Maine

Pollack, Bob (American, born 1936). A YOUNG MIKE TYSON Original painting in acrylics on paper, 2023. Signed and dated within the image. 11 X 14 inches. Matted. In excellent conditi...

Marsh, Reginald. BOWERY. S.54. Etching, 1928. A proof, one of only four, from the 5th State of 7. This proof is numbered "9" (there was one proof in each of the first three states,...

Frasconi, Antonio. SNAPSHOT. Cleveland 165. Woodcut in colors, 1950. Edition of 10. Titled, inscribed "Ed 4/10" and signed and dated in pencil. 22 1/4 x 14 15/16 inches in an oval fo...

Stella, Joseph. STUDY OF A MAN WITH A HAT AND OVERCOAT. Blue, red and black crayon on tan wove paper, c. 1920. 6 7/8 x 4 3/4 inches; 173 x 120 mm. Signe...

Pollack, Bob (American, born 1936). JERRY RICE (San Francisco 49ers, 1997). Original painting in acrylics on paper, 1996. Signed and dated within the image....

Villon, Jacques (1875-1963). LA PARISIENNE (TOURNEE A GAUCHE, PETITE PLANCHE). G PE93. Etching and aquatint in colors, 1904. Edition of 100 Printed on cr...

Nevelson, Louise. CAT. Baro 80. Etching and drypoint, 1965/6. Edition of 40 (There were also three Trial Proofs and four Artist's Proofs). Signed and numbered in pencil. 17 1/2 x 11 1/2 inches (plate), (sheet). The edition was printed at the Hollander Graphic...

Smith, Lawrence Beall (1902-1995). FROLIC. Lithograph, 1948. Edition of 250 published by Associated American Artists. 9 3/8 x 12 1/4 inches (image)12 3/8 x 17 1/4 inches (sheet). In ...

William Dennis was a landscape painter based in Nottingham, England. Known for his impressionistic, pastoral landscape paintings, Dennis painted mostly in oil, capturing the rural sc...

Sloan, John. SEEING NEW YORK. M.188. Etching, 1917. Signed, titled, and inscribed "100 Prrofs," all in pencil. Edition of 100, of which only 85 were printed. The image is of live ch...

Benson, Frank. RUNNING THE RAPIDS. Paff 269. Etching, 1927. Edition of 150. Signed in pencil. Printed on Whatman paper. 5 7/8 x 7 3/4 inches (plate), 8 1/2 x 10 5/8 inches (sheet). A...

A stunning pair with beautiful quality sapphires, and diamond emerald drop dangle earrings! The earrings have a total weight of 9.10 carats of 2 carved leaf motifs: sapphire(5.10ct)...

Platinum Emerald & Diamond Engagement Ring 3 Stone Pear Shape Primary Stones: Natural Colombian Emerald Shape or Cut: Pear Cut Average Color/Clarity: Medium Fine Green Color/Clarity...

(Mazell, Peter). THE COMMON BUZZARD after Charles Collins. Engraving with hand-coloring, c. 1766. A plate from The British Zoology, London 1777. Titled in the plate, top, and with th...

Henry de Waroquier, painter, sculptor and printmaker, was born in Paris in 1881. He studied in Paris at the School of Decorative Arts, and privately with the architect Charles Genuy...

Untitled (Cosmos), c.1966, is a large-scale acrylic on canvas by American painter Margaret Milliken (1913–1968), whose work embodies the vibrant spirit of the postwar Abstract Expres...

Whistler, James A. M. DRURY LANE RAGS. Way 21. lithograph, 1888. Edition of only 15. Signed with the butterfly in pencil, and also in the image. Printed on Japan paper. With Rosalind Birnie Philip's square-sha[ed collector's stamp, denoting a lifetime impression, lower left, verso. 6 x 6 1/2 inches (image), sheet: 12 x 8 inches (sheet) Framed to 24 1/2 x 20 1/2 inches. A brownish spot or stain near the center of the sheet, which may have been on the sheet at the time of printing, given Whistler's inclination to utilize old papers...

Bacon, Peggy. HATTY. Flint 48. Drypoint, 1921. Titled, signed and dated in pencil. 5 1/2 x 8 7/16 inches (plate), 9 5/16 x 12 1/2 inches (sheet). In excellent condition. "A rest...

Muench, John (American, 1914-1993). THE ONE THAT GOT AWAY. Color Lithograph, not dated. Edition of 25. Signed, titles and numbered, all in pencil...

Drawing, Ink and colored pencil or Watercolor and color pencil, 2013-2020. 6 x 7 5/8 or 7 5/8 x 6 inches. Signed and inscribed, verso. One of a series of untitled drawings on various...

Gorsline, Douglas (American, 1913-1985). INVITATION TO THE LINDY HOP. Engraving, 1942. 7 3/8 x 6 1/8 inches (plate), 8 1/2 x 7 3/8 inches (sheet). Signed, ti...

Pollack, Bob (American, born 1936). TIGER WOODS. Original painting in acrylics on paper, 1997. Signed and dated within the image. 19 x 14 inches. In excelle...

Buhot, Felix. LE PETIT ENTERREMENT (The Small Funeral). B/G 154. Second state of two. Etching, roulette, aquatint and drypoint printed in blue on tan wove paper, 1880. 3 3/8 x 4 1/2 inches; 86 x 115 mm., (sheet 8 3/8 x 10 3/8 inches; 215 x 264 mm.). Signed with the red owl...

Oil on canvas, signed lower right and inscribed and signed on the reverse. Brereton was born in Derby in 1954. He received his basic art training at the Derby Joseph Wright Art School although he is a self-taught artist. He works mainly in oils and specializes in marine subjects, his favourite subjects being deep water sailing ships of the 19th century. His work has been influenced by artists such as Montague Dawson and Thomas Somerscales...

Ashton, Ethel V. UNTITLED. Pastel on paper, circa 1930. Unsigned, but with the estate stamp, verso, as is typical for similar works by her. The image shows an African-American coupl...

Ross, John T. (American, born 1921) VOYAGE. Collagraph in colors, not dated, but circa 1980s. Edition of 75, numbered 8/75, titled and signed in pencil. 19 x 23 1/2 inches (image) 26...

Abramovitz, Albert (American, born Latvia, 1879-1963). UNTITLED (TWO CONSTRUCTION WORKERS WITH BRICKS). Linoleum cut on wove paper, c. 1930s. Si...

Carriere, Eugene. LE FONDEUR. Lithograph, 1900. Printed by Chaix and Malherbe, Paris. Poster for the metallurgy pavilion of the Paris Exposition of 1900. 51 x 34 3/4 inches, 1307 x 8...

Pair of Roman Rococo Giltwood Mirrors (Girandoles), each shaped plate within a cartouche-shaped frame surmounted by a pierced fan-shaped cresting carved with bunches of grapes, flowe...

Mielatz, Charles. RESTAURANT IN CHINATOWN. Etching, 1906. Edition size not known. Signed and inscribed "imp."in pencil, and signed and dated in the plate. Printed on Japan paper with...

With later embellishments, the rectangular ratcheted and adjustable raisable top with book stop and lacquered top depicting vessels and plants, the ratchet w...

Fenn, Harry. A VENEZUELAN STATION and THE FALLS OF "EL NEGRO" CUYUNI RIVER. Ink and wash, 1896. Two drawings, the original artwork for illustrations accompanying "Glimpses of Venzuela," an article by W. Nephew King published in Century Magazine, July, 1896, pp. 358-368. Each about 9 x 11 inches, in very good condition, and framed. King is best known for his writings about the Spanish-American War of 1898. Harry Fenn, 1845-1911, was born in England, but worked in the United States. He was a painter, and printmaker, but is known primarily as a book and magazine illustrator. He illustrated books of poetry for John Greenleaf Whittier, and in 1870 was hired to do illustrations for Picturesque America, which was edited by William Cullen Bryant...

The Louis XVI console with a serpentine shaped Brèche d'Alep marble top above a conforming frieze carved with leaf tips and hung with laurel swag garlands centered by a rosette medal...

Boat Scene, Sorrento, pencil. Provenance (label at back of Drawing), William Drummond St. James's, London.

Where did these 2 opposing side come from? My head told my hand where to move... and that's how I roll. You never quite know what's in that noggin... :: Drawing :: Contemporary :: Th...

Simpson, Maxwell Stewart (American, 1896-1984). THREE ETCHINGS OF SCENES FROM "THE DECAMERON." Signed and dated "Paris, 1924" in the plates, and signed ...

Sprinchorn, Carl (American 1887-1971). ON THE BOARDWALK. Pastel, not signed or dated. Provenance: The Artist's estate. 23 1/2 x 17 1/2 inches, 597 x 445 mm. In excellent condition, f...

A timeless engagement ring, showcasing a low temp heated 1.00 carats Asscher cut cornflower blue sapphire, set on a classic four prong setting. Flanked by two step cut emerald natura...

Ryan, Anne. FRUIT ON A WHITE PLATE. Color woodcut, not dated. Edition of 30, signed, titled and numbered 7/30 in pencil. 16 3/8 x 17 1/2 inches, 415 x 445...

Bishop, Isabel (American 1902-1988). STUDY FOR "IN FRONT OF THE 42D STREET LIBRARY." Drawing, pencil on paper, circa 1927. Initialed in pencil, lower right. 3 1/2 x 3 1/4 inches (ima...

Whitehead, Buell (American, 1919-1993) SHASTA DAISIES. Newsom pg 32. Lithograph in colors, 1946. Edition size not known. Signed and dated in pencil, lower right. In excellent conditi...

Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...

Each female figure holding a torch issuing four scrolling candle arms decorated with scrolls, rosettes and acanthus leaves, raised on a circular spreading white marble plinth centere...

18K White/Yellow Ring set with a center Natural AAA Colombian Emerald Engagement Ring. The emerald is bright best green AAA clarity and color 7.6mm x 5.7mm approx. 1.10 carats. Diam...

Prestopino, Gregorio (American, 1907-1984). LA ITALIANA. Color woodcut on paper, c. 1940s-50s. Edition of 48, signed and numbered 20/48. 21 7/8 x 29 7/8 inches, 556 x 785 mm. In exce...

18k earrings with 2 oval-shaped Colombian emeralds weighing Approx. 2.20 carats and 28 round Colombian emeralds weighing 1.36 carats. The beauty of heart shapes- perfectly matched Co...

This striking two-tier coffee table exemplifies Italian neoclassical revival design, executed in polished cast brass or bronze with a distinctly architectural character. The table is...

Peterdi, Gabor (American, born Hungary, 1915-2001). THE STORM. Johnson 154) Etching and engraving, 1958. Edition of 15, signed, dated, titled and numbered 3-15 in pencil. 22 x 32 inc...

Painter and teacher Jesse France was born in Ohio, and lived and painted along the eastern seaboard in New York City, New Haven, CT and on Higgins Beach, Maine. After studying art at...

Born in Ontario, Canada, Rolph Scarlett left home at age eighteen for New York City, making that city his home for long periods during his lifetime. While beginning his career as an ...

Blackburn, Morris Atkinson (American 1902-1979). RADAR AND EXHAUST. Etching and aquatint, c. 1958. Edition size not known. "Signed Morris Blackburn per ETB," thus likely an estate s...

Tyler, Richard Oviet (American, 1926-1983). THE PLANETS. Uranian Press, New York, 1958. Uranian Press, New York, 1958. The Second Edition of 20, with the plates loose in a portfolio, and with each of them titled, inscribed "Ed 2," numbered "6/20, signed in pencil by Tyler, and bearing the emossed seal of the Uranian Press at the lower right (the First Edition, of 5 copies, was a bound set of the plates, signed on the Justification page by Tyler, but with the individual plates unsigned). Quarto, string-tied boards covered in white linen printed in black from woodblocks, endpapers printed in purple and red, paper folder enclosing 20 woodblock plates printed in colors. The portfolio 14 x 10 1/2 inches, the plates each about 12 1/2 x 9 3/4 inches. The whole in excellent condition except that the paper folder containing the plates is foxed. We have seen a copy of the bound edition, but the work seems to very rare in either iteration. The plates are as follows: Plate 1: Title "The Planets," Plate 2: "Sun," Plate 3: "The Sun ever generous force of his being in the flow of self strength striving," Plate 4: "Moon," Plate 5: "The moon of our emotions surrounding memory influenced reflections of pleasant remembrance," Plate 6: "Mercury," Plate 7: "Mercury messenger of mind influence most observant and discriminating reaches attracts resembles snake a tree a heavy ___??," Plate 8: "Venus," Plate 9: "Venus upon us as into us the longing of love rules existence," Plate 10: "Mars," Plate 11: Mars infinitely delicate degree of devotion leads to deeds against falsehood destruction for the sake of creation inalienable dream of passion," Plate 12: "Jupiter," Plate 13: Jupiter father of forgiveness and sustaining belief of plenty keep faith favorable and optimism omnipresent," Plate 14: "Saturn," Plate 15: "Last planet of limitation leads us through purification into silence," Plate 16: "Uranus," Plate 17: "Cause ruler of spirit inspired in matter unknown and omnipotent," Plate 18: "Neptune," Plate 19: "Neptune dissolution unity divinity," Plate 20: "The Planets." Richard Oviet Tyler...

Marsh, Reginald. THE BOWERY - UPRIGHT. S.26. Lithograph, 1932. Edition of 21, signed and numbered 3/21 in pencil. 9 1/2 x 7 1/4 inches, 241 x 184 mm (image), Chine colle to a sheet 1...

Signed lower left. (Born in Yorkshire, England in 1927; died in 2008). Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her fleets of clipper and fighting ships...

Oil on panel, signed lower left. New England artist Grant Hacking was born and raised in South Africa and resided there until the age of twenty-five so he still experiences great ...

Originally from Chattanooga, Tennessee, Oehmig now resides in Brunswick, Maine. He holds a B.A. in Studio Art and Art History from Principia College, Elsah, Illinois, as well as an M.F.A. with Distinction in Fine Art from Pratt Institute, Brooklyn, New York. Oehmig's works are infused with light and color, and his painterly style is well suited to capturing the natural landscape throughout Maine, along the Eastern seaboard, and the French and Italian countryside. Oehmig has shown his work in solo and group exhibitions across the United States including the New Britain Museum of American Art, New Britain, Connecticut; Bates College Museum of Art, Lewiston, Maine; the Hunter Museum of American Art, Chattanooga, Tennessee; the Portland Museum of Art, Portland, Maine; the Wood Museum and Library, Chicago, Illinois; Albany Fine Arts, Albany, New York; Art Boston, Boston, Massachusetts; Bay View Gallery, Camden, Maine; Clarke Galleries, Palm Beach, Florida; J. Todd Galleries, Wellesley, Massachusetts; the Maine State House, Augusta, Maine; and the Wiscasset Bay Gallery...

Scanga, Italo (American, born Italy, 1932-2001). 2CYPRESS. Color Lithograph and woodblock on paper, 1989. Edition of 40, signed, titled, dated, and numbered 18/40, all in pencil. 41 ...

Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1969. Signed and dated, lower right. Tondo, 3 1/4 inches diameter, (image), 15 x 11 inches (shee...

Henry Robertson Craig R.H.A., R.U.A. 33 " x 43" including the frame. Scottish, 1916-1984. Born in 1916 to Scotch-Irish parents, Henry Robertson Craig, also called Harry Robertson ...

Bishop, Isabel. UNTITLED (WOMAN LOOKING IN PURSE). Ink on cardstock, not dated. Unsigned. 5 x 5 inches. A fast, likely unposed sketch of a passerby. In excellent condition. Isabel Bishop, 1902-1988. Isabel Bishop was born and raised in the Midwest. She came to New York in 1918 where she studied at the New York School of Applied Design for Women and the Art Students League, where her teachers included Kenneth Hayes Miller and Guy Pene du Bois. In 1934 she rented a studio in Union Square where she worked for the remainder of her career, often taking as her subjects the men and women who worked in the shops and offices on the square, or who walked or sat in Union Square Park. She was a great draughtsman, and much of her graphic work is devoted to studies of the human figure in motion or at rest within the context of their activities in Union Square or similar settings. Bishop made etchings throughout her career, producing more than 80 prints between 1925 and 1982. Prior to 1978 Bishop had editoned only a few of her prints; most of them were printed on an “as needed” basis only, by her, on her own press as gifts, or for sale. From 1978 on, Bishop collaborated with Sylvan Cole of Associated American Artists and the master printer Stephen Sholinsky...