Texas

Pastoral pencil on paper sketch by a celebrated Filipino artist, Jose V. Blanco. The drawing depicts Filipino women and children sorting out mangoes...

Rustic four-arm forged-iron chandelier circa 1940-1959, France.

A reclaimed French door with a raised 3-panel configuration and grooved molding detailing, perfect for incorporating into any modern home. The d...

Pair of early 20th white porcelain fu dogs.

Abstract expressionist oil painting by contemporary Houston artist Benji Stiles. The work features gestural marks in pastel orange, tan, blue, and green set against an off-white back...

A rare one-of-a-kind pair of large rustic antique European hand carved stripped and scraped wood Santo church altar figures. 18th/early 19th century, primitive hand-crafted construction, finely detailed and sculpted, depicting Saint Francis of Assisi with arm raised and Madonna with her hands folded in prayer, stripped bare wood with section of original heavily worn distressed chippy paint finish adding to the overall antique character and charm! Dimensions: (approx) St Francis: 14.75" Tall, 5.5" Wide, 5" Deep Mother Mary: 14.5" Tall, 4.75" Wide, 3" Deep Superb examples of religious folk art, in great antique condition. Strip scraped with area showcasing remnants of original polychrome painted finish. Warm, rustic, with nicely aged patina over the whole. Free-standing statue, mounted on later base. A wonderful addition to any Santos collection, Catholic church, home prayer room, shrine, or as farmhouse decor We here at Lynx Hollow Antiques absolutely love decorating with religious antiques! From all religions, periods and cultures, from a Spanish Colonial altar table, Italian tabernacle, Gothic reliquary, relic monstrance, liturgical objects, ecclesiastical icons, white-washed limed monumental Christian crucifix...

Early 20th Century bronze male nude sculpture on wood pedestal base.

Spring summer 2020 at the British fashion house saw the arrival of Flowers Heels, a concept that proves once again Alexander McQueen's eternal fascination with nature. As seen on th...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A medley of blue gems are combined with diamonds and pearls is these distinctive chandelier earrings. Pear shaped aquamarine, tanzanite, zircon and blue topaz have been artfully ble...

Featuring a beautiful hand-painted cobalt blue and white finish, this faience lion candle holder dates to circa 1890. Based on production marks on ...

Larimar is paired with Swiss blue topaz in these eminently wearable dangle earrings. Larimar is a rare blue variety of the silicate mineral pectolite found only in the Dominican Rep...

French Brutalist elm coffee table by Atelier Marolles. This handsome hand carved French elm rectangular coffee table or cocktail table is a stunning example of the craftsmen at the A...

It is the slight bombay curves and feet turning gently outwards that draws one to this charming chest of drawers. Restored, later professionally painted in layered shades of pale yel...

19th Century Minton Pink Flowers Oyster Plate.

Discover the elegance of this unique Oushak featuring Area Rugs. Designed with meticulous attention to detail, this exclusive design is perfect for enhancing your space.

French majolica plate with bird & white flowers Onnaing, circa 1890.

A charming Hepplewhite style mahogany pembroke table from the first half of the 20th century, having a rectangular top with serpentine shaped wooden hinged side flap extensions, outl...

Tall and elegant vases made in Paris. The pale pink hues are especially Good. No chips or breaks and no missing pieces.

Brand: De Beers Gender: Women's Metal Type: 950 Platinum Length: 0.25 inches diameter: 5.30 mm Weight: 2.10 grams One pair of DE BEERS designer 950 platinum, diamond stud earr...

21103 New Oversized Berber Abstract Moroccan Rug 14'11 x 20'01. With its incredible detail and lavish texture, this hand knotted wool oversized Abstract Moroccan rug is a captivating vision of woven beauty. It features raspberry red colored lines running from the top to the bottom crisscrossing in an organic manner, creating a handsomely asymmetrical lozenge trellis with a strong sense of dimensionality and a striking visual effect. Imbued with navy blue and royal blue hues, the rich waves of abrash and strong gradated striations run selvage to selvage blending seamlessly from one to the next. The amalgamation of colors harmonize one another, creating the perfect design and emanating function and versatility while staying true to the authentic spirit of Berber Tribe culture. Perfect for a living room, bedroom, dining room, children's area, nursery, drawing room, private library, billiards room, clubhouse, home office, master retreat, private Chambers, wine cellar, executive suite, conservatory, royal suite, hotel lobby, music room, studio, study, loft, lounge, entertainment parlor, trophy room, or sitting room. Well-suited for fashion-forward homes, eclectic interiors, and a variety of styles: Tribal, Boho Chic, Bohemian, Abstract, Expressionism, Cubism, Surrealism, Postmodern, Memphis Design, Modern, Contemporary, Eclectic, Modern Mexican, Artisan, Lodge, Cabin, Rustic, Retro, Art Moderne, International, Nomadic, Mid-Century Modern, Hygge, Mys, Mysigt, Industrial, Urban, and Loft. Rendered in variegated shades of blue, navy blue, cobalt, azure, raspberry red, wine, burgundy, ink blue, royal blue, sky blue, and beige with other accent colors. Abrash. Hand-knotted wool. Made in Morocco. Measures: 14'11 x 20'01. Hotel Lobby Size Carpet 15 x 20 Rug...

Mahogany Round Table 29" x 29"

These 14 karat yellow gold hoops are perfect for everyday wear! They are made of hollow gold so that they will be light on your ears and not pull down your earlobes. We have seen man...

Cliff Cavin "Near San Saba" Texas Texas Artist Size: 14 x 18 Frame: 22.25 x 26.25 Medium: Oil 2021 "Near San Saba" Biography Cliff Cavin Cliff Cavin, a native of San Antonio, Texas,...

Gold hoop earrings are a staple in fine jewelry! These classic earrings are timeless and upgrade any outfit! The 14 karat yellow gold hoops are lightweight and comfortable to wear wi...

Opals are my birthstone, so I have always had a soft spot for them because of their unique qualities and fire. They are also notoriously difficult to photograph - especially for a novice like myself! Rest assured, this strand of opals has a lovely fiery translucence and is unique in so many ways . . . even though these photos say differently. A stunning graduated strand of Welo Opals...

Add celestial elegance to your walls with this striking pair of antique-style sunburst mirrors. Crafted in France circa 1960, each mirror is hand-carved from wood and finished in a r...

White and green onyx carved into an iceberg with one bear looking down on another bear. One small light bulb illuminates from the inside.

A solid polished black marble side table with white veining. Designed by Lucia Mercer for Knoll.

A rare set of 8 small plates with a geometric pattern signed Sarreguemines.  

A small and elegant Chinese cloisonné vase for incense tools, Qing Dynasty, 18th/19th century, China. Made for the scholar's studio, this small refined vase, was used to hold incense tools, including a small pair of tongs or chopsticks and spoon. The tools no longer present. Of miniature baluster vase form, the vase beautify proportioned and decorated in the cloisonné enamel technique, with gilt wires forming the cloisons, or partitions. Within the cloisons, colorful enamels have been expertly laid. The small incense tool vase...

This lovely 6' long bench is a wonderful example of Swedish Gustavian craftsmanship with it's fluted carved skirt and back all resting on turned fluted legs. Restored, later professi...

A 19th century French Vendange / grape harvest table. This typically French Vendange table will have been carried around many vineyards over the past century for the grape harvests and well used...

Black and white glamour studio portrait of Grace Jones holding a pistol for her role in Bond film "A View to a Kill", circa 1985. Grace Jones is a Jamaican singer, songwriter, model...

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

French Majolica Asparagus Plate signed Sarreguemines circa 1900.

An exceptional and truly outstanding pair of doors from the Lucca, Italy. Wonderfully constructed from polychromed and gilt wood - retaining their original mercury mirror. The doors ...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 25 x 30 Frame Size: 33 x 38 Medium: Oil "April" Texas Hill Country Bluebonnets Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching...

Ashly Fine Rugs presents a beautiful Antique Persian Sultanabad 16x19 Handmade Area Rug #1142157. Sultanabad carpets are classics in the world of interior design, and they continue t...

Dark Breccia marble Neoclassical Revival style pedestal in the form of a Greek column with base. This item is composed of two pieces: the square base and the column.

Contemporary pop art inspired pixelated rendition of a detail from Leonardo da Vinci's renowned painting, the "Mona Lisa." Similar to pointillism, the individual hand-painted blocks...

These gorgeous spherical brass candle holders exude timeless elegance and understated sophistication. With their minimalist form and serene design, they embody a sense of quiet refin...

This pair of night stands have original and exceptional finish work. They have a foliate inlay made of exotic woods. The marble tops Are in a light gold hue and have no breaks or c...

Do you wish you had a Galaxy of Blue Sapphires? This galaxy ring is dreamy with the different colors of blue sapphires. The 6 millimeter wide band is the same width all the way aroun...

Large French Majolica Fish Platter Fives Lille Circa 1900. 15 by 6.3 inches.

Sky Blue Excess by Chloe Hedden captures the serene and infinite expanse of the sky in rich, sculptural texture. The swirling, fluid application of paint evokes the gentle movement o...

This rustic workbench, once utilized in a leather workshop in France, embodies strength and durability. Its substantial 3-board top sits atop squared legs, accompanied by a lower pla...

William Morris Donegal inspired oriental rug handwoven on our looms Exclusive Ashly Master Donegal production of 100% hand spun vegetable dyed wool. This rug is made with the exact m...

Vintage ebonized slipper chair newly upholstered in a graphic black, white and gray playful geometric velvet.

French yellow Majolica pitcher signed Onnaing, circa 1920.

This is an old antique students desk. The base is composed of wrought iron construction. The seat folds up and the back has a place for storage. ...

LOUIS MAJORELLE (1859-1926) TWO-TIER OCCASIONAL TABLE, CIRCA 1900 mahogany, the tops inlaid in various fruitwoods, cast bronze mounts 32¼ in. (82 cm.) high; 35½ in. (90 cm.) wide;...

A sublime Greco-Buddhist stucco head of the Buddha, ancient region of Gandhara, circa 3rd-5th century. A fragment of a larger statue, the Buddha's face...

A very large English oak drop leaf - gate leg dining table. This beautiful table will comfortably seat eight to ten and is a large oval when opened. ...

50392 Haji Khalili Antique Persian Tabriz Area rug with Rustic Art Nouveau style. This Haji Khalili antique Persian Tabriz area rug features an eight-point beige medallion floating i...

Our Atzompa collection is created in the Oaxacan town of Santa María Atzompa, where the pottery-making tradition has roots tracing back to ancient Zapotec culture. Building on this ...

Belgium Majolica oyster plate with pink flowers & green leaves Wasmuel, circa 1890.

An exceptional and outstanding 17th century Oil On Canvas Painting from Madrid, Spain. Wonderfully executed in the style of Velazquez, depicting a M...

Signed Robert Kuo carved rock crystal table lamp with a gold-plated bronze base and ivory silk shade.

Hand-carved in Spain in the early 1900s, this elm dining table has a robust three-inch thick top. The beautiful table is accentuated by a rich, deep brown patina and large, open lyre...