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Maine - Sculptures

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Item Ships From: Maine
fan 19 - Original Abstract Wood Sculpture
Located in Boston, MA
fan 19 48.0 x 35.0 x 3.0, 17.0 lbs Wood Founder's stamp Artist's Commentary: "Wood wall sculpture. 48 inches wide. I work with wood like a painter works with oils and a sculptor with stone. From a distance, lines, shapes, contours and shadows are easily seen but when you move from side to side, the change in perspective alters the image like the features of a face when it turns. If a light source moves, shadows in the piece move with it like the sun moving across a landscape. As you approach the piece, shallow contours appear like swells on a lake and intricate patterns emerge. You can't help but touch the smooth flowing surface to feel the highly finished solid wood. The furniture grade modified tung oil allows that. It also makes my art easy to clean if necessary. The lines and shapes in my art are the natural colors of solid wood joined along curves. No inlays, veneers, dyes or stains are used." About the Artist: Marc Lamm is a self-taught wood-artist who has been art since 1973. In 1996, he began developing techniques which he uses in his art. In 2011, he began making wood-wall-sculptures and has pieces in Mayo...
Category

21st Century and Contemporary Abstract Maine - Sculptures

Materials

Wood

Raspberry Shimmer Pyrites (plum red cubic, tabletop sculpture, geometric, wood)
By Chloe Hedden
Located in Quebec, Quebec
This series by Chloe Hedden and Bill Hedden explores the growth forms of the mineral pyrite.  Pyrite or 'fools gold' grows in organic ever expanding interconnected cubes. This father...
Category

2010s Abstract Geometric Maine - Sculptures

Materials

Wood, Alkyd

Pig
By Leo Sewell
Located in Wiscasett, ME
Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide. Sewell was born in Anna...
Category

20th Century Folk Art Maine - Sculptures

Materials

Found Objects

composition 19 - Original Abstract Wood Sculpture
Located in Boston, MA
composition 19 21.0 x 72.0 x 3.0, 20.0 lbs Wood Founder's stamp Artist's Commentary: "Wood wall sculpture. This piece is based on a style I made for the Health Partners' Behavioral Science Building in St. Paul, MN. I work with wood like a painter works with oils and a sculptor with stone. From a distance, lines, shapes, contours and shadows are easily seen but when you move from side to side, the change in perspective alters the image like the features of a face when it turns. If a light source moves, shadows in the piece move with it like the sun moving across a landscape. As you approach the piece, shallow contours appear like swells on a lake and intricate patterns emerge. You can't help but touch the smooth flowing surface to feel the highly finished solid wood. The furniture grade modified tung oil allows that. It also makes my art easy to clean if necessary. The lines and shapes in my art are the natural colors of solid wood joined along curves. No inlays, veneers, dyes or stains are used." About the Artist: Marc Lamm is a self-taught wood-artist who has been art since 1973. In 1996, he began developing techniques which he uses in his art. In 2011, he began making wood-wall-sculptures and has pieces in Mayo...
Category

21st Century and Contemporary Abstract Maine - Sculptures

Materials

Wood

Mogan David - Original Abstract Wood Sculpture
Located in Boston, MA
Mogan David 42.0 x 4.0 x 3.0, 17.0 lbs Wood Founder's stamp Artist's Commentary: "The maple lines emanate from the maple border in a purpleheart background and intersect to create the subtle Mogan David (Jewish star). I work with wood like a painter works with oils and a sculptor with stone. From a distance, lines, shapes, contours and shadows are easily seen but when you move from side to side, the change in perspective alters the image like the features of a face when it turns. If a light source moves, shadows in the piece move with it like the sun moving across a landscape. As you approach the piece, shallow contours appear like swells on a lake and intricate patterns emerge. You can't help but touch the smooth flowing surface to feel the highly finished solid wood. The furniture grade modified tung oil allows that. It also makes my art easy to clean if necessary. The lines and shapes in my art are the natural colors of solid wood joined along curves. No inlays, veneers, dyes or stains are used." About the Artist: Marc Lamm is a self-taught wood-artist who has been art since 1973. In 1996, he began developing techniques which he uses in his art. In 2011, he began making wood-wall-sculptures and has pieces in Mayo...
Category

21st Century and Contemporary Conceptual Maine - Sculptures

Materials

Wood

Mouse
By Margery Kahn
Located in Wiscasett, ME
Table top and of a diminutive size, signature stamped on underside of top. Margery worked during the mid-20th century at the Met in NYC.
Category

1950s Abstract Maine - Sculptures

Materials

Metal

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"The Playful Journey" Acrylic on Copper Abstract Composition 1997
By Stephen Schulz
Located in Soquel, CA
Bold and dynamic abstract composition titled "The Playful Journey" by Stephen Schulz (American, b. 1948). Schulz has used various types of acrylic paint, mixed with silicon to create a variety of textures. Signed and dated "Schulz 97" on verso, with an inscription that reads "For Leo and his Beautiful Family". Wood support frame on verso. Stephen Schulz (American, b. 1948) is an artist who has lived and worked in Fresno and Santa Cruz, California, and Cedar Grove, New Jersey. He has studied privately with Julie Connell, Jan Daniels, Michele Faia, Elle Fielder, Sal Pecoraro, Susan Stover, and Chris Volpe. Artist’s Statement: “My painting and artistic expression opens the doorway into an unconscious and creative world, where an uninhibited expression can take place, as one becomes immersed without the perception of time. Painting and design started it. From the beginning the process of transforming materials into art has struck me as a magical alchemy and, over the years, that mysterious process has had its hold on me, leading me from hobby to art. The creative process fills me with a sense of wonder and has proven a most amenable vehicle for transforming inner vision to outer reality. I paint from the inside out. Though I work quite deliberately, consciously employing both traditional and innovative techniques, my unconscious is the region of the most fertile of creative soil. I love working with a full complement of colors but often find my design direction working within the narrow spectrum of black and white, shadow and light. Some of my early inspiration comes from the New York School and artists such as Franz Kline and Jackson Pollock. Their ideas and techniques have helped to free my mind to explore areas of the unconscious that aren’t restricted by the world of right and wrong, good and bad. The journey continues and I feel blessed to have the opportunity to explore this exquisite world of the creative process.” Education: University of Oklahoma: 1966-1967 Canada College, AA Degree: 1972-1974 University of California: 1974-1975 Exhibitions: 2014 - Studio show Fresno, CA 2010 - Dubai (UAI) Animal rights show; Gallery 10, Washington, DC 2008, 2009 - Jia Salon & Gallery, Fresno, CA 2007 - Studio Exhibition 2006 - Cabrillo College 2004 - Studio Exhibition 2000, 2001, 2002 - Rollf's Gallery, Fresno, CA 2000 - Studio show; Bridgeport Gallery, CT 1999 - Tercera Gallery, Los Gatos, CA; Matt Miller Design, SF, CA 1998 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery Los Angeles, CA; Open Studio Aptos, CA; Brigitte Bohlem, Hamburg, Germany 1997 - Robin Hutchins Gallery, NJ; Teroera Gallery, Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery, Santa Cruz, CA; Hanson Art Source, Tennessee 1996 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin 1995 - Abrahamsen Design; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin; l&I Gallery, NJ; Gillen Design, London Ontario Canada...
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Chateau des Oiseaux
Chateau des Oiseaux
H 9.5 in W 8.5 in D 5 in
Half of the Morninfg
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Previously Available Items
The Sprinter
Located in Wiscasett, ME
Bronze sculpture of a runner signed Joe Brown and titled "Sprinter" presented on a marble base. This piece measures 11"W x 9"H x 6"D. Joe Brown is considered a most proficient sculp...
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Mid-20th Century American Realist Maine - Sculptures

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Bronze

Standing Figure
By Jim Ritchie
Located in Wiscasett, ME
Bronze on polished stone base, signed and edition numbered. The sculpture stands 12" tall including the base. Edition 4/9 Medium: bronze Canadian, b. 1929 James Edward Ritchie (Jim Ritchie) born in Montreal, Canada, he is known for his pastel drawings and bronze sculptures. He is stylistically linked with Cubism, Abstract figurative work, and modernism, and the human figure is the subject of much of his work. Ritchie had several exhibitions in Montreal before moving to the small town of Vence in Provence, where he lived and worked for over thirty years. The Adelson Galleries in New York began representing him in 1980, where he had 2 solo exhibitions. Over the next twenty years, Warren Adelson arranged exhibitions of his work in Boston, Los Angeles, and the Miami Art Fair. He has had a sixty-year career in sculpting, and now shows his work locally and has a permanent collection of his sculptures at the Mas d L’Ormée in Vence. ARTIST NOTE: “When I first started casting my bronzes in Pietrasanta, I did editions of 6 with 2 artist’s proofs. I began at Fonderia Tomazzi, where I did only a few pieces. The same is true for Fonderia Tesconi. After moving to Fonderia Mariani and Ballfiore in 1972, my editions remained at 6 until approximately 1980 when I started to cast editions of 8 with 4 artist’s proofs, the intentionally recognized legal limit, after which the mould is destroyed. In the year 2000, I moved to Fonderia d’Arte del Chiaro and have stayed with them. All my bronzes have remained editions of 8 with 4 artist’s proofs. Since I stopped direct carving in marble in the 1980’s, I have worked with wax, making maquettes, which vary in size, but are about 30 centimeters in height. These are cast in bronze but are also used when I do them in larger sizes, in marble and other stones. As a general rule, I do an intermediate carving in stone that is three times the size of the original maquette, before doing a large carving, as the margin of error from 30 centimeters to 2 or 3 meters is too great. From these enlargements in stone, I make moulds which are used in the casting of bronzes the same size. The stone carvings are all unique pieces that I’ve signed and dated. The bronze castings are all done in numbered editions of 8 with 4 artit’s proofs. Normally, for a new edition, I cast only two or three of the edition. When these are sold, I cast two more, etc. Many of my bronze editions have not been cast in their entirety for obvious reasons, as I move on to new pieces. Therefore, they are not dated. I decided to omit all dimensions, since often, when a maquette is shown in a photo, it’s the same as the enlargement. The bronzes are all signed and numbered by me. I have never done an edition that exceeds the legal 8 with artist’s proofs. My marble carvings are all done at Studio Angeli, in Pietrasanta. I continue to work with Giorgio Angeli for my marble enlargements and have done so since 1972. SELECTED SOLO EXHIBITIONS: 1957, Galerie Libre, Montreal 1962, Grafton Gallery, London 1962, Broadway Gallery, Worcestershire 1963, Klinkhoff Gallery, Montreal 1964, Madden Gallery, London 1965, Galerie Minotaure, Vence 1966, Galerie Martal, Montreal 1966, Alwin Gallery, London 1968, Pollock Gallery, Toronto 1968-1970, Moos Gallery, Montreal 1972, Waddington Gallery, Montreal 1975,Galerie Bernard Desroches, Montreal 1987, Galerie L’Art Francais, Montreal 1988, Galerie Alphonse Chave, Vence 1988, Coe-Kerr Gallery, New York 1989, Feingarten Galleries, Los Angeles 1992, Pucker Gallery...
Category

Late 20th Century Abstract Maine - Sculptures

Materials

Bronze

Woman in Repose
Located in Wiscasett, ME
Bronze sculpture of a woman in repose by Turkish Israeli sculpture Haim Azuz, b. 1932 This piece is signed and numbered 2 out of an edition of 10 o...
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20th Century Modern Maine - Sculptures

Materials

Bronze

Woman in Repose
Woman in Repose
H 6 in W 11.75 in D 5.25 in
Mother and Child
By Jim Ritchie
Located in Wiscasett, ME
Bronze on polished stone base, signed and edition numbered. The base was most likely produced by the sculptor to allow the piece to smoothly rotate. The sculpture stands 80.5" tall i...
Category

20th Century Modern Maine - Sculptures

Materials

Bronze

Mother and Child
Mother and Child
H 80.5 in W 14.5 in D 14.5 in
Boys Fishing
By Curtis Jeré
Located in Wiscasett, ME
Bronze sculpture of two boys fishing presented on a stone plinth base, signed and dated. One box has caught a fish and the other is just about to cast. 17" tall.
Category

1950s American Realist Maine - Sculptures

Materials

Stone, Bronze

Boys Fishing
Boys Fishing
H 17 in W 8 in D 6 in
Sitting Figure with Knees Up
Located in Wiscasett, ME
Wood fired ceramic sculpture on wooden plinth stand. Joy Brown on her work: "My figures speak to me of that peaceful place in myself - calm, open, aware....
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Early 2000s Contemporary Maine - Sculptures

Materials

Ceramic

Rhapsody
By Nathaniel Kaz
Located in Wiscasett, ME
Bronze sculpture of a musician by Nathaniel Kaz, signed and dated 1952. Measures 23” x 10” x 19” including the plinth base. Nathan Katz was born in the Br...
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1950s Abstract Expressionist Maine - Sculptures

Materials

Bronze

Rhapsody
Rhapsody
H 23 in W 19 in D 10 in
Woman and Her Dog
By Marie Madeleine Gautier
Located in Wiscasett, ME
A bronze sculpture by Marie Madeleine Gautier featuring a woman and her dog. The piece is signed, dated 06, and the edition number is shown as 3 of 8. Born in France in 1956, Marie...
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Early 2000s Contemporary Maine - Sculptures

Materials

Bronze

Couple Entwined
By Itzik Ben Shalom
Located in Wiscasett, ME
Bronze sculpture of a couple, signed on the leg. Itzik Benshalom, the man and the artist, is larger than life, an artistic Israeli with a remarkably g...
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20th Century Modern Maine - Sculptures

Materials

Bronze

JAZZ MUSICIANS - FOUR WALL PLAQUES
Located in Portland, ME
Unknown Artist. JAZZ MUSICIANS - FOUR WALL PIECES. Four wall pieces in cast plaster, probably 1950s. Each 11 1/2 x 8 inches, unsigned and unmarked. Eac...
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1950s American Modern Maine - Sculptures

Materials

Plaster

Graceful Nest
By Ruth Bloch
Located in Wiscasett, ME
Signed, edition #4 of 15. Measuring 28" tall. Ruth Bloch was born in Israel in 1951 to artist parents. Her father was a musician, while her mother worked in ceramics, Ruth's family ...
Category

Early 2000s Contemporary Maine - Sculptures

Materials

Bronze

Graceful Nest
Graceful Nest
H 28 in W 15 in D 5 in
Dialogue
By Ruth Bloch
Located in Wiscasett, ME
Signed, edition #9 of 15. Ruth Bloch was born in Israel in 1951 to artist parents. Her father was a musician, while her mother worked in ceramics, Ruth's family were members of a Ki...
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Early 2000s Contemporary Maine - Sculptures

Materials

Bronze

Dialogue
Dialogue
H 21 in W 12 in D 6.5 in

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