Maine - Figurative Sculptures

The sculpture is signed below, inside Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994. He realized installation art, graphics press, large format murals, sculpture and painting. In all these areas, in addition to artistic workshop, the most important thing is his message of the work, the message contained therein. He believe that "art" is one of many languages (perhaps even more sophisticated than others) that humanity learned to lead the discourse at a level different than just verbal. He indentify with the principle "if you have nothing to say - be quiet...

Max Kalish (American, 1891-1945) Harmony, c. 1930 Bronze with green marble base Incised signature on right upper side of base 14 x 9 x 5 inches, excluding base 17 x 10 x 8 inches, including base Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti...

A rare sculpture by Daniel Albert Harris (aka: Zev- the Wolf) (1914-1986) c. 1968 A substantial and stunning bronze sculpture of Poseidon (or Neptune) riding on a shell driven by hor...

A beautiful modernist 20th Century Bronze piece by Joachim Berthold. Here we find this stylish figure sitting in a hoping position looking up that eludes thought and complexity. A me...

The sculpture is signed below. Monika Zadurska-Bielak, Graduated from the studio of Prof. Franciszek Duszeńko at the Faculty of Sculpture of the Academy of Fine Arts in Gdansk (dipl...

Bronze sculpture of a wild mustang horse created by American artist Arnold Goldstein. This artwork has the signature and numbering inscribed. Numbered...

The sculpture is signed below. Monika Zadurska-Bielak, Graduated from the studio of Prof. Franciszek Duszeńko at the Faculty of Sculpture of the Acade...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...

PIETA II by Lorenzo Vignoli hand formed glazed ceramic sculpture by contemporary Italian sculptor Lorenzo Vignoli Sculpture dimensions: 14inch W x 8inch H x 11inch D 36cm W x 24...

Kitade’s search for the universal common ground in life, even in conflict. ‘Conflict is part of human nature, there is always a Side A and Side B in life and in this show it is the s...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

This is an original, unique ceramic sculpture by Sarah Louise Davey on a black wooden base. The piece measures 44” x 19” x 21”. Please note: This piece is pictured with the base on top of a black pedestal and a white pedestal. The black base of the sculpture is included, but the pedestals are not included. Artist Statement: "The art of making, for me, is very much a response to the human condition of needing to connect to one another, as well as to what lies just beyond the borders of our realities. I am drawn to the idea that art can have the ability to affect those who look upon it, allowing these portraits to be conduits to a realm within our subconscious. Although my females are hard ceramic sculptures, their hollow, eggshell-like interiors feel like a glove or a mask that can easily be slipped on and off, like the psychic armor of a distant self. An introspective dialogue is started as I make each piece, invoking a surreal understanding of the physical and emotional auras of these strange beauties. Heavy in symbolism, they illustrate the psychological scope of a hybrid creature. Their wide-eyed gazes are meant to portray an emotional duality that is constantly evolving. Some are alter egos of women on the verge...