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Style: Post-Modern
Blue and White, Mid-Century Modern Shapes, Organic Floating Forms Cyanotype 2025
Blue and White, Mid-Century Modern Shapes, Organic Floating Forms Cyanotype 2025

Blue and White, Mid-Century Modern Shapes, Organic Floating Forms Cyanotype 2025

By Kind of Cyan

Located in Barcelona, ES

Mid-Century Shapes X is a captivating cyanotype monotype that draws on the visual language of mid-century abstraction. Featuring fluid, interlocking forms rendered in rich Prussian b...

Category

2010s Post-Modern Prints and Multiples

Materials

Paper, Lithograph, Monotype

Mid-Century Shapes, White and Blue Abstract Shapes, Handmade Cyanotype Monotype
Mid-Century Shapes, White and Blue Abstract Shapes, Handmade Cyanotype Monotype

Mid-Century Shapes, White and Blue Abstract Shapes, Handmade Cyanotype Monotype

By Kind of Cyan

Located in Barcelona, ES

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

Category

2010s Post-Modern Prints and Multiples

Materials

Paper, Watercolor, Lithograph, Monotype

Benjamin- Chagall original color lithograph after color sketch for church window
Benjamin- Chagall original color lithograph after color sketch for church window

Benjamin- Chagall original color lithograph after color sketch for church window

By Marc Chagall

Located in Schierensee, SH

This work is a color lithograph by Marc Chagall called "Benjamin" from 1963 which was produced by his French publicist and galerist Ateleier Mourlot, Paris. It is from a sketch that ...

Category

Mid-20th Century Post-Modern Prints and Multiples

Materials

Lithograph

The Rabbi 1977 Soviet Non Conformist Avant Garde Print
The Rabbi 1977 Soviet Non Conformist Avant Garde Print

The Rabbi 1977 Soviet Non Conformist Avant Garde Print

By Alek Rapoport

Located in Surfside, FL

Dimensions w/Frame: 25 3/4" x 20 3/4" Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and ...

Category

1970s Post-Modern Prints and Multiples

Materials

Lithograph

The Psychiatrist, signed etching by Charles Bragg
The Psychiatrist, signed etching by Charles Bragg

The Psychiatrist, signed etching by Charles Bragg

By Charles Bragg

Located in Long Island City, NY

Artist: Charles Bragg, American (1931 - 2017) Title: Psychiatrist Medium: Etching, signed, numbered, and titled in pencil Edition: 300 Image Size: 6 x 9 inches Paper Size: 11 x 15 i...

Category

Late 20th Century Post-Modern Prints and Multiples

Materials

Etching

Pink Lilies on Marble Swirls, Contemporary Still Life Giclée Print, Soft Light
Pink Lilies on Marble Swirls, Contemporary Still Life Giclée Print, Soft Light

Pink Lilies on Marble Swirls, Contemporary Still Life Giclée Print, Soft Light

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...

Category

2010s Post-Modern Prints and Multiples

Materials

Photographic Paper, C Print, Giclée

Amsterdam Signed Limited Edition Lithograph Large
Amsterdam Signed Limited Edition Lithograph Large

Amsterdam Signed Limited Edition Lithograph Large

By Ernesto

Located in Rochester Hills, MI

Artist Name: Ernesto Amsterdam Title: Capturing the Essence of Amsterdam: Medium Type: Lithograph on Arches Archival Pape Size-Width Size-Height: 46½'' x 28¾'' inches Signed Edit...

Category

1990s Post-Modern Prints and Multiples

Materials

Lithograph

"Accidente" - 1943 Linocut on Paper
"Accidente" - 1943 Linocut on Paper

"Accidente" - 1943 Linocut on Paper

By Leopoldo Méndez

Located in Soquel, CA

"Accidente" - 1943 Linocut on Paper "Accidente" from the portfolio "25 Prints of Leopoldo Méndez", depicts a figure, upside down, appearing to fall downward from a ladder. Another f...

Category

1940s Post-Modern Prints and Multiples

Materials

Paper, India Ink, Linocut

“Seaside Landscape”
“Seaside Landscape”

“Seaside Landscape”

By Claude Gaveau

Located in Southampton, NY

Original colored lithograph of a seaside village done in a post modernist style. Edition 46/175 in pencil lower left margin. Signed in pencil by the artist lower right margin. Circa...

Category

1980s Post-Modern Prints and Multiples

Materials

Archival Paper, Lithograph

Impressionabilita
Impressionabilita

Impressionabilita

By Marino Marini

Located in San Francisco, CA

This artwork titled "Impressionabilita" 1969, is an original color screen print on wove by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 93/125 in pen...

Category

Mid-20th Century Post-Modern Prints and Multiples

Materials

Screen

“Adam and Eve”
“Adam and Eve”

“Adam and Eve”

By Jack Levine

Located in Southampton, NY

Original etching on archival paper by Jack Levine. Condition is very good; strong impression. Done in 1963. The etching is housed in a contemporary matte black frame. Under glass. Overall framed measurements are 24.5 by 17.25 inches. Provenance: A Sarasota, Florida estate. Publication Printed by Emiliano Sorini; published by Associated American Artists Full sheet; not trimmed. 22 by 15 inches Edition 74/100 in pencil lower left margin. Pencil signed by artist lower right margin Jack Levine American, 1915–2010 A painter and printmaker best known for political and social commentaries, Jack Levine drew inspiration from satirical German expressionist artists, such as George Grosz and Oskar Kokoscha, and took stylistic cues from the paintings of Titian, Diego Velázquez, and Francisco de Goya. Rejecting the formal qualities and ideologies of contemporary art movements, Levine caricatured 20th-century issues—inequality, big business...

Category

1960s Post-Modern Prints and Multiples

Materials

Archival Paper, Etching

Curved Mirrors, Vertical Monotype Cyanotoype, Deep Blue & White Abstract Shapes
Curved Mirrors, Vertical Monotype Cyanotoype, Deep Blue & White Abstract Shapes

Curved Mirrors, Vertical Monotype Cyanotoype, Deep Blue & White Abstract Shapes

By Kind of Cyan

Located in Barcelona, ES

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

Category

2010s Post-Modern Prints and Multiples

Materials

Paper, Watercolor, Lithograph, Monotype

Massimo Listri - Queluz Palace, Sintra, Portugal, 1992
Massimo Listri - Queluz Palace, Sintra, Portugal, 1992

Massimo Listri - Queluz Palace, Sintra, Portugal, 1992

By Massimo Listri

Located in New York City, NY

Massimo Listri Queluz Palace, Sintra, Portugal, 1992 71 x 88.5 inches 180 x 225 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing opti...

Category

2010s Post-Modern Prints and Multiples

Materials

Photographic Paper, C Print

“Shore Sentry”
“Shore Sentry”

“Shore Sentry”

By Syd Solomon

Located in Southampton, NY

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Category

1970s Post-Modern Prints and Multiples

Materials

Handmade Paper, Lithograph

Falling Swirls, Organic Curvy Layers in Blue Tones, Handmade Cyanotype on Paper
Falling Swirls, Organic Curvy Layers in Blue Tones, Handmade Cyanotype on Paper

Falling Swirls, Organic Curvy Layers in Blue Tones, Handmade Cyanotype on Paper

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Category

2010s Post-Modern Prints and Multiples

Materials

Watercolor, Rag Paper, Lithograph

The Jury, Caricature Lithograph by Charles Bragg
The Jury, Caricature Lithograph by Charles Bragg

The Jury, Caricature Lithograph by Charles Bragg

By Charles Bragg

Located in Long Island City, NY

Caricature etching by American artist Charles Bragg. A group of jurors stare aimlessly around a courtroom. The Jury Charles Bragg, American (1931–2017) Date: 1976 Lithograph Image S...

Category

1970s Post-Modern Prints and Multiples

Materials

Lithograph

In Tangier
In Tangier

In Tangier

By Howard Hodgkin

Located in London, GB

Howard Hodgkin In Tangier, 1991 Screenprint in 22 colours on huntsman velvet 300gsm paper Signed with initials HH, numbered (63/72) and dated ('91) in pencil 82 × 86 cm Edition of 7...

Category

1990s Post-Modern Prints and Multiples

Materials

Screen

The Defense Rests, Caricature Etching by Charles Bragg
The Defense Rests, Caricature Etching by Charles Bragg

The Defense Rests, Caricature Etching by Charles Bragg

By Charles Bragg

Located in Long Island City, NY

Caricature etching by American artist Charles Bragg. A jury of different caricatures sits unamused before a smiling attorney. The Defense Rests Charles Bragg, American (1931–2017) ...

Category

Late 20th Century Post-Modern Prints and Multiples

Materials

Etching

Lithograph Screenprint Male Heroic Figures
Lithograph Screenprint Male Heroic Figures

Lithograph Screenprint Male Heroic Figures

By Ernst Neizvestny

Located in Surfside, FL

Ernst Iosifovich Neizvestny (Russian: Эрнст Ио́сифович Неизве́стный) (born 1925) is a Russian sculptor. He lives and works in New York City. Non Conformist Post Soviet Avant Garde N...

Category

20th Century Post-Modern Prints and Multiples

Materials

Lithograph

The Talmudists Post Soviet Non Conformist Avant Garde Judaica Lithograph
The Talmudists Post Soviet Non Conformist Avant Garde Judaica Lithograph

The Talmudists Post Soviet Non Conformist Avant Garde Judaica Lithograph

By Alek Rapoport

Located in Surfside, FL

Dimensions w/Frame: 18.5 X 14.5 Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography...

Category

1970s Post-Modern Prints and Multiples

Materials

Lithograph

Europe on Bicycles, serigraph pop art style
Europe on Bicycles, serigraph pop art style

Europe on Bicycles, serigraph pop art style

Located in Spokane, WA

Europe on bicycles vintage serigraph poster. Professionally linen backed and ready to frame in mint condition. Images shown are of the exact poster you will receive. Bicycles Acr...

Category

1970s Post-Modern Prints and Multiples

Materials

Screen

Massimo Listri - Venaria Reale VIII, Torino, Italy (Portrait of Interiors)
Massimo Listri - Venaria Reale VIII, Torino, Italy (Portrait of Interiors)

Massimo Listri - Venaria Reale VIII, Torino, Italy (Portrait of Interiors)

By Massimo Listri

Located in New York City, NY

MASSIMO LISTRI Massimo Listri - Venaria Reale VIII, Torino, Italy (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbe...

Category

2010s Post-Modern Prints and Multiples

Materials

Photographic Paper, C Print

Wifredo Lam - Original Handsigned Lithograph -El ultimo viaje del buque fantasma
Wifredo Lam - Original Handsigned Lithograph -El ultimo viaje del buque fantasma

Wifredo Lam - Original Handsigned Lithograph -El ultimo viaje del buque fantasma

By Wifredo Lam

Located in Collonge Bellerive, Geneve, CH

Original lithograph, hand-signed and hand-numbered in pencil by the artist. Edition: 56/99 Excellent Conditions Dimensions: 76 x 56 cm Reference : Catalogue raisonné Tonneau-Ryckely...

Category

1970s Post-Modern Prints and Multiples

Materials

Lithograph

Massimo Listri - Kunsthistoriches Museum III, Wien, Austria

Massimo Listri - Kunsthistoriches Museum III, Wien, Austria

By Massimo Listri

Located in New York City, NY

MASSIMO LISTRI Kunsthistoriches Museum III, Wien, Austria, 2014 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Fra...

Category

2010s Post-Modern Prints and Multiples

Materials

Photographic Paper, C Print

Black woman by Duval Eliot
Black woman by Duval Eliot

Black woman by Duval Eliot

By Duval Eliot

Located in Pasadena, CA

A view of historical and evocative watercolor landscapes of early California and the Southwest, portraits and figurative work from the 1930’s and 1940’s throughout her prolific 57 ye...

Category

1940s Post-Modern Prints and Multiples

Materials

Lithograph

Reggia Venaria Reale III, Torino

Reggia Venaria Reale III, Torino

By Massimo Listri

Located in New York City, NY

MASSIMO LISTRI Reggia Venaria Reale III, Torino, Italy, 2007 Italian Interiors Photograph 48 x 40 inches 120 x 100 cm Edition of 5 60 x 48 inches 150 x 120 cm Edition of 5 88.5 x ...

Category

2010s Post-Modern Prints and Multiples

Materials

Photographic Paper, C Print

“Seaside Terrace Dining”
“Seaside Terrace Dining”

“Seaside Terrace Dining”

By Jean-Claude Picot

Located in Southampton, NY

Original serigraph by the well known French artist, Jean Claude Picot. Signed in pencil by the artist in lower right margin. Edition 11/250 signed in pencil lower left margin. Condi...

Category

1980s Post-Modern Prints and Multiples

Materials

Archival Paper, Screen

Sammezanno I, Tuscany, Italy by Massimo Listri

Sammezanno I, Tuscany, Italy by Massimo Listri

By Massimo Listri

Located in New York City, NY

MASSIMO LISTRI Sammezanno I, Tuscany, 2005 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inche...

Category

2010s Post-Modern Prints and Multiples

Materials

Photographic Paper, C Print

Massimo Listri - Palazzo Reale I, Amsterdam

Massimo Listri - Palazzo Reale I, Amsterdam

By Massimo Listri

Located in New York City, NY

MASSIMO LISTRI Palazzo Reale I, Amsterdam, 1991 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options ava...

Category

2010s Post-Modern Prints and Multiples

Materials

Photographic Paper, C Print

Balance is Possible, Blue and White, Handmade Cyanotype, Organic Modern on Paper
Balance is Possible, Blue and White, Handmade Cyanotype, Organic Modern on Paper

Balance is Possible, Blue and White, Handmade Cyanotype, Organic Modern on Paper

By Kind of Cyan

Located in Barcelona, ES

This one-of-a-kind cyanotype monotype layers soft, sinuous bands of blue to create a serene, wave-like field of motion. The artist shapes light-sensitive chemistry directly on waterc...

Category

2010s Post-Modern Prints and Multiples

Materials

Paper, Lithograph, Monotype

Massimo Listri - Rijksmuseum Library, Amsterdam

Massimo Listri - Rijksmuseum Library, Amsterdam

By Massimo Listri

Located in New York City, NY

MASSIMO LISTRI Massimo Listri - Rijksmuseum Library, Amsterdam, 1994 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed...

Category

2010s Post-Modern Prints and Multiples

Materials

Photographic Paper, C Print

Massimo Listri, Museo Correr I, Venezia (Venice), Italy

Massimo Listri, Museo Correr I, Venezia (Venice), Italy

By Massimo Listri

Located in New York City, NY

MASSIMO LISTRI Museo Correr I, Venezia, 2016 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options availa...

Category

2010s Post-Modern Prints and Multiples

Materials

Photographic Paper, C Print

“Teal Bouquet”
“Teal Bouquet”

“Teal Bouquet”

By Claude Gaveau

Located in Southampton, NY

Original colored lithograph of a bouquet in teal by the well known French artist, Claude Gaveau. Edition 5/175 in pencil lower left margin. Signed in pencil by the artist lower right...

Category

1980s Post-Modern Prints and Multiples

Materials

Archival Paper, Lithograph

Post-modern prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Post-Modern prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, yellow, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Massimo Listri, Valerio Adami, Harold Altman, and Ivan Rabuzin. Frequently made by artists working with Lithograph, and Screen Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Modern prints and multiples, so small editions measuring 1.19 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $73 and tops out at $60,000, while the average work sells for $934.