Maine

These are spun brass votive cups, standing 2.5" tall. They have natural brass markings, are beautifully organic by the natural aging process of brass, and are design to be a modern ...

Bishop, Isabel. UNTITLED (WOMAN LOOKING IN PURSE). Ink on cardstock, not dated. Unsigned. 5 x 5 inches. A fast, likely unposed sketch of a passerby. In excellent condition. Isabel Bishop, 1902-1988. Isabel Bishop was born and raised in the Midwest. She came to New York in 1918 where she studied at the New York School of Applied Design for Women and the Art Students League, where her teachers included Kenneth Hayes Miller and Guy Pene du Bois. In 1934 she rented a studio in Union Square where she worked for the remainder of her career, often taking as her subjects the men and women who worked in the shops and offices on the square, or who walked or sat in Union Square Park. She was a great draughtsman, and much of her graphic work is devoted to studies of the human figure in motion or at rest within the context of their activities in Union Square or similar settings. Bishop made etchings throughout her career, producing more than 80 prints between 1925 and 1982. Prior to 1978 Bishop had editoned only a few of her prints; most of them were printed on an “as needed” basis only, by her, on her own press as gifts, or for sale. From 1978 on, Bishop collaborated with Sylvan Cole of Associated American Artists and the master printer Stephen Sholinsky...

Barnet, Will. CHILD REACHING. Szoke 83, Cole 82, Johnson 65. Woodcut, 1940. Edition of 25. Titled and signed in pencil. 7 1/4 x 11 1/4 inches (image), 8 1/8 x 11 1/2 inches (sheet). ...

A bouquet of sunflowers always reminds me of Van Gogh. This was done with oil paints on a RayMar panel and is framed in a lovely gold frame. :: Painting :: Impressionist :: This pie...

Evergood, Philip (American 1901-1973). NUDE IN ARMCHAIR. Pencil on paper, 1950. Signed and dated, lower right, and inscribed, lower left "For David Rust July '52 P.E." 22 1/2 x 18 5...

This modern interpretation of the Classic saloon table features a reclaimed water tower top that is torched and then sealed with oil. The hand-turned mapl...

Barnet, Will. AT THE SEASHORE. Szoke 69, Cole 68, Johnson 54. Woodcut printed in black, brown and white, 1939. There was no edition, only a few proofs printed by the artist on Japane...

Adams, Clinton (American 1918-2002). TWO SCREENPRINTS OF ITALIAN TOWNS. Signed in the matrix. Edition sizes not known. Each 16 x 12 inches (image), 20 x 13 inches (sheet). One with a...

Michael Taylor Far East Collection for Baker Furniture six dining chairs splat back Model 6325 elegant simple line design distinguishes this suite of solid walnut dining chairs (two...

Sophisticated dangle drop earrings! Doesn't need much when you have a gorgeous Colombian emerald paired with white diamonds. These classic and t...

Junichiro Sekino (Japanese, 1914-1988). CALMNESS. Color woodblock print, 1954. Edition size not known. Signed in pencil and with the artist's chop. 13 x 17 inches (image), on a large...

Hirsch, Joseph (American, 1910-1980). STUDENT. Charcoal drawing on paper, not dated, but before 1980. Signed lower left, "J Hirsch." 17 1/2 x 11 1/4 inches (framed to 25 x 19 inches)...

Johnson, Bess L. GLOUCESTER. Etching and aquatint, not dated. Edition size not known. Titled in pencil, lower left, and signed in pencil, lower right. Image of a boat at a dock in Gl...

Each demilune shaped marbleized top above a conforming frieze decorated with a stylized leaf above a marbleized shelf.

Abstract composition of warm and cool colors in squares, rectangles and dots. Subtle textures are created by the varying layers of washes and brushwork which add dimensionality and f...

Ben-Zion. PROPHET AND SCROLL. Ink on paper, undated. Titled and signed in ink lower left. 10 1/8 x 6 3/4 inches. Light foxing or dampstaining to the sheet. A strong drawing in Ben-Z...

Bacher, Otto. FONDAMENTA DELLE ZATTERE (VIEW IN VENICE). Etching, 1880. #17 of the "Venice Set." Signed, titled, and dated in the plate. Framed. In excellent condition. Etching on pa...

Abstract composition of large black and white shapes reminiscent of typography overlayed by translucent color swathes on the right side. Colors are warm with hues of burnt orange. Te...

Arms, John Taylor. ARCH OF THE CONCA, PERUGIA. Etching, 1926. 10 1/4" x 14 5/8 plus margins. Framed to 18 x 22 inches. Signed in pencil and annotated "Trial Proof No. 6"; only state...

This chair evokes a feeling of solidity, weight and forward movement. Notable features are he "negative back" where the backrest appears to float. Ergonomically-friendly features inc...

Derain, Andre (French, 1880-1954). VISAGE DE FEMME APPUYE SUR SA MAIN (FACE OF A WOMAN LEANING ON HER HAND). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Rom...

This abstract features nice texture and warm earthy colors. It could be oriented in any direction but I picked this one. :: Painting :: Abstract :: This piece comes with an official...

Jaques, Bertha (American, 1863-1941) THORNAPPLE. Drypoint, 1924. Edition size not known. Signed in pencil. 12 3/8 x 6 7/8 inches (plate), 15 1/2 x 10 1/8 inches (sheet). Printed on t...

Kokoschka, Oskar. SELBSTBILNIS VON ZWEI SEITEN ALS MALER (SALON WOLFSBERG). Lithographed poster in colors, 1923. 48 7/8 x 34 1/2 inches, 1252 x 882 mm. Poster for a gallery exhibitio...

In the style of Andre Arbus, hung with gilt and patinated bronze links, the central urn cast with two gilt masks and handles, with four candle arms.

abstract, semi-figurative, colorful oil and charcoal on canvas :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready ...

-Painted on artist-quality acid-free 140 lb. watercolor paper. -Professional quality artists with watercolor paints. (Sennelier) -Acid-Free paper. -Size: 11" x 14" -Signature on ...

Timeless Drop Pendant Showcasing a Large 22.57 Carat Midnight Blue Sapphire, Antique Cut Surrounded by a Row of Round Diamonds. The Solitaire Pe...

BOUQUET FLEURS A L'AQUARELLE. Vailler p.294, Maeght No. 1025. Lithograph in colors, 1957. Edition of 300 published by Maeght, printed by Mourlot. Numbered 241/300 and signed in penci...

Each ebony tondo carved with Roman military scenes in low relief, set in gilt Florentine style frames. Formerly part of the front doors of a cabinet. With an old label at the back of the frame, Ernest Samson, Paris. 13 1/4in. diameter sight (the dimensions otherwise indicated include the frame). These beautifully carved panels would have been part of the doors of a cabinet made to impress in a grand room in an aristocratic or royal setting. They reflect the changing taste in the first half of the 17th century for large sumptuous pieces for grand galleries and grand state apartments in royal and courtly interiors. It was not until the 17th century that France began to import exotic timbers from the Far East and South America and ebony was one of the first of these woods to be employed in cabinet-making. However, due to its rarity and cost it was almost exclusively used for veneering. French cabinetmakers who worked with ebony became known as menuisiers en ébène and later ébénistes. The carved and engraved ornament and ripple mouldings reflect the light on the glossy ebony surface. The subject-matter of these bas-relief carvings was inspired by prints with religious, mythological or literary subjects and naturalistic engraved motifs. According to Alcouffe 'These cabinets represent the synthesis of foreign (especially German) influences and traditions expressed in French Renaissance furniture...

Ross, John American, (1921-2017), BROADWAY, Color Woodcut, 1957, Ed. 9/10, signed, titled dated and numbered in pencil, on a cream japan paper. 15-1/8 x 19-1/8 inches (image), 18 1/4 x 23 3/8 inches (sheet). A fine impression with strong, fresh colors, but with thin spots and adhesive residue in the left and right margins, well away from the image, resulting from careless removal from an earlier mount. This is one of Ross's most effective and striking prints, presenting New York City at night, under a moon and clouds...

Forrester, Patricia Tobacco (American, 1940-2011). JUDITH'S GARDEN. Etching, not dated. Edition of 50, titled, numbered 49/50, and signed in pencil. ...

Rose, Ruth Starr (American, 1887-1965). JONAH AND THE WHALE. Lithograph, 1936. Edition size not known. Titled, signed and dated in pencil. Printe...

Heliker, John. (American, 1909-2000). UNTITLED ("KEEP SMILING). Ink on paper, not dated, likely 1930s. The image is of two men in a workshop, one possibly the customer, the other wor...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Barnet, Will. MORNING. Szoke 102, Cole 100, Johnson 88. Color Lithograph, 1951. Edition of 12, titled and signed in pencil. Pritned on Rives paper by Barnet and Robert Blackburn...

Monson, Jim American, 1943- ). ICARUS. Etching in two colors, 1972. Monson 30. Edition of 30, signed,titled and numbered "6/30," all in pencil. Pritned on BFK Rives paper. There wer...

Decamps, Alexandre (French 1803-1860) After. PIERROT PORTANT SON DEJEUNER and PIERROT TROUBLE DANS SON REPAST. Two etchings by Leenhof after paintings by Descamps. Each 11 5/8 x 8 in...

Thomson, Virgil (American, 1896-1989. THE MOTHER OF US ALL. Music Press, NY, 1947. Quarto, cloth, 157pp. The limited edition of 55 copies on special paper, signed on the colophon pag...

Two outdoor garden tables the frames are constructed of twisted wrought iron. The tops are bordered in squares of colored tiles with colorful circles ...

Colors and gestural paintwork define a reclining nude woman, her hand on her side, looking away at a rectangular shape of fields or darkness. Intentionally enigmatic. :: Painting :...

Born in Riga, Latvia in 1900, Impressionist painter Martins Krumins was influenced by Russian emigre painter Sergei Vinogradovs and studied in his studio from 1929-1935. In 1935, Krumins enrolled in the Latvian Academy of Art under the tutelage of Vilhelms Purvitis...

-Painted on artist quality acid-free 140 lb. watercolor paper. -Professional quality artists watercolor paints. (Sennelier) -Acid-Free paper. -Size: 11" x 14" -Signature on the f...

Marsh, Reginald. TWO MODELS ON A BED. Lithograph, 1928 (Sasowsky 9). 9 1/16" x 10 5/8." Signed in pencil and annotated "15 proofs." Only state. Excellent co...

William Thon, although born in New York, painted and lived most of his adult life in coastal Maine. Thon studied at the Arts Student League in New York, and exhibited in the 1930s an...

Marsh, Reginald GIRL WALKING - PILLAR - SOLDIER. S. 219. Engraving, 1942. State II of II. One of two proofs in this State, annotated "State II, 1/2" and signed by Marsh in pencil. Sa...

Derain, Andre (French, 1880-1954). ROFIL A GAUCHE DE FEMME BAISSEE (LEFT PROFILE OF A WOMAN LYING DOWN). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Roman n...

Mielatz, Charles. HEARN'S. Etching, 1912. Edition size not known. Signed and dated in the plate. 12 X 7 1/2 inches. In excellent condition. Mielatz, taught etching at the National A...

Scanga, Italo (American, born Italy, 1932-2001). 2CYPRESS. Color Lithograph and woodblock on paper, 1989. Edition of 40, signed, titled, dated, and numbered 18/40, all in pencil. 41 ...

A classic natural ruby engagement ring estate. Set with one cushion-shaped old cut natural untreated ruby in a prong setting open back with a weight o...

Gorsline, Douglas (American, 1913-1985). THE NEW FUR. Etching, 1939. 5 x 3 1/16 inches (plate), 7 3/4 X 4 1/2 inches (sheet). Signed, titled and dated in penc...

beast is the line gone wild! Drawing is a pen on a long journey- I go along for the ride! :: Drawing :: Fine Art :: This piece comes with an official certificate of authenticity sign...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Lately when I draw I put my mind in neutral and just... draw. Fill the paper. I think of it as American Expressionism. Angst... :: Drawing :: Contemporary :: This piece comes with an...

Pollack, Bob (American, born 1936). TIGER WOODS. Original painting in acrylics on paper, 1997. Signed and dated within the image. 19 x 14 inches. In excelle...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

A drawing :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location: ...

One of the early vegetables to pop through the ground, asparagus leads the way in the garden. This was done with quality oil paints on stretched linen. The edges are painted and it...

Abramovitz, Albert (American, born Latvia, 1879-1963). UNTITLED (TWO CONSTRUCTION WORKERS WITH BRICKS). Linoleum cut on wove paper, c. 1930s. Si...

Of oval form with a pomegranate finial, the hinged top opening to a fitted interior, and lion mask ring handles at the sides, raised on ebonized paw feet.