Recognized Dealers Decorative Objects

A rare and exquisite pair of antique Loetz iridescent glass vases, made in Bohemia around 1900 during the height of the Art Nouveau movement. Crafted in a lush emerald green glass, t...

Brummit Fir Christmas Tree Sculpture by The Peak Antler Dimensions: W 132.08 x D 132.08 x H 396.24 cm Materials: naturally shed antlers Based in, produced and shipped from the US. ...

Small vase by Sebastian Herkner Materials: Heat-resistant black ceramic. Technique: Glazed. Oven cooked and polished with semi-precious stones. Dimensions: Diameter 23 cm x heig...

Stoneware “Argenta” vase by Wilhelm Kåge, in a tall, stately design. Striking decor of young man standing on the back of a dragon. Lovely subtle bubble detail on the rim. Beautifully...

A stunning specimen of a Tiffany Studios New York "Gooseneck" rosewater sprinkler vase, this piece is crafted from "Peacock" Favrile glass pioneered by Tiffany Glass and Decorating C...

A modernist red clay bull figurine by Finnish sculptor Viljo Mäkinen for Kupittaan Savi Oy, crafted in Finland during the 1960s. The bull is rendered with a strong yet playful presen...

Cameo glass.

A decorative glossy Japanese modernist bronze vase with a fluted neck, with some mild patination. Signed on the base.

Mini Pot 2 by Sebastian Herkner Materials: Heat-resistant black ceramic. Technique: Glazed. Oven cooked and polished with semi-precious stones. Dimensio...

A finely cast and beautifully patinated bust of Julius Caesar, it likely originates from Rome circa the third quarter of the 19th century and rests over its original violet breché ma...

This artful and unique automaton clock and music box house proudly bears the signature of Geneva, a hallmark of unparalleled horological excellence. For generations, Geneva has seamlessly merged traditional craftsmanship with cutting-edge technology, setting the standard for luxury timepieces. Adorned with delicate hand-painted details, this exquisite cottage exudes provincial charm. Intricate floral motifs and ivy vines gracefully ascend its façade, drawing onlookers into this detailed masterpiece. A couple stands in the doorway, meticulously carved to exude the height of style and grace. In the style of the iconic cuckoo clock, a distinguished gentleman, adorned with a pipe and cane, emerges from the balcony doors...

The Italian firm Danese stands as one of the most influential companies in the history of design. Danese's success can largely be attributed to the philosophies and creations of Enzo...

'Blue Drift II' is a unique cast glass sculpture by the British artist, Helen Restorick. Having initially studied medicine and genetics, Helen Restorick moved her attention away fro...

The work of famed French glass master René Lalique, this dynamic vase is crafted in the rare and intricate Formose pattern. Conceived in 1924 during the height of Art Deco, its spher...

This striking Derby porcelain vase and cover is executed in the rare and elaborate Schneeballen (snowball) or May blossom style. The four-sided baluster body, with square neck and fo...

Jeweled Singing Bird Box Circa 1880 This exquisite enamel and jewel-mounted singing bird box is a captivating example of mechanical artistry. It reflects the height of European luxu...

Antique Japanese Awaji pottery bowl in sancai (three color) glaze, circa 1900. Hand turned. Impressed plover mark from the Danto Kiln, succesor to the Minpei Kiln. Sancai glazes orig...

Unique and magnificent jewel encrusted automaton watch by Audemars Piguet Swiss, 2002 Measures: Height 8.5cm, width 6cm, depth 2cm This spectacula...

French Victorian cranberry colored etched crystal perfume bottle with rounded stopper

Microfiber pouch with zipper and leather tag, inner zip pocket, linen lining, hand-crafted in Italy, 35 x 26 cm Portable Pleasure Culture Pay homage to the godfather of fantasy art ...

Aceleración screen by Joel Escalona Limited edition of 9 Dimensions: D 230 x W 40 x H 187 cm Materials: oak wood. Natural white oak screen. J...

Extra large stone bathtub by Studio Loho Dimensions: D 85 x W 190 x H 57 cm Materials: stone Other stone types are possible upon request. Available i...

A brown and beige glazed ceramic designed and produced in France, c. 1980s. Wear consistent with age and use. Overall Dimensions (inches): 5.15"H x 7.6"W x 2.6"D All items ship fr...

Striking relief by Anna Petrus, made from cast iron. Beautiful motif of grapes on a vine. Anna Petrus was a Swedish sculptor, industrial designer and dancer with a unique, powerful ...

Unda vase by Imperfettolab Designer: Verter Turroni 2018 Dimensions: 30 x H 45 cm Materials: Fibreglass Vase in fibreglass. Imperfetto Lab Who we are ? We are a family. Verter T...

Hand blown glass bowl. available in: Quarzgrau quartz grey Amethystviolett amethyst violet Bernsteinorange amber orange Smaragdgrün emerald green Montanablau Montana blue Saphirbla...

This stunning geode is split in two and displayed atop a stylish metal stand. An impressive scope of textures and colours are found in this beautiful, fully polished piece, from ...

An elegant mechanical decorative object.

Opal Tsehay Mewcha, Wegeltena, Delanta Woreda, South Wollo Zone, Amhara Region, Ethiopia Measures: 14.4 cm tall x 11 cm wide Precious opals are a hydrated amorphous form of silica (amorphous meaning a non-crystallized solid), unlike crystalline forms of silica, which are classed as minerals. Australia is the locality most associated with precious opal. The precious opals of Ethiopia were only discovered recently in 2008. Opals are formed over thousands of years when rain frees spherical silica particles from sandstone. These microscopic particles spread deep into underground cavities and are then compressed into a closely-packed interlaced structure. When miners bring them forth from the earth to the surface, sunlight travels through this microstructure creating the dazzling kaleidoscope of flashing rainbow colors that we see here. This opal may be unique. The colors are like no other we have seen from Ethiopia. There are several names given to opal (Black Opal, Boulder Opal, Fire opal, etc.). This piece begins an entirely new genre - Candy Opal.

JAPANESE BRONZE FIGURAL OKIMONO Japan, Meiji period, late 19th century 18" H x 7 5/8" D x 11 5/8" W ref. 512KST06P A very finely cast bronze okimono depicting a standing samurai a...

A bronze sculpture titled Personnage Penché by French painter and sculptor Gérard Koch (1926–2014), numbered 1/4 and presented on a slate base. The inclined figure carries the lyrica...

Salvador Dalí (Spanish, 1904-1989.) Fécondité, 1977. Bas relief in silvered bronze. Publishing Year : 1990-1992.  Referenced in the catalogue raisonne "Dali Sculptures And ...

Large bronze and green glass box, Russian, circa 1825.

CARVED WOOD HORSE FORM, POSSIBLY USED AS A MOLD MASTER FOR PAPIER-MÂCHÉ PRODUCTION Probably French, mid-to-late 19th century 22 3/4" H x 6 7/8" D x 20 7/8" W A carved hardwood mode...

This extraordinary First Edition Wedgwood rendering of the legendary Portland Vase is one of the rarest masterpieces of Josiah Wedgwood, the most important ceramics manufacturer of the 18th century. A tour de force of ceramic art, the Portland Vase First Editions are regarded as one of the greatest ceramic accomplishments of the 18th century, and they are a testament to the superior skill of Josiah Wedgwood, his extraordinary ambition and his tireless dedication to perfection. One of the very few First Editions still in private hands, this exceptional Wedgwood Portland Vase is one of the most important works of ceramics on the market. The story of Wedgwood and the Portland Vase is legendary. The original Portland Vase is the ancient world's most famous decorative arts masterpiece—a cameo glass vase dating to circa 25 CE with a frieze representing the myth of Peleus and Thetis, initially thought to be carved from stone. When it was first rediscovered around 1582, it captivated the world with its opaque white cameo figures over its rich blue background. After the vase was excavated it was owned by Cardinal Barberini, whose family later sold it to the Duke of Hamilton who eventually sold it to the Duchess of Portland, from whom the famed vase now takes its name. The famed British sculptor John Flaxman was likely the first to have brought the vase to Wedgwood’s attention. In a letter dated February 5, 1784, he wrote: “I wish you may soon come to town to see William Hamilton’s vase, it is the finest production of Art that has been brought to England and seems to be the very apex of perfection to which you are endeavouring to bring your bisque and jasper…” Indeed, the Portland Vase is a masterpiece of cameo-cutting, with a stunning frieze of opaque white cameo glass over its translucent deep blue form. Its beauty and translucence would inspire Wedgwood to undertake his years-long endeavor to precisely replicate the original in porcelain. Upon closer examination, Wedgwood realized the vase was not made of stone or earthenware, but of cameo glass—a technique so advanced it remains the masterpiece of cameo-cutting. Today, the vase is housed in the British Museum, where it is the second most viewed antiquity, only after the Rosetta Stone. It then took Wedgwood several painstaking years to craft his unparalleled copy of the vase, during which he perfected the jasperware technique that would become his crowning achievement. To this day, the renowned porcelain firm regards the vase as its most momentous triumph, so much so that the vessel’s silhouette is incorporated into the Wedgwood logo. The four years it took Wedgwood to complete his vase were not without tribulations. From the start, Wedgwood encountered numerous problems with his copies, from cracking and blistering to the difficulty of replicating the translucent effects of the original. The first acceptable copy was produced in October 1789 and sent to Wedgwood’s physician and friend Erasmus Darwin, the grandfather of Charles Darwin. Wedgwood presented another copy to Queen Charlotte in May 1790 and afterward organized a private exhibition of the vase at the Portland House in London. The viewing proved so popular that Wedgwood was forced to restrict the show to 1,900 visitors. Much of London wished to see Wedgwood’s greatest major achievement. Perhaps the highest praise of Wedgwood’s copy came from the famed artist Sir Joshua Reynolds, the founder of the British Royal Academy: “I can venture to declare it a correct and faithful imitation, both in regard to the general effect, and the most minute detail of the part.” Over the next few years, Wedgwood's oven records listed 43 First Edition copies of the Portland Vase produced between 1791 and 1796, 11 of which were broken during the firing process. In all, it is believed around 30 First Edition vases were completed, though an unknown number of these were somewhat damaged—one of these imperfect examples is currently held by the Victoria & Albert Museum in London. The perfect examples such as ours have found their way into the most important museum collections in the world. The British Museum (London), Art Institute of Chicago, Birmingham Museum of Art, Museum of Fine Arts (Boston) and the Fitzwilliam Museum (Cambridge, UK), among others, all hold one of these highly coveted vases in their collections. In terms of technical achievement, the First Edition Portland Vases...

A green-glazed ceramic bowl designed by Arthur Percy and produced by Gelfe, Sweden, c. 1930s. Discoloration to piece consistent with age and use Overall Dimensions (inches): 3.0"H ...

Asian Chinese-style (20th Century) rectangular black lacquered wood box with gold circles and Chinese writing

Set Of 2 Mini Heritage Totem Bowls by Studio DO Dimensions: D 10 x W 10 x H 15 cm Materials: Aluminium Based in Antwerp, Studio DO is a stone cutting atelier founded by Dana Seachug...

The patinated bronze sculpture standing on naturalistic circular base, signed 'L. Grégoire' on base Jean Louis Grégoire (French, 1840-1890) was born and died in Paris. Training un...

Large antique sculpted marble figure of Caesar Augustus Italian, early 20th century Measures: Height 186cm, width 118cm, depth 44cm Known as the ‘Augustus of Prima Porta,’ the o...

A blown blue glass vase designed by Bertil Vallien and produced by Kosta Boda, Sweden, c. 1984.

Hallmarked in London in 1915 by James Samuel Bell, this very handsome, Antique Sterling Silver Cigar Box, is double sided and plain in design, with a...

These two busts, monumental in both their size and artistry, come from the renowned Italian majolica workshop of the famed Angelo Minghetti. Depicted are the Renaissance political an...

Large Duna Bowl by Ana Tron Dimensions: Ø 26 x H 25 cm Materials: Recycled paper with a waterproof resin interior. Ana Tron is an interior designer and an imperfect environmentalist...

A green-glazed ceramic vase produced by Nyman & Nyman, Höganäs, Sweden, c. 1930s. Wear consistent with age and use. Overall Dimensions (inches): 6.5" Height x 5.5" Diameter All it...

Hallmarked in Birmingham in 1904 by William Devenport, this attractive, Antique, Edwardian, Sterling Silver Scent Bottle, features a hobnail cut round glass body, and an ornate silve...

Striking yellow stoneware vase by Berndt Friberg, in an appealing round form with a thin neck. Glazed yellow hare’s fur glaze. Berndt Friberg was a Swedish ceramicist, renowned for ...

French Louis XVI-style square shape brass easel picture frame with rope design border and wreath motif pediment top.

18th century George III figured mahogany three pad bracket clock by John Wright Dorking, Circa 1780. England A most attractive English bracket clock, made around 1780, signed on ...

It looks soft, but it’s not; it’s glass. The optical illusion of Monofiori by VENINI from 1970 lies in its name: Balloton, a special technique that lends a unique matelassé effect to...

A floor vase designed by Gunnar Nylund and produced by Rörstrand, Sweden, 1940s.

Guilloché Enamel and Gilt-Silver Pill Box Bolin Produced 1882-1899 This Bolin pill box demonstrates the prestigious Russian house’s skill in guilloché enamel and silver work. The surface is adorned with off-white and pink enamel applied over a finely engine-turned ground. Its hinged lid opens to reveal a mirrored top interior. Complete with its original Bolin fitted case, the box is marked “Bolin” with an 88 zolotnik Moscow assay, dating it to the late 19th century. A rare and complete survival, it reflects the high-quality decorative work that established Bolin as a leading firm in Imperial Russia. The House of Bolin of St. Petersburg and Moscow served as jeweler to the Russian Imperial Court for over a century. Renowned for high-quality jewelry, silver and decorative objects, the firm exhibited internationally—including at the 1851 Great Exhibition—and became synonymous with refined craftsmanship for Russia’s aristocracy. Bolin’s silver...

Art Nouveau glass vase with engraved silver overlay, ca 1900. Baluster bowl and inverted conical neck. Overlay in from of buds and blooms with entwined and whiplash tendrils. Scrolle...

Flowing Waves, 2023, (Porcelain, C. 13 in. h x 9.8 in. diam., Object No.: 4181) Davolio’s sophisticated porcelain works and their organic and natural references are influenced by th...

Head or bust from the Art Deco period in France. This piece, made of plaster, depicts the head of Diana. Diana is the Roman goddess of the hunt, wild animals, and the moon. This piec...

A semi-glazed blue and brown stoneware cermic dish or bowl designed and produced by Jytte Trebbien, Denmark, c. 1960s. Wear consistent with age and use. Overall Dimensions (inches)...

This pair of Paris porcelain botanical dishes is hand-painted with finely observed flowering plants rendered in soft purple-pink tones with fresh gree...

This resplendent Zsolnay bird ewer—resting on three feet and crowned with a blooming tulip handle—is a triumph of Art Nouveau design, created by Sándor Apáti-Abt for the Zsolnay manu...

A magnificent meteorite sphere, carved and polished from the famed pallasite meteorite, Seymchan, which was formed over 4.5 billion years ago at the beginning of our Solar System. Co...

By the late 1960s, Joaquim Tenreiro began shifting his focus from design to art, returning to the studio practice that had always accompanied his career. In these works, which he cal...