Sofia - Vases and Vessels

Two French hand blown and hand engraved crystal vases in sunny yellow glass decorated with leaves, birds and deers all around. France, circa 1920.

Pair of large ceramic jars made by Delft manufacturer in the late 19th century. Both are having halls on the top and at the bottom probably in orde...

French silver plated vase in long and elegant shape with a stamp MSA on the bottom. France, circa 1930.

Art Deco Delatte hand blown glass bowl, signed.

Console in black and gold by Dessislava Madanska Onedesignspace Dimensions: W 126 x D 40 x H 90 cm Materials: Oak wood, brass Limited Edition of 10+2A.P Dessislava Madansk...

Large vase “Sauterelles” R. Lalique. Measures: 10 3/4 × 9 1/2 in 27.3 × 24.1 cm.

Attic second half of the 5th century B.C Clay, black glaze. Measures: H. 7.8 cm A squat, globular vessel on a low ring foot, with funnel-shaped mouth...

Rare electric green vase by René Lalique ‘Sauterelles’ Grasshoppers vase made in molded frosted glass with green patina covered all over with a desi...

Rare French pair of large tall jardinières made of solid bronze. Rich floral decoration at the bottom and big ram's heads with a goddess at the top pa...

Rare French pair of large tall jardinières made of solid bronze. Rich floral decoration at the bottom and big ram's heads at the top part. Very good ...

The Kingdom of Morocco is renown for its pottery, covered with complex geometric, arabesque and beautiful, rich patterns. Moroccan art has been influenced by a diversity of cultures due to being occupied by Romans, Vandals, Visigoths, Byzantine Greeks (278 AD-429 AD) and the conquering Arabs who introduced their Islamic civilization in the late 7th century. The indigenous Berber tribes were generally converted to Islam around this time. The intricate hand painted ceramics of Morocco usually reveal designs that have been influenced by Islamic culture. Some tribes in Morocco have been painting the same design for over 200 years. Their pottery tended to be hand painted with fine details, deep colors, and a variety of hand spun designs. The Muslim Arab invasion and settlement of Morocco and Spain in the 7th–9th century led to an upheaval in the ceramic production of utilitarian & decorative vessels and architectural features. Over 8,000 artisans from Andalusia in Spain were brought into Fez and spread their techniques and styles of Islamic designs using tin oxide, lead fritted, opaque low fire glazes. The infusion of Islamic thought into every aspect of daily life became a prominent influence, where even common utilitarian vessels became the carrier of either a pattern that could be related back to the Infinity of God, or to the Word of God. Islamic patterns based on Muslim principles of a balance between the male (geometric or containing design) and female principle (arabesque, vegetal or foliage decoration) were used. The other common style of Moroccan pottery was of Berber orientation which featured hand built, clay slip decorated tribal pottery, characteristically using signs and symbols to repel evil spirits and insure protection for the owner and potter. The Berbers considered their work more “masculine” than the other more decorative, colorful and “feminine” urban Moroccan pottery. As the “wild west” of the Islamic world, Morocco quickly became a haven for many dissidents, rebels and refugees from the eastern caliphate. Among these was Idris ibn Abdallah, who with the help of the local Awraba Berbers, founded the Idrisid Dynasty in 788. His son Idris II erected a splendid new capital at Fez and launched Morocco as a centre of learning and a major power. The Imperial city of Fez is one of the kingdom’s most beautiful places. It offers uniquely designed and colored Moroccan ceramics with an Islamic influence viewed in the intricate pattern, colors, design and production. For over six centuries Fez has proudly created the finest Moroccan pottery. Its beauty comes from the complex knowledge of geometry passed on from father to son. Fez is renowned for the choice of cobalt oxide that permits to obtain every shade of blue. Polychrome enameled ware is more respected in Morocco. In 1660, Morocco came under the control of the Alawite dynasty. It is a sherif dynasty—descended from the prophet Muhammad...

The vase has the shape of an inverted bell, which ends in a broad, flared and horizontal lip; it is supported by a trumpet foot. The handles, of circular section, are welded almost vertically to the shoulder. Even if this type of container was originally used as tableware for symposions (we mixed water and wine to drink during the banquet), this copy had an exclusively funeral destination, as evidenced in particular by the position handles that are too close to the neck to be effective. The subject painted on the main face also frequently appears on vases specially designed to accompany the deceased in his last home: while moving with a rapid step, a young Eros plays with a large circle, which he pushes with his left hand , while in the right he holds a bronze coat hook, filled with circular objects, perhaps fruits or eggs. The young god, with a magnificent pair of spread wings, is naked, but a red strip adorns his wrist. Her hair is held in place by a hat (krobylos), from which curly braids escape. Two shrubs with a thin red trunk...