Post-Modern Art

Hugues Claude Pissarro b.1935 French Le jardin municipal, Noisy-le-Sec (The Municipal Garden, Noisy-le-Sec) Signed “H. Claude Pissarro” (lower right) Oil on canvas The Pissarro f...

paper: 22 x 15 in. printed image: 4 3/4 x 6 in. english translation: Long Hand Crab Latin

"We really enjoy getting together with our friends to drink and dance. It's a wild party and we're having a great time." from series, Suburbia Edition of 15 Signed, dated and number...

MASSIMO LISTRI Reggia di Caserta VII, Italy, 1993 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options a...

Original and unique artwork by Hunt Slonem. Oil and diamond dust on wood Painting is framed, as seen in the images. Signed Verso, titled and dated. Please note that Hunt Slonem pai...

Edition of 25 Signed, titled, dated, print date, and numbered by Al Satterwhite Image size: 17.5 x 11.5 in. Paper size: 20 x 16 in. *Available in additional sizes. Al Satterwhite s...

MASSIMO LISTRI Massimo Listri - Rijksmuseum Library, Amsterdam, 1994 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. *Additional sizes are available. Al Satterwhite started working as a photographer at a major ...

Dimensions w/Frame: 18.5 X 14.5 Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. *Available in additional sizes Al Satterwhite started working as a photographer at a major da...

"I wanted Christina to learn some responsibility for cleaning her room, but it didn't work." Edition of 15 Gelatin silver print, 11 x 14 in. Signed, numbered, and dated in pencil wi...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 11 x 14 in. *Available in additional sizes. Al Satterwhite started working as a photographer at a major d...

Original and unique artwork by Hunt Slonem. Oil on wood Framed size: 12.5 x 10.5 inches Painting is framed, as seen in the images. Signed Verso, titled and dated. Please note that ...

Ali Acerol, who was born in Bursa, Turkey in 1948 and died in Los Angeles in 2007, became a kind of legend in the Southern California art world for his stunning maps of countries and...

MASSIMO LISTRI Massimo Listri - Hermitage Museum VII, St. Petersburg (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromoge...

MASSIMO LISTRI Massimo Listri - Museo Archeologico II, Naples, Italy (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and nu...

In this artwork, I sought to capture a moment of introspection, a woman poised in thought. Dappled with vintage hues, the acrylic and ink meld to evoke a sense of bygone elegance. Th...

In creating this piece, I poured my soul into the canvas, blending acrylics and oils passionately. The figurative expression is a dance of impressionistic touches, living through fin...

MASSIMO LISTRI Massimo Listri - Casa Batló, Barcelona, Spain (Portrait of Interiors), 2019 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered o...

MASSIMO LISTRI Sammezanno I, Tuscany, 2005 Unframed Unframed Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inche...

Paolo Valle (born 1948) Venicem Italy, Original mixed media oil painting and cement or plaster on burlap canvas. title: A Sud Di Rio. Depicts abstract forms with a raised text...

This abstract painting by Ryan Rivadeneyra explores balance and motion through interlacing, ribbon-like forms that appear to float and descend simultaneously. A restrained yet expres...

Robert Longo (American, born 1953) Charles Clough (American, born 1951) Collaboration Thunderbolt, Lightning Bolt Prototype for a Fundraiser for Hallwalls 1976/2013 (this was produce...

Original pen and black ink drawing with watercolor wash in specific areas. Study of figures and animals intertwined. Signed vertically right side along with the artist’s initials lower right. The artwork is tabbed on top two corners to a heavy card backing. Circa 1965. Condition is good to very good. Under UV plexiglass. Framed in a contemporary silver gallery frame. Overall framed measurements are 16.5 by 19 inches. Provenance: A Sarasota, Florida estate. Craig Rubadoux...

This artwork was created by the artist Jiro Sugawara, the title is "Female horizon"" Jiro Sugawara is a post-war artist and he was born in Japon in 1941. He studied sculpture at the ...

Louis Carreon b. 1977 American Golden Spirit Signed "Louis Carreon" (lower right) Mixed media on canvas From Louis Carreon's celebrated Spirit Bird series, Golden Spirit is a syn...

Includes a Certificate of Authenticity

Original and unique artwork by Hunt Slonem. Oil on canvas, 2026 Signed Verso Bunnies by Hunt Slonem When Hunt Slonem enters his studio each morning, he warms up by painting bunnie...

Signed and dated lower right Provenance David Stuart Galleries, Los Angeles Willard Gallery, New York Daisy Viertel Shapiro, New York Exhibition Corcoran Gallery of Art, Washington...

Mid Century Post-Impressionist Still Life with Shoes and Flowers, Spanish Oil on Paper, Framed, c.1980 Artist: Carmen Espel (b. 1926, Spanish) Title: Untitled (Still Life with Shoes and Flowers) Date: circa 1980 Medium: Oil on paper Dimensions (image): Height: 70 cm (27.56 in) Width: 50 cm (19.69 in) Frame dimensions: Height: 75 cm (29.53 in) Width: 55 cm (21.65 in) Condition: Good overall condition. Minor signs of age consistent with medium and period. Paper stable. Colors remain vivid and well preserved. Frame: Original wooden frame included Style: Post-Impressionist Period: Late 20th Century (1980–1989) Origin: Spain A bold and characterful post-impressionist still life that plays with contrast, texture, and narrative. At first glance, it’s a simple composition: a pair of worn shoes, a ceramic pot with vivid flowers, and a glass bottle. But the execution transforms the scene into something far more engaging. The brushwork is energetic, almost tactile, and the color palette—rich reds, deep greens, and earthy browns—creates a strong visual rhythm. There’s a subtle tension here: elegance versus use, beauty versus everyday life. The shoes feel lived-in, the flowers freshly alive, the bottle quietly observing. It’s not just a still life—it’s a moment suspended between presence and absence. From a collector’s standpoint, figurative still lifes with personality and strong color contrast perform consistently well, especially when they include relatable objects and a decorative yet expressive quality. This is a piece that adds warmth, story, and visual interest to a space without being predictable. Carmen Espel (born 1926, Barcelona) is a Spanish painter associated with post-impressionist tendencies. A disciple of Ramón Sanvisens and Teresa Llàcer, she developed a vibrant and expressive style focused on landscapes, still lifes, and floral compositions. Her work is characterized by strong color contrasts and a confident, gestural brushstroke rooted in the Catalan artistic tradition of the late 20th century. Still life painting...

This one-of-a-kind cyanotype monotype layers soft, sinuous bands of blue to create a serene, wave-like field of motion. The artist shapes light-sensitive chemistry directly on waterc...

A minimal geometric silkscreen of a traditional Japanese living room with cushions and a portable hand warmer by Yuiichiro Kato (Japanese, b- 1926). Displayed in a metal frame. Image...

Louis Carreon b. 1977 American Ballerina Signed “Louis Carreon” (lower right) Mixed media on canvas In his Ballerina series, Louis Carreon examines the ambitions and resilience o...

"Galerie Maeght" lithograph poster. This poster holds Bazine's name in harsh orange lines near the top of the piece. Diagonally bisecting the b and a in Bazaine is a teal line. Bellow this horizontally against the white backgrounds are two lines, one painted yellow and the other blue. Unsigned. Image: 29 x 21 in Jean Bazaine was a French painter, designer of stained glass windows, and writer. He was the great great grandson of the English Court portraitist Sir George Hayter. In 1949/1950 he had his first major one man show at the Galerie Maeght, who remained his art dealer thenceforth. From then on it was a steady progress of major exhibitions: Bern, Hanover, Zürich, Oslo... 1987 a retrospective exhibition in Galerie Maeght, 1988 a retrospective of his drawings in the Musée Matisse and finally in 1990 the Exposition Bazaine in the Galeries Nationales du Grand Palais, Paris., which was accompanied by the reissue of his major texts on painting in art theory as Le temps de la peinture (Paris, Aubier 1990). "The motley crowds of international tourists and souvenir-shoppers who fill the ancient streets of the Latin Quarter in Paris spend most of their time admiring the open-air displays of seafood outside the Greek restaurants in the rue de la Huchette. They ignore the beautiful church of St Severin in the same street, for have they not already "done" Notre Dame? So they miss one of the most wonderful series of stained-glass windows in France: Jean Bazaine's vivid, dynamic works irradiating the sombre ambulatory and apsidal chapels. These windows represent the seven sacraments of the Church, portrayed as essential forms from nature in all its glory and symbolising Water, Fire and Light, sacred emblems of Divine Grace. An appropriate biblical verse is inscribed beneath each. Only Pierre Soulages with his "luminous black" windows at l'Abbaye de Conques (1998) can stand comparison with the majesty of these contemporary works by Bazaine, created between 1965 and 1970. Bazaine was fortunate in his friends. He received at an early stage in his student career support and advice from another master colourist, Pierre Bonnard. In his youth he knew Leger, Braque, James Joyce and Marcel Proust. One of his great personal friends was Jean Fautrier, with whom he shared his first exhibition in 1930. His work gradually developed as a form of bold tachisme - brilliantly composed but well-controlled "splashes" of sumptuous colour. He rejected the term "abstract" which he considered a denial of the essentially intimate relationships between art and reality. He quoted his friend Braque: "The canvas must efface the idea behind it." In 1941, during the Nazi occupation, at a time when Hitler was destroying many works of modern art, Bazaine had the courage to organise in Paris a first "avant-garde" exhibition of 20 French artists. In 1948, he wrote his first book, an unpedantic, unacademic view of contemporary painting, Notes sur la peinture d'aujourd'hui. He quotes Braque on Cezanne: "He's a painters' painter - other people think it's unfinished." Bazaine, too, reverenced Cezanne: Three lines drawn by Cezanne overturn our whole concept of the world, proclaim the liberty of man, his courage. The great painters have never had any other aims. The painter says: "I exist, therefore you exist. I am free, therefore you are free. Or at least he tries to. It's his one aim in life." After the Second World War, Bazaine produced vast compositions with virtuoso colour structures, mostly with references to nature, like the breathtaking Vent de mer (1949, now in the Museum of Modern Art, Paris) and Orage au jardin (1952, now in the Van Abbemuseum at Eindhoven). His Earth and Sky (1950) is in the Maeght Foundation at Saint Paul de Vence. One of his greatest works, L'Arbre tenebreux (1962), was sold to the Sonja Henie...

This is an interesting multiple artwork signed by the author Vanni Viviani, a 1980’ Italian artist well known internationally. Title Piccolo Universo In ...

"Etch A Sketch Sampler" - 1989 Multimedia on Paper Lithograph titled "Etch A Sketch Sampler" by Lilya Vorobey. From a suite of prints from College of San Mateo class of 1989, instru...

Photograph from the "Swimming" series by renowned Spanish photographer Vari Caramés. It is one of his most iconic series, capturing different people bathing in pools, both in and out...

Massimo Listri Unframed Chromogenic Print Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Editi...

This artwork was created by the Italian artist Piero Perin. Piero Perin was born in 1924, in Cervarese, near Padua Italy. He lived and worked in Padova where he teached at the School...

Includes a Certificate of Authenticity

Nick Veasey - The Bird in Colour No 4 ML Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

This is a joyful bronze sculpture multiple art work signed by the well known Italian artist Concetto Pozzati. Title "In posa" translate " Staying" This is a multiple of a numbered e...

Original signed terracotta sculpture by Alexander Ney (Russian-American, 1939-2023) featuring his signature perforated surface texture and abstract stylized head form. The piece show...

This new series by Danish artist Peter Kramer (1959, Roskilde, DK) based in Spain shows us a new way of working with natural and exotic elements. In this case, he uses the turmeric r...

Artist: Albert Hirschfeld Title: Kabuki Kyo Medium: Lithograph, signed and numbered in pencil Edition: 1116/275 Size: 30 x 21.75 in. (76.2 x 55.25 cm)

Framed Female Portrait Ballpoint Drawing Contemporary Spanish Figurative Art Artist: José Luis Fuentetaja (1951, Spain) Title: Female Portrait Date: 2013 Medium: Ballpoint pen on pa...

Vase Of Roses Still Life - Original Impressionist on Board Original oil still life painting of a vase of colorful roses by Leon Franks (Canadian, 1914-1970). The green vase sits hol...

Peter Shire (American, b. 1947) "Springer Fos Dog," 1987, Painted metal sculpture Hand signed, titled and dated on foot, Dimensions: overall: 31"h x 49"w x 20"d Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture, painting, prints and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures suitable for outdoors in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. He was included in the Sullivan Goss show L.A. in S.B. of Postwar and Contemporary California artists including Emerson Woelffer, Ynez Johnston, Peter Krasnow, Edgar Ewing. Their styles ran the gamut from Post Cubist Abstraction to Abstract Surrealism to Abstract Expressionism. In the rich soil of their efforts was grown the next generation of some of L.A.’s art superstars. As well as contemporary artists such as Ed Ruscha, David Hockney, Charles Arnoldi, Betye Saar, Frank Gehry, Kenton Nelson, Peter Shire, Patssi Valdez, and Dave Lefner. Further reading A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990. Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987. Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984. Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000. Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990. Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983. Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984. Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993. Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991. Select Museum Collections: Art Institute of Chicago, Illinois Brooklyn Museum of Art, Brooklyn, New York Berkeley Museum, Berkeley, California Fresno Museum of Art, Fresno, California The Israel Museum, Jerusalem, Israel The Jewish Museum, New york city Judisches Museum, Frankfurt, Germany Laguna Art Museum, Laguna Beach, California Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles, California Metropolitan Museum of Art, New York Mint Museum of Craft and Design, Charlotte, North Carolina Museum of Arts and Design, New York Museum of Fine Arts, Houston, Texas Museum of Modern Art, Lodz, Poland Newport Art Museum, Newport Beach, California Oakland Museum of Art, Oakland, California Österreichisches Museum für Angewandte Kunst, Vienna, Austria Portland Art Museum, Portland, Oregon Sak’s Fifth Avenue, New York San Francisco Museum of Modern Art, San Francisco, California San Jose Museum of Art, San Jose, California Seattle Museum of Art, Seattle, Washington Skirball Museum, Los Angeles, California Stedelijk Museum, Amsterdam, The Netherlands Total Contemporary Art Museum, Seoul, Korea Victoria and Albert Museum, London, United Kingdom Selected Solo Exhibition venues Los Angeles County Museum of Art, Los Angeles, California Chouinard Gallery, South Pasadena, California Antonia Jannone Gallery, Milan, Italy Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California LA Artcore Center, Los Angeles, California S.K. Josefsberg Gallery, Portland, Oregon 20th Century Collage...

Massimo Listri Unframed Chromogenic Print Available sizes: 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Editi...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

Gravity Andreas von Zadora-Gerlof Created 2014-15 This monumental, mind-boggling work of stainless steel was crafted by the famed jeweler and sculp...

Mystery Artist Untitled, c. 20th Century Oil on board 16 x 19 7/8 in. Framed: 20 1/4 x 24 1/4 x 1 5/8 in. Signed lower left: Sakya

Denes Holesch Hungarian, 1910-1983 The Violinist Oil on board 26 ½ by 22 in. W/frame 33 by 28 ½ in. Denes Holesch (Denes de Holesch) was born in 1910...

Oleg Sohanievich (Soviet Ukrainian, American 1935-2017) Steel Stress Sculpture #3, 1982, Hand signed and dated Oleg Sohanievich '82 Dimensions: 17" h., 23" w., 16" d. Very heavy Th...

This is an interesting multiple artwork signed by the author Annie Lambert, a talented young artist of years 80' in Italy. This is a multiple of a numbered edition of 1.000 pieces; ...

This unique cyanotype monotype transforms organic, river-like forms into a serene field of flowing blues. Soft, undulating shapes echo water, canyon horizons, and desert calm, giving...

Artist: Warrington Colescott Title Out My Garden Window Year: 1969 Medium: Color drypoint, soft-ground etching, and aquatint, with roulette, vibrograver, à la poupée inking, found l...

Mid-Century Shapes XI is a captivating cyanotype monotype that draws on the visual language of mid-century abstraction. Featuring fluid, interlocking forms rendered in rich Prussian...

Complex and masterfully thought out the composition of rifle, gun shells, target shapes, and buck shots. Most likely done for a ad or men's magazine. Signed lower right Atherton. Housed in a rustic House of Heydenryk frame...