Vermont - Wall Decorations

Two panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with black and white cotton fringe. Hanging wire is included on each panel. Ships with a small comb f...

Wall Sculpture #758 by Karen Gayle Tinney Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton fringe in light gray, dark gray, and charcoal...

Variations in size and color of this design are available upon request. Three panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and ...

Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton fringe in white, off-white, and tan. Hanging wire is included on each panel. Ships with ...

Four panel wall sculpture that measures 48" x 30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, grey and tan. Ha...

Four panel wall sculpture that measures 48"x30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, tan, rust, and blu...

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...

Wall Sculpture #758 by Karen Gayle Tinney Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with white cotton fringe in two thicknesses. Hanging wire...

Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton fringe. Hanging wire is included on each panel. Ships with a small comb for fringe and i...

Wall Sculpture #765 by Karen Gayle Tinney Six panel wall sculpture. Hand formed ceramic pieces in unglazed beige stoneware with white, tan, and gray cotton fringe. Hanging wires are...

Five panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton fringe detailing in white, grey and tan. Hanging wire is included on each pane...

One of a kind antique copper wall hanging, hung from rustic steel bar.

From an important thirty year old New England collection of American Folk Art Pyrography Robert Ball Hughes (British-American, 1804-1868) This original period framed 1866 pyrography on wood panel was created after the painting by Sir John Gilbert (English, 1817-1897) with detailed description and dedication written on the back of the panel using the same technique. A photographed rubbing of the reverse dedication will be included and is part of this description (photo). Frame: 20 inches high and 28.5 inches wide; Site: 13.25 inches high and 22 inches wide This painting depicts the episode from Shakespeare’s Henry VI Part II Act III Scene V in which Sir John Falstaff inspects the recruits mustered by Justice Robert Shallow and his cousin Silence. Falstaff sits in a chair surrounded by his cronies whilst Bardolph leads Bullcalf forward. Hayman’s treatments of Falstaff reviewing recruits are perhaps among the most successful depictions of a theatrical scene in British painting. The tableau vibrates with the energy that he brought to his Vauxhall supper box scenes of games and dancing, and is filled with the humour and observation of his portraiture. Every figure is in motion and proclaims its own individuality. About Robert Ball Hughes (British-American, 1804-1868) Known as Ball Hughes and also using that as a signature, this man was a sculptor and wax-portrait artist. He was born in London, England, and died in Dorchester, Massachusetts. He studied and exhibited at the Royal Academy in London as well as at the Pennsylvania Academy of the Fine Arts and the National Academy of Design in New York City. He emigrated to New York in 1829, having earned much prestige in England. In New York, he received many commissions for portrait busts in bronze and wax. Among his subjects were John Trumbull, Alexander Hamilton, and Washington Irving. From 1838 to 1840, he worked in Philadelphia and from 1840, worked in Boston. In his final years, he began to produce pyrographic wood pictures (pyro engravings or "poker pictures"), including The Witches of MacBeth (c. 1840), Babylonian Lions (1856), Don Quixote in His Study (1863), The Trumpeter (1864), General Grant...

Landscape collage made from found scrap sheet metal.

Two panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with lavender, white, and tan cotton fringe. Hanging wire is included on each panel. Ships with a sma...

Single panel wall sculpture. Hand formed ceramic piece in unglazed white stoneware with cotton fringe. Hanging wire is included on the back. Ships with a small comb for fringe and in...

Radiant Man (Crucifixion) wood, found objects 19.5 x 35 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ma...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Three panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton and tencel fringe. Hanging wire is included on each panel. Ships with a small comb for ...

Wall Sculpture #758 by Karen Gayle Tinney Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton fringe. Hanging wire is included on each pane...

From an old New England collection of fine Arts & Crafts furnishings. Two large all original unique works of art, circa 1920 This is a beautiful set of two (2) hand incised and...

Eight panel wall sculpture that measures 96"x30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, mint, honey, and ...

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...

China, a panoramic pyrography painting on panel: “Master Tea Ceremony” by then Living Treasure Fang Tzun or his workshop (1930-2000) Inscribed “This year mid summer he painted in new section of Yuan Ming...

Important Artist William Fuller Curtis This is an original and beautiful 25 inch by 45 inch hand painted and hand incised wood framed work of art -and containing a wonderful hand hammered copper repousse panel of the iconic Bethlehem Shephard Boy Flute...

From a New England collection and a unique find An all original work of art signed on lower back NWC, 1899. This is a beautiful hand incised image "After Rembrandt" hand created by Norman Kingsley and dated 1899 on reverse. It is all hand incised and hand stained. It details a subject image after Rembrandt which Kingsley specialized. Dimensions: 21.5" high and is 17.75 inches wide. Handmade, hand stained and hand burned using pyrographic techniques Provenance: New England collection. About Norman Kingsley (1829-1913). He was a prominent dentist in New Jersey and his body of artisan work includes some 10-15 different hand incised portraits. These include images of original Rembrandt...

The pressed vase, an original design by Scott Gordon and sold exclusively through Vermontica, is made from cast steel with a blackened finish. Measure: It is 8 1/2" tall, 2" wide at ...

An original design by Scott Gordon and sold exclusively through Vermontica, the pressed vase is made from cast steel. Shown here in a blackened steel finish. Overall dimension: 4.25"...