Lithuania - Photography

'Baltic pine' 2021 The pine forests of the Baltic coast are shaped by conditions that are both precise and unforgiving: sandy soil, constant wind, salt carried inland from the sea, and long seasonal extremes of light and darkness. These forces slow growth and distort form. Branches extend horizontally, twist, or break, adapting to pressure rather than symmetry. This photograph was made in Giruliai forest, Lithuania, using a large-format 4×5 film camera. The process demands stillness and time, mirroring the environment itself. Each exposure is deliberate; nothing is incidental. In Baltic landscapes, pine is not decorative. It is structural, a species that persists where others cannot. Its presence defines the rhythm of the coast and the experience of space within the forest. The image isolates this tension between endurance and fragility, movement and restraint. Rendered in black and white, the work removes seasonal colour and geographic nostalgia, allowing form, density, and light to become the primary language. The resulting image is not a description of a place, but a study of adaptation, how nature holds itself under continuous pressure. Printed as a limited edition of ten, this work belongs to an ongoing body of analogue photographs exploring northern landscapes through minimal intervention and material presence. Photographed in Lithuania, Giruliai forest using a 4x5 large format camera...

'Azure' 2020 Amalfi coast, Italy Limited edition of 20 Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front and back with Certificate of Authenticity. Photogr...

Descent into Fusion is an abstract study of fusion as a universal event: two separate fields drawn into one outcome. Built through layered charcoal on paper, the image follows a clea...

'Papercut No.6' 2026 Limited edition of 20 Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front and back with Certificate of Authenticity. Photograph is shippe...

From June and Oris collection Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front and back with Certificate of Authenticity. Limited edition of 20. Photograph ...

Cornuta No.2 Printed on museum-grade Hahnemühle Photo Rag Baryta paper, each print is hand-signed by the artist on both the front and back, numbered as part of a limited edition of ...

Cornuta No.2 Printed on museum-grade Hahnemühle Photo Rag Baryta paper, each print is hand-signed by the artist on both the front and back, numbered as part of a limited edition of ...

'To the moon and back' is a photograph of one of the summer evening sunsets. As you gaze at the horizon, you see a plane flying at the perfect horizontal...

'Sandstill no.4' From serries of abstract shapes formed by sand grain. Limited edition of 20. Photograph is printed on heavyweight fine art paper. Photograph is signed and stam...

'Black rose' Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstand the test of time, preserving the beauty and e...

'Baltic pine' 2021 The pine forests of the Baltic coast are shaped by conditions that are both precise and unforgiving: sandy soil, constant wind, salt carried inland from the sea, and long seasonal extremes of light and darkness. These forces slow growth and distort form. Branches extend horizontally, twist, or break, adapting to pressure rather than symmetry. This photograph was made in Giruliai forest, Lithuania, using a large-format 4×5 film camera. The process demands stillness and time, mirroring the environment itself. Each exposure is deliberate; nothing is incidental. In Baltic landscapes, pine is not decorative. It is structural, a species that persists where others cannot. Its presence defines the rhythm of the coast and the experience of space within the forest. The image isolates this tension between endurance and fragility, movement and restraint. Rendered in black and white, the work removes seasonal colour and geographic nostalgia, allowing form, density, and light to become the primary language. The resulting image is not a description of a place, but a study of adaptation, how nature holds itself under continuous pressure. Printed as a limited edition of ten, this work belongs to an ongoing body of analogue photographs exploring northern landscapes through minimal intervention and material presence. Photographed in Lithuania, Giruliai forest using a 4x5 large format camera...