Kentucky - Wall Decorations

A finely executed 19th-century British sporting engraving titled, “The Princess,” engraved by Edward Hacker (1813–1905), one of the noted Victorian interpreters of thoroughbred racin...

These are exceptionally RARE color engraved prints done after originals by artist Henry William Bunbury (1750-1811) and engraved by Francesco Bartol...

This extraordinarily unique 19th century art piece is a reflection of one artists unique perspective of life by way of creative execution and means. The scene dimensionally depicts a...

A suzani silk embroidery on brown ground. In a brightly colored pattern of scrolling flowers and berries. The wide boarder is outlined inside and out by a smaller border of flowers o...

A finely detailed 19th-century British sporting engraving titled, “Saucebox – Winner of the St. Leger, 1855,” engraved by Edward Hacker (1813–1905) after the celebrated equestrian pa...

An Uzbek ikat in silk with striking purple and gold pattern. An ikat is a textile in which the pattern is achieved by dyeing the warp threads prior to weaving. Now mounted on a woode...

An important mid-19th-century British sporting engraving titled “Phenomenon – A Celebrated Norfolk Trotting Stallion,” engraved by Edward Hacker (1813–1905) after E. Corbet. The eng...

A colorful silk suzani embroidery on red wool ground. The center medallion is composed of stylized flowers and surrounded by a border of similar motif. With later backing.

Brown’s Mule was one of the most famous American chewing tobacco brands of its time. Factory tools rarely survived-most were discarded or melted. Plates like this were used from 1910...

This beautifully preserved hand-tinted mezzotint of William Innes and caddy, engraved by Valentine Green, from the painting by Lemuel Francis Abbott showcases the original masters of...

An Uzbek ikat in silk with striking indigo and saffron colored pattern. An ikat is a textile in which the pattern is achieved by dyeing the warp threads prior to weaving. Now backed ...

A hand-painted ‘mise-en-carte’ or point paper. This was the template used to create a woven textile. Pencil drawn grid lines represent the warp and weft. The margins contain hand wri...

A hand-painted ‘mise-en-carte’ or point paper. This was the template used to create a woven textile. Pencil drawn grid lines represent the warp and weft. The margins contain hand wri...