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Post-Modern Art

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Style: Post-Modern
Reaching Up Torso: Hand Carved Carrara Marble Sculpture, Post-Modern
Reaching Up Torso: Hand Carved Carrara Marble Sculpture, Post-Modern

Reaching Up Torso: Hand Carved Carrara Marble Sculpture, Post-Modern

Located in Atlanta, GA

Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In...

Category

2010s Post-Modern Art

Materials

Marble

Rusted Wing: Hand carved Carrara Marble Sculpture, Post-Modern
Rusted Wing: Hand carved Carrara Marble Sculpture, Post-Modern

Rusted Wing: Hand carved Carrara Marble Sculpture, Post-Modern

Located in Atlanta, GA

Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In...

Category

2010s Post-Modern Art

Materials

Marble

American School Modernist Navy Sailor Male Portrait Framed Nautical Oil Painting
American School Modernist Navy Sailor Male Portrait Framed Nautical Oil Painting

American School Modernist Navy Sailor Male Portrait Framed Nautical Oil Painting

Located in Buffalo, NY

Antique American modernist sailor portrait oil painting. Oil on board. Framed. Unsigned. Measuring: 9 by 14 inches overall, and 7.5 by 13 painting alone. Excellent condition, ready ...

Category

1930s Post-Modern Art

Materials

Oil

1985 Italy Bronze Abstract Sculpture Annie Lambert Vento  Wind
1985 Italy Bronze Abstract Sculpture Annie Lambert Vento  Wind

1985 Italy Bronze Abstract Sculpture Annie Lambert Vento Wind

Located in Brescia, IT

This is an interesting multiple artwork signed by the author Annie Lambert, a talented young artist of years 80' in Italy. This is a multiple of a numbered edition of 1.000 pieces; ...

Category

Late 20th Century Post-Modern Art

Materials

Bronze

1989 Italy Bronze Abstract Sculpture Concetto Pozzati In Posa
1989 Italy Bronze Abstract Sculpture Concetto Pozzati In Posa

1989 Italy Bronze Abstract Sculpture Concetto Pozzati In Posa

Located in Brescia, IT

This is a joyful bronze sculpture multiple art work signed by the well known Italian artist Concetto Pozzati. Title "In posa" translate " Staying" This is a multiple of a numbered e...

Category

Late 20th Century Post-Modern Art

Materials

Bronze

Analog photography of swimmers, lights in the water, moving image, black & white
Analog photography of swimmers, lights in the water, moving image, black & white

Analog photography of swimmers, lights in the water, moving image, black & white

By Vari Caramés

Located in Carballo, ES

Photograph from the "Swimming" series by renowned Spanish photographer Vari Caramés. It is one of his most iconic series, capturing different people bathing in pools, both in and out...

Category

21st Century and Contemporary Post-Modern Art

Materials

Photographic Paper, Archival Pigment

Il volume The Book Italy 1975 by Nato Frascà
Il volume The Book Italy 1975 by Nato Frascà

Il volume The Book Italy 1975 by Nato Frascà

By Nato Frascà 1

Located in Brescia, IT

This intense and engaging artwork was created by the Italian artist Nato Frascà. The title is "Il Volume" translated in " The Book". This is a multiple of 50 specimens and this piec...

Category

Late 20th Century Post-Modern Art

Materials

Wood

Brittany Coastal Painting France by Modern French Impressionist Landscape Artist
Brittany Coastal Painting France by Modern French Impressionist Landscape Artist

Brittany Coastal Painting France by Modern French Impressionist Landscape Artist

By George Charles Robin

Located in Preston, GB

Brittany Coastal Painting France by Modern French Impressionist Landscape Artist. Douarnenez, Brittany, France, is a rare original Oil Painting by Award Winning French Post-Impressionist Artist, George Charles Robin. Art measures 21.5 x 18 inches Frame measures 27 x 23 inches (approx.) Born in Paris in 1903, Robin was a student of Paul Michel Dupuy...

Category

Mid-20th Century Post-Modern Art

Materials

Paint, Cotton, Canvas, Cotton Canvas, Oil, Linen

Large Post Modernist Color Pop Art Metal Sculpture Memphis Milano Peter Shire LA
Large Post Modernist Color Pop Art Metal Sculpture Memphis Milano Peter Shire LA

Large Post Modernist Color Pop Art Metal Sculpture Memphis Milano Peter Shire LA

By Peter Shire

Located in Surfside, FL

Peter Shire (American, b. 1947) "Naked Lady," Painted metal, wire, and found industrial objects sculpture Dimensions: overall: 72"h x 30"w x 24"d Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture, painting, prints and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. He was included in the Sullivan Goss show L.A. in S.B. of Postwar and Contemporary California artists including Emerson Woelffer, Ynez Johnston, Peter Krasnow, Edgar Ewing. Their styles ran the gamut from Post Cubist Abstraction to Abstract Surrealism to Abstract Expressionism. In the rich soil of their efforts was grown the next generation of some of L.A.’s art superstars. As well as contemporary artists such as Ed Ruscha, David Hockney, Charles Arnoldi, Betye Saar, Frank Gehry, Kenton Nelson, Peter Shire, Patssi Valdez, and Dave Lefner. Further reading A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990. Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987. Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984. Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000. Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990. Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983. Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984. Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993. Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991. Select Museum Collections: Art Institute of Chicago, Illinois Brooklyn Museum of Art, Brooklyn, New York Berkeley Museum, Berkeley, California Fresno Museum of Art, Fresno, California The Israel Museum, Jerusalem, Israel The Jewish Museum, New york city Judisches Museum, Frankfurt, Germany Laguna Art Museum, Laguna Beach, California Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles, California Metropolitan Museum of Art, New York Mint Museum of Craft and Design, Charlotte, North Carolina Museum of Arts and Design, New York Museum of Fine Arts, Houston, Texas Museum of Modern Art, Lodz, Poland Newport Art Museum, Newport Beach, California Oakland Museum of Art, Oakland, California Österreichisches Museum für Angewandte Kunst, Vienna, Austria Portland Art Museum, Portland, Oregon Sak’s Fifth Avenue, New York San Francisco Museum of Modern Art, San Francisco, California San Jose Museum of Art, San Jose, California Seattle Museum of Art, Seattle, Washington Skirball Museum, Los Angeles, California Stedelijk Museum, Amsterdam, The Netherlands Total Contemporary Art Museum, Seoul, Korea Victoria and Albert Museum, London, United Kingdom Selected Solo Exhibition venues Los Angeles County Museum of Art, Los Angeles, California Chouinard Gallery, South Pasadena, California Antonia Jannone Gallery, Milan, Italy Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California LA Artcore Center, Los Angeles, California S.K. Josefsberg Gallery, Portland, Oregon 20th Century Collage...

Category

1980s Post-Modern Art

Materials

Metal

“New York Public Library”
“New York Public Library”

“New York Public Library”

By Charles Cobelle

Located in Southampton, NY

Original watercolor and gouache artwork of the New York Public Library mounted to board by Charles Cobelle. Signed lower right. Condition is very good. Circa 1960. The artwork is h...

Category

1960s Post-Modern Art

Materials

Watercolor, Gouache, Board, Archival Paper

Italy 1990 Post-Modern Abstract Bronze Sculpture by Filippo Panseca
Italy 1990 Post-Modern Abstract Bronze Sculpture by Filippo Panseca

Italy 1990 Post-Modern Abstract Bronze Sculpture by Filippo Panseca

Located in Brescia, IT

This is an interesting bronze sculpture multiple art work signed by the Italian artist Filippo Panseca. Title The secret of the Pharaoh This is a multiple of a numbered edition of 1...

Category

Late 20th Century Post-Modern Art

Materials

Bronze

In Tangier
In Tangier

In Tangier

By Howard Hodgkin

Located in London, GB

Howard Hodgkin In Tangier, 1991 Screenprint in 22 colours on huntsman velvet 300gsm paper Signed with initials HH, numbered (63/72) and dated ('91) in pencil 82 × 86 cm Edition of 7...

Category

1990s Post-Modern Art

Materials

Screen

1985 Italy Post Modern Abstract Bronze Sculpture the Moon
1985 Italy Post Modern Abstract Bronze Sculpture the Moon

1985 Italy Post Modern Abstract Bronze Sculpture the Moon

Located in Brescia, IT

This is an interesting multiple artwork signed by the author Maurizio Bonora, a talented artist of years 80' in Italy. The other side of the moon. This is a multiple of a numbered ed...

Category

Late 20th Century Post-Modern Art

Materials

Bronze

“Shore Sentry”
“Shore Sentry”

“Shore Sentry”

By Syd Solomon

Located in Southampton, NY

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Category

1970s Post-Modern Art

Materials

Handmade Paper, Lithograph

Post-modern art for sale on 1stDibs.

Find a wide variety of authentic Post-Modern art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Angel Rivas, Nahum Tschacbasov, Massimo Listri, and Al Satterwhite. Frequently made by artists working with Paint, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Modern art, so small editions measuring 0.5 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $248,500, while the average work sells for $1,888.