Abstract Geometric Art

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, in a wooden frame framed: 46 x 35.5 inches canvas: 45.5 x 35 inches inscribed verso condi...

Abstract Composition signed initials by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed signed verso canvas: 39.5 x 29 inches condition: the work is in overall...

Title: Mid Century French Abstract Monochrome Grid Composition White on Black Paper by Serge Guerin (b. 1916), French acrylic on black paper, unframed Size: 25.75 (height) x 19.75 (w...

Untitled #SP-201 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

No two shapes are alike. Yet they work together as a harmonious whole. Painter David Braden has described his vision overall in abstract terms. Inspired by individuality, he especial...

Gaia 31 - Spanish Daisies Sparrows in Catalonia Monochrome Black and White Print by Jaume Llorens Bach Gaia 31 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Pap...

Title: Palimpsest Medium: Oil on canvas Dimensions: 100 x 100 cm 39.37 x 39.37 in (canvas only), 107 x 107 cm 42.12 x 42.12 in framed Year: 2025 Framing: Black wooden floater frame ...

"Homage to the Square - Portfolio 2, Folder 13, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture), made by Susan Stover in 2025 wood, oil paint, varnish, waxed linen thread 30 x 30 inches Lightweight,...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

This "Homage to the Square" print was created by Albers for the occasion of an exhibition at Grippi Gallery in Manhattan in 1973. It is in an excellent white contemporary frame. Art...

"Last Thoughts" (2024) by Murray Duncan Mixed Media on Canvas Triptych Size : 30" x 40" each panel "Last Thoughts" is a striking three-panel abstract geometric composition by conte...

ANGELO TESTA (1921 - 1984) Untitled, ca. 1940's. Watercolor on paper; Sight: 23 1/2" x 17.5"; Matting size: 22 x 18 inches. Minor loss and staining of paper sheet. Unframed. Un...

Title: Mid Century French Black and White Geometric Abstract Ink on Paper by Serge Guerin (b. 1916), French signed lower right 'SG', name stamped verso Ink on artists paper, unframed...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

"Homage to the Square - Portfolio 2, Folder 5, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Wave III, is an exclusive handmade cyanotype horizontal diptych that captures the gentle curl of an organic mid-motion wave. Rendered in deep Prussian blues and ethereal whites, the...

Vista No 2 by Murray Duncan is a striking abstract composition that merges bold gestural lines with an earthy, textured surface. Rendered in a muted, organic palette, the piece evoke...

Kandinsky at Galerie Karl Flinker - 1977 Exhibition Poster - in Ink on Paper Poster with a reproduction of "Merry Structure" by Vassily Kandinsky (Russian, 1866-1944). This posted i...

Nicholas Maravell. House in Snow, 1989. Ink and watercolor on paper, 10.5 x 13.75 inches; 18 x 21.25 inches framed. Signed with artist monogram lower right. Gallery label affixe...

Dusk, 2024 by Murray Duncan Mix media on board Size - 48" w x 60" h x 1.5" d Signed Murray Duncan, born in 1966, is a self-taught creative visionary celebrated for his large-scale,...

Easy Over by Murray Duncan is a striking abstract composition that merges bold gestural lines with an earthy, textured surface. Rendered in a muted, organic palette, the piece evokes...

Things to Come is an original oil painting, where colorful circles are inter-lapping on top of a grey color plane, surrounded by beige and black squares. Lilly Muth conveys emotiona...

Title: Mid Century French Black and White Linear Geometric Abstract Drawing by Serge Guerin (b. 1916), French signed lower left, name stamped verso Ink on artists paper, unframed Siz...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45 x 35 inches condition: the work is in overall very sound and good con...

Untitled #542 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

Kyohei Inukai Life Forces - 1978 Print - Silkscreen   30'' x 22½'' in Edition: signed in pencil and marked 128/200 Since the 1940s, Kyohei Inukai has created his own brand of illusi...

Collage has always been a part of the artist's work. The idea of reusing, recontextualizing, and even resurrecting parts of the painting. From an economic standpoint the materials ar...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

Alexander CALDER Les Travestis du Reel, 1979 Original vintage lithograph poster Printed in Atelier Arts-Litho Printed signature in the plate 82 x 57 cm (c. 32.2 x 22.4 in) Excelle...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

"Homage to the Square - Portfolio 2, Folder 14, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Erin O'Brien The Constant, 2025 acrylic on linen 30 x 26 in. (obri041) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of lavender, yello...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Best Laid Plan (Mixed Media Collage on Board in Bright Colors), made by Hudson Valley based artist, Donise English, in 2025 mixed media collage on board, framed Image size: 20.50 x 2...

Brandon Neher is a California artist whose original paintings on canvas embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Drawing inspiration from his coastal upbringing in California, Neher's art reveals layered references to his surroundings, merging physical and subconscious energies to create captivating shapes and patterns. > Large-scale, exceptional abstract artwork, 68 inches square. > Using acrylic and oil pastel on canvas, the artist meticulously crafted a uniform grid of 1156 circles. > The seemingly random arrangement of colors on the squares and circles creates a diffuse yet stimulating overall effect, inviting the viewer to explore every captivating detail. > The artwork's sides are painted, eliminating the need for framing. It comes wired and ready to hang. > Neher signed the back of the painting, ensuring its authenticity. > Convenient delivery in the local Los Angeles area. Affordable worldwide shipping for US and international art collectors. > Certificate of authenticity issued by the art gallery included. Born in Burbank, California, in 1983, Brandon Neher's artistic journey began after studying at the Brooks Institute of Photography for three years. His artistic prowess extends across a diverse range of mediums, including 16mm film, watercolor, oil, sculpture, charcoal, photography, mixed media collage, and print transfers. Neher finds inspiration in German expressionist painters, admiring their ability to convey narratives on canvas. His own creative process often involves carefully considering his images before bringing them to life, layering colors in a way that invites viewers to perceive familiar elements in a fresh and enlightening manner. Brandon Neher's artwork has garnered attention and acclaim, with exhibitions and collectors spanning the United States. His creations have even graced television productions such as ABC Family's Secret Life of the American Teenager, HGTV's Design on a Dime...

About the artist Sophie Dumont is a French contemporary painter whose work reflects a deep engagement with memory, cultural heritage, and poetic abstraction. Born in Paris in 1964, s...

"Homage to the Square - P2, F32, I1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that...

Light Thoughts, 2024 Mix Media on artist board Size - 72" height x 84" width x 1.75" depth Signed Murray Duncan is a self-taught creative visionary. Know for his large-scale, expres...

Title: White And Blue World Medium: Oil on canvas Size: 22 x 26 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2...

Abstract Geometric Composition Date: Second half of the 20th century Medium: Gouache on paper Dimensions: H 50 cm x W 65 cm approx. Description: Modular geometric structure with ove...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Mexican artist Heny Steinberg’s mid-century modern inspired abstract artworks invite us to travel from the map to the localized event. She is suggesting that the spatial memory guid...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

"Homage to the Square - Portfolio 2, Folder 5, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Delphinium by Giles Revell This is an Archival Pigment Print available in this size of 50cm x 50cm in a limited edition of 25 prints In Cartographic Colour, Giles Revell reduces th...

"Puppet Man, 1960. By Alexander Calder. "E.A" Written in pencil by the artist The "E.A." designation on the print likely indicates it's an artist's proof, o...

Abstract Geometric Composition with Handmade Paper, Fibers and Acrylic on Canvas (Red) Whimsical abstract composition by an unknown artist (20th Century). Red acrylic paint makes up...

Untitled #139 by Murray Duncan, 2024 Mix media on paper Unframed Size: 32" x 40" Murray Duncan Studio: Murray Duncan, born in 1966, is a self-taught creative visionary celebrated f...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Flying Dutchman" by Roman Goss is an original abstract painti...

Afternoon light drafts the room with architectural restraint: bands of shadow, glass mullions, and poured concrete divide the space into calm planes, while a modernist floor in earth...

The illusion of intimacy, 2020, 70x100 cm

Original World Cup USA ’94, Coca Cola sponsored vintage poster. Archival linen backed in A- condition, ready to frame. This World Cup ’94 poster is very rarely seen or available....

Gaia 23 - Jasmine in Springtime in Catalonia Spanish Natural Landscape Diptych by Jaume Llorens Bach Gaia 23 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Paper...

"He Opened His Hand And I Put My Stories Into It" (2024) is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric ...

Delicate layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. I...

"Night Views" Silkscreen Print by The Skyscape Artist, 25/100. By Tetsuro Sawada ( Japanese, 1933-1998) This raven black geometric abstraction focuses on hard-edged horizontal lines, color, and light, giving the impression of dusk through the "bokashi," or shading, technique, which is most difficult in the silkscreen medium, a good example of Sawada's theme of the infinite beyond, the silent emptiness of the universe. Signature in the bottom right corner reads, "T. Sawada '87," titled in the bottom center, "Night Views," and numbered, "25/100," in the bottom left corner. Presented in a new white mat. Paper size: 34"H x 22"W, Mat size: 39"H x 27"W Born in Hokkaido, Tetsuro Sawada (1933-1998, Japanese) graduated from Musashimo Art University where he majored in Western painting. In 1960, he began painting abstract oils...

This print was created by Albers for the occasion of an exhibition at Goethe House in Manhattan in 1973. It is in an excellent white contemporary frame. Artist: Josef Albers, German...

ARNALDO POMODORO Double Sided Gold Plated Medallion, 1985 Bronze with Gold Patina 2 7/10 × 2 7/10 × 3/10 inches Limited Edition of 500 Signed by artist with incised signature; Stampe...

This original 1990s fine art monotype by Denver artist Wilma Fiori is a bold and dynamic example of late 20th-century American printmaking. Rendered in expressive layers of green, bl...