Recognized Dealers Art

Untitled 017 [Remains of the Remains 017], 2019 oil on canvas 78 47/64 H x 55 1/8 W in 200 H x 140 W cm The large-sized paintings, signed by Zsolt Berszán, addresses the subject of ...

This stunning and beautifully executed nude model in the studio was done perhaps while Friis was studying at the Académie Julian in Paris. It is framed in a French Louis style frame ...

Unknown (American, nineteenth century) River Bank Oil on canvas, 9 x 13 1/2 inches Unsigned Framed: 13 1/2 x 18 inches (approx.)

Denied Warhol Flowers, (cream/white) Silkscreen Painting by Charles Lutz Silkscreen and acrylic on canvas with Denied stamp of the Andy Warhol Art Authentication Board. 48 x 48" inch...

Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

Perfect for your hockey enthusiast! A colorful, dynamic 1950s pastel on paper drawing of a hockey game by famed Chicago Modern artist, Francis Chapin. Image size: 9 x 12 inches. Matted size: 14 x 18. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

In a time of profound environmental change, Kevin Sloan’s images depict rare beauty intertwined with puzzlement. Part art, part artifice, his painstaking vignettes of animals posed i...

Barton, John Murray. PORTRAIT OF A VASE. Color Woodcut, 1959. Edition of 100. Titled, numbered 1/100, signed and dated in pencil. 23 5/8 x 7 3/4 inches (image), 11 1/2 x 27 inches (s...

Le Chef d'oeuvre inconnu 2, 2022 acrylic on canvas 77 11/64 H x 53 5/32 W in. 196 H x 135 W cm The work "The Unknown Masterpiece 2" (a paraphrase of Balzac's novella – Le Chef d’oeu...

A stunning study for a 1920s Kuppenheimer clothing advertisement featuring a fashionably-dressed couple kneeling in an embrace before a pair of ...

Two columns of horizontal rectangles in alternating colours of forest green and warm white frame a third, central column of warm white and sapphire blue rectangles in this 7.5 foot tall canvas...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

"Mizuhiki" is an exclusive publication by Stone + Press in an edition of 100. Katsunori Hamanishi was born in 1949 on Hokkaido island - Japan's second largest island. In 1973 he fi...

For Jose Ignacio Suarez an abyss of time and space distances him from those who were the first inhabitants of the Brazilian coasts and of this vast American continent. His initial la...

Valencia, Spain, 1952 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Availa...

A Fine 1930's, Depiction of a Boxing Match by Notable Chicago Modern Artist, Francis Chapin. This dynamic drawing captures overlapping human forms rendered in expressive, gestural li...

The Bait Shop, West Palm Beach, 2015 - Florida Landscape Nighttime Photography by Rachel Louise Brown "The Bait Shop, West Palm Beach, 2015" is a Dye Sublimation Print on Aluminium....

The overall dimensions including the frame are 70 x 42 inches. Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

A large tonal, Mid-Century harbor scene with boats by French artist Georges Rocher. Artwork size: 24" x 30". Framed size: 31" x 36". Georges Rocher was born in Casablanca, Moroc...

Below Stairs. 1930-31. Drypoint. Appleby 143. 10 1/4 x 7 3/4 (sheet 15 3/4 x 10 1/8). Edition 100, #31. A very rich, tonal impression on cream-colored laid paper. Unobtrusive soiling in the top left- and lower-left hand margins, just below the platemark; and light mat line just outside the platemark. . Signed and numbered in ink. Housed in a 20 x 16-inch archival mat, suitable for framing. A charming discussion between the chef and a scullery maid in a "Downtown Abbey...

Hunt Slonem "Maxim" Single Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 13.5 x 11.5 inches *Paint...

Short Breaths #5, 2012 - Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print 20 x 15 inches Edition of 10 + 2 AP Also available in following sizes:...

Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 V. Inscribed 'J. F. note paper', in pencil, in the artist’s hand; with the Feininger estate stamp and catalog no. 'W 859' in pencil. Annotated 'W.290 V state 3609' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/4 inches; sheet size 10 x 7 5/16 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; NY, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

This contemporary ceramic vessel was inspired by nature and rendered in black. As a masterful ceramicist, Loren Kaplan has been intrigued by the concept of containers; the idea that...

Title: C. L. Drouet, Sculptor Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London) Sitter: Charles L. Drouet (French, 1836–1908) Date: 1859 Medium: Etchi...

An interesting moment in history, captured in a marine scene that has a stark but attractive color palette! A sensational empire frame custom made for the work and 23 karat. Henri R...

A native of Philadelphia, John Pierce Barnes began his artistic training at the Philadelphia School of Industrial Design. He then attended the Pennsylvania Academy of the Fine Arts, ...

Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 IV. Annotated 'PW 290 state IV / IV 3669', in pencil, in the bottom right sheet corner. With the artist's typed address and date adjacent to the letterhead image: 'Falls Village, Connecticut September 26th, 1940'. A fine impression, on buff, wove letterhead stock; several small losses, and tears, in the sheet edges (not affecting the image area); a crease in the bottom right sheet edge, otherwise in good condition. Very scarce. Image size: 2 3/8 x 2 3/4 inches; sheet size 11 x 8 5/8 inches. Archivally sleeved, unmatted. Feininger moved from Germany to New York City in 1938 and began spending his summers in Falls Village in 1940. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

A Captivating, Mid-Century Floral Still Life of Red Roses by Rudolph T. Pen. With wonderful color and brushwork, executed with the unique, Modern perspective for which Pen's Post-Wa...

Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria. Born in Berkeley, California, on December 21, 1949, he was raised in ...

29.88 x 22.36 ins (75.9 x 56.8 cms) Edition of 96 Signature:Signed "R. Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...

Bold contemporary form and striking bright colours define the unique artistic style of Aron Hill. The Calgary-based artist often uses the sun and rocks as central images in their wor...

Artist: Le Corbusier Medium: Lithographic Poster, 1963 Dimensions: 29.5 x 19.25 in, 74.9 x 48.9 cm Classic Poster Paper - Perfect Condition A+ This rich and beautiful lithographi...

Four circles form pyramid at the foot of a light blush ground in this contemplative painting by David Cantine. The areas between the shapes in this minimalist still life acrylic on p...

Rendered in pink, lemon, green, and blue this abstract painting with a floral motif is by Adam Cohen. Thickly applied expressive brushstrokes in a bright palette bring a palpable energy to this lively, joyful painting that resembles a floral tapestry. Cohen likes to cut into wet paint with a palette knife to create visible texture. Pink, lemon, green, and blue flower petals overlap one another in a luscious visual display. “… I like abstract painting. I can create accidents. And then I can edit in or out what I like. Use them as a springboard. A place to build the rest of the painting around. I create paintings that feel deeply personal to me. Somehow I always know when they are done.” Adam Cohen “A painting by Adam Cohen is like a sudden burst of light. Vision is dazzled by a surface alive with color, swarming with incident. As you approach the canvas, it feels as if it were coming forward to meet you, to immerse you in a field of visual energy.” Carter Ratcliff, Art Critic Adam Cohen studied at Philadelphia’s Tyler School of Art and lived and painted in Rome for a year. After many successful years as an illustrator in NYC, he returned to his first love...

One of seven images from the Origin-Beginning series. Origin-Beginning-3 emphasizes vertical movement within the series. Darker forms gather toward the lower portion of the compositi...

George Josimovich, 'Commuters', linocut, 1922-23, edition 20. Signed, dated '22, titled, and annotated '9/20' in pencil. Initialed in the block 'G.J....

"Mexican Orchestra" is one of the George Overbury Hart's largest pieces. It is #14 from a limited edition of 50. The image captures a festive event with hanging lanterns, an orches...

A surreal juxtaposition of geometric forms and uncannily realistic pedestrians forms the composition of this moody screen print. Framed by a flat of charcoal grey, a man in shadow i...

A Very Finely Drawn Mid-Century Modern Figure Study of a Standing Young Male Nude Model (Torso) by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). A well executed stu...

Titled and dated with artists reference number and stamped on the back of the mount. Printed and signed by Cole Weston.

“Eyes that are..” Eyes that are at once too sharp and too wild. Seeing everything crystal clear makes the whole world blind. Makes me fill my head with clouds, Pretending these smoke...

ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...

Secret Garden 3, 2019 White ink on black cardboard 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic o...

No Edition Signed, titled, and dated in pencil on verso by Don Donaghy Gelatin silver print, 13 1/4 x 9 in. American street photographer Don Donaghy (1936 - 2008 b. Philadelphia, Pe...

A Distinctive, 1950s Mid-Century Modern Cubist Portrait Study of Two Young Men by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). A visually striking charcoal male portrait stu...

'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...

For Jose Ignacio Suarez an abyss of time and space distances him from those who were the first inhabitants of the Brazilian coasts and of this vast American continent. His initial la...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Hunt Slonem "Emerald" White and Green Bunny A single rabbit gestured in white on a green "diamond dust" background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x 12.5 inc...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Inscribed on the reverse with the archive number C396 ARCH 274. perspex box: 217.5 x 176 x 13.2 cm. This work is accompanied by a certificate of authenticity.

Le Portail de Provence by Raoul Dufy (1877-1953) Gouache on paper 49 x 64.5 cm (19 ¹/₄ x 25 ³/₈ inches) Signed lower centre, Raoul Dufy Provenance: Palais Galliéra sale, Paris,1966 ...

in Beneath the Surface: Dissolve, Werger captures a fleeting, immersive moment of swimmers beneath the rippling surface of a swimming pool. Echoing the iconic swimming pool paintings...

This large abstract expressionist painting by Paul Fournier has a tropical theme. The fantastical worlds of Paul Fournier capture the beauty of nature in all its colorful glory. Thi...

This illustration was created for the Hills Brothers Coffee company in 1929 and was used on promotional products as well as coffee cans in the ye...

Louis Conrad Rosenberg, 'Bowling Green, New York', etching, 1940. Signed in pencil. A superb, richly-inked impression, with all the fine lines printing c...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

This contemporary minimalist painting is by Canadian artist Aron Hill. Calgary-based artist Aron Hill is known for their bold imagery, clean lines, and colorful palette. Their appro...

A handsome 1930s Rockwell Kent lithograph on paper, titled "Canterbury Tales". Nicely matted and framed in a gold-toned frame. Image size: ...