Recognized Dealers Paintings

A very lovely painting of a Scandinavian manor house interior on a bright summer's day with a period room showing furniture and accessories from the late 1...

Mid Century Modern Abstract Oil on Canvas Signed by Matilde Sacchi, 1970. This striking expressionist piece was hand-painted by 20th Century Italian artist, Matilde Sacchi whose work...

Large abstract oil painting titled: "Connected Green Deal" Natural pigment on vintage Belgian linen canvas Textured green iguana abstract...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

"Guardian of the Mediterranean": Mid-19th Century Folk Painting of Valletta Harbour A large and lively Anglo-Maltese folk painting (oil on canvas) dating to the mid-19th century, ca...

Anatoli PAPIAN (1924–2007) Armenian School Untitled Oil on canvas, 61 × 46 cm (24" × 18" 1/8 in.) Signed and dated lower right (verso inscription): Papian Anatoli 1924 - 46x61. Prove...

A pair of portraits of husband and wife Peter and Jane Sharland painted in pastel on paper in a charmingly naive style. The portraits have aqua blue backgrounds and are set under gl...

Kano Naonobu (1607-1650) Plum Tree and Birds Six-fold Japanese Screen. Ink and slight color on paper. In this evocative ink work spread over a six-panel folding screen, we see the consummation of the elegance and refinement of the Edo Kano school. This 17th century screen is a rare surviving example of a large-scale bird and flower painting by Kano Naonobu, the younger brother of Kano Tanyu...

This substantial wall relief from 2026 was realized by Harmen van der Tuin in his private atelier in Zwolle. The work demonstrates a strong sense of physical presence, built through ...

Pair of Chinese Export Bird Watercolors, Canton Natural History Paintings Circa 1800–1820 This pair of Chinese export natural history paintin...

Imao Keisho (1902-1993) Pine Trees Early 20th Century, Circa 1930 Pair of six-panel Japanese screens. Ink on silk and gold leaf. Dimensions: Each screen H. 67.5” x 148” (172 cm x 376 cm) A pair of monumental six-panel Japanese pine screens by the renowned Nihonga artist Imao Keisho. Here Keisho entirely removed the background and brought the pine trees to the surface of the painting. This simplification of the elements makes the scene exceptionally direct and compelling and injects a very modern...

Copy of a portrait painting titled "Mona Lisa"

American Mid-Century \"dry brush\" lithograph in a white frame of white flowers with a green and black background titled \"May Day\" by ANDREW WYETH)

Faithful Friends of the Manor: The Ellesmere Bay and Bulldog, Edward Lloyd, Dated 1887 This 1887 oil on canvas by the British animalier Edward Lloyd captures a moment of tranquil co...

Robert Loughlin (1949-2011), picker to the stars (Andy Warhol, Jean-Michel Basquiat) and an 'outsider' artist extraordinaire, repurposed found objects, (furniture, cardboard boxes, o...

Coastal Minimalism: Robert Miller 'Near Tibet' Five-Panel Oil Painting Dated 1998 This spectacular, large-scale contemporary oil painting by Robert Miller consists of five individua...

HENRY MAIDMENT English. fl. 1889-1914 Pastoral Landscape with Shepherd and Flock Oil on canvas signed with artist's monogram lower right (intertwined HM / 1900) 29 1/8" W x 17 1/...

A Stiffening Breeze: Vernon Broe's Triumph of Sail on Cape Cod 2000 This exquisite oil on board, titled Yacht Racing off Cape Cod, is a magnificent exampl...

Italian Renaissance style Set of three gilt icon wall plaque with swirl columns and religious figures.

Roger MUHL (1929–2008) Title: Les Fruits (inscribed on the reverse) Oil on canvas depicting a still life of fruit arranged on a white platter. Signed lower left. Dimensions: 21½ ×...

Ishizaki Koyo (1884-1947) Wagtail & Chrysanthemum Early 20th century Folding screen in two-panels. Ink, pigments and gofun on gold leaf. Sign: Koyo Seal: Koyo This ...

English Victorian oil painting of 2 hunting dogs with one hold a bird in a gilt frame with carved corners and edge.

OLOF HERMELIN Swedish, 1827-1913 Collecting the Harvest Oil on canvas Signed lower left "O. HERMELIN" Item # 107LUY29P  A vibrant scene of workers laboring in the field to collec...

Copy of a seascape painting titled "Steamer Two" showing a three masted ship under full sail off a coast with other sailboats in background

Copy of a mythological dreamscape painting combining Gothic and Neo Classical imagery of a devil sleeping on a womans chest Condition: Good; Wear consistent with age and use

Adolfo Belimbau (1845-1938). "Two young ladies reading a book," 1893, oil on canvas signed and dated 'A Belimbau. Livorno' upper right.

PAIR of Italian Venetian style (19th Cent) gilt framed oil paintings of canal scenes.

Chinese ancestor portrait depicting a man in flowing golden robes decorated with medalions featuring dragons, seated above a floor featuring additional dragon designs in a heavy rect...

Leslie Charlotte Benenson, Original Pastel of a Spanish Stallion, "Dans Don Juan" Dated 21 July 1996 This striking original pastel is a fine example of the equine studies of the Bri...

Haitian acrylic painting depicting a jungle scene with wild animals among plants

French Victorian (19th Century) oil painting of a Middle-Eastern street scene in an ornate, carved giltwood frame (signed).

Anonymous. Korean, 17th century. Joseon period. Hanging scroll. Ink on paper. Seal: Shinso Dimensions: Scroll: H. 200 cm x W. 31 cm (79” x 12”) Image: H. 122 cm x W. 29.5 cm (48” x 11.5”) The grapevine came to China and then Korea from western Asia via the silk road trade routes. By the mid-Joseon period, it was one of the most popular subjects for Korean literati painters. Grapevines were painted as a singular subject or, less commonly, in combination with squirrels, which are associated with children due to their playful nature. Together, grapevines and squirrels embody wishes for abundant offspring and wealth. For the Korean literati artist the twisting vines, curling tendrils and round, plump grapes provided ample opportunity for expressive "brush play”. In this painting the artist has abstracted the scene and is seemingly unconcerned with discontinuities and proportion. Vines spring up from nowhere, grapes hang in random clusters and the squirrel’s head appears as if twisted backwards. For the vines and leaves we can feel a sense of speed in the brushstrokes, imparting a dynamic feel which is at once intense and animated. This contrasts dramatically with the countless tiny strokes of ink which realistically capture the texture of the squirrel’s fur...

Acrylic paint on found wood. Professionally framed.

Heron & Plovers Ink and silver leaf on paper Maekawa Bunrei (1837-1917) A pair of low six-panel Japanese screens by Maekawa Bunrei, a later master of the Kyoto based Shijo school of painting. On the right screen a solitary white heron stands motionless in a stream. On the left screen plovers play along a shoreline. The elegant forms are executed employing fluid, minimalistic ink brushstrokes. The soft brushstrokes and the sharp light of the silver leaf lend the scenes a sense of translucence. The sophisticated composition superbly exploits the long, horizontal pictorial surface of the pair of folding screens...

Grapevine Anonymous. Korean, 17th century. Wall panel, ink on paper. Upper seal: Kou Kinun in Lower seal: Kaigen Dimensions: Measures: 98.5 cm x 29.5 cm (39” ...

English Victorian style carved gilt framed oil landscape painting of field and trees with sun.

Mid-century Chinese acrylic still life painting in white, brown and beige on a gold leaf background depicting a flowering tree growing from a rocky base with a bird and dragon fly al...

Spanish (19th Cent) oil painting portraits of a lady wearing white dress in gilt scroll carved frame

This oil painting on canvas by Swedish artist Tore Nyberg, created in the 1950s, exemplifies mid-century modern aesthetics through its use of overlapping geometric forms rendered in ...

American Victorian landscape painting of a fall forest scene with trees near a creek in a gold frame (signed?)

Jean-Marie Daneïs Still Life Oil Painting, “Mûres et Poires” (Blackberries and Pears) Late 20th century This intimate still life in oils, titled Mûres et Poires (Blackberries and Pe...

A six-fold Japanese screen by Tosa Mitsusuke (1675-1710), Japan 17th-18th century, Edo period. The signature reads Shoroku-i ge Tosa sa Konoe Shogen Mit...

Three Friends of Winter Nakajima Raisho (1796-1871) Late Edo period, circa 1850 Ink and gold leaf on paper. This is a double-sided Japanese Furosaki or tea-ceremony screen from the mid 19th century; bamboo and plum on the front, young pines the back. It by Nakajima Raisho, a master painter of the Maruyama school in the late Edo and early Meiji periods. In this work Raisho combines exquisite ink brushwork with large open spaces of brilliant gold-leaf to inspire the viewers imagination. Rather than naturalism, he is searching for the phycological impression of the motifs, resulting in abstraction and stylization. His simplification of the motifs the result of looking to capture the inner nature of the objects. This art motif is known as Sho Chiku Bai, or the Three Friends of Winter. Evergreen pine connotes steadfastness, bamboo suggests both strength and flexibility, while plum blossoms unfurling on snow-laden branches imply hardiness. Combined, this trio is emblematic of Japanese new year. Chinese literati were the first to group the three plants together due to their noble characteristics. Like these resilient plants flowering so beautifully in winter, it was expected of the scholar-gentleman to cultivate a strong character with which he would be able to show the same degree of perseverance and steadfastness even during times of adverse conditions. The screen would have been placed near the hearth of a room used for the Japanese tea ceremony, shielding the fire from draughts and also forming a stimulating and decorative backdrop behind the tea utensils. It would have been used in the Hatsugama, or first tea-ceremony of the new year. Nakajima Raisho (1796-1871) originally studied under Watanabe Nangaku before entering the school of Maruyama Ozui. He was the highest ranking Maruyama school painter at the end of the Edo period and was known as one of the ‘Four Heian Families’ along with Kishi...

Mid-century oil on canvas landscape painting depicting a path through a forest leading to an open field with mountains in the far distance in a black and gold beveled rectangular woo...

American Impressionist style oil painting on board of a still life with flowers next to a jug with gilt frame. (dated 1903)

Flowers & Birds of Spring and Autumn Unknown artist. Japan. Meiji period, circa 1900. A pair of six-fold screens. Ink, color, gofun and gold leaf on paper. Signed: Gaga S...

These painting clocks are very rare, especially containing the music box. Of Austrian manufacture circa 1820-1830, this Biedermeier picture (painting) clock is a naive and charming oil painting on metal, which depicts nine people dressed in colorful period clothes at various activities; a woman with her child and carrying fruit in a basket atop her head, two young lovers, a man in a boat, another man walking with his dog, while still another gentleman leaves the town hall. A woman at the window...

Paint on canvas stretched on a metal armature by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” show in 202...

English Victorian-style lithograph print of a hunting scene of men on horseback flanked by hunting dogs rushing across the landscape after their quarry in a rectangular wooden frame ...

Oil on board titled "Sky" by outsider artist extraordinaire Robert Loughlin, painted in 2011. Set into an aluminum jet engine turbine fan. The only work of numerous I've handled that I commissioned from Robert, a friend, colleague, and frequent supplier of vintage modern design. The turbine fan was a cool found object in the Machine Age tradition that I had no idea what to do with so I asked Robert to use it as a frame for one of his paintings. "Sky" was the result--an iconic image of The Brute with a jet stream of cigarette smoke...

Italian Renaissance style (20th Cent) gilt framed oil still life painting of fruit, jug, and basket

American Mid-Century (Impressionist style) oil painting of 4 jockeys on horses in a white pickled frame.

Richard Mann Painting, Large Framed Acrylic on Masonite. Richard Mann has exhibited in Art Basel and has been published in Architectural Digest. He currently resides in Santa Barbara...

Oil painting on board by Harry Booström, dated 1959. Striking and expressive composition with bold contrasting colors.

Roger MUHL (1929-2008) Title : Bretagne (Brittany) Oil on canvas, signed lower right, depicting a view of Brittany, France, likely, though not definitively, the Presqu’île de Crozo...

Chinese panel art featuring a raised bird perched on a flowering tree branch detailed in pieces of mother of pearl against a burgundy and brown floral bordered background in a carved...

Masterful Deception: Trompe l'Oeil Butterfly Paintings by Leslie Formalik This striking pair of paintings by artist Leslie Formalik serves as a contemporary nod to the enduring art ...

Vintage American watercolor and ink on myrtlewood board (wall plaque) portait of a Native American tribe leader (Nez Perce Tribe) named Chief Joseph wearing traditional clothing and ...

Ogata Tomin (1839 -1895) Birds in a spring landscape Ink and colour on silk. Inscription reads: “Copy of Lu Ji, painted with heartfelt appreciation” “Painted by Tomin Ogat...

Copy of a French Impressionist style painting of figures strolling through a park