Ohio - Art

George Gustav Adomeit (American, 1879-1967) Seaside Cliff Oil on board Signed lower right 9 x 11 inches 12.25 x 14.5 inches, framed A major painter of American scene subjects, Georg...

Julien Dupre (French, 1857–1910) Pastoral Scene Oil on canvas Signed lower left 20 x 25.5 inches 33.5 x 39.25 inches, framed Julien Dupré was a French painter, born in Paris on Ma...

Glen Tracy (American, 1883-1956) Summer Landscape, c. 1920 Oil on board Signed lower right, titled verso 12 x 9 inches 17.25 x 14.5 inches, framed Since he studied and taught commer...

After Jean-Antoine Houdon (French, 1741-1828) Bust of Diana Bronze Signed on side, Susse Frères foundry stamp on base 28.5 x 16.25 inches Jean-Antoine Houdon's bust of Diana is an 1...

Václav Radimský (Czech, 1867-1946) Water Lilies, c. 1910 Oil on board Signed lower left 28 x 39 inches Václav Jan Emanuel Radimský was a Czech impressionist painter who resided in F...

Joseph O'Sickey (American, 1918-2013) Garden Scene Oil on canvas Signed lower right 18 x 22 inches 24 x 28 inches, framed Joseph O'Sickey, born in Detroit in 1918, has been a painte...

Joan Miró (Spanish, 1893-1983) "Personatge I Estels II," 1979 Etching, aquatint in colors with embossing on Arches wove paper Signed in pencil lower right, numbered 26/50 lower left ...

Charles Fodor (American, 20th Century) Composite #6, 1969 Oil on canvas Signed, dated and titled verso 27.5 x 20 inches 29 x 21.5 inches, framed

Miguel Condé (Mexican/American, b. 1939) Untitled, 1968 Oil on canvas Signed and dated verso 55.25 x 44 inches Miguel Condé is a Mexican figurative painter, draughtsman, and print m...

William Pearce (British, 18th/19th Century) Showing Off the Hack, 1798 Oil on canvas Signed upper middle 20 x 23 inches 24 x 28 inches, framed

Paul Riba (American, 1912-1977) Knight in Armour, 1973 Oil on board Signed and dated lower right 39.5 x 47.5 inches 48.5 x 57 inches, framed Paul Rib...

Italian, Late 19th Century Finely Finished Bust of Renaissance Lady White marble, garment in veined buff colored marble on fitted green marble pedestal Bust: 22 x 18 x 9 inches Pedes...

May Lydia Ames (American, 1863-1943) European Landscape, 1908 Oil on canvas Signed and dated lower right 24.25 x 36.25 inches 27.75 x 39.75 inches, framed May Ames was born in Cleve...

Pair of English Regency Blue John (Derbyshire Spar) Urns, 19th Century 9.5 x 3 x 3 inches Obtained from the Derbyshire England, Blue John is a semi-precious mineral, a rare form of ...

Richard Andres (American, 1927–2013) Saturday on Wednesday, c. 1975 acrylic on canvas signed lower right, signed and titled verso 48.5 x 62.5 inches Richard Andres was born in Buff...

Bruno Tornati (Italian, 1893-1987) Modern Scorpion Fish, Early 20th Century Bronze on marble base 23 x 22 x 10 inches Bruno Tornati was an Italian sculptor known for his Art Deco te...

Pair of Porphyry Marble Columns with Gilt Bronze Capitals, 19th Century Porphyry marble & gilt bronze 20 x 4.25 x 4.25 inches Porphyry is an igneous rock, not marble, known for its...

Three Skunks of WWII c. 1940s Carved and painted wood Unsigned 8 x 10 in. h. each These skunks are depicted as Adolf Hitler, Benito Mussolini, and Hideki Tojo. Condition: There ...

August Frederick Biehle American, 1885-1979 Creek in the Forest, c. 1949 Gouache, watercolor and litho crayon on board Signed lower right, dated lower left 18 x 24 inches 23.25 x 29....

19th Century Grand Tour after the Antique Figure of Sophocles Bronze with green patination Signed F. Barbidienne, Fondeur 25 x 8.5 x 6.5 inches Standing figure of the Greek poet, we...

Abel Warshawsky (American, 1883-1962) Fishing Boat Reflections, France, c. 1915 Oil on canvas Signed lower left 21 x 18 inches 27.5 x 24.5 inches, framed Impressionist painter A.G...

Bronze Figure of Crouching Venus, or The Naked Aphrodite, 19th Century Italian School Bronze raised on a marble base 21 in. h. x 10 in. w. x 7 in. d., overall 18 in. h. x 8.5 in. w....

After Antonio Canova (Italian, 1757-1822) Psyche Revived by Cupid's Kiss Marble 24 x 19 x 16 inches 135 lb. The love affair between Cupid and Psyche is one of the best known classic...

Max Kalish (American, 1891-1945) Reclining Nude Marble Signed on base 9 x 20.5 inches Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894,...

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 48 inches "My paintings are about space, form and energy. I generally start ...

After Giambologna (Italian, 1529-1608) Mercury Standing on the Breath of Zeus Bronze 27.5 x 14.25 x 5.5 inches The sculpture depicts Mercury wearing his winged helmet and sandals and holding a caduceus. Created after one of Giambologna's most celebrated sculptures in the Renaissance, Mercury, was designed as part of a fountain for the Villa Medici in Rome.The head on which Mercury steps symbolizes the figure being “exhaled, purified, unburdened.” When the Giambologna sculpture...

19th Century Italian School Grand Tour Bronze Sculpture of Dionysus, 19th Century Bronze with black-green patination 24 x 10 x 10 inches Dionysus, in Greco-Roman religion, a nature ...

August Frederick Biehle American, 1885–1979 Landscape in West Virginia, 1922 Gouache, litho crayon and graphite on paper Signed lower right 19 x 17.5 inches 29.5 x 23.5 inches, frame...

Harvey Gregory Prusheck (Slovenian/American, 1887-1940) Western Landscape Oil on board Monogram lower left 9.5 x 8 inches 11.75 x 10.5 inches, framed Harvey Gregory Prusheck was a S...

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers, 18th/19th Century Bronze 14 x 7 x 5 inches 22 x 8 x 7 inches, with base Diane de Poitiers was a French noblewoman and prominent courtier. She wielded much power and influence as King Henry II's royal mistress and adviser until his death. Her position increased her wealth and family's status. She was a major patron of French Renaissance architecture...

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers Bronze with gilt socle base 9 x 3.75 x 2.75 inches Provenance: Removed from a private residence at the Pierre Hotel Di...

Frank Luis Jirouch (American, 1878-1970) Return to the Stables, Gates Mills, Ohio, c. 1925-30 Oil on canvas board Signed lower right 14 in. h. x 16 in. w....

After Antonio Canova (Italian, 1757-1822) Bust of Young Napoleon as Caesar, 19th Century Hallow cast bronze with verdigris patina, attached to rouge...

August Frederick Biehle (1885-1979) Farm in Berlin Heights, c. 1930 Oil on masonite Signed lower right 22 x 30 inches 27.75 x 36 inches, framed A versatile painter who worked in a v...

Sandor Vago (Hungarian/American 1887-1946) The Chinese Girl, 1925 Oil on canvas Signed lower right 34 x 30 inches 38 x 34 inches, framed Exhibited: Clevela...

Glen Tracy (American, 1883-1956) The Tulip Poplar on Salem Pike , 1920 Oil on board Signed lower left, dated and titled verso 12 x 9 inches 17.25 x 14.5 inches framed Since he studi...

Grand Tour Italian, 19th Century Sandaled Foot of an Antiquity Bronze 5.5 x 12 x 5 inches

Large Figure of Seated Hermes, Grand Tour Bronze, Early 19th Century 19th Century Continental School After the Antique The large size figure well cast, with brownish green patination...

Paul Riba (American, 1912-1977) Untitled Oil on panel Signed lower right 30 x 18 inches 39.25 x 27.25 inches, framed Paul Riba was a painter of Magic Realism. He explored the unrea...

William Zorach (American, 1887-1966) Seated Woman Painted plaster Inscribed underside "V" 12.5 x 9 x 5 inches Provenance: The Tatti Family Collection Bill Zorach was born in Lithuan...

William Gould (American, 1930-2017) Taos, New Mexico, 2001 Oil on canvas Signed and dated lower right 20 x 30 inches 25.25 x 35.5 inches, framed Cleveland Arts Prize Article: If...

William C. Grauer (American, 1895-1985) Scrub and Pines, 1929 Oil on canvas Signed lower right 18 x 20 inches 24.5 x 26.5 inches, framed Exhibited: Cleveland Museum of Art, May Show ...

Monumental Chinese Famille Rose Medallion Vase, 20th Century Porcelain 36 x 18 inches Famille rose is an 18th century Chinese porcelain, characterized by its pink-colored enamel.

(Gognitive Load, Part 1) Watercolor on heavy wove paper with collage elements, 2024 Signed lower right above spiral notebook (see photo) Condition: Excellent, never framed Image/Shee...

One of only a handful of etchings done in the style of the painting Guernica. from 1937, one the artist's most famous works. Homme Nu Debout avec un Cheval Drypoint, 1938 Unsigned (...

Raphaël Nannini (Italian, 1852-1925) Napoleon Bust, Late 19th Century Bronze on marble base Signed on back 17 x 11 x 8 inches Raphael Nannini was born in Florence. He exhibited at t...

Johann Till II (Austrian, 1827-1894) Plethora, c. 1860 Oil on canvas Signed lower right 47.5 x 35.5 inches 54.5 x 43 inches, framed Johann Till the Younger trained in Vienna under h...

Figure of Recumbent Lion, 19th Century Carved gray veined marble 4.5 x 8 x 4.5 inches

Adam Lehr (American, 1853-1924) Still-Life of Cherries, 1901 Oil on canvas laid on panel Signed and dated lower left 12 x 20 inches 20 x 28 inches, framed Known primarily as a still...

Alexsander Danel (Estonian, 1940-2001) Brutalist Panther Sculpture, 1996 Signed 'Danel' and 'Austin Sculpture' to back leg 13.5 x 16.5 inches Alexsander Danel was born in Estonia and graduated from both the Moscow Industrial Arts School and the Moscow Fine Arts Academy. He earned many awards and distinctions in the Soviet Union, including "Best Work of the Year" in 1973 for his monumental work commemorating the history of the Russian Wars, installed in Kirov. Alexsander Danel emigrated to the U.S. in 1976, after spending a year in Rome where he sculpted set designs for Fellini's "Cassanova" and the Napoli Theater production of "Aida". After settling in New York, he completed commissions for Rockefeller Plaza and Radio City Music Hall. In 1992, he held his first one person show exhibiting computer generated...

Václav Radimský (Czech, 1867-1946) Winter Scene, Chrudim, 1920 Oil on board Signed lower left 23.5 x 36.25 inches Václav Jan Emanuel Radimský was a Czech impressionist painter who r...

August Frederick Biehle (1885-1979) Houses in Zoar, c. 1921 Gouache, litho crayon, colored pencil and graphite on paper Signed lower right 14 x 19 inches 20.25 x 25.25 inches, framed...

Raphael Gleitsmann (American, 1910-1995) Still Life with Apple, 1934 Gouache on board Signed and dated lower right 20 x 16 inches 24.5 x 20.5 inches, framed Condition: small damage ...

Kenneth Marcus Hugh (American, 1916-2011) Self Portrait Oil on canvas Signed lower right and dated ’36 33 x 27 inches 39 x 33 inches, framed Kenne...

Richard Andres (American, 1927-2013) Interior, 1976 acrylic on canvas signed lower right, signed and titled verso 50 x 59.5 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

19th Century Bronze Figure of Crouching Venus or Naked Aphrodite Bronze with dark patination 22.5 x 13 x 11 inches The Crouching Venus is a Hellenisti...

Abel Warshawsky (American, 1883-1962) Au Garche, France, 1910 Oil on board Signed lower right (signed, dated and titled verso) 8.5 x 10.5 inches 13.5 x 15.5 inches, framed Impressio...

Clarence Holbrook Carter (American, 1904-2000) Woman with FUCHSIA, 1935 Oil on canvas Signed and dated lower right 31.75 x 27 inches 37 x 32.25 inches, framed Untitled Still Life ver...

The Borghese Gladiator, 19th Century Bronze on marble base Musée du Louvre signed on base 15 x 12 x 8 inches Since its discovery in the early seventeenth century, the Borghese Gladi...

Jane Peterson (American, 1876-1965) Parrot Watercolor on paper Signed lower left 25 x 19 inches 31.25 x 25.25 inches, framed Born in 1876 in Illinois, Jane Peterson would grow into ...