Illinois - Art

After 100 years of brutal history at the Ohio State Penitentiary, the botched escape attempt of 3 prisoners caused the deaths of 322 men. On April 21, 1930, a crude wick did not start a planned (by the 3 escapees) fire in 2 empty cellblocks under construction until after 5:00 p.m. when all the prisoners were locked in their cells. At 5:53 p.m., all electrical power went out and the phones went dead. By 6:00 p.m., the roof was engulfed in flames that soon spread to the occupied cellblocks where men were burned alive while locked in their cells. The roof then collapsed, crushing the trapped prisoners. The Ohio militia and guardsmen were called to control the prisoners, but the local fire department was not called until it was too late to control the fire, which blazed until 7:30 p.m. There were many accounts of the heroic efforts of the prison guards, and prisoners alike, who risked their lives attempting to save others. But, unfortunately, in a structure designed to imprison men like this, rescue was difficult. Eric Edward Esper The Ohio State Penitentiary Fire of 1930, 2018 oil on canvas 26h x 34w in 66.04h x 86.36w cm FRAMED DIMENSIONS 30.50h x 38w in EEE009 Eric Edward Esper After obtaining my BFA in Illustration from Northern Michigan University in 1996 I relocated to Chicago to pursue my artistic endeavors. Here, I began exclusively oil painting and have assembled a body of paintings chronicling scenes of Chicago done primarily in plein air. Capturing parts of the city’s landscape during its cultural evolution had been my way of conveying history as a painter. My fascination with landscapes and history has led me to create oil paintings of scenes that have affected us in dramatic ways. Recently I have begun painting aerial views of locations that have interesting historical significance, encapsulating true stories that are hard to imagine and harder to forget. My latest paintings capture these places and depict them with historically accurate attention to detail. Using various sources I recreate these scenes with as many photographs of every angle of the incident and research the stories, submersing myself in the event. My newest body of paintings depicts events with a more historically tragic significance, depicting scenes of the darkest hours in America’s Midwest history, where the landscape became the backdrop for tragedy and calamity. These events that irrevocably altered so many lives are important to remember, not only for the people lost and how it affected our culture, but also to remind us that disaster can occur at any time, anywhere. Eric Edward Esper EDUCATION 1995 BFA, Illustration, Northern Michigan University, Marquette, Michigan SELECT EXHIBITIONS 2013 Chicago Catastrophes, Conflagrations, and Calamities, Solo show, Linda Warren Projects, Chicago, Illinois 2012 Group show, Metropolitan Capital Bank, Chicago, Illinois 2012 Ten year anniversary show, Sulzen Fine Art Studio, Chicago, Illinois 2010 Group show, Concordia University, River forest, Illinois 2009 Holiday Show, Sulzen Fine Art Studio, Chicago, Illinois 2008 Somewhere, Elsewhere, Group show, Linda Warren Gallery, Chicago, Illinois 2008 Scene in Chicago, Group show, Judy Saslow Gallery, Chicago, Illinois 2007 Holiday Show, Sulzen Fine Art Studio, Chicago, Illinois 2007 Cityscapes, Solo Exhibition, Oculus Gallery, Chicago, Illinois 2006 Solo exhibition, Meztli Gallery, Chicago, Illinois 2005 Around the Coyote 2005, Biannual Art Festival, Chicago, Illinois 2004 Chicago Art Open 2004, Chicago Artists' Coalition annual exhibit. Chicago, Illinois 2004 Chicago Images, Group show, Frederick Baker Inc. Chicago, Illinois 2004 Around the Coyote Winter Festival, Curator's Choice Show, Biannual art festival, Chicago, Illinois 2003 Landscape Unlimited, Group show, Fine Arts Building Gallery, Chicago, Illinois 2002 Chicago Art Open 2002, Chicago Artists' Coalition annual exhibit, Chicago, Illinois 1998 Shoe Show, Group show, Ariana Gallery, Royal Oak, Michigan 1998 Art and Design Alumni Exhibit, Lee Hall...

Artist Commentary: Exaggerated surreal landscape where a town is divided by fences. The left side is a town, the right side is 'other'. Keywords: Twist, Braid, rolling hills, desert...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...

"Pause" by Rick Sindt is a small graphite drawing of two male figures - one gazing directly at the viewer. We, the viewer, seem to be interrupting this i...

Artist Commentary: This is an original acrylic on canvas floral still life painting. Keywords: flowers, still life, roses, red, white, home, serene, home Artist Biography: Born an...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the model balances next to a midcent...

Human facial expressions help convey our stories from one person to another. However, David Becker presents this charcoal drawing with a flair for confusion. Throughout his career,...

An offset lithograph, WWII-Era Pullman Company Poster "Moving Troops and You" in its original frame! Image size: 26 1/2" x 20 1/2". Framed size: 28 1/2" x 22 1/2". The Pullman C...

INDIVIDUAL EXIBITIONS albert vidal February. Sala Parés, Barcelona. 2011 October. Gallery Sibman. Paris. 2010 April. Gallery Sibman. Paris. 2009 February. Sala Parés. Barcelona. 2007 June. Uniglavas Gallery. Tokyo. Japan. 2006 May. Sala Pares. Barcelona. 2005 October. Juan Amiano Gallery. Pamplona. 2003 October. Sala Parés. Barcelona. 2002 September - october. Galeria Juan Amiano. Pamplona. 2001 February-March. Sala Parés. Barcelona. 2000 March. Auditorio Municipal. Montcada i Reixac. Barcelona. 1999 January-February. Galeria Tuset. Barcelona. 1995 December. Sala Lola Anglada. Barcelona. 1993 April - May. Sala Albareda. Barcelona. 1991 December. Sala “ Ca N´Amatller”. Molins de Rei Cyty Council. Barcelona. COLLECTIVE EXIBITIONS 2010 40x40. Sala Parés. Barcelona. 2008 December. Sala Parés. Barcelona. 2008 Septembre. 50 years of “Premi Pintura Jove”. Sala Parés. Barcelona. 2008 April. La Cave. Geneve . Switzerland. 2008 March. “Urbe”. Jordi Barnadas Gallery. Barcelona. 2007 February. Nichido Gallery. 42 Showakai Exhibition. Tokyo. Japan. 2006 April. “NYC” , Ariel Sibony Gallery. Paris. 2005 November. Barnadas Gallery. Barcelona. 2004 Sala Parés. Barcelona. 2004 Sala Barnadas. Barcelona. 2002 July. Galeria Gaudi. River North Festival Absolut Vision. Chicago. US 2002 May. ARTEXPO. Sala Parés. Barcelona. 2001 December. Galeria Barnadas. Barcelona. 2001 September-October. Galeria Giart . Girona. 2001 July. Sala "Ca La Pruna" - Pals. Girona. 2000 February- April. Jeunes talents catalans, Maison de la Catalogne. Paris. 1999 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1999 September-November. Realisme a Catalunya. Centre d´Art Santa Mónica. Barcelona . 1999 May. ARTEXPO. Galeria Tuset. Barcelona. 1998 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1998 July-August. Estudi d´Art. Calella de Palafrugell...

The smiling figures in the helicopter, hatching from a frozen crab-apple, have false hopes that they are on a fun adventure, unaware of the imminent danger- they are about the chameleon’s prey. Fortune can turn on a dime. Such is the subject of Christopher Klein...

Cobb Hall at the University of Chicago was designed by architect Henry Ives Cobb, and is the oldest building on campus. Cobb modeled his designs after the Gothic style of architectu...

The dramatic, rich markings left by charcoal appear in the earliest primitive cave painting of early humans, which are believed to have been drawn with the charcoal created from burnt sticks. Of the various kinds of charcoal available today, David Becker often chooses vine charcoal which provides a smooth, softer line. Able to produce lines with either a subtle or strong quality, charcoal is wildly versatile, allowing Becker to approach texture, shading and tone with ease. He is able to capture both gestures and emotions with an intuitive mixture of the soft and the dark. David Becker Reflection #1 charcoal on paper 36h x 25w in 91.44h x 63.50w cm DB0009 David Becker Exhibitions 2017 Figure8, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

This vintage silver gelatin print from Art Shay shows a football game between the Green Bay Packers and the Detroit Lions. Famed GB quarterback No. ...

Oil on canvas. In very good condition with bright colors. No signature. Label on verso. Provenance: Manufacturers Hanover Trust Company, New York, with the label verso; private col...

Considered one of the greatest guitarists of all time, this black and white photograph of Buddy Guy was taken by Art Shay in 1966. In 2016, Buddy Guy chose this photo for his 80th birthday celebration poster. It is signed on the front of the image. It is matted in a heavy mat and framed in a black metal frame. It measures 25.5h x 19.5w inches. Art Shay Buddy Guy, 1966 archival pigment print 19h x 13w in 48.26h x 33.02w cm ASY177 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel...

The Mythical tree of life extrudes from the body of a Christian tortured by the thought that pagan religions, represented by the double-headed snake may hold some truth. The tree is playing Brahms's Lullaby in an attempt to calm the subject's troubled mind during his epiphany - discovering the other religion is his. Christopher A. Klein The Duet oil on panel 13.50h x 11.50w in 34.29h x 29.21w cm CK0001 Christopher A. Klein b. 1954, Washington DC Christopher Klein...

"Talavera Series #1" New Mexico - June 24, 2022 Original Work Image Size: 17" x 14" in Framed Size: 25.75” x 28.75 x .5” in Signed on the bottom right hand corner by the artist. ...

"Talavera Series #1" New Mexico - August 2020 Original Work Image Size: 17" x 14" in Framed Size: 25.75” x 28.75 x .5” in Signed on the bottom right hand corner by the artist. C...

Aeling’s Minnesota works reflect his long engagement with the northern Midwest, where wetlands, ponds, and rolling farmland create a quieter but no less captivating atmosphere. In th...

Polychrome Gel #7 is an oil painting on canvas with a canvas size of 12 x 24 inches, signed, titled and dated on the overlap verso, 'Ben Weiner Polychrome Gel #7 2019'' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. "The Gel Series presents a virtual environment that is in flux. Based on hair gel, a material that is physically malleable and visually enticing, it has the ability to change one’s physical appearance. In an abstract manner, the painting reflects our current global environment, subject to constant, dramatic change and rapid development- on the one hand through humanity’s ability to alter the face of the earth according to its ideas; on the other through changing environmental conditions and natural disasters". - Ben Weiner Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

This one of a kind painting is done in acrylic. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight difference in tone. . Th...

I was inspired to paint this piece from an old pasture that I visited years ago, on a remote back road in the Heartland. I depicted this quiet scene on an overcast day, where sounds...

In Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. Painted with blue, orange, and r...

paper and ink on cloth covered and gessoed board 6 x 9.5” 2009 signed by artist

This one of a kind painting is done in acrylic on paper. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight difference in t...

Since the 12th century people in China have used folding screens and doors to partition and decorate their homes—the vivid scenes backing the screens added life and color to a room. ...

Mixed media painting on the cradled wooden panel. Painting is 12"x6". The sides are 1.5" . The sides are painted black. Bold, Brave, Expressive! :: Painting :: Abstract :: This pi...

Untitled Vessel (INV# NP3503) Richard DeVore stoneware and glaze 3.25 x 5.75 x 6” date unknown mid century modern Provenance- "ACCUMULATIONS: NOW" at the LongHouse Reserve Richard ...

Color aquatint and etching. Signed and numbered 10/75 in pencil, lower margin. Printed and published by Maeght, Paris. Catalogue reference: Dupin 396.

Painting created with oil markers on canvas in 2001. The piece is part of the "Original Tourlicoulis" series. Those drawings/paintings have germed from doodles created with pen on pa...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. In “Feng Shui...

Faces I am drawn to faces especially beautiful faces they make me happy! :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the ar...

Thick, vibrant, oils on canvas influenced by the color, movement and texture found in the natural world around us. :: Painting :: Abstract :: This piece comes with an official certif...

Magdalena Suarez Frimkess stoneware and glaze 5 x 5.25 x 4.75” 2003 signed by artist

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Faith,” this small-scale charcoal drawing depicts a tree trunk carved with two deep cuts in the shape of a cross. The carving has healed over, assimilated into the bark as just another interesting detail. Up close, the work is loosely drawn with a heavy hand, but from afar, the natural scene still achieves a sense of realism. The tree trunk is conveyed through chaotic scribbling and aggressive strokes of light and dark charcoal, resulting in a pattern that simulates the rough texture of bark. Light falls softly on the tree, illuminating its form against the dark, atmospheric surroundings. The striking imagery of this work conveys the strong emotional response elicited by Surdo’s personal encounter with this tree. Restricting the composition to only the scarred portion of the tree trunk, Surdo focuses on symbolism of the cross carved into the tree’s side. The carving was inflicted upon the tree by an individual, whether as an act of graffiti or the object of adoration. Despite this wound, the tree persists and grows, adapting and changing until the mark is but another interesting detail. The tree’s spirit endures and speaks to the strength it takes to heal oneself, whether physically or mentally. Charcoal on paper...

Checkered Leaf Foliage is an acrylic painting on 48 x 24" canvas, signed 'RENÉ LALONDE' lower left and framed in a contemporary maple wood frame. It is difficult to categorize the v...

Richard DeVore Untitled Vessel with Void (INV# NP5224) stoneware, and glaze 4.5 x 14 x 14" date unknown Richard DeVore (1933 - 2006) was one of the most important American ceramicis...

HARDY, DUDLEY (1867 – 1922) "A Gaiety Girl" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #...

Silent wisps of smoke drift from the chimney on this old farmhouse. I painted this simple impression of a homestead, in the country that I love. This acrylic painting is part of my ...

Beautiful painting in dark moody colors, with gold accents. This one of a kind painting is done in acrylic. I try my best to represent the true colors of the paintings in the photos,...

This one of a kind painting is done in acrylic on paper. This painting is painted in many subtle layers built one on the top of the other, a union between complexity of technique and...

minimalistic painting in black and white, This artwork has a lot of texture.This one of a kind painting is done in acrylic. I try my best to represent the true colors of the painting...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

This one of a kind painting is done in acrylic on paper. This painting is painted in many subtle layers built one on the top of the other, a union between complexity of technique and...

Since the 12th century, people in China have used folding screens and doors to partition and decorate their homes - the vivid scenes backing the screens added life and color to a roo...

State Crossing (B&W) 2020 ARCHIVAL PIGMENT PRINT Unframed Sizes: 22 x 45 in (55.88 x 114.3 cm) - Edition of 10 + 2 AP (Artist Proofs) 30 x 60 in (76.2 x 152.4 cm) - Edition of 15 + ...

Artist Commentary: The colors of my palette are celebrated here. Keywords: colors, angle, any direction, warm colors

A large, vertical, Bauhaus inspired, black & white, Abstract Geometric, architectural, deconstructionist drawing by Chicago artist and architect Paarshav Shah, titled "California...

Bauhaus inspired, black and white, Abstract Geometric, architectural, deconstructionist drawing by Chicago artist and architect Paarshav Shah. Artwork size: 12 x 9 inches. Framed ...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Chicago-based artist Patrick Fitzgerald uses his works as a means of resurrecting the idyllic worlds he once found in the industrial surroundings of his youth. Raised in Grand Rapids, MI, he looks to the raw beauty and inherent potential of his manufacturing hometown as an endless source of creative inspiration. Working from found materials, Fitzgerald constructs miniature versions of soap box cars...

RARE TRIBAL BIRD DRAWING ON JAR (INV# NP5076) MAGDALENA SUAREZ FRIMKESS & MICHAEL FRIMKESS stoneware and glaze 5.75 x 8.5 x 8.5” 1997 signed by artist pro...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Peony roses. Flowers with lots of details are my favorite theme to embody on canvas. Such a work of art always attracts the eyes, it is interesting to study and consider :: Painting ...

A period, hand-colored lithograph by Joseph Nash of the Frontespice "The Mansions of England in the Olden Time", 1839-1849, printed by Charles Joseph Hullmandel (Pub. London: T. M'Le...

Since the 12th century, people in China have used folding screens and doors to partition and decorate their homes - the vivid scenes backing the screens added life and color to a roo...

Chicago-based artist Michael Thompson creates unique compositions of abstract painted elements and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. In a departure from his split bamboo kite series, this work on stretched canvas entitled "Study in Red" layers textured paper and silken fragments within a rosy...

This abstract work by Chicago artist Patrick Fitzgerald belongs to a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car sculptures. Inspired by slot-car racetracks, each painting depicts a meandering, yet cyclical path that twists and turns upon itself in an endless loop. Isolated from time and place, the painting achieves a sense of timelessness and draws a through line linking the past, the present, and the future. Entitled "Superior," this track painting is one of five compositions inspired by the Great Lakes...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. In “Furbelow II,” Thompson arranges scraps of Japanese silk to form a patchwork of contrasting pattern and color. Placed with balanced asymmetry, the panels of deep indigo and sheer silk create a dark, moody atmosphere reminiscent of a night sky. Gradients of light to dark evoke soft, moonlit clouds and delicate pine branches appear as forked bolts of...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. In “Furbelow I,” Thompson arranges scraps of Japanese silk to form a patchwork of contrasting pattern and color. Placed with balanced asymmetry, the panels of deep indigo and sheer silk create a dark, moody atmosphere reminiscent of a night sky. Gradients of light to dark evoke soft, moonlit clouds and delicate pine branches appear as forked bolts of...