Recognized Dealers Art

The project is a series of ink drawings on different surfaces, depicting the solstices and equinoxes of the year through the overlapping of shadows at various times of the day. These...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

Elegantly curved geometric shapes appear to dance around a central form in this table-top sculpture by Kevin Robb. The American sculptor is known for his exquisite abstract metal sculptures that play with both negative and positive space. The highly polished stainless steel interacts with the environment and reflects shadow and light. Price in USD...

"Me resisto a terminar esta obra / I resist from finishing this piece" is an abstract painting by Cuban artist Angel Ricardo Ricardo Rios. Using a cool lilac to ground the compositio...

The Pirelli Calendar, known and trade-marked as "The Cal", is an annual trade calendar which has been published by the UK subsidiary of the Italian tyre manufacturing company Pirelli...

The Vera Stretz Murder Trial Lithograph, 1936 Signed in pencil lower right (see photo) Initialed W.S. in the image lower right (see photo) Dated in the image lower right (see photo) ...

Fear and insecurity came uninvited to keep the artist company. Suddenly it became necessary to release the sensations that surrounded him day and night. At times the artist felt as i...

Any serious collector will wan to bring home this wonderful serigraph for your collection! A fabulous Mid-Century Modern 1950s serigraph of Chicago's Wrigley Building in its origina...

Ulysses I, 2011 Acrylic on canvas (Signed on reverse) 7 9/10 H × 7 9/10 W in. 20 H × 20 W cm The artwork "Ulysses I" was part of the solo show “Epic”. This exhibition, as the artist...

In a time of profound environmental change, Kevin Sloan’s images depict rare beauty intertwined with puzzlement. Part art, part artifice, his painstaking vignettes of animals posed i...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

A spectacular wave breaking under a stormy sky . Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Signed and numbered f...

At first glance, Mark Bartkiw’s artwork looks like another beautiful photograph. Look again and you’ll see a clever collage of images that creates an almost magical, ethereal landsca...

This joyful, colourful painting is by one of Canada’s finest landscape artists, Pat Service. Here, the avid gardener uses bold colours-royal blue, black and white against a bright r...

This contemporary indoor sculpture is hand-forged from steel by Claude Millette. Playful and striking In form this dynamic piece resembles tumbling dice that have been stacked at dar...

Signed, titled and dated in pencil on print verso.

Nathaniel Dirk, Untitled (Gloucester), watercolor, with fresh colors, on watercolor paper; in fine, original condition, with the artist's tack holes (barely visible) at the sheet edg...

A collaborative project, artist Javid Jah and fabricator Alex Akbari of Qube Inc. re-designed this series from a recent public art exhibition in downtown Toronto, which was exhibited in collaboration with Roger Mooking and Wyandot artist Catherine Tammaro. The dynamic geometric form of the three pieces—Terra, Aqua and Aero (the elements of earth, water and air) is inspired by the ideas of cosmology (the study of the universe) and sacred ancestral principles. Forged from steel, light shines through the intricately detailed pattern of perforations on the surface. Each individual sculpture can also be used as a wood burning or gas fire pit...

A classic Canadian symbol—the maple leaf -- appears in stunning detail in this unique new work by sculptor Dale Dunning. He creates inspired metal sculptures using the image of the h...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

20 x 24 in. Edition of 30 Printed on FujiFlex Crystal Archive Supergloss Paper. Signed on print verso by Steve McCurry, and inscribed with image, serial and edition number. A signed...

Gaia 117 by Jaume Llorens Bach Gaia 117 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Paper by Awagami Factory This size available in a Limited Edition of 10 +...

Perfect for your hockey enthusiast! A colorful, dynamic 1950s pastel on paper drawing of a hockey game by famed Chicago Modern artist, Francis Chapin. Image size: 9 x 12 inches. Matted size: 14 x 18. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Les Laveuses, 2e Pensee (The Washerwomen) Lithograph, c. 1910 Unsigned (as issued) Edition: c.30-50 impressions Condition: Rust spot, associated with pape...

A color photograph showing a young woman in boots with a pack of Marlboro

Les Tuileries by Georges Manzana Pissarro (1871-1961) Oil on canvas 38 x 55 cm (15 x 21 ⁵/₈ inches) Signed with estate stamp lower left, Manzana Pissarro Executed circa 1900 This wo...

G_41, 2021 white ink on black cardboard (signed on reverse) 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm Alina Aldea's drawings project all the possible forms which appear to disappear ...

A vibrant, 1960s Mid-Century Modern painting, "Vermont Landscape, Spruce Tree and Shoreline" by notable Chicago artist Harold Haydon. Painted near the artist's longtime summer studi...

In this series, water and pigments dance in a liquid choreography, intertwining and painting their own destinies. Each brushstroke traces ephemeral paths that are born, intersect and...

Early Morning Rain Etching & color aquatint, 1977 Signed, titled, numbered and dated in pencil Edition: 40 (39/40) Published by Associated American Artists, New York Condition: Mint ...

Oil on canvas Canvas size: 20 x 24 inches Framed size: 28 x 32 inches Signed lower right

Color lithograph, Edition 30 Richert, who was intuitively observing shadows cast by three-dimensional forms, found that one such structure – the rhombic tricontahedron – placed un...

From space, error is projected onto the focal point, error for man. From within, we modify the language of the elements to compose a reuse of the ordinary and bring it into play in a...

Smooth, black marble flecked with copper and white is engineered into a thick loop that is stretched thin on one side in this tabletop sculpture. Poised on a flat metal base, the fla...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a colorful interior ...

A vibrant, colorful 1930s winter scene painting of Saugatuck, Michigan by famed Chicago Modern artist, Francis Chapin (Am. 1899-1965). Depicting a view of the historic Old Fish Hous...

Medium: lift-ground etching and engraving Edition: 15 Year: 1961 Plate: zinc 9 x 15 inches (22.9 x 38.1 cm) Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm) Signed, titled and number...

Bubbles Oil on canvas, 44 1/2 x 30 inches (113 x 76.2 cm) Signed lower right: Koch Provenance Private collection, New Jersey; Thomas Colville Fine Art, Guilford, Connecticut; Privat...

Unidentified artist, 'Commedia dell’arte' – four character studies (Arlecchino, Pantalone, Pantalone giovane, Tartaglia), watercolor and pencil, c. 192...

The Loop II was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...

A heart-shaped symbol in bright red and white crowns a stack of sculptural pieces in this playful abstract work created by Viktor Mitic. Swift was inspired from photos and sketching'...

This series is born from a search to leave aside the narrative figurative and reduce the image to shape and colour. Starts with both images found as well as her own images, previous ...

Seggiaro's fascination for the human body, for the movement of the muscles, the bone structure, and the circulatory system coexists perfectly with the arteries of red linen, with the...

The movement of optics silhouetted and contoured by straight lines and bare flat tints in their formless purity, for me embodies the Divine grace and luminous energy that the soul of...

Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 IV. Annotated 'PW 290 state IV / IV 3669', in pencil, in the bottom right sheet corner. With the artist's typed address and date adjacent to the letterhead image: 'Falls Village, Connecticut September 26th, 1940'. A fine impression, on buff, wove letterhead stock; several small losses, and tears, in the sheet edges (not affecting the image area); a crease in the bottom right sheet edge, otherwise in good condition. Very scarce. Image size: 2 3/8 x 2 3/4 inches; sheet size 11 x 8 5/8 inches. Archivally sleeved, unmatted. Feininger moved from Germany to New York City in 1938 and began spending his summers in Falls Village in 1940. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

Mirando al Cielo 5 is a beautiful 30cm x 30cm Digital Print on 50cm x 50cm Cotton Paper. This is a Limited Edition of 9 + 2 Artist Proofs in this size. Rosa Basurto is a self-taught...

Matriarch's March Kenya - 2026 Archival Pigment Print Available Sizes: Edition of 20: 24” × 42.5” (61 × 108 cm) $5,500 Edition of 10: 36” × 64” (91.4 × 162.6 cm) $12,500 Edition of...

Like his mentor the great American Impressionist William Merritt Chase, Charles Webster Hawthorne was equally admired in his own day as both a talented painter and a highly influential instructor. Hawthorne first studied with Chase at his Shinnecock Summer School of Art, which was specifically dedicated to open-air landscape painting. Not only did Hawthorne quickly absorb all the principles of Chase’s instruction, but he also became determined to found his own school based on the same model. In 1899 Hawthorne discovered the small fishing village of Provincetown on the furthermost tip of Cape Cod, and after purchasing a large house on Miller Hill, he opened the Cape Cod School of Art, which proved to be an immediate success. While Hawthorne’s own approach as a teacher owed much to Chase, he developed a distinctly unique painting style and teaching method that defies easy categorization. He was greatly impressed with the work of Franz Hals, which he was exposed to during his trip to Holland in the summer of 1898. Hawthorne was particularly struck by Hals’ Regentesses of the Old Men’s Almhouse, and from this work he absorbed a deep appreciation for the power of human expression and an economy of technique. Hawthorne applied these lessons to his own realistic portraits of Provincetown fishermen and their families; these works have a somber, almost melancholy quality to them, and they reveal a sense of the vulnerability of the human condition. Stylistically, Hawthorne maintained a life-long commitment to the importance of color. “Beauty in art,” he said, “is the delicious notes of color one against the other.” Of equal importance to him was capturing the effects of light. He told his students: “Everything in painting is a matter of silhouettes. Hold light against shadow, not light against light.” He developed a particular technique of layering glazes and texturing the surface of his paintings, which heightens the relationship between the colors and creates a light effect that seems to emanate from within the painting. These stylistic techniques in combination with his straightforward compositions of one or more figures shown at close range create the hallmarks of Hawthorne’s best paintings. Hawthorne and his wife Ethel’s 1905-1907 trip to Italy did not result in a drastic impact on his artistic style. Nonetheless, it proved to be a transformative and enlightening voyage. The extensive trip was financed by collectors who paid in advance for a painting to be produced abroad. On the trip, Hawthorne explored the work of old masters and was struck particularly by the paintings of Titian, which to Hawthorne, demonstrated the master’s true adoration for the act of painting itself through his handling of paint and color. Where Titian’s paintings...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Lyonel Feininger, 'Da-Da I' also titled by the artist 'Der Abgott' (The Idol), woodcut, 1918, a proof impression. Prasse W91. Signed in pencil and annotated '1876', the artist’s inv...

Haring, Keith. KEITH HARING INTO '84. SHAFRAZI GALLERY POSTER. Offset lithograph in colors, 1984, Sheet 35 1/8 x 23 1/8 inches; 892 x 587 mm. Framed to 39 x 28 inches. The poster, us...

Medium: Intaglio and Chine Colle Year: 2023 Image Size: 10.5 x 7 inches Edition of 15 Signed, titled and numbered by the artist. A young woman contemplating small plants and animals...

QUEEN MARY, LONG BEACH, CA - ORIGINAL ARTIST DESIGN FOR THE PLACEMENT OF THE SHIP Watercolor and gouache on board, 20 x 36 inches. Signed and dated by the artist - Segroves, 1969. The original artist concept for the placement in Long Beach Harbor in 1969. Subsequently revised several times. The Queen after extensive renovation has just reopened to the public on December 14, 2022 Much larger than the Titanic, At 1,019 feet long and 81,000 tons (310 meters and 73,500 metric tons), the Queen Mary was one of the largest and most elegant ships of the early 20th century. From Wikipedia: The RMS Queen Mary is a retired British ocean liner that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard-White Star Line and built by John...

"Old Swede's Church in Winter" is an American Regional city scene in Philadelphia, Pennsylvania by American Impressionist painter Albert Van Nesse Greene...

The inspired ,eclectic glass art of Cheryl Wilson Smith is influenced by the rugged natural beauty of her home. The Canadian artist lives in Northern Ontario where the road ends in a...

Ying Chen has a recurring dream: scenery consisting of cloud filled Sky, fields of grass, and a body of water. In this foggy but colorful dream, the sky is cloudy, yet everything is ...

In a closely cropped self-portrait, with snowy beard and hair awry, Dan Hughes explores the theme of observational realism. A moment of emotional tension is amplified by blurred feat...

Denied Warhol Flowers, (cream/white) Silkscreen Painting by Charles Lutz Silkscreen and acrylic on canvas with Denied stamp of the Andy Warhol Art Authentication Board. 48 x 48" inch...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...