1,002 results for "de stijl"

High Styles : Twentieth-Century American Design, Introduction by Lisa Phillips with Essays by David A. Hanks. New York : Whitney Museum Of American Art In Association With Summit Boo...

Amazing and rare Arts & Crafts Art Nouveau side chair. Design by Hendrik Petrus Berlage. Striking Dutch design from the 1900s. Solid oak with hand-carved decorations in the back. ...

The crystal Vase "Mondrian" was designed by Michal Kožený for the famous luxury glass factory Moser. Made of the most luxurious Czech crystal, this Mondrian vase...

Traditionalist chair, designed in the 1950s by Dutch architect Jacobus Johannes Pieter Oud (J.J.P. Oud) for the boardroom of Royal Dutch Shell in The Hague. Woodframe in walnut, orig...

The Anglepoise Type 75 Mini desk lamp is a streamlined architect lamp designed by Sir Kenneth Grange in the 1970s. Designed especially for smaller spaces, the Type 75 Mini desk lamp ...

A beautifully composed and brightly colored original vintage Henri Matisse poster from his 1978 St. Louis Art Museum Paper Cut-Outs exhibition (which was also was featured at The Nat...

This superb Scottish abstract oil painting is by noted artist William Gear. It was painted in 1954, entitled Enigma 1 and is an orange geometric shape on a black background that blen...

Edmond Van Dooren 1896 – Antwerp – 1965 Belgian Painter 'Peaceful Landscape' Signature: signed lower left 'E. Van Dooren.' Medium: oil on canvas Dimensions: image size 90 x 105 cm ...

Artist: Ilya Bolotowsky, Russian/American (1907 - 1981) Title: No. 2 from Portfolio II Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: IX/XXV Size: 21 x 2...

Paper Size: 25.25 x 38.25 inches ( 64.135 x 97.155 cm ) Image Size: 25.25 x 38.25 inches ( 64.135 x 97.155 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Robert Mallet-Stevens (1886-1945) came from an art-loving family and was one of the most influential French avant-garde architects and designers. He met very early on René Herbst and...

Painted wood becomes a stage for movement in this three-panel room divider, where bold composition and vivid form recall the decorative ambitions of the Amsterdam School and early Ar...

Another aerial view from Ali showing people on a busy street from above, eating at a restaurant, walking across the road and generally going about their daily business. This piece ha...

Artist: Le Corbusier Medium: Lithographic Poster, 1963 Dimensions: 29.5 x 19.25 in, 74.9 x 48.9 cm Classic Poster Paper - Perfect Condition A+ This rich and beautiful lithographi...

Initially designed to make use of surplus wooden shipping crates by Dutch architect and designer Gerrit Rietveld in 1934, the Crate Collection has been relaunched in a Rietveld Originals x HAY collaboration. Made with respect for the original design, the Crate Lounge Chair shares the same precisely balanced proportions and transparent construction to minimize production costs and optimize the assembly process. Featuring low proportions with a gently sloping back and seat with supportive armrests, the chair’s simplicity and spatial design mirrors the designer’s architectural style – providing functionality and comfort without absorbing space. Crafted in solid pine, with a water-based lacquered finish in different color options, the Crate Lounge Chair is suitable for a wealth of indoor and outdoor settings, and is supplemented with seat cushions in selected textiles for extra comfort. Adding extra comfort and functionality to the Crate collection, the Crate Cushion is specially formed to fit the chair seat perfectly. The quilted model features a Velcro® fastening underneath the cushion seat and two straps that fasten around the top of the chair frame, with the seat and folding cushions both featuring an anti-slip bottom to keep them securely in place. Crafted in Teflon®-coated fabric for a water-repellent finish, as well as having a high UV resistance, meaning it is fade-resistant with good color fastness properties. Materials : Black Water-Based Lacquered Pinewood Anthracite Quilted Cushion...

Vintage very Rare early Dutch Modernism Design Amsterdam School Dining Chair set of 4. Made in the Netherlands, Amsterdam, 1910 / 1920's period. Solid...

Signed and dated "Biederman 4-35" lower right. About this artist: Charles Joseph Biederman was a twentieth century abstract American artist best known for his constructivist, cubist...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Hand signed and numbered from edition of 90 Jakob Weder, (Switzerland, 1906-1990) Swiss color/music kinetic artist. known for his oil and tempera painting ...

Art Deco Fontaine Console Table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Fontaine console table is named after Jean de La Fontaine, the renowned Frenc...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Bill, Max. Um 1930 in Zurich, 1977 Offset, 50 1/4 x 35 1/4". Max Bill was an important Swiss artist, designer and architect whose work drew inspiration from Bauhaus, De Stijl, an...

Attributed to Gerrit Rietveld and dating to the 1980s, this sideboard revisits the structural principles that defined his early work. The composition is built from an open framework ...

Paul KLEE (after) Landscape With Black Columns Lithograph and stencil (Jacomet process), on canson paper Printed signature in the plate 50 x 38.2 cm (19....

Bold, sculptural, and just a little bit other worldly—meet the Chubby Chair. Engineered by Dirk van der Kooij using his own extrusion robot, this chair exudes charm in every line and...

Cecil Touchon (1956-, Austin, Texas) Z-A / PDP165CT95 Abstract Composition Oil, collage on canvas Hand signed and inscribed verso Dimensions: 24 x 22 in. Cecil Touchon (born 1956, ...

Bench in Solid Oak and Wengé by Dutch Wood Artist ‘1337 Furniture’ This wonderful piece was handcrafted by Dutch wood artist Bouke Meeuwis, also known as ‘1337 Furniture’. Timeless...

Elegant and playful Italian mid-century modern pendant light or semi flush mount ceiling fixture from the 1950s or 1960s. The large circular opaline glass shade is decorated with an ...

This rare pendant light was produced by Gispen in The Netherlands in the 1950s. The striking shade is in a three tiered, cascading shape ending in a rounded flattened cone shape. The shade is made of a slightly glossy, white opaline glass. The shade is attached to the fixture made in nickel, with a beautiful patina. The decorated bell shaped canopy and pendant holder add to the elegance of the design. About Gispen Willem Hendrik Gispen (1890,-1981) was a Dutch industrial designer, best known for his Giso lamps...

This collection has been designed to celebrate De Stijl’s 100th anniversary and inspired by Dutch icon Piet Mondrian, one of the best known of all modern artists. In his work Mondria...

A 1-seater daybed or daybed, Modernist, Reconstruction, from Forme-Libre, Dansk, Scandinavian, from Forme-Libre, solid wood assembly with rounded lines, attributed to Roger Landault,...

Rare Modernist style diminutive copper desk lamp with adjustable shade by Adnet.

BUIS, a playful handcrafted solid wood stool & side Table Elevate your space with this charming and versatile accent stool, beautifully handcrafted from solid wood. Its minimalist d...

4 Drawings by a Boston Artist, Signed from 1908 D1 Four drawings of figures, each 7.25" x 4.5", were drawn in the early 20th century, 2 "Framed (16.75" x 22.5") under glass.

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

The richly illustrated and accessible monograph on the Dutch designer and world-renowned architect - now in paperback Gerrit Rietveld's simple yet dynamic style greatly influenced i...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Large Pierre Guariche 'G1' floor lamp for Sammode studio in Red. Originally designed by Pierre Guariche in 1951, this iconic floor lamp is newly produced authorized re-edition by S...

DCW Editions Lampe Gras N°204 SW Wall Lamp in Black Steel Arm and Black Shade by Bernard-Albin Gras In 1921 Bernard-Albin GRAS designed a series of lamps for use in offices and in...

The HIEROGLYPH PENDANT is composed of nested wood cylinders - the foundational elements of our popular and versatile LODGE collection. The 9-bulb fixture makes a striking luminous st...

La obra va firmada a mano por el artista en la parte media y fechada del año 1879 Se presenta bien enmarcada la pintura El estado de la obra es aceptable Medidas de la obra: 61 cm...

Pair of Utrecht armchairs designed by Gerrit Thomas Rietveld in 1935, an iconic example of early modern Dutch design. Characterized by their striking geometric composition, the chair...

Leopold Survage (French / Finnish 1879- 1968) Les danseuses Signed and dated ‘Survage / 31’ (lower right) Pencil on paper 10.1/2 x 8.5/8 in. (27 x 22.2 cm...

Gispen Opal Glass and Brass Pendant Light, Netherlands, 1950s A rare and elegant pendant light by Gispen, produced in the Netherlands during the mid-20th century. The lamp features ...

This numbered Art Edition of 1,000 copies (Hardcover book, 36 x 36 cm, 572 pages) is accompanied by an exclusive, square format reproduction of the Arlecchino coffee table designed b...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Production delay: 8-9 weeks Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Danish Mid-Century Floor lamp. Design by Svend Aage Holm Sørensen, for Holm Sørensen, Denmark. An iron structure made up of horizontal and vertical lines forms a variety of geometr...

Twenty-five leading artist duos and collectives give insight into how and why to work collaboratively Art history is traditionally presented as the individual's struggle for self-expression, yet over the past fifty years, the number of artists working collaboratively has grown exponentially. Co-Art: Artists on Creative Collaboration explores this phenomenon through conversations with twenty-five leading art-world pairs and groups, who offer insight that is relevant beyond the art world, making this book vital for all who seek to work creatively and effectively with others. Artists featured: Allora & Calzadilla, Assemble, Auguste Orts, ayr, Biggs & Collings, Broomberg & Chanarin, ChimPom, Claire Fontaine...

This pew, designed in 1963 for the *Hoeksteen Church* in Uithoorn, represents Gerrit Rietveld’s final design and a significant milestone in modern design history. Crafted from Parana...

In recent years, a growing trend has emerged toward frequently replacing kitchen furniture, which is commonly made from materials such as chipboard or MDF and is difficult to reuse o...

An exceptional André Sornay dining ensemble from the 1930s: an extendable walnut table paired with eight matching chairs, meticulously restored and reupholstered in soft camel leathe...

This desk lamp was design and manufactured by Hala, in the Netherlands, during the 1930's. It is made of high quality grey metal base with a black lacquered shade. The arm allows the...

Pair of Silver Vases is an original artwork realized in Germany in the 1930s. Original silver metal. Design attributed to Fritz August Breuhau...

Vintage Dutch Art Deco Rug Size: 9'5" × 10'5" (287 × 317 cm). An exceptional example of mid-20th-century European design, this vintage Art Deco rug from the Netherlands circa 1948 ca...

In 1923 Gerrit Rietveld designed his iconic Berlin chair for the ‘Juryfreie Kunstschau’ in Berlin. In addition to the Red-Blue chair, this is one of Rietveld’s most famous chairs. In...

Magnificent and ultra rare Art Deco Amsterdamse School extendable dining room table. Design by Piet Kramer for H.F. Jansen & Zonen Hofleveranciers. Striking Dutch design from the 192...

MR10 chairs, designed by Ludwig Mies van der Rohe and produced by Thonet in Germany in the 1960s. The structure is made of chromed tubular steel, bent with exceptional technical pre...

This rare pair of armchairs was designed by Anton Lucas and produced in Leiden, The Netherlands circa 1925. The frames are made of solid oakwood, with a geometric front detail in Mac...

This superb Abstract Expressionist Scottish oil painting is by noted artist William Gear. It was painted in 1959 and is entitled Red Idol 2. This abstract com...

Artist: Jonathan Singer, American (1949 - 2019) Title: Homage to Ilya Bolotowsky Year: 1979 Medium: Acrylic on Canvas, signed and dated lower right Size: 78 x 45.5 in. (198.12 x 11...