275,733 results for "art deco"

Original drawing by Jean Cocteau . 1920 . Framed . certified by Expert Mr Martin ".comité Jean Cocteau " . encre de chine sur la page du livre " Escales " 30,7 cm x 20 cm . vintage...

David Hostetler cast this bronze from an original wood carving, as most of his bronzes originate. This sculpture was the original model for unique ver...

Genevive Moreau (French, fl. early Twentieth Century) Design for Fabric - Triangles in Green, Blue and Terracotta (c. 1925) Gouache 22 x 16 cm Signed in pencil; from a small portfol...

Antique American illustration by Frank Smith. Framed. Measuring: 17 by 15 inches overall and 15 by 12 inches image alone. Excellent condition, ready to hang and enjoy.

Artist: Erte, Russian (1892 - 1989) Title: The Dancer from the At the Theatre Suite Year: 1983 Medium: Screenprint, signed and numbered in pencil Edition: 165/300 Image Size: 22 x 16...

Samuel Dennis Walley Timmins. English ( b.1900 - d.1951 ). A Running Stream In The Welsh Marches, 1932. Watercolor On Paper. Signed & Dated Lower Right. Image size 13.6 inches x 9.6 inches ( 34.5cm x 24.5cm ). Frame size 18.1 inches x 14.2 inches ( 46cm x 36cm ). Available for sale; this original Art...

Erte, Russian (1892 - 1990) - Rose Dancer, Year: 1984, Medium: Screenprint, signed and numbered in pencil, Edition: 242/300, Size: 26 x 17 in. (66.04 x 43.18 cm), Frame Size: 38...

Golden light pours through trees creating intermittent shadows that dance on the limestone facade of a serene upper eastside townhouse. The shadows frame a bronze relief of a nude ar...

Artist: Unknown Title: Flounder Medium: Bronze Sculpture with Patina Size: 7.5 in. x 15 in. x 2 in. (19.05 cm x 38.1 cm x 5.08 cm)

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso. Stamped "Composition originale". Frame size 30.5 x 26.5 inches. Artwork is in e...

Margaret Stanley Thomson (British, 1891 - 1975) Venus a la Coquille Gouache / watercolour on paper Signed with monogram ‘OTS’ (lower left) 13.1/2 x 9.3/4 in. (34.3 x 24.5 cm.)

Long-necked , elegant slender fingers and spellbinding eyes define a quintessential Latin beauty. The painting is has a simple, architectonic composition of vertical and horizontal e...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Brownbridge (flourished 1930s - 1940s) Nocturne Portable Gas Heater...

Wonderful fashion drawing of flapper by Helen Farr Sloan (American, 1911 - 2005), circa 1930. Signed lower edge "Helen Farr." Presented in new mat. Unframed. Image size: 10"H x 6"W. ...

Original porcelain plate with screen print after Erté. It depicts one of his most celebrated subjects, the Queen of Sheba. On rear, under a reproduction of Erté's Signature,  "A3253/1987" and "Bone China Japan...

A. E. Halliwell (1905-1987) War is War Gouache 21 x 19 cm (full sheet size 38 x 28 cm) c.1930 With signature and title from applied support paper Provenance: Family of the artist ...

Bronze sculpture. Incised Erte signature with stamped numbered edition, foundry and date. Edition 238/375. Size: 23.5 x 10 x 11 inches. Published by Chalk and Vermillion and Seven...

A fine large charcoal and pencil drawing on paper by British listed artist James Stroudley. Executed in 1930, it is a stunning example of a 1930s Art Deco portrait. Very strong and b...

This beautiful work by the great American Illustrator Bob Peak has a sister work in the collection of the Lucas Museum of Narrative Art in Los Angles. We feel that our work has a little more detail, complexity and dimension to it as the beautiful female figure seems to be floating in an endless sky of dreamy colors. Portrait of beautiful woman, Large powerfully sensual deco-esque work by America's Master of the Movie Poster. Bob Peak. Bob Peak, in my opinion, was the Norman Rockwell of post-war American Illustration, this is one of the works that paved the way for a new way of seeing. It's more fine art than commercial art. For Apocalypse Now, in 1979, Francis Ford Coppola could have hired any artist in the world to create the movie poster and image for his film. He hired Bob Peak. Some of the movie posters Peak has worked on. West Side Story, Rollerball, Star Trek, Superman, Excalibur, Apocalypse Now, The Spy Who Loved Me. My Fair Lady, Camelot and Enter the Dragon. Additionally, Peak illustrated 45 covers of Time Magazine and many covers for Sports Illustrated, TV Guide. Signed lower center Private Collection Georges Delerue...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

This is the original rare concept drawing created 56 years ago in 1970 by the legendary artist David Edward Byrd. This final "Soon" poster for this drawing is featured on pages 61 and 95 in the new large format coffee table book "Poster Child, The Psychedelic Art & Technicolor Life of David Edward Byrd". It is also featured on the page with the Foreword to the book. This is the very rare original concept drawing of the poster for the 1970 play "Soon" which featured a very young Richard Gere. The play only ran for a very short time. This is the very first time that David used his classic design in his concept for the art. David used this basic concept years later for a Jimi Hendrix poster and a Prince poster...

Robin Morris, American (1953 - ) - Bellhop, Medium: Screenprint on Arches, signed and numbered in pencil, artist blind stamp lower right, Edition: 232/350, Size: 25.5 x 16.75 in. (64...

Architecture becomes an abstract design statement as seen through the lens of Mitchell Funk Striking graphic design with found elements is a signature style of Mitchell Funk. He brin...

Genevive Moreau (French, fl. early Twentieth Century) Three Designs in Blue Gouache 32 x 50 cm c. 1925 Signed in pencil; from a small portfolio of well-executed designs by the artis...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: harlequin clown Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Robin Morris, American (1953 - ) - Maestro, Medium: Screenprint on Arches, signed and numbered in pencil, artist blind stamp lower right, Edition: 13/100, Image Size: 35 x 25 inches,...

Artist: Erik Freyman, Russian (1932 - ) Title: A Jeweled Kiss Year: 1992 Medium: Oil on Canvas, signed l.r. Size: 60 x 36 in. (152.4 x 91.44 cm)

Giancarlo Impiglia, Italian/American (1940 - ) - Pierrot, Year: 1982, Medium: Screenprint, signed, numbered, titled and dated in pencil, Edition: 149/300, Image Size: 29.25 x 19....

Robin Morris, American (1953 - ) - Trumpet, Medium: Screenprint on Arches, signed and numbered in pencil, artist blind stamp lower left, Edition: 151/350, Image Size: 13.5 x 9.5 inch...

Artist: Giancarlo Impiglia Title: Harlequin Year: 1982 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 40 Paper Size: 30 x 22 inches

Artist: Giancarlo Impiglia, Italian/American (1940 - ) Title: Grand Tier Year: 1984 Medium: Screenprint, signed and numbered in pencil Edition: 205/250 Image Size: 25 x 19.5 inches S...

Robin Morris, American (1953 - ) - Courthouse, Medium: Screenprint on Arches, signed and numbered in Crayon, artist blind stamp lower right, Edition: 160/200, Image Size: 28 x 39.75 ...

Charles Gir (French, 1883 – 1941) Ballerinas on point Pastel on paper Signed ‘CH. Gir’ (lower left) 24 x 18.1/2 in. (61 x 46.8 cm.) Charles Gir was born in Tours, France on November 1, 1883. He was a noted painter, watercolorist, pastellist, sculptor and illustrator. Gir was married to the well-known actress, Jeanne Fusier-Gir, and attended the Paris Opera every night for 17 years. He made many sketches of dancers and caricatures, and at the end of his wife’s performance used to deliver them to the newspapers he worked for. He knew Raoul Dufy, Frances Carco and Jehan Rictus. He sculpted a bronze statue of Don Quixote that now stands near the Prefecture of Cergy-Pontoise; and he also illustrated several books, including Edmond Rostand...

Original 1934 Lithograph poster for TSF radio Monopole "une vague de puissance et d'harmonie" (a wave of power and harmony) with the beautiful mermaid strumming her harp. Archival...

A special exhibition poster advertising a show featuring French modern ballet dancer, Anne Gordon. The poster printed by Harfort, Paris incorporates an image after a photo by E. Brue...

Twin Sisters Erté, Russian (1892–1990) Date: 1982 Screenprint, signed and numbered in pencil Edition of 350, AP Size: 36 x 48 in. (91.44 x 121.92 cm)

Charles BALAY Saint-Etienne, 1861 - Lyon, 1943 Oil on canvas Signed lower left “Balay” 56 x 46 cm (71 x 62 cm with the frame) Exhibition stamp on the verso of the exhibition of 1938 ...

Very nice tourism poster for the Swiss region of Montana Vermala by Maurice Freundler. Montana is an old commune of the district of Sierre, in the cant...

Third One This drawing ‘Art Deco Nude – 20-08-22’ is the third one in a row inspired by a Walter Bird photograph. However, after the last graphite pencil drawing ‘Roundism...

Artist: Giuliano Ottaviani Title: Untitled - Cocktail Bar Year: 1997 Medium: Acrylic on Canvas, signed l.r. Size: 59 x 40 in. (149.86 x 101.6 cm)

Hand signed and numbered by the artist. From the Zodiac Suite. Framed size approx 31 x 26 inches. Artwork in excellent condition. Additional images are available upon request. Certif...

Scaramouche - Pierrette is a contemporary artwork realized in 1979 century by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower margin. Titled an...

Medium: Pencil on paper Size: 5 inches (height) x 8 inches (width) Signed: No Condition: Good condition, with slight wear on the edges Provenance: From the artist's estate Description: This pencil drawing by K. B. White features a conceptual illustration of the Alfa Romeo 8C Monza, one of the most iconic racing cars of the 1930s. The artwork captures the front view of the vehicle, highlighting its signature wire mesh grille and aerodynamic bodywork. The Alfa Romeo 8C Monza was not only a symbol of speed and power but also a masterpiece of automotive design, making it a significant subject in vintage car...

A beautiful pastel portrait by American female modern artist Franc Root McCreery Franc Root McCreery (1888-1957) Born: Dodge City, Kansas, US Franc Root M...

New York's Art Deco grandeur is on full display everywhere in the Chrysler Building lobby. Decorative fair even exists in the metal wall frames. In this close-up photograph of one o...

A. E. Halliwell (1905-1987) Royal Air Force Display by Underground (Hendon) Gouache 21 x 28 cm 1928 Signed and dated 1928, inscribed 'Roughs Submitted for the 1929 Air Display'; wit...

Artist: Giancarlo Impiglia, Italian/American (1940 - ) Title: Grand Tier Year: 1984 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 11/40 Image Size: 25 x 19.5 inch...

Odette PAUVERT (Paris 1903 – Paris 1966) Portrait of a Woman, 1929 Oil on canvas Signed, dated, and inscribed "Rome" lower left 51 x 41 cm Born into a family of painters, Odette Pa...

A man stares out across a party while in the sky a faint figure is visible, perhaps the invisible presence that artist Erik Freyman alludes to in the artwork's title. Invisible Pres...

Eric Gill (1882-1944) Gill Proof Lettering Lithograph Image 25.5 x 31.5 cm Unframed Arthur Eric Rowton Gill, (22 February 1882 – 17 November 1940) was an English sculptor, lette...

In Zoli Models, Horst pays homage to an earlier composition, Movement Study 1924, by Rudolph Kooptiz (1884-1936) one of the leading proponents of art photography in Europe between th...

Robin Morris, American (1953 - ) - Dress Rehearsal, Medium: Screenprint on Arches, signed, titled and numbered in pencil, Edition: 52/300, Image Size: ...

Artist: Erte, Russian (1892 - 1989) Title: Lovers and Idol Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 106/300 Image Size: 1...

Lillian Shao, Taiwanese/American - Violet Temple, Year: 1986, Medium: Screenprint, signed and numbered in pencil, Size: 27.5 x 30.25 in. (69.85 x 76.84 cm), Frame Size: 32.25 x 4...

Tomorrow afternoon is a contemporary artwork realized in 1951 by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower margin. Titled and numbered "1...

Artist: Erté Title: Cloudy Morning Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 83/112 Image Size: 21 x 14 inches Frame Size: 35 x 27 inches

JAMES RASSIAT ( 1909 -1998 ) . " La Tour Eiffel au bras de Maurice CHEVALIER " Gouache on paper : 38 X 28 cm Framed : 51 X 41,5 cm

Giancarlo Impiglia, Italian/American (1940 - ) - The Big Band, Year: 1987, Medium: Screenprint, signed and numbered in pencil, Edition: 57/300, Size: 31 ...

JEAN COCTEAU ( 1889-1963 ) " le coq francais " . lithographie vintage colorisée par l'artiste . signée et datée 1956 au crayon . cadre vintage en ...

Oil on board depicting a woman and her black cat, both wearing elegant gold jewelry. Artwork by American artist Erik Freyman. Black Cat by Erik Freyman, American (1932 - 2018) Mediu...