Michigan - Art

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by M...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, this work reflects Miros dynamic midcentury evolution, defined by bold chromatic contrasts, spontaneous gesture, and poetic abstraction. Executed as a lithograph on velin paper, this work measures 9 x 7.85 inches (22.86 x 19.94 cm). Unsigned and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans titre (Untitled), from Joan Miro, 1956 Medium: Lithograph on velin paper Dimensions: 9 x 7.85 inches (22.86 x 19.94 cm) Inscription: Unsigned and unnumbered, as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Edition: MM Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 39; Miro, Joan, and Raymond Queneau. Joan Miro Lithographe II : 1953-1963. Maeght, 1972, nos. 230-238. Condition: Well preserved, consistent with age and medium Provenance: From the 1956 publication Joan Miro, published by Maeght Editeur, Paris Notes: Excerpted from the album (translated from French), This album has been printed by the printing press of R. Blanchard in Paris on behalf of Maeght, Editeur, 13, rue de Teheran, Paris VII. The original color lithographs were printed on the presses of Mourlot Freres. The photographs of the works are by E. Catala-Roca, Y. Hervochon, Pierre Matisse Gallery, Soichi Sunami and Robert. Miros photograph, page 83, is by Sabine Weiss. About the Publication: The 1956 publication Joan Miro, issued by Maeght Editeur in Paris, stands as one of the defining postwar monographs produced by the renowned publisher whose collaborations with modern masters reshaped the landscape of fine art printmaking. Conceived as both a scholarly work and an artistic object, the publication brings together extensive photographic documentation of Miros work alongside original color lithographs printed by Mourlot Freres, the premier Parisian atelier responsible for lithographic editions by Picasso, Chagall, Braque, Leger, and Calder. Produced under the direction of Maeght Editeur—a central force in modern art publishing, exhibition culture, and the creation of Derriere le Miroir—the publication reflects the publishers commitment to merging literary content, critical scholarship, and original prints into unified, collectible works of art. The printing of the text and photographic elements was undertaken by R. Blanchard in Paris, while the lithographs were executed by Mourlot Freres with the technical refinement that distinguished their collaborations with the twentieth centurys most important artists. The publication offers a synthesis of Miros creative evolution during the early and mid-1950s, contextualized within Maeghts broader program of championing avant-garde innovation. Today, Joan Miro (1956) remains an essential publication in the artists printed oeuvre, valued for its craftsmanship, historical relevance, and its role in disseminating Miros work internationally at a pivotal moment in postwar modernism. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro lithograph, Miro 1956 album, Miro Maeght Editeur, Miro Mourlot...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by M...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, this work reflects Miros dynamic midcentury evolution, defined by bold chromatic contrasts, spontaneous gesture, and poetic abstraction. Executed as a lithograph on velin paper, this work measures 9 x 7.85 inches (22.86 x 19.94 cm). Signed in the plate and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans titre (Untitled), from Joan Miro, 1956 Medium: Lithograph on velin paper Dimensions: 9 x 7.85 inches (22.86 x 19.94 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Edition: MM Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 39; Miro, Joan, and Raymond Queneau. Joan Miro Lithographe II : 1953-1963. Maeght, 1972, nos. 230-238. Condition: Well preserved, consistent with age and medium Provenance: From the 1956 publication Joan Miro, published by Maeght Editeur, Paris Notes: Excerpted from the album (translated from French), This album has been printed by the printing press of R. Blanchard in Paris on behalf of Maeght, Editeur, 13, rue de Teheran, Paris VII. The original color lithographs were printed on the presses of Mourlot Freres. The photographs of the works are by E. Catala-Roca, Y. Hervochon, Pierre Matisse Gallery, Soichi Sunami and Robert. Miros photograph, page 83, is by Sabine Weiss. About the Publication: The 1956 publication Joan Miro, issued by Maeght Editeur in Paris, stands as one of the defining postwar monographs produced by the renowned publisher whose collaborations with modern masters reshaped the landscape of fine art printmaking. Conceived as both a scholarly work and an artistic object, the publication brings together extensive photographic documentation of Miros work alongside original color lithographs printed by Mourlot Freres, the premier Parisian atelier responsible for lithographic editions by Picasso, Chagall, Braque, Leger, and Calder. Produced under the direction of Maeght Editeur—a central force in modern art publishing, exhibition culture, and the creation of Derriere le Miroir—the publication reflects the publishers commitment to merging literary content, critical scholarship, and original prints into unified, collectible works of art. The printing of the text and photographic elements was undertaken by R. Blanchard in Paris, while the lithographs were executed by Mourlot Freres with the technical refinement that distinguished their collaborations with the twentieth centurys most important artists. The publication offers a synthesis of Miros creative evolution during the early and mid-1950s, contextualized within Maeghts broader program of championing avant-garde innovation. Today, Joan Miro (1956) remains an essential publication in the artists printed oeuvre, valued for its craftsmanship, historical relevance, and its role in disseminating Miros work internationally at a pivotal moment in postwar modernism. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro lithograph, Miro 1956 album, Miro Maeght Editeur, Miro Mourlot...

Marcel Mouly was one of the last student's of Picasso! This piece is stretched, and very collectible and has a COA. On the back it is reinforced with a wooden crossbar as in the pho...

Friedel Dzubas, a prominent figure in the New York School, made a significant mark within the Color Field painting movement during the mid-twentieth century, persisting in his artist...

Alexandra Nechita 2002 Glass Sculpture 49 cm x 39 cm x 14 cm Gouache Signed Poster

In her paintings, Christine Hayman concerns herself with space. She is interested in how forms are energized by the space around them, especially when incorporated into paintings wit...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude male standing in pose. Artis Lane, in her many nudes, chose to depict a diversity of bodies, of all shapes, colors, and sizes. This work was recently exhibited adjunct to the "Steps Towards Justice: Artis Lane's Portraits of Rosa Parks" exhibition at Collected Detroit in 2021. Most recently in January 2021 Ms. Lanes' dynamic sculpture bust of Rosa Parks was chosen from the National Portrait Gallery in Washington DC to reside in the President's Oval Office as a reminder to all who visit or see it via press photographs of her courageous demand for equal rights. It is a constant source of inspiration. All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane Artis Lane lived and worked in Los Angeles for over twenty years. She knew many celebrities, movie stars and individuals who moved in those circles. She was a sought after portrait painter. This particular painting of the famous movie star, Zsa Zsa Gabor, shows why. Artis has captured the personal essence of her subject, a warm, friendly woman, though famous, is not absorbed in her notoriety. This piece is signed by the artist on the lower right. Born Artis Marie Shreve in 1927, near an all-Black village in North Buxton, Ontario, Canada. After three years of art college in Toronto, Canada, Artis moved to Detroit where she met and married journalist and activist Bill Lane. In Detroit Artis Lane continued her training at Cranbrook Academy of Art in Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock known for blown glass) and Larry Butcher (mixed media abstract artist.) While in the Motor City she painted and sculpted the portraits of many of the business and political leaders of the day; Governor George Romney, Ford family members and Coleman Young, the Mayor of Detroit. After her divorce, she was invited by Diahann Carroll...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude ...

This mixed media on paper painting of Jesse Owens is from the seminal artist Artis Lane and is one of the many exquisite pieces done of historical figures ...

This portrait of Desmond Tutu is from the seminal artist Artis Lane and is one of the many exquisite portraits done of historical figures and celebrities she has met and painted duri...

This acrylic and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The su...

This watercolor and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is two nude males, one i...

This watercolor and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The...

This watercolor on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude male lying in repose. Artis...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject ...

This mixed media on paper from the seminal artist Artis Lane is one of the many model pictures from her long and illustrious career. The subject i...

This mixed media on paper from the seminal artist Artis Lane is one of the many model pictures from her long and illustrious career. The subject is an older man, whom is called "Anci...

This portrait from the seminal artist Artis Lane is one of the many unique portraits she has painted of notable people she has known in her long and illustrious career. The subject is "Baby Jane" Holzer, a member of Andy Warhol superstars and an art collector and film producer in her own right. She appeared in several Andry Warhol...

This "Lamb" painting vibrantly pops with hyper-realistic color. It depicts a highly detailed lamb standing in against a blue background. Could it be an empty room? Could it be the sky? "Lamb" has a sweet look with its slight smile and holding a cute pink flower. Its awash in a cartoonish blue with clouds and cloudy farm animals. This pairs with the cow painting but is sold separately. Renata Palubinskas was born in 1968 in Kaunas, Lithuania, at the time still in the Soviet Union as the Lithuanian Soviet Socialist Republic. She received her diploma in Fine Art and Restoration from St. Zukas Technium of Applied Arts in 1989. After working at the M.K. Ciurlionis State Museum of Art, she emigrated to the United States in the 1990s, basing herself in Detroit. Renata's work rethinks historic iconography while intentionally addressing the modern world through a new perspective. The characters in her paintings are often caught between the struggle of good and evil. That struggle represents the choice of trying to obtain immediate gratification or realization of the self, and the haunting life experiences with latent possibilities for death. Renata uses schematic compositions with purposefully positioned figures and other visual elements. To attract attention to the most significant figures, she often ornate their garments with intricate patterns. They are typically placed in either a serene landscape or an interior setting with a threatening presence around them. Her work has been exhibited in Collected Detroit...

This "Cow" painting vibrantly pops with hyper-realistic color. It depicts a highly detailed cow standing in against a blue background. Could it be an empty room? Could it be the sky? There is a very playful atmosphere as the cow is holding a dandelion gone to seed and the wonder is whether it will make a wish and blow. Its awash in a cartoonish blue with clouds and cloudy farm animals. This pairs with the lamb painting but is sold separately. Renata Palubinskas was born in 1968 in Kaunas, Lithuania, at the time still in the Soviet Union as the Lithuanian Soviet Socialist Republic. She received her diploma in Fine Art and Restoration from St. Zukas Technium of Applied Arts in 1989. After working at the M.K. Ciurlionis State Museum of Art, she emigrated to the United States in the 1990s, basing herself in Detroit. Renata's work rethinks historic iconography while intentionally addressing the modern world through a new perspective. The characters in her paintings are often caught between the struggle of good and evil. That struggle represents the choice of trying to obtain immediate gratification or realization of the self, and the haunting life experiences with latent possibilities for death. Renata uses schematic compositions with purposefully positioned figures and other visual elements. To attract attention to the most significant figures, she often ornate their garments with intricate patterns. They are typically placed in either a serene landscape or an interior setting with a threatening presence around them. Her work has been exhibited in Collected Detroit...

This "Dog" painting vibrantly pops with hyperrealistic color. It depicts a highly detailed dog standing in a bare room, its floor and wall awash in the same catoonish purple wallpaper...

America-La France Variations I 1983-4. Lithograph in colors with collage on Tyler Graphics Ltd. handmade paper. Signed in pencil Numbered 46/70 (there were also XVIII artist’s proofs...

Artis Lane’s “Flowers in a Pink Vase” fills the canvas with the breathtaking beauty of colors and with the dynamic energy of their movement. The subject of the flower has captured the interest of both artists and viewers across centuries and in numerous cultures. Mosaics of flowers can be seen on the villa floors in Pompeii and Herculaneum pre 79 A.D., the Dutch painter Jan Davidsz de Heem is famed for his Baroque still lifes of flowers in the 1600s, French artist, Edouard Manet’s Last Flowers are revered as some of his best work, and the 20th c. silkscreens of Andy Warhol’s Poppys...

In her paintings, Christine Hayman concerns herself with space. She is interested in how forms are energized by the space around them, especially when...

This portrait of a precocious young boy is significant for two reason: the subject is Eero Saarinen, the famed designer of tulip chairs and architect best known for designing the Washington Dulles International Airport outside Washington, D.C., the TWA Flight Center in New York City, and the Gateway Arch in St. Louis, Missouri, and the painter is his father Eliel Saarinen, the Finnish-American architect who designed the Helsinki Central railway station, the National Museum of Finland, the Vyborg railway station, the Hvitträsk, and the Kleinhans Music Hall in Finland and the famous Cranbrook Academy campus, where he would then go on to teach at the Cranbrook Academy of Art and become its president in 1932. It's provenance is Eero Saarinen's own son, the award-winning cinematographer Eric Saarinen. The painting is Painting is 23.25 x 16.25. Eliel Saarinen was born in 1873 in Rantasalmi, Finland. was educated in Helsinki at the Helsinki University of Technology. From 1896 to 1905 he worked as a partner with Herman Gesellius and Armas Lindgren at the firm Gesellius, Lindgren, Saarinen. His first major work was showcased at the Finnish pavilion at the 1900 World Fair in Paris. His early style was known as Finnish National Romanticism. After moving to the United States he designed the Gulf Building in Houston and became a visiting professor at the University of Michigan. In 1925 he was requested to design the Cranbrook campus. His work has been exhibited in many prestigious places, such as his iconic tea urn at the Metropolitan Museum of Art in New York, the St. Louis Art Museum, Cranbrook Art Museum, the British Museum in London, and the Metropolitan Museum of Art. The touring exhibition Modernism in American Silver: 20th-Century Design, organized by the Dallas Museum of Art, which also traveled to the Smithsonian Institution in Washington, DC. the British Museum in London and the Metropolitan Museum of Art also hold tea urn-related Eliel Saarinen designs. Eero Saarinen was born in 1910. He grew up in Bloomfield Hills, Michigan and took courses in sculpture and furniture design at the Cranbrook Academy of Art. He had a close relationship with fellow students Charles and Ray Eames, and became good friends with Florence Knoll (née Schust). He began his studies in sculpture at the Académie de la Grande Chaumière in Paris, France, in September 1929. He then went on to study at the Yale School of Architecture, completing his studies in 1934. In 1940 he designed his famous Tulip chairs and in 1948 he designed what would be his most well-known sculpture, the Gateway Arch in St. Louis. His Crow Island School in Winnetka, Illinois would also achieve international acclaim while the first major work by Saarinen, in collaboration with his father, was the General Motors Technical Center in Warren, Michigan, which follows the rationalist design Miesian style, incorporating steel and glass but with the addition of accent of panels in two shades of blue. After his father's death in July 1950, Saarinen founded his own architect's office, Eero Saarinen and Associates. He was the principal partner from 1950 until his death. The firm carried out many of its most important works, including the Bell Labs...

“Icarus Suspended” is an extraordinary painting of Ayrton's obsession with flight, myths, mirrors and mazes. This complex piece shows a figure in flight, frozen in action, either swooping down or, perhaps, falling to earth. Named after the Greek mythological figure, Icarus, who along with his father attempted to escape from Crete by means of wings that his father constructed from feathers and wax. Flying too close to the sun the wax melted and both fell to earth. The positioning of Ayrton's figure is reminiscent of "The Fall of Icarus" by Jacob Peter Gowy, Museo Nacional del Prado. This is part of a series of artworks on Icarus some sculptural and some three-dimensional paintings on canvas. Verso contains gallery label Matthiesen Gallery, 142 Bond St., London, England, with a signature and text in upper right corner: "To Morton Schotnick. Bought on the occasion of The Archives of American Arts Tour to London, England. October 10, 1961. Michael Ayrton...

"Spiritual Self-Portrait" is a portrait of the artist by the artist. She has presented herself nude gazing boldly and directly at the viewer not so much challenging, but inviting dia...

"Spiritual Man" standing is a subject that continually held the interest of the artist, a depiction of man awakening from a more dormant state to stretch into the glory of his creati...

"Birth" is a small intimate sculpture of a women in the act of pending birth. She gazes skyward beyond her own condition of birthing an earthly being, to encompass the intellectual a...

"Birth" is a small intimate sculpture of a women in the act of pending birth. She gazes skyward beyond her own condition of birthing an earthly being, to encompass the intellectual a...

"First Man" is a contemplative figure of an nude man with his hands clasped together and his head thrown back suggesting an individual deep in spiritual thought. Ms. Lane has stated ...

"New Man" standing is a subject that continually holds the interest of the artist, a depiction of man awakening from a more dormant state to stretch into the glory of his creation. M...

"Rosa Parks Ascending Steps" is the portrait of an iconic heroine at a moment of historical significance, chance and change as she is ascending the courthouse steps...

"Nubian Mask" is a 3/4 life size face of a man with eyes down cast. There is a deep sense of quiet and contemplation surrounding the subject. Ms. Lane has talked about how a number o...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane "Rosa Parks...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics In my work. I strive to heal, uplift and inspire viewers and collectors to find ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics In my work I strive to heal, uplift and inspire viewers and collectors to find p...

"Man with Bicycle" is an extraordinarily complex painting by Artis Lane. The figure is in a Classical Greek pose balancing the body's weight on the left leg while the right is slight...

"Nude on Throne" shows a beautiful strong young woman seated upon what appears to be a ancient throne. There are objects held by her and placed on her legs, one of which can clearly ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane "Statue of Liberty" is a painting by the Canadian, Ms. Lane, who has adopted the United States as her home country. She has used a cool blue tone to give the statue a more sculptural aspect in paint. The Statue of Liberty is an American Icon...

In her paintings, Christine Hayman concerns herself with space. She is interested in how forms are energized by the space around them, especially when incorporated into paintings wit...

"Self-Portrait" is a stunning mixed media piece showing the vibrancy of the figure through the use of bold lines and placement of the blue and orange colors. The figure appears to be...

"Surreal Study: Male and Female Figures on a Branch" is a complex piece with figures both facing toward and away from the viewer sitting on a branch in a mammoth tree or a fallen tre...

"In my current work, I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the pain...

"In my current work, I am involved with various gestural forms along with a variety of abstract language. I am also using the elements and energy of the landscape in some of the pain...