Recognized Dealers Art

This contemporary abstract painting by David Sorensen explores a bright yellow palette. David Sorensen was drawn to the rich and vibrant colours of Mexico. Celebrated as an importa...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

A Vibrant, 1950s Mid-Century Watercolor of Provincetown, Massachusetts by Famed Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A superb example of Chapin's Post-War landscap...

Oil on Canvas Canvas size: 15 x 18 inches Framed size: 21 x 24 inches Signed lower left

This vase is a derivative of my Portrait collection; the vase features a woman on each side, one with a fire at her throat, and the other with a pattern, which may be interpreted as ...

A Unique, Unusual Surrealist Interior Scene with Abstracted Figure by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Depicting an abstract city apartment interior wit...

The palette of Wave exudes a soothing, earthly, elegance. Working with a new medium and a new palette, Teichert is communicating with us more subtly than ever before: her line, while...

The graceful arc of a dancer in motion is emulated in the fluid form of this elegant sculpture by Claude Millette. Three attached curved columns of polished stainless steel appear to almost float in mid-air. The Quebec artist...

A Brooding, Compelling 1940s American Scene, Social Realist Oil Painting, "Tenement Ruins" by Notable Canadian / American artist Emil Weddige (1907-2001). Oil on canvas, dating from...

Monaco Grand Prix, 1973 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Monaco Grand Prix' is a beautiful Limited Edition Estate Stamped Digital C-Type print from 20th Century photographer Slim Aarons. A unique view from the driver's height of Formula One Grand Prix...

This minimalist abstract landscape painting of a lake at night is by Pat Service. In the Canadian art world, the name Pat Service has long resonated as one of the country’s finest ...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Wassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat. A fine fresh impression of this great rarity, printed in a dark brown ink. Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14. Provenance: Kornfeld Auction, Bern, June 2007. The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...

A monumental work, comprised of 66 small square panels, each painted with a single orthogonal, are installed in a precise grid: six high and ten across. The orthogonal panels are pai...

Big Brass-New Orleans Ink and watercolor on paper, c. 1965 Signed in ink lower right (see photo) Titled in pencil lower left (see photo) Illustrated: Longstreet, "Sporting House, New...

Computer and biological networks and viruses are dominant themes found in the works of Dennis Ashbaugh. Known as one of the first artist to employ DNA marking patterns in his work, A...

Nan Goldin Bea with a whip at The Other Side 1973 Gelatin silver print 14 x 11 inches; 36 x 28 cm Edition of 100 Signed, titled, dated, and numbered in graphite (lower right verso) ...

Three rings of stainless steel, polished to a high sheen on the interior and matte black on the exterior, intersect at dynamic angles in this elegant sculpture by Philippe Pallafray....

Fidel Santos’ Portata is a hauntingly evocative photograph that captures a single forearm and hand, reaching from the shadows with an air of longing and mystery. The image immediatel...

The “Iconic” series was presented as part of the exhibition “Walk of Inspiration” showed in Stockholm in 2016. These vibrant unique color images are an homage to the “kitsch pop surr...

Hunt Slonem Oil Painting "Pat" Black and Purple Bunny A single rabbit gestured in black on a purple background in a vintage frame Unframed: 8 x 6 inches Framed: 13 x 11 inches *Pain...

Expressive layered passages of bronze, periwinkle, red and turquoise with highlights of yellow are framed by dark green foliage in this rich oil on canvas. Poised between abstraction...

Artist: Jean-Marie Fonteneau Medium: Original Lithographic Poster, 1974 Dimensions: 27 x 18 in, 69 x 46 cm Velin Poster Paper - Perfect Condition A+ This poster was created to p...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Myron Kozman (1916-2002) Abstraction #318 Screenprint in colors, 1947 Signed, titled, and numbered in pencil (see photos) Rare abstract screenprint Myron Kozman’s Abstraction #318 of...

A Dynamic, 1920s Modern Birds-Eye View of Detroit, Michigan by Notable American Artist, Frederic Valpey Shotwell (1907-1929). Titled "Downtown Detroit", the artwork is a finely executed etching on paper, dating from 1926. A dramatic, sweeping view of Randolph Street of downtown Detroit in the mid 1920s. To the lower center is the Old Wayne County building and to the upper right is Book Tower...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

Hobby Horse is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 189/275 (there were also 100 Roman and 20 AP). Fram...

This series is born from a search to leave aside the narrative figurative and reduce the image to shape and colour. Starts with both images found as well as her own images, previous ...

Sherry, William Grant (American, 1914-2003). ROCKPORT, MAINE, 1960. Oil on Canvas, signed lower right, and also signed, titled, dated, and inscribed on the verso "To my friends Shirl...

Quatre corbeaux by Georges Manzana Pissarro (1871-1961) Pochoir 28 x 44.5 cm (11 x 17 ¹/₂ inches) Stamped lower right, manzana-Pissarro Artist biography: Like all second-generation ...

Books on the history of Israel including The Western Wall, Great Jewish Women and more

María No Seas Coqueta is a color serigraph by Mexican artist Rodolfo Morales (1925–2001), one of the leading artists associated with Oaxaca in the later 20th century. A seated woman...

J. F. BUFFORD PUBLISHER and PRINTER LAST MOMENTS OF PRESIDENT LINCOLN, April 15, 1865 Lithograph, very good impression. The 2 lower publishing lines ...

AUGUSTA (Payne) RATHBONE 1897 – 1990) DESOLATION VALLEY ca. 1930 Color aquatint and etching, Signed in pencil an annotated “artist proof” & “Plate 1”. Rich etching lines. Image: 12...

A Fine 1930s, Modern Academic Figure Study Drawing of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930s ...

In 1930, Maxfield Parrish turned his attention to painting landscapes exclusively. Cascades is a fine example of the style that defined his late career. The composition features a fa...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Color lithograph, Edition 75. Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with “Mountaintime”, followed in 1982 by their first three-dimensional lithograph, “Ruckus...

Theseus slaying the Minotaur by Antoine-Louis BARYE (1796-1875) A rare bronze group with a nuanced greenish dark brown patina Signed "Barye" on the base Cast by "F. Barbedienne Fon...

Poolscape #71 is a dazzling Chromogenic Print by Contemporary photographer Karine Laval. Limited Edition of 9 In her series Poolscapes, Karine Laval preempts the series she would ...

In this poignant photograph, the lens captures the profound essence of an aged Spanish polychromed wood statue of María Magdalena. The weather...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Created by Andy Warhol in 1966 to coincide with an early exhibition of the artist’s work at the Institute of Contemporary Art in Boston, Campbell’s Soup Can...

Carte de voeux pour Aime Maeght or Femme et Ange (Woman and Angel) Etching with woodcut, 1963 Initialed in the plate lwoer left of image (see photo) Edition: Unknown Published by Ai...

A Vibrant, Colorful 1950s Mid-Century Modern Harbor Scene of Martha's Vineyard by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). A busy harbor scene of docks and boat houses,...

Lumber Workers (Cuidad del Carmen, State of Campeche) Color lithograph on wove paper, c. 1945 Signed lower right in pencil From: Mexican Art - A Portfolio of Mexican People and Places Edition: 250 Published by Associated American Artist and Taller Grafica de Popular (TGP) This print is one of two supplemental color lithographs from a portfolio of ten black-and-white lithographs showing images of Mexican people engaged in daily activities, primarily labor and crafting, by ten different mid-century Mexican political printmakers and members of the Taller de Gráfica Popular print collective, printed on cream wove paper, each signed in pencil at lower right. This image depicts the lumber industry in Campeche, one of the 31 states, located in Southeast Mexico, it is bordered by the states of Tabasco to the south west, Yucatán to the north east, and Quintana Roo to the east, and to the southeast by the Orange Walk district of Belize. Campeche was part of the province of Yucatán but split off in the mid-19th century, mostly due to political friction with city of Mérida. Today, much of the state’s economic comeback is due to the finding of petroleum offshore in the 1970s, which has made the coastal cities of Campeche and Ciudad del Carmen important economic centers. The state has important Mayan and colonial sites but they are not as well known or visited as others in the Yucatán. (Courtesy Annex Galleries) Condition: Excellent Slight toning around the sheet edges Image size: 11 3/8 x 14 1/8 inches Sheet size: 15 x 17 3/4 inches Reference: AAA Index 928 Alfredo Zalce Torres (12 January 1908 – 19 January 2003) was a Mexican artist and contemporary of Diego Rivera, David Siqueiros and other better-known muralists. He worked principally as a painter, sculptor, and engraver, also taught, and was involved in the foundation of a number of institutions of culture and education. He is perhaps best known for his mural painting, typically imbued with ”fervent social criticism”. He is acclaimed as the first artist to borrow the traditional material of coloured cement as the medium for a ”modern work of art”. Publicity-shy, he is said to have turned down Mexico's Premio Nacional de Ciencias y Artes before finally accepting it in 2001. Before his death, Sotheby's described him as ”the most important living Mexican artist up to date”. Early life A number of episodes from his childhood have been used to cast light on his future artistic career. Born in Pátzcuaro, Michoacán in 1908, as an infant he lived in Tacubaya during the Mexican Revolution; his school was near where the rival forces of Victoriano Huerta and Emiliano Zapata met in battle. One day he saw a dead body; he says that instead of fear his attitude was that of contemplation. According to a friend and prominent collector of his works, the young Alfredo began to draw aged six or seven, but chose to do so upon the linoleum floor of his home; nevertheless both his parents praised him. While at primary school, he regularly drew on the blackboard to accompany his teachers and illustrate their lessons, as encouragement to his fellow pupils. Between 1924 and 1927 he studied at the Escuela Nacional de Artes Plásticas in Mexico City, where formative influences included Mateo Saldaña, Germán Gedovius and Diego Rivera.[3] He was soon on friendly terms with Diego Rivera as well as Rufino Tamayo, David Siqueiros, José Clemente Orozco and Frida Kahlo. As the oldest of three children, he took responsibility for the family after the death of his father; while a student, he studied in the mornings and worked in the afternoons so as to be able to provide financial support. He undertook further studies at the Escuela de Talla Directa and the Taller de Litografía of Emilio Amero. Career Much of Zalce's career was spent in teaching and cultural activities. He first went to Zacatecas to teach art but, since the Cristero War had ended only shortly before, the school was not permitted to operate owing to lingering political tensions. He taught drawing at various primary schools for the Secretariat of Education from 1932 to 1935. In 1944, he became a teacher at the La Esmeralda and Escuela Nacional de Artes Plásticas. He moved to Morelia in 1950 and became the director of the Escuela de Pintura y Escultura. He also worked as a professor at the Universidad Autónoma de Nuevo León and the Escuela Popular de Bellas Artes.[3] Besides teaching, he illustrated books with academic and social themes. He was a founder or cofounder of the Escuela de Pintura of Tabasco, the Taller de Gráfica Popular, the Escuela de Pintura of Taxco in Guerrero, the Taller de Artes Plásticas in Uruapan and the Escuela de Pintura y Artesanías in Morelia. He was also a founder of the Liga de Escritores y Artistas Revolucionarios in 1933; one of its first missions was to oppose the favourable attitude at the time of many in Mexico towards Adolf Hitler. In 1930, he created a mural for the primary school in Ayotla, State of Mexico. In 1932, he worked in ”fresco” at the Escuela para Mujeres in Mexico City. He painted murals in the former Talleres Gráficos de la Nación in 1936; again in collaboration with Leopoldo Méndez at the Escuela Normal de Puebla in 1938; and at the Palacio de Gobierno and the Cámera de Diputados in Michoacán with Ángel Bracho...

This contemporary ceramic wall art was created by Heather Allen Hietala. The finely crafted wood-fired ceramics of Heather Allen Hietala are designed to tell a compelling story. Usi...

Shahn, Ben. IMMIGRANT FAMILY. Serigraph, 1941. Prescott 2. Edition size unknown; Prescott knew of only 3. This copy unsigned. 11 1/2 x 18 inches (image), 19 1/4 x 25 1/4 (sheet), framed to 23 x 28 1/4 inches. This was only the second print made by Shahn, and the first serigraph, a medium in which he continued to use for his prints throughout his career. Provenance: Kennedy Galleries, with its label, George Krevsky Gallery...

Anton Schutz, 'Venice, Maria della Salute', etching, c. 1930. Signed and titled in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on cream wove paper, ...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

Jeremy Guy’s series of elegant contemporary sculptures, called Mobius, are created from rich black granite. Smooth-surfaced and subtly flecked with copper and white, the form—a Möbiu...

Three rings of stainless steel, polished to a high sheen on the interior and matte white on the exterior, intersect at dynamic angles in this elegant sculpture by Philippe Pallafray....

Eurasian bullfinch by Georges Manzana Pissarro (1871-1961) Pochoir 24.5 x 43 cm (9 ⁵/₈ x 16 ⁷/₈ inches) Stamped lower right, manzana-Pissarro Artist biography: Like all second-gener...

Mielatz, Charles. RAINY DAY, BROADWAY. Etching, 1892. Edition size not known. Signed in oencil and inscribed "imp," and signed and dated in the plate. 9 7/8 x 7 inches. In excelle...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

This contemporary figurative table top sculpture of a father and son is created from papier mâché. For decades Paul Duval has reimagined the human form in charming sculptures beauti...

Ed Ruscha’s “Drops” (1971) is a lithograph showcasing the stylized text characteristic of Ruscha's oeuvre, in which the word "Drops" appears to materialize out of water droplets, fus...

Bullfight Lithograph, 1928 Signed and dated in pencil lower right (see photo) Numbered lower left (see photo) Edition: 41 (22/41) Reference: Davis L37 Printed chine applique on wove ...

“My work is first and foremost figurative studies. It’s what I like to paint, my biggest challenge and my greatest payoff. My nondescript surroundings help me create a mood or a stor...