Recognized Dealers Art

image size: 8 5/8 x 7 7/8 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from convent...

Edward Moran (1829–1901), an English-born American artist based in Philadelphia, was renowned for his marine paintings and depictions of U.S. maritime history. Influenced by James Ha...

Untitled (Seascape at night) Tissue paper collage on Fabriano wove paper, 1964 Signed in ink lower left Annotated 42 in pencil on verso Condition: Excellent Image/Sheet size: 10 x 13 7/8 inches Part of a suite of collages created during the artist's sabatical leave from teaching, spent in Florence, Italy, studying at the Accademia D'Arte Firenze in 1963-1964. Ray H. French: The Evolution of an Artistic Innovator Printmaker, painter, and sculptor Ray H. French was born in Terre Haute, Indiana on May 16, 1919. Terre Haute was a cultural wasteland before the opening of the Sheldon Swope Art Museum in 1942. Thus, with a father as a coal miner and carpenter, art remained a luxury for Ray. Nevertheless, local art teachers Mabel Mikel Williams and Nola E. Williams helped to foster his creativity and unshakable drive to create things of beauty. After high school, Ray attended the John Herron School of Art in Indianapolis. His studies there were interrupted by the outbreak of World War II, during which he developed surveillance photographs for the Army Air Force. After the war, Ray transferred to the University of Iowa on the G.I. Bill, where he received both his BFA and MFA degrees. The University of Iowa during the 1940s was a cultural mecca with many major art historians and artists. While in Iowa, Ray played an important role in this culture by becoming a founding member of the Iowa Print Group under Mauricio Lasansky. Following his graduation in 1948, Ray experienced firsthand the rapid rise in creative printmaking in America. By 1949, he had exhibited at The Brooklyn Museum, the Walker Art Center, and MOMA New York. Ray’s early style of printmaking is characterized by pure line engraving on copper plates, a technique suited perfectly to his study of the beauty of animals. This charming and whimsical subject ran counter to the concurrent trends of Lasansky’s horrors of war and Hayter’s non-objectivity, but was equally effective in capturing the public’s attention. Walruses was purchased by the Victoria and Albert Museum, exhibited at MOMA New York and received the Arthur D. Allen Memorial Purchase Prize for its “skillful and economic use of line.” Shortly thereafter, Ray’s treatment of animals developed further into larger format mixed intaglio prints utilizing hard ground, soft ground, etching, and engraving, as exemplified in The Swan. By the late 1950s, Ray’s style evolved into organic non-objectivity, in which he incorporated personal autobiographical vignettes and symbolism. His work during this time was further characterized by a departure from the traditional squared compositional format to his cutting and rounding of the plate to accentuate organic shapes. Ray’s 1959 Enchantment remains particularly illustrative of his use of etching and soft ground intaglio. Enchantment was successfully exhibited at the Brooklyn Museum of Art for the 12th National Print Exhibition of The American Federation of the Arts and received the Pennell Purchase Prize from the Library of Congress in 1960. In the 1960s, Ray also started to focus on blind embossing, which he had first experimented with at the University of Iowa. He was extremely prolific and successful with this medium, selling hundreds of prints in small editions of 10 through the Associated American Artist Gallery in New York. In 1966, Ray built upon his mastery of embossing and began developing a shadow box presentation called a graphic construction that combined color, blind embossing, and multi-layered cutouts to revel intaglio compositions. Noted curator William Lieberman purchased Ray’s masterpiece graphic construction, Moon Rays...

This geometric, minimalist print glows in rainbow shades. Vibrant raspberry pink, magenta, yellow, lime green, and sky-blue lines take on the organic quality of handmade paper, resul...

Ira Moskowitz, 'Navajo Courtship Dance (Squaw Dance)', lithograph, 1946, edition 30, Czestochowski 161. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Remember the boom box? Roch Smith does. The precursor to the current generation of music devices like the ‘beats’ headphones, this boom box is huge and sits on the shoulders of a cas...

FRANCES H. GEARHART (1869 – 1958) DESERT VISTA (Death Valley) c. 1930 Color linocut signed and titled in pencil. Image 8 3/8 x 8 7/8”. On fibrous japon paper. Sheet 11 ¾ x 8 ¼”. Gen...

An Atmospheric, Impressionist, 1950s Mid-Century Modern Railroad Industrial Scene and Steel Mill of Milan by Notable Italian Painter, Cirano Castelfranchi (1912-1973). Artwork siz...

Red Ochre Flowers Etching, soft ground etching, aquatint, drypoint, engraving and electric tools, 1978 Signed "Jim Dine" lower left (see photo) Annotated A/P and dated lower left (se...

A Thousand Windows is an exploration of building facades that become infinite reticles of repetitive cells, which contain in them the concept of unify...

Naoko Matsubara, 'Winter Serenity' for the portfolio 'Solitude', woodcut, 1971, edition 100. An artist's proof apart from the numbered edition signed and annotated 'for dearest Kash...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of ...

This abstract painting is by Charles Robb, son of the famous Canadian artist Jack Bush. Charles Robb’s lyrical, expressive paintings are highly regarded by critics and collectors worldwide. Like his internationally celebrated father, abstract artist, Jack Bush, he was a consummate colourist who painted under the name, Charles Robb. Robb’s distinctive rhythmic style also reflected another lifelong passion—music—for he was a professional jazz drummer who liked to listen to music as he painted. He typically began each painting by building up layers of paint and vibrant markings, creating a richly textured surface with visible depth. His colour palette often featured intriguing choices and unusual colour combinations. Robb’s paintings...

A stylish 1930s American Modern drawing, fashion study illustration for men's hats by notable Chicago artist, Walter Burt Adams (Am. 1903-1990). A wonderful, early example of Adams...

HENRI JOSEPH HARPIGNIES(1819–1916) Landscape at Twilight Oil painting on canvasImage Size: 24.6”x 20.6”Signed in oil, lower left Verso: Gallery label reading “The Lenz Gallery –Mi...

John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...

Color aquatint and hardground. Edition of 25

Alson Clark’s Autumn, St. Lawrence River (1916) is a celebration of seasonal color and painterly assurance, created during a highly productive summer spent along the St. Lawrence Riv...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Asher B. Durand was one of the leaders of the first generation of Hudson River School painters, along with his friend, Thomas Cole. Durand’s paintings feature the serene and bucolic ...

Lyrical and elegant in form, Jeremy Guy’s contemporary sculptures are simply stunning. This is Mobius; one of a series of larger pieces Guy produced to be displayed outdoors. The di...

CWhen an artist works with more conventional still life subjects, they focus primarily on the formal properties of the painting, such as color relationships, form, proportions, and o...

Jacquette, Yvonne. EAST 15TH STREET. Faberman 8. Lithograph in five colors, 1974. Edition of 125. Signed and numbered in pencil. Printed by Paul Narkiewicz and Chip Elwell on Arches...

Untitled (Nocturne: New York Alley) Graphite on paper, c. 1915 Unsigned Provenance: Estate of the Artist New York Financial Institutiom A masterful finished arc...

Giant Women Signs by Michael Ormerod is a stunning Colour Print on Hahnemuehle Paper in an Edition of 20 in this size of 20" x 24". States of America: The...

“Turquoise Creek” is an oil on board painting by German-born artist, Jean Mannheim. While Mannheim was born in Germany, he trained in Paris but was very influenced by experiences in ...

Keep Your Cool - Backgammon Players Swimming Pool France by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Keep Your Cool is a Lim...

A Striking, Post-War Studio Figure Study of a Reclining Young Male Nude Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). A well executed, intimate figurati...

A striking 1930s Modern portrayal of El Greco's Renaissance masterpiece, "Mater Dolorosa" by Notable California Woman Artist, Leonine E. Wallace. Artwork size: 13 x 10 inches. O...

“Pyle's Barn” is an oil on canvas impressionist painting by American artist, N.C. Wyeth. Howard Pyle had conducted summer classes in his Brandywine mill studio, where students work...

Medium: Mezzotint Year: 1984 Edition Size: 100 Image size: Game Work No. 19 by Katsunori Hamanishi is a meticulously executed mezzotint in which lengths of heavy rope bind pairs o...

Josef Albers, 'Segments', linoleum cut, 1934, edition 20, 25, plus proofs, Danilowitz 79. Signed, titled, dated, and annotated '(proof)' in pencil. A fine, richly-inked impression on...

Paul Serrusier (1864-1927) La Fin Du Jour (The End of the Day) Color lithograph printed on canary yellow paper, 1893 Signed and numbered in pencil lower left (see photo) Edition 100...

Oil on canvas, Canvas size: 13 x 18 inches Framed size: 19.5 x 24.5 inches Signed lower left

Michael Lyne (1912-1989) The Heythrop, coming up from Lower Swell, Gloucestershire Signed lower left Oil on canvas Canvas size - 28 x 42 in Michael Lyne was one of Britain’s most r...

Provenance: Private Collection, Cranston, Rhode Island (by the 1950s?); by family descent until sold at: Bill Spicer Auction, North Kingstown, Rhode Island, 26 January 2011; where a...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

This mixed media contemporary abstract composition is rendered in earthy colours. The dramatic and elegant artwork of Shireen Kamran is rooted in and inspired by her rich Pakistani...

"Sierra Nevada Mountains” is an oil on canvas painting by American Impressionist painter, Edgar Alwin Payne. Best known for his Western mountain views, especially the Sierra Nevada, ...

“LA CASITA AZUL” Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casita Azul” circa 1970. The image size is 21.50 x 31.25 inches and the paper size 23.13 x 33 inches. Printed in an edition of 100 this impression is inscribed “91/100” - the 54th impression of 100. Pencil signed in the lower right and inscribed in the lower left. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

Canadian artist Ivo Stoyanov is internationally recognized for his compelling abstract paintings. This piece, one of a series illustrates Stoyanov’s masterful vision that combines ge...

A dreamy watercolor of two figures in repose Gertrude Klares Bedell. Artwork size: 18" x 13 1/2". Framed size: 26 1/2" x 22". Biography from Askart: An Austrian countess born i...

Born in 1933, and reared in Virginia, Otis Huband began his formal art education after 4 years in the Navy. He earned his BFA and MFA at Richmond Professional Institute of the Colle...

"Planting (Spring Plowing)", a vibrant watercolor and graphite on paper by Thomas Hart Benton, circa 1939-40, embodies the artist's signature Regionalist style. The work depicts a ru...

A pair of delightful, Mid-Century 1950s interior scenes in pen & ink by notable Chicago Modern artist, Harold Haydon. Image sizes: 6" x 9" each. Each are unframed and archivally m...

Oil on canvas Canvas size: 20 x 24 inches Framed size: 28 x 32 inches Signed lower right

CAREL ALLARD (1648 – 1709) PLANISPHAERIUM TERRESTRE SIVE TERRARUM ORBIS… 1696 (Shirley 578) Engraving, 20 ½ x 23 ½”, sheet 21 x 24 1/8". A stunning double hemisphere World Map...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertil...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

MORTON DIMONDSTEIN (NY 1920 - LA 2000) MARKET IN ERONGARICUARO 1954 Serigraph, silkscreen. Signed titled and dated in pencil. Image 10 ¼ x 25 ½ inches. Large full sheet 17 1/4 x 30...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

A Fine 1930s, Modern Academic Figure Study Drawing of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930s ...

ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...

A dynamic, 1950s Mid-Century Modern horse race painting by noted Chicago artist, Rudolph Pen. Artwork size: 27" x 23"; oil on Masonite. Framed size: 27 1/2" x 23 1/2". Signed "Pe...

PARR (1893-1969) KINNGAIT (CAPE DORSET) HUNTER HAULING A SEAL, 1966 #2, Stonecut, signed, titled numbered 28/50 Dorset 1966. Image 14 x 22 ¼. Full sheet ...

"Art is a mirage of the conscious and the unconscious." -Jean Cocteau This original lithographic poster by Jean Cocteau was created for an exhibition of works related to his project...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...