Ohio - Art

Seascape at Sunset Collage with tissue paper and gold foil on Fabriano paper, 1964 Signed and dated in ink, lower right (see photo) Provenance: Estate of the artist Martha A. French...

Untitled Abstraction Collage with 22K gold leaf Unsigned Provenance: Estate of the artist Metal foil collage on paper Sheet: 14 x 17" (35.56 x 43.18 cm), Image: 8 x 10" (20.32 x 25.4...

Unsigned Six panel collage, with each panel (image measures 2 1/2" square) Provenance: Estate of the artist Collage image size: 8 3/8 x 8 3/8" Peter Marks (1935 -2010) Peter Marks ...

Study for “The Breaker of Chains” Watercolor on Yupo paper, 2018 Signed with the artist's initials lower right (see photo) For the Midtown (Cleveland) Mural, located on 28th and Euc...

Stolen Moments, Attitude Shift #1 (Emily and Sippy Cup Smiling) Watercolor on Twinrocker Multi Purpose paper, 2019 Signed with the artist's initials lower right Signed with the artist's "Yummy" blind stamp lower right Exhibited: LA Art, 2020, January 2020 Condition: excellent Image/Sheet size: 10 1/8 x 12 3/4 inches Frame size: 14 x 17 inches Darius Steward is an American contemporary artist, muralist, educator, and community advocate whose emotionally charged watercolor paintings and public art projects examine race, memory, identity, grief, and social inequity in contemporary America. Born in 1984 and raised in inner city East Cleveland, Ohio, Steward has developed a nationally recognized practice rooted in portraiture, social commentary, and community engagement, establishing himself as one of the leading contemporary figurative artists working in the Midwest. Steward attended the Cleveland School of the Arts and the Interlochen Center for the Arts before earning a Bachelor of Fine Arts degree in Drawing and Painting from the Cleveland Institute of Art in 2008 and a Master of Fine Arts degree from the University of Delaware in 2010. Following graduate study, he returned to Cleveland, where he established a studio practice centered on watercolor portraiture distinguished by luminous color, dramatic negative space, and psychologically resonant figuration. Drawing upon the experiences of family members, children, and members of his community, Steward transforms personal narratives into broader meditations on vulnerability, resilience, displacement, and the complexities of Black identity in contemporary American life. Working primarily in watercolor on Yupo paper, Steward has developed a distinctive visual language that combines technical virtuosity with emotional immediacy. His paintings explore the psychological pressures confronting African American communities through fragmented compositions and carefully orchestrated spatial relationships. Themes of racial violence, social instability, masculinity, grief, and generational memory recur throughout his work, while expansive fields of white space create a dynamic tension between presence and absence, isolation and transcendence. Over the past decade, Steward has exhibited extensively in museums, galleries, and nonprofit art spaces throughout the United States. Notable solo exhibitions include Pressure at Maria Neil Art Project, Cleveland (2016); Our Separated Selves at the Canton Museum of Art (2018); Occupying A Space at the Swope Art Museum, Terre Haute, Indiana (2019); and Moving On at the Bonfoey Gallery in collaboration with Thomas French Fine Art (2019). In recognition of his artistic achievement and community impact, Steward received the Cleveland Arts Prize Emerging Artist Award in 2018. His work has appeared in significant museum exhibitions including Constant as the Sun at the Museum of Contemporary Art Cleveland; FRONT International-associated exhibitions at the Cleveland Institute of Art; Currents and Constellations: Black Art in Focus at the Cleveland Museum of Art; and African American Art: Past, Present, and Future at the David Owsley Museum of Art at Ball State University. Steward's work is represented in numerous public and private collections, including the Cleveland Museum of Art, Akron Art Museum, Canton Museum of Art, Minneapolis Institute of Art, Davis Museum at Wellesley College, Flint Institute of Arts, Eskenazi Museum of Art at Indiana University, Stanley Museum of Art at the University of Iowa, Swope Art Museum, Westmoreland Museum of American Art, Joel and Lila Harnett Museum of Art, Cleveland Clinic Collection, MetroHealth Collection, Federal Reserve Bank of Cleveland, Summa Health Collection, the Thrivent Collection of Religious Art, and the University of Delaware Collection. In 2020, the Cleveland Museum of Art acquired Steward's drypoint The Practice #1 as a gift from Thomas French Fine Art. Upon the acquisition of Steward's work by the Minneapolis Institute of Art, Director Kaywin Feldman remarked: “Steward uses his extraordinary skill as a watercolorist to add interest and drama to quotidian life. His vivid colors and unusual, eye-catching compositions will make his work a compelling presence in the museum's galleries.” Feldman later became Director of the National Gallery of Art in Washington, D.C. Alongside his studio practice, Steward has earned recognition for ambitious public art projects throughout Northeast Ohio. In 2018 he completed two major public murals: Breaker of Chains, a 200-foot mural commissioned through MidTown Cleveland and Cleveland State University, and Support, located on Detroit Avenue in Cleveland. His mural The Waiting Room (2020), commissioned by Summa Health in Akron, transformed a hospital environment into a contemplative space focused on healing, patience, and shared humanity. Additional public commissions include Bowser Alley in Shaker Heights (2020), the POW! WOW! Cleveland Walls mural at the Rainey Institute (2021), a companion mural for the Lee–Harvard Branch Library (2021), and a major commission for Rocket Mortgage FieldHouse in Cleveland (2019). Steward further expanded his public practice through Baggage Claim: In Search of New Beginnings (2021), a sculptural installation created in collaboration with LAND Studio and the Cleveland Public Library...

Une Femme Oil on canvas, mounted on Masonite, 1965 Signed and dated lower right Titled lower right recto Signed with the estate stamp verso: Beni Kosh Collection #118 Condition: Original estate condition Board size: 11 1/8 x 11 1/8 inches Provenance: Estate of the artist Bingham & Vance, Shaker Heights...

America's Mom Lithograph, 2016 Signed lower right (see photo) Numbered lower left From: America’s Family (Intended suite of five Images, only four produced) Edition: 40, (20 of which...

Aardvark Engraving, 1951 Signed, dated, titled in pencil by the artist (see photo) Annotated "To Jon from Ray" (see photo) Printed by Jon Clemens, Master Printer, c. 1990 Condition: ...

Crucifixion Engraving, etching, and ground printed in colors, 1947 Signed, titled and numbered in pencil (see photos) From the second printing by Jon Clemens, master printer in the 1990's Done while the artist was at the Iowa Print Group, MFA Program, University of Iowa . Condition: excellent Image/Plate size: 15 3/4 x 15 3/4 inches Provenance: Estate of the artist Printmaker, painter, and sculptor Ray H...

Untitled (Fabric Design) Annotated on the verso with the studio address of the artist Signed in ink lower right corner: “Marguerite Gross” Gouache on heavy paper, 1930-1939 In 1930 ...

Untitled Photo collage mounted on paper c. 2005 Unsigned Provenance: Estate of the artist Sheet: 14 x 17" Image: 5 7/8 x 8" Peter Marks (1935 -2010) Peter Marks was born in New Yor...

Things are not Right! Silk screen, c. 1970 Signed, editioned, and inscribed "To V.V." in pencil by the artist Image size: 2 x 2 inches Sheet size: 5 x 4 1/8 inches One of an unnumbe...

Untitled Printed paper collage elements on cardboard, 1960 Signed in pencil lower right Condition: Excellent Board size: 13 3/8 x 15 1/2 inches Provenance: Estate of the Artist ...

Untitled (Peonies) Oil on artist's board, c. 1910-1920's Signed by the artist in ink lower center (see photo) Provenance: Joseph Erdelac, Private Collector, Cleveland, acquired from ...

A stunning figure carved from a single section of lacewood. Natural color finish. The base is a 2 level disk, 5"h x 10"d in black painted wood. Height includes the base. A unique scu...

Photograph, gold leaf and magazine mixed media collage Unsigned Provenance: Estate of the artist Sheet: 16 x 14" Peter Marks (1935 -2010) was born in New York City on January 18...

The Dutiful Youth of Mino Province Collecting Wood to Warm His Old Father Color woodcut, c. 1842-43 Signed and sealed lower right (see photo) From the Series: "Honcho nijushi-ko" (Tw...

Headdress Procession Watercolor, c. 1950's Signed by the artist in ink, lower right The Headdress Procession occurs every year as part of the Christmas celebrations in Oaxaca. Guilbe...

Jazz Singer V is carved white oak from David Hostetler's Ohio property. It was inspired by his wife Susan, who would sing in Club Davd- his jazz club a...

Untitled Photo collage, c. 2005 Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 15 1/4 x 19 1/2 inches Sheet size: 19 1/4 x 24 1/4 inches Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, Marks graduated from the High School of Music and Art in 1952 and Amherst College in 1956. After a brief stint as a graphic designer in publishing, Marks became a private art dealer and opened his gallery Peter Marks Works of Art, Inc. in 1960. During this time he specialized in the sale of Southeast Asian and Islamic antiquities and made many contributions to the field both as a dealer and an advocate of his profession. Above all, Marks was motivated by a strong desire to find great art and make it available to large audiences. After retiring from art dealing in 2002, Marks transformed his Manhattan gallery space into a studio where he drew prolifically and painted large non-objective canvasses. This time in his studio was a happy one for Marks, who viewed this period of his life not as retirement, but rather fulfillment, a fact that is confirmed by passionate artistic output in the years leading up to his passing in 2010. In 2012, Thomas French...

Inspiration (Seated Couple) Graphite on paper, c. 1967 Signed twice in pencil by the artist on recto (see photos) Condition: Excellent Image size: 13 x 16 inches Note: Although not t...

Behind the Curve 45 X 45 Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite, Georgio Morandi, all of whom pai...

The School of Art 64 X 69 Mixed Media Painters who have tackled the genre of Still Life are awe inspiring to me. To name a few, Matisse, Cezanne and my favorite, Georgio Morandi, al...

Engraver's Tools Engraving, 1974 Signed and annotated in pencil by the artist (see photos) This a "Trial Proof" impression with graphite additions Regular Edition: 100 References And...

Deco Woman Crayon on paper, c. 1920 Signed in ink lower left: "Wm. Sommer" (see photo) Provenance: Estate of the artist Edwin Sommer (the artist’s son) Jose...

Stolen Moments #2 Watercolor on Twinrocker All Purpose Paper Signed with the artist's initials lower right (see photo) From the series: Stolen Moments Signed with the artist's "Yummy...

Chain Gang Music Watercolor on paper, dated '39, but created in the 1970's Signed "Longstreet" lower left corner Titled and annotated "George - '39" in pencil at top of sheet Provenance: Acquired from the artist Joseph M. Erdelac, friend and patron of the artist Born Henri Weiner (sometimes spelled Wiener), the artist tried alternate names and personae including Paul Haggard, Thomas Burton, and David Ormsbee before settling on the name Stephen Longstreet in 1939. Longstreet dates his art based on the period he means to represent, not the actual date of execution. Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton...

Breaking Up of the Penelope watercolor on artists watercolor board, 1942 Signed and dated by the artist lower right (see photo) Exhibitions: Cleveland, OH, The Cleveland Museum of Art, May 3 - June 11, 1944: "The 26th Annual Ehibition of Works by Artists and Craftsmen of the Western Reserve," , (label on verso) Youngstown OH, The Butler Insititue of American Art, 1943: "1943 New Year Show," , (label on verso) "Ed Dobrotka was one of comic-book illustrator Joe Shuster's early assistants. In the studio, he worked on the 'Superman' series, inking the pencils of artists including Shuster, John Sikela, Leo Nowak and Wayne Boring. Dobrotka did do some pencilling of his own, however he returned to inking exclusively in 1945. In the following years, he worked with Sikela on the 'Superboy' series until the 1950s. He has also work on the solo 'Lois Lane...

Shoe Box (D) Lithograph printed on BFK Rives Signed, dated, titled and numbered in pencil (see photos) From: Shoe Box-Exotic (Sculpture and seven original li...

Emily at Age 5, (Yummy in a hoodie) Acrylic ink on Graphic Plastic Film, 2022 Signed with the artist's initials, lower right (see photo) Condition: Excellent Sheet size: 8 1/8 x 7 7/...

Mademoiselle Sablon, MUSCIAL ACTRESS Lithograph, 1907 Unsigned Provenance: estate of the artist Reference: Belleroche No. K383 Albert Belleroche Log of lithographs, AB698 Edition: c. 10 Condition: excellent Image size: 20 x 17 inches Sheet size: 24 1/4 x 18 1/2 inches Albert Gustavus de Belleroche, also known as Albert Belleroche, (22 October 1864 – 14 July 1944) was a Welsh-born painter and lithographer, who lived most of his childhood and his adulthood in Paris and England. He began as a painter, but at the turn of the century focused on lithography, for which he is most well-known. He was awarded the Chevalier de l’Ordre de Leopold by King Albert I of Belgium in 1933. Early life Albert de Belleroche, Lithograph of the artist's mother, Mrs. Harry Vane Milbank, circa 1900 Albert Gustavus De Belleroche was born on 22 October 1864 in Swansea. His parents were Brusseler Alice and Edward Charles, the Marquis de Belleroche, who died when he was three years old. His mother was the daughter of Desire Baruch. In March 1871, she married Harry Vane Millbank, the son of MP Frederick Milbank. He grew up in Paris and London and he used the surname Milbank until he was 30 years of age. He attained the title of count from his father's family of French Huguenot ancestry. Career and personal life La Danseuse (model Lili Grenier), circa 1890 In 1882, Belleroche studied briefly at Carolus-Duran's art school in Paris, preferring to study the masters like Johannes Vermeer and Sandro Botticelli at museums. He was a friend and studio-mate of John Singer Sargent in Paris and London, with the men making many sketches and paintings of each other. Some of the works that Sargent made of Belleroche are suggestive of an emotional relationship between the men and Belleroche may have been the love of Sargent's life. Dorothy Moss, an art historian, states "Sargent's portraits of Belleroche, in their sensuality and intensity of emotion, push the boundaries of what was considered appropriate interaction between men at this period." Belleroche was financially independent and did not need or desire to obtain work through commissions. Instead, he chose who he would paint, which included Japanese wrestler...

Polo (Wall Plaque) Polychromed ceramic, c. 1930-1931 Signed with the artist's initials: VS recto Cowan Pottery stamp verso References And Exhibitions: Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Golf," and "The Hunt." Condition: with the usual craquelure Size: 11 1/4 inches in diameter Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges. He designed children’s toys and pedal cars; flashlights, furniture and fans; lawn chairs, lawn mowers...

Read the Signs, No. 7 Watercolor on Yupo paper, 2013 Signed with the artist's signature lower right (see photo) Series: Read the Signs (22 watercolors) Exhib...

Stolen Moments No. 1 (Emily drawing with a green crayon) Watercolor on Twinrocker heavy height paper, 2019 Signed with the artist's initials lower right (see photo) Condition: Excell...

Yummy Dissatisfied Watercolor on Arches paper, 2020 Signed with the artist's initials lower right (see photo) Signed with the artist's "Yummy" blindstamp lower right Exhibited: LA Ar...

Stolen Moments, Attitude Shift #2 (Emily with Sippy Cup) Watercolor on Twinrocker All Purpose Paper, 2019 Signed with the artist's initials lower right (...

Read the Signs, No. 13 Watercolor on Yupo paper, 2013 Signed lower right corner (see photo) Series: Read the Signs (22 watercolors) Exhibited: William Busta Gallery, Read the Signs, ...

Stolen Moments, Attitude Shift #1 (Emily and Sippy Cup Smiling) Watercolor on Twinrocker Multi Purpose paper, 2019 Signed with the artist's initials lowe...

Emily At 1 (Study #1) Watercolor on Yupo mounted to board, 2018 Signed with the artist's initials (see photo) The image depicts the artist's daughter Emily. Exhibited: Occupying A Sp...

In Search of New Beginnings (The Paintings 1) Watercolor on Arches heavyweight paper, 2021 Signed with the artist's initials in the shadows of the books (see photo) Signed, titled an...

Read the Signs #29 Watercolor on Yupo paper, 2013 signed lower right: Darius Steward (see photo) Series: Read the Signs Depicts the artist's son Darius II an...

M Watercolor on Yupo paper, 2018 Signed with the artist's initials (see photo) Note: The Series MORE? is centered around the artist’s family. There are two images of the artist’s s...

Occupy A Space # 2 (Emily) Watercolor on Yupo paper, 2018 Signed with the artist's initials (see photo) Series: Occupy A Space Exhibited: Occupying A Space, Swope Art Museum, January...

Stolen Moments, Attitude Shift #3 (Emily with a Sippy Cup Smiling) Watercolor on Yupo paper, 2019 Signed with the artist's initials lower right Signed w...

Holiday Greeting Card for Madame R. G. Michel & Family (Carriage Clock, Vase & Flowers) Etching & color aquatint, 1986 Signed in pencil lower right Printed on BFK Rives paper Annapi...

Louis I of France as a Roman Emperor, in profile to the right Chiaroscuro woodcut, 1631-1633 Unsigned (as usual) After a drawing by Hubert Goltzius (1526-1583)...

Head sculpture is 18.5"h. Base is 2.5"h x 10.5"d. David was inspired to carve a burl after receiving a turned burlwood bowl. He captured the shape and re...

untitled (Hillside in Spring) Gouache on paper, c. 1965 Signed with the estate stamp lower right Provenance: Estate of the artist by decent William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

From: Happy Pentagone (6 plates) Signed and numbered in pencil Edition: 100 (37/100) Printer: Lacouriere et Frelaut Imprimeur, Paris Paper: BFK RIVES watermark on some sheets from th...

Stolen Moments, Attitude, Angle #2 Watercolor on Yupo paper, 2019 Signed by the artist DRS #1, lower right (see photo) .Exhibited: LA Art, 2020 Co...

Stolen Moments #3 (Emily) Watercolor on Twinrocker All Purpose Paper Signed with the artist's initials lower right (see photo) Signed with the artist's "Yummy" blindstamp lower right...

Signed: Rudolf Lailson lower left Graphite, charcoal watercolor and pastel

Signed, titled, dated & numbered verso An example of a photo-lithograph created on an aluminum plate.

Signed, titled and dated verso Monotype on lithographic plate (unique) Created while the artist was at the University of Delaware With distre...

DRS2at 7 Color ink on Yupo paper, 2019 Signed with the artist's initials lower right (see photo) Condition:Excellent Archival framing with op3 Acrylic Image size: 12 x 8 7/8" Framed...

Baggage Claim (Sketch #4) Watercolor on Arches paper, 2017 Signed "Rhonda V" in memory of the artist's mother From the series: Baggage Claim, inspired by the death of the artist's mo...

The title of this painting is Isis. Dark tones combined with accents of blue present a confident female portrait.

Baggage Claim (Bags) #2 Watercolor on Yupo paper, mounted to board, 2017 Signed "Rhonda V" in memory of the artist's mother From the series:...

Signed in pencil Edition 100 Printer: Styria Studio, Inc., NY, with their blindstamp This earlier (1966) sculpture of the same title is the inspiration of the portfolio. The sculpture is in the collection of the Albright Knox Museum. The screenprints follow the neon of the sculpture. Greek-born American sculptor Chryssa—who went by her first name professionally—died on December 23, 2013, reports Margalit Fox of the New York Times. Born in 1933 in Athens, Chryssa Vardea-Mavromichali grew up during the Nazi occupation of Greece. After studying at the Académie de la Grande Chaumière, Paris, and the California School of Fine Arts, San Francisco, she began incorporating neon into her fragmentary, text-based work. Her first solo exhibition in New York was held at the Betty Parsons Gallery in 1961, which was quickly followed by shows at the Guggenheim, New York; Leo Castelli Gallery, New York; and the Walker Art Center, Minneapolis. Her work is part of collections of major museums, including the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; and the Corcoran Gallery of Art, Washington, DC. Note: A set of Gates...

Signed, titled and numbered in pencil Edition: Epreuve d'Artiste viii/X Reference: Passeron 359 "Mario Avati was both an etcher and a painter born in Monaco in 1921. In 1947, afte...