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Post-Modern Art

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Style: Post-Modern
Jaral de Berrio V, Guanajuato, Mexico, 48x60in, Unframed
Jaral de Berrio V, Guanajuato, Mexico, 48x60in, Unframed

Jaral de Berrio V, Guanajuato, Mexico, 48x60in, Unframed

By Massimo Listri

Located in New York City, NY

48 × 60 in. (120 × 150 cm) Edition of 5 Chromogenic Print Unframed Certificate of Authenticity signed by the artist Framing options are available upon request. Other available size...

Category

2010s Post-Modern Art

Materials

Photographic Paper, C Print

Galleria Sabauda, Torino, Italy, 48x60in, Unframed
Galleria Sabauda, Torino, Italy, 48x60in, Unframed

Galleria Sabauda, Torino, Italy, 48x60in, Unframed

By Massimo Listri

Located in New York City, NY

48 × 60 in. (120 × 150 cm) Edition of 5 Chromogenic Print Unframed Certificate of Authenticity signed by the artist Framing options are available upon request. Other available size...

Category

2010s Post-Modern Art

Materials

Photographic Paper, C Print

Castello Reale, Warsaw, Poland, 48x60in, Unframed
Castello Reale, Warsaw, Poland, 48x60in, Unframed

Castello Reale, Warsaw, Poland, 48x60in, Unframed

By Massimo Listri

Located in New York City, NY

48 × 60 in. (120 × 150 cm) Edition of 5 Chromogenic Print Unframed Certificate of Authenticity signed by the artist Framing options are available upon request. Other available size...

Category

2010s Post-Modern Art

Materials

Photographic Paper, C Print

Castello di Aglie I, Piemonte, Italy, 48x60in, Unframed
Castello di Aglie I, Piemonte, Italy, 48x60in, Unframed

Castello di Aglie I, Piemonte, Italy, 48x60in, Unframed

By Massimo Listri

Located in New York City, NY

48 × 60 in. (120 × 150 cm) Edition of 5 Chromogenic Print Unframed Certificate of Authenticity signed by the artist Framing options are available upon request. Other available size...

Category

2010s Post-Modern Art

Materials

Photographic Paper, C Print

"Carrito Rojo" Abstract Triptych
"Carrito Rojo" Abstract Triptych

"Carrito Rojo" Abstract Triptych

By Paul Jauregui

Located in Austin, TX

By Paul Jauregui Individual: 39.5" x 23.5" Triptych: 39.5" x 70.5"

Category

21st Century and Contemporary Post-Modern Art

Materials

Canvas, Mixed Media, Acrylic

“Still Life - Wooden Fish”
“Still Life - Wooden Fish”

“Still Life - Wooden Fish”

By Ben Benn

Located in Southampton, NY

Colorful and vibrant original oil on canvas painting by the well known American modernist artist, Ben Benn. Signed and dated by the artist lower right, 1971. Titled verso. Conditi...

Category

1970s Post-Modern Art

Materials

Oil, Canvas

"Galerie Maeght, " Graphic Color Lines Lithograph Poster
"Galerie Maeght, " Graphic Color Lines Lithograph Poster

"Galerie Maeght, " Graphic Color Lines Lithograph Poster

Located in Milwaukee, WI

"Galerie Maeght" lithograph poster. This poster holds Bazine's name in harsh orange lines near the top of the piece. Diagonally bisecting the b and a in Bazaine is a teal line. Bellow this horizontally against the white backgrounds are two lines, one painted yellow and the other blue. Unsigned. Image: 29 x 21 in Jean Bazaine was a French painter, designer of stained glass windows, and writer. He was the great great grandson of the English Court portraitist Sir George Hayter. In 1949/1950 he had his first major one man show at the Galerie Maeght, who remained his art dealer thenceforth. From then on it was a steady progress of major exhibitions: Bern, Hanover, Zürich, Oslo... 1987 a retrospective exhibition in Galerie Maeght, 1988 a retrospective of his drawings in the Musée Matisse and finally in 1990 the Exposition Bazaine in the Galeries Nationales du Grand Palais, Paris., which was accompanied by the reissue of his major texts on painting in art theory as Le temps de la peinture (Paris, Aubier 1990). "The motley crowds of international tourists and souvenir-shoppers who fill the ancient streets of the Latin Quarter in Paris spend most of their time admiring the open-air displays of seafood outside the Greek restaurants in the rue de la Huchette. They ignore the beautiful church of St Severin in the same street, for have they not already "done" Notre Dame? So they miss one of the most wonderful series of stained-glass windows in France: Jean Bazaine's vivid, dynamic works irradiating the sombre ambulatory and apsidal chapels. These windows represent the seven sacraments of the Church, portrayed as essential forms from nature in all its glory and symbolising Water, Fire and Light, sacred emblems of Divine Grace. An appropriate biblical verse is inscribed beneath each. Only Pierre Soulages with his "luminous black" windows at l'Abbaye de Conques (1998) can stand comparison with the majesty of these contemporary works by Bazaine, created between 1965 and 1970. Bazaine was fortunate in his friends. He received at an early stage in his student career support and advice from another master colourist, Pierre Bonnard. In his youth he knew Leger, Braque, James Joyce and Marcel Proust. One of his great personal friends was Jean Fautrier, with whom he shared his first exhibition in 1930. His work gradually developed as a form of bold tachisme - brilliantly composed but well-controlled "splashes" of sumptuous colour. He rejected the term "abstract" which he considered a denial of the essentially intimate relationships between art and reality. He quoted his friend Braque: "The canvas must efface the idea behind it." In 1941, during the Nazi occupation, at a time when Hitler was destroying many works of modern art, Bazaine had the courage to organise in Paris a first "avant-garde" exhibition of 20 French artists. In 1948, he wrote his first book, an unpedantic, unacademic view of contemporary painting, Notes sur la peinture d'aujourd'hui. He quotes Braque on Cezanne: "He's a painters' painter - other people think it's unfinished." Bazaine, too, reverenced Cezanne: Three lines drawn by Cezanne overturn our whole concept of the world, proclaim the liberty of man, his courage. The great painters have never had any other aims. The painter says: "I exist, therefore you exist. I am free, therefore you are free. Or at least he tries to. It's his one aim in life." After the Second World War, Bazaine produced vast compositions with virtuoso colour structures, mostly with references to nature, like the breathtaking Vent de mer (1949, now in the Museum of Modern Art, Paris) and Orage au jardin (1952, now in the Van Abbemuseum at Eindhoven). His Earth and Sky (1950) is in the Maeght Foundation at Saint Paul de Vence. One of his greatest works, L'Arbre tenebreux (1962), was sold to the Sonja Henie...

Category

1970s Post-Modern Art

Materials

Lithograph

Woman, Dog & Spring Flowers Figurative Abstract Painting with Petroglyphs
Woman, Dog & Spring Flowers Figurative Abstract Painting with Petroglyphs

Woman, Dog & Spring Flowers Figurative Abstract Painting with Petroglyphs

By Cindy Kane

Located in Soquel, CA

Robert Azensky Fine Art is proud to offer this vintage figurative abstract of a Woman, Dog & Spring Flowers with Petroglyphs by Martha’s Vineyard artist Cindy Kane Absolutely stunning vintage large scale abstract expressionist painting titled "Bending Forward," by San Francisco and now Martha's Vineyard artist Cindy Kane (American, b. 1957). This unique monumental piece, created in 1987, has a netherworld primal quality depicting a petroglyph-like blonde woman and her animal spirit dog bending toward a flower-strewn earth. Additional petroglyph vignettes add mystery to narrative. Signed and dated "Kane '87" upper right. Unframed. Image size: 66.5"H x 84"W. Her early works were influenced by her memories of these hieroglyphs, and embellished with symbols from her dreams. “I hope [that viewers] get what I get from my work, which is enjoyment, visual satisfaction, and a story — whatever their own story is,” she said. “I can’t give them one, but I can tell my own, and the story they take with them is something personal.” Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. While working in Grand Canyon National Park, she became familiar with the Anasazi Indian ruins...

Category

1980s Post-Modern Art

Materials

Canvas, Oil, Stretcher Bars

Sammezanno VIII, Tuscany, Italy by Massimo Listri

Sammezanno VIII, Tuscany, Italy by Massimo Listri

By Massimo Listri

Located in New York City, NY

MASSIMO LISTRI Sammezanno VIII, Tuscany, 2005 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 in...

Category

2010s Post-Modern Art

Materials

Photographic Paper, C Print

Hearst Castle III, San Simeon, USA by Massimo Listri

Hearst Castle III, San Simeon, USA by Massimo Listri

By Massimo Listri

Located in New York City, NY

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Category

2010s Post-Modern Art

Materials

Photographic Paper, C Print

“The Greatest Story Ever Told”
“The Greatest Story Ever Told”

“The Greatest Story Ever Told”

By Joseph Conrad-Ferm

Located in Southampton, NY

Original acrylic on canvas painting by the well known American artist, Joseph Conrad Ferm. Condition is excellent. Signed lower right “Ferm”. Titled, signed and dated verso 2012. Un...

Category

2010s Post-Modern Art

Materials

Canvas, Acrylic

Guggenheim Museum, Signed Black and White Architectural Photo by Norman McGrath
Guggenheim Museum, Signed Black and White Architectural Photo by Norman McGrath

Guggenheim Museum, Signed Black and White Architectural Photo by Norman McGrath

By Norman McGrath

Located in Long Island City, NY

Artist: Norman McGrath Title: Guggenheim Museum Year: 1995 Medium: Photograph, Signed and Dated in l.r. Paper Size: 22 x 17 inches/ 56 x 43 cm Frame Size: 26 x 21 inches/ 66 x 53 cm

Category

1990s Post-Modern Art

Materials

Photographic Film, Photographic Paper

John Surtees / Sebring, Ferrari 330P #21

John Surtees / Sebring, Ferrari 330P #21

By Al Satterwhite

Located in Denton, TX

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 11 x 14 in. *Available in additional sizes. Al Satterwhite started working as a photographer at a major d...

Category

1960s Post-Modern Art

Materials

Archival Pigment

Untitled
Untitled

Untitled

By Cindy Sherman

Located in Toronto, Ontario

Since the late 1970s Cindy Sherman has donned an array of personas, disguises and costumes to explore how woman are perceived, presented and judged in Western culture. As a young c...

Category

1970s Post-Modern Art

Materials

Silver Gelatin

Triangle XXX (Post-modern Geometric Landscape)
Triangle XXX (Post-modern Geometric Landscape)

Triangle XXX (Post-modern Geometric Landscape)

Located in Wilton Manors, FL

Robert Steven Koffler (1938-2022). Triangle XXX, 1982. Oil on canvas, 38 x 52 inches. Total measurement with wood frame: 39 x 53 inches. Signed and dated by artist, lower right....

Category

1980s Post-Modern Art

Materials

Linen, Oil

Unnumbered Triangle
Unnumbered Triangle

Unnumbered Triangle

Located in Wilton Manors, FL

Robert Steven Koffler (1938-2022). Unnumbered Triangle, 1981. Oil on canvas, 38 x 52 inches. Total measurement with wood frame: 39 x 53 inches. Signed and dated by artist, cente...

Category

1980s Post-Modern Art

Materials

Linen, Oil

Sammezanno I, Tuscany, Italy by Massimo Listri

Sammezanno I, Tuscany, Italy by Massimo Listri

By Massimo Listri

Located in New York City, NY

MASSIMO LISTRI Sammezanno I, Tuscany, 2005 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inche...

Category

2010s Post-Modern Art

Materials

Photographic Paper, C Print

Mirrored Thought, Painting, Acrylic on Canvas

Mirrored Thought, Painting, Acrylic on Canvas

Located in Yardley, PA

This geometric abstract piece evokes looking through a window to a memory, using peaceful purple blue and green tones that can add a soft dreamy pop of color to any room. The pain...

Category

2010s Post-Modern Art

Materials

Acrylic

Garden In A vase - Acrylic Painting on Linen Canvas, 2026
Garden In A vase - Acrylic Painting on Linen Canvas, 2026

Garden In A vase - Acrylic Painting on Linen Canvas, 2026

By Eric Alfaro

Located in PARIS, FR

An original and unique painting by contemporary artist Eric Alfaro in acrylic on linen canvas. Painting is accompanied with it's certificate of authenticity. Stretched on custom-made...

Category

2010s Post-Modern Art

Materials

Canvas, Linen, Acrylic

French Gilt Gold Sculpture Sputnik Space Age Post Modern Pair Candlesticks
French Gilt Gold Sculpture Sputnik Space Age Post Modern Pair Candlesticks

French Gilt Gold Sculpture Sputnik Space Age Post Modern Pair Candlesticks

Located in Surfside, FL

Elegant gold gilt design metal candleholders, circa 1980, France. Signed Illegibly on bottom felt. It appears to be Elizabeth and then something else but it is not clear these candle...

Category

Late 20th Century Post-Modern Art

Materials

Metal

“Landscape in Maryland”
“Landscape in Maryland”

“Landscape in Maryland”

Located in Southampton, NY

Original watercolor on archival paper titled “Landscape in Maryland” by the African American artist, Vincent D. Smith. Signed by the artist lower right and dated 1967. Condition is...

Category

1960s Post-Modern Art

Materials

Watercolor, Archival Paper

Her Grandson, Mixed Media Painting Collage Wall Construction FIgural Abstraction
Her Grandson, Mixed Media Painting Collage Wall Construction FIgural Abstraction

Her Grandson, Mixed Media Painting Collage Wall Construction FIgural Abstraction

By Francie Bishop Good

Located in Surfside, FL

"Lady Looking at Brian (Her Grandson)" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estim...

Category

1980s Post-Modern Art

Materials

Masonite, Paper, Mixed Media, Oil

“Shore Sentry”
“Shore Sentry”

“Shore Sentry”

By Syd Solomon

Located in Southampton, NY

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Category

1970s Post-Modern Art

Materials

Handmade Paper, Lithograph

The Landing by Judith Rothschild
The Landing by Judith Rothschild

The Landing by Judith Rothschild

By Judith Rothschild

Located in New Orleans, LA

Judith Rothschild 1921–1993 American The Landing Signed "Judith Rothschild" (lower right) and inscribed "Rothschild 24 x 30 The Landing" (en verso) Oil on canvas Judith Rothschil...

Category

20th Century Post-Modern Art

Materials

Canvas, Oil

Untitled
Untitled

Untitled

Located in Barcelona, CT

Includes a Certificate of Authenticity

Category

21st Century and Contemporary Post-Modern Art

Materials

Lithograph

Lithograph w Gloss Overprinting Stacked Signs Post Modern 80s Memphis Milano Era
Lithograph w Gloss Overprinting Stacked Signs Post Modern 80s Memphis Milano Era

Lithograph w Gloss Overprinting Stacked Signs Post Modern 80s Memphis Milano Era

Located in Surfside, FL

Untitled, 1981 (Stacked Signs Series) lithograph with Glosscote overprinting. Published by Holly Solomon Editions. (original gallery label photo is included for reference and not included in sale) Hand signed and numbered from limited edition of 40. This is a beautiful piece perfect for the Memphis Milano early 1980's Post Modern Era. It also bears influence from Pop Art (Particularly Allan D'Arcangelo) Gary Burnley...

Category

1980s Post-Modern Art

Materials

Lithograph

Post-modern art for sale on 1stDibs.

Find a wide variety of authentic Post-Modern art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Angel Rivas, Nahum Tschacbasov, Massimo Listri, and Al Satterwhite. Frequently made by artists working with Paint, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Modern art, so small editions measuring 0.5 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $248,500, while the average work sells for $1,888.