarian Gallery label verso. Description of the painting An Orientalist genre scene set in a North African or Middle Eastern desert town at d...

The work is the result of a live guitar improvisation where Krag wore a special suit to paint the instrument while playing it. The body of the guitar got splashes of paint by the mov...

"Chuckle" monoprint in oil with collage, engraving and embossment on handmade paper in bright colors by artist Mel Bochner framed in an open white wooden frame. Signed and dated rect...

Moody landscape punctuated with deer set against a sumptuously colored sky. This work embodies a beautiful color scheme, evident in the treatment of the sky and the large cloud stru...

Ossip Zadkine (French-Russian, 1890-1967), limited edition color lithograph on paper titled La Famille (The Family), depicting intertwined figures in a Cubist-inspired style. The pr...

Here is a rare late 19th Century-early 20th Century painted and stenciled Jewish plate with a Yiddish greeting. A rare piece of Jewish Porcelain from the Pre War era. In a bold black...

Luca Artioli has always been fascinated by Roman Statues. As a child, he wandered through the Imperial Forum creating dialogues between them. For young Luca the statues were alive. T...

Boomerang, 1974 Lithograph in colors on Arches paper Published by Transworld Art, New York, printed by Mourlot, Paris 29.5 x 43.3 inches Signed in pencil, "A.P." apart from the edit...

Charles Rocher (1890-1962. Sailors, ca. 1920s. Gouache on paper. Sheet measures 19 x 25 inches. Considerable damage and loss as depicted. Signed lower left.

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

"Summertime", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube from Fort Lauderdale, Florida. Ch...

From The British mandate Pre State of Israel Palestine Period. Eliahu Sigad (Eliyahu Sigard), painter, born 1901, Lithuania. Founder of Israeli Painters' Association. Educated in Eur...

Elisee Maclet (French, 1881-1962), Oil painting on canvas Hand signed "E. Maclet" lower right. Presented in a carved giltwood frame with linen liner Dimensions: 28 X 31.5. Work Si...

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Fabulous illustration depicts a costume for Mae West in Broadway production of Diamond Lil, 1951.. Gouache on illustration board, image measures 10.5 x 16.5 inches; 15 x 22 inches ...

This photograph by Araquém Alcântara offers a luminous testament to Brazil's untamed beauty, rendered with the masterful clarity and profound sensitivity that define his celebrated b...

Museum quality painting of Sagg Pond in Sagaponack, New York by the well known American artist, Robert Dash. Longview of Sagg Pond, farmland, dunes and the Atlantic Ocean beyond. Signed lower right. Condition is very good. Overall framed in custom brown/black floating frame 61.5 by 74 inches. Born in downtown Manhattan in 1934 Robert Dash was home schooled for most of his young life due to ongoing illnesses. Never formally studying painting, he developed a strong interest in the abstract expressionists, particularly De Kooning, in college. He attended the University of New Mexico in Albuquerque, in part to escape the city. After college he spent a year in Italy and upon returning to New York City worked for Arts and then Art News, while painting at night. He had his first show in 1960. Since then, he has painted, written and gardened near Sagg Pond on eastern Long Island, at residence among the changeable celebration of plantings, paths, views and architectural expressions of Madoo, a much-admired garden conservatory of his own making. A longtime Hamptons...

Passé Blanc, 2002 Artwork is titled in Pencil Betye Saar Serigraph (Hand Printed Silkscreen) on rice paper 51" × 27" P.P. (Printer's Proof), believed to be the only Printer's Proof E...

Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the object. This series is composed of more than 30 photographs and the stories that connect them, which oscillate between fiction and reality. The artistic work of Paloma Castello, giving life or a different narrative to the past of an object. She is interested in playing with memory and relating it to the present, creating an atmosphere between reality and fiction. Castellos' family and social origins have a powerful influence on her work. She grew up surrounded by objects and anecdotes inherited from her ancestors that inspire endless surreal stories. Her work arises from these experiences; They are evidence of her “autofiction.” Paloma Castello presents us with a work full of nostalgia. Her artistic work represents the soul of her proposal: inherited objects discovered or found that have become the tip of the iceberg of her past. They are elements that she collects, remembers and then classifies following a method that frames her anachronistic attitude that shows the youth of her art. It also shows that experimentation on herself is common for an artist just starting her career. Without a doubt, this resource, valid and true, becomes the path that determines the author's experimental character. From the series Castelolland 34 Castelloland digital photographs...

Joan Miro (1893-1983) - Dans la rivière basse (In the Low River) Lithograph from 1967. The edition of 99/100 on Arches paper with full margins. Dimensions of sheet: 31.1 x 23.2 cm...

“Love is in the Air”. Nude couple in embrace. Original drawing with blue ultramarine tempera on paper. Size 27.5x19.5in / 70x50cm . Shipped rolled in a tube, well packed, from Florida. This particular piece is in my studio in Fort Lauderdale, Florida. Other pieces are in my other studios in Europe, or in NY. "Love is in the Air" is a deeply romantic and dynamic piece that introduces a fresh energy to the artist’s series. The depiction of a couple in an embrace, set against the context of a beach, departs from the more introspective and solitary works we’ve seen, celebrating connection, movement, and passion instead. The use of ultramarine on ochre paper enhances the emotional resonance, with the warm-toned background adding a sense of vitality and balance to the cool blue tones. The ochre background imbues the piece with a sunlit, earthy warmth that contrasts beautifully with the intensity of ultramarine. This palette evokes the ambiance of a beach—sun, sand, and the vast blue expanse of the sky and sea—further immersing the viewer in the setting. The artist's characteristic loose, gestural brushstrokes create a sense of movement and spontaneity that perfectly captures the physical and emotional energy of the embrace. The drips and splatters add vibrancy and suggest the spray of waves or sand kicked up in the moment. The composition is full of life and movement. The way the man holds the woman, lifting her off the ground, conveys a sense of weightlessness, joy, and passion. Her suspended position, with one leg slightly bent and her body leaning toward him, gives the piece a romantic fluidity. Their embrace and the kiss...

This image of the nation's Capital in Washington D.C. Is meant to entice passengers, during a time of national patriotism after World War II, to travel to our country's roots. The ri...

Born in Paris in 1946 and raised in the heart of an idyllic French countryside near the Loire Valley, Jacques Lamy began painting at a very early age. Jacques completed his formal a...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

This is a striking vintage oil painting on canvas, signed by artist Zizza, featuring a dramatic seascape with a tall ship navigating turbulent waters under a stormy sky. The rich imp...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Original oil on canvas backed on heavy cardstock painting of Rialto Bridge in Venice Italy. The artist is the Venice born artist Loris Vendramin. Signed with artist’s initials lowe...

Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...

Pencil signed and dated, colored Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. his father ...

Joan Miro (1893-1983) - Au portail couvert de neige (At the Snow-Covered Gate) Lithograph from 1967. The edition of 99/100 on Arches paper with full margins. Dimensions of sheet: ...

Fina Miralles (Spain, 1950) 'La magia de la nit', N/A lithograph on paper 27.6 x 20.5 in. (70 x 52 cm.) ID: MIR1346-002-000 Hand-signed by author _______...

This is a bronze cast sculpture by Philip Pavia is part of his series of "Imaginary Portraits from the Club" , a one-man exhibition at Max Protetch Gallery, New York in 1982. The app...

Dick Williams’ spirited World War II poster captures the energy and optimism that defined the American home front during the era of rationing. A wide-eyed woman embraces a colorful a...

Artist: Andy Warhol (American, 1928-1987) Title: "Watermelon" Portfolio: Space Fruit: Still Lifes *Signed and numbered by Warhol in felt pen lower left Year: 1979 Medium: Original Sc...

Erwin Wending 1914-1993 Flower Still Life Impasto Painting Oil on canvas Hand signed lower left Dimensions: Framed 25.5 X 21.5 canvas 20 X 16 Erwin Wending (1914–1993) was a Germ...

Francois "Fanch" Ledan (Born 1949) French American artist Oil on Canvas. Hand signed and dated 2002 Dimensions: overall Size: 25 1/4 x 25 1/4 in. Sight Size: 15 1/2 x 15 1/2 in. D...

This captivating black and white artwork portrays Coco Cha nel reclining gracefully on an ornate chaise longue. Her profile exudes elegance, accentuated by intricate jewelry that dra...

Genre: Surrealism Subject: Abstract Medium: Oil Surface: Canvas Country: France In this surreal composition by Heinrich M. Frama the artist clumps a group of figures towards the mid...

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Stand out abstract painting on canvas with a sophisticated composition of overlapping geometric forms constructed with complex textures and...

Allan Tannenbaum "John Lennon & Yoko Ono 1980" Inkjet print Paper size: 19 x 13 Inches Image Size: 12 7/8 x 8 5/8 Edition Number: From the second edition of 200 Editions: First edition of 200 (C-print Colors, Silver gelatin print - Black & white) 1988 Second edition of 200 - Ink Jet Print (Giclee) - 2000 Third edition of 50 - C-Print & Silver gelatin print - 2007 - 2008 Signed, Numbered, Titled & dated in pencil by the artist. Condition: In Excellent Condition Provenance: All of our Allan Tannenbaum prints come from The Williams Gallery (via William Back) which was the exclusive representative of Allan Tannenbaum from 1980 to 2006 About the John Lennon collection: In November 1980, on the eve of John Lennon's untimely murder by a lone gunman, photographer Allan Tannenbaum had unique and total access to John and Yoko...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani, hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar b...

Very well painted original watercolor on archival paper of potted geraniums with metal watering can and garden gloves. Signed in pencil by the artist Peggy Dressel lower right. The S...

Etching and pochoir in white ink on black paper. Hand signed lower right by Man Ray. Hand numbered 89/100 lower left. Anselmino 87; Slusher 244. Artwork size: 25.25 x 19.75 inche...

Pastel, circa 20th century

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Mimmo Paladino Atlantico Linocut, 1987, hand signed, dated and numbered 12/27 in pencil. Medium: Collagraph and linoleum cut Sheet measures 82 x 29 1/2" inches Parole Torchon pap...

Original off set lithograph in black and white with hand colored tinting by the artist. Artist signed, titled and numbered by the artist 47/250. Condition is excellent. Under glass...

An iconic view of the Twin Towers shortly after completion is depicted with an angelic light that encompasses the buildings and transforms them into golden columns that point up.... ...