Vertical Art

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Marc Chagall (1887-1985) - Poèmes, Planche IX Woodcut print from 1968. An unnumbered and unsigned impression from the total edition of 238; this impression is on Japon paper, one o...

A fine copy after Peter Paul Rubens' (1577-1640) *Descent from the Cross*, the central panel from a triptych created for the Cathedral of Our Lady in Antwerp, Belgium. The compositio...

Matthew van Liessum (b. 1989, The Netherlands) is an abstract painter based in Antwerp. His practice is rooted in gestural abstraction, where energetic mark-making meets a strong sen...

Artist: French School, mid 20th century Medium: Oil on board Size (framed): 34.5 x 23 inches Frame: Framed Signature: Signed lower right (indistinct) Condition: Good condition Descr...

3276 Acrylic impressionist landscape painting on rapped canvas No frame needed

Original Soccer vintage sports poster. Linen backed in very good condition, ready to frame. Printed by Ortega Company in Valencia. This type of untitled vintage poster was commonly printed and the date of an upcoming game and team would be added at the bottom of the poster. Soccer games were played quite often, allowing the local team to advertise their events without reprinting a new poster for each game or event. This poster was printed as a full lithograph, so it was expensive to produce. There is no specific designation of which two teams are being shown here in this antique poster The poster has a nickname of ‘heads-up,” as two of the players are in the air as they position themselves to control the soccer ball. Valencia two main clubs, FC València and Levante UD, attract hordes of fans to their matches. Both clubs play in the First Division of La Liga...

Artist Comments
This painting captures one of those fleeting moments that somehow stay with us long after it has passed. A child is fully absorbed in imagination, creating an e...

Danger No Smoking 18 inches by 24 inches Edition of 450 2016 373/450 From the artist - "This Danger No Smoking print is inspired by a screen print I made in 1990, which was the ve...

Artist/ School: French Romantic School, 19th century. There is an artists label verso, "P. Grimaud, Toulon". Title: Ladies in Southern French landscape praying to a statue of the M...

"The Joy Series: A Journey to Inner Happiness." In this series of artworks, I delve into the theme of happiness and joy in unusual times when it seems that the whole world is in a st...

Contemporary Oil Painting – Original Artwork on Stretched Canvas, Ready to Hang (60 × 50 × 1.5 cm / 23.6 × 19.7 × 0.6 in) – "Wine-Tasting Holiday in Provence" “Wine-Tasting Holiday ...

"Meadow Song" is a vibrant floral composition by French artist Natalya Mougenot, part of her ongoing series dedicated to flowers — a subject she approaches not as decoration or botan...

Pierre-Yves Tremois Thésis and Pelée Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very goo...

I KNOW NOT, I KNOW Date of creation: 2010 Medium: Offset lithograph with silver and UV varnish on paper Edition: 300 Size: 68.9 × 53 cm Condition: In mint conditions and not framed O...

David Shrigley, My Rampage is Over, 2019 21 Colour Screenprint with Varnish Overlay on Somerset Satin Tub Sized 410gsm Paper 29 1/2 × 22 in (76 × 56 cm) Edition of 125 / This bein...

'Wild Mustard (Brassica sinapistrum. Boiss.)' Colour lithograph, 1909.

J Charles Arter (1860-19230 Flower Seller, ca. 1890. Oil on canvas board, 10.75 x 15 inches. Measuring 17.5 x 21.5 inches in original antique frame. Signed by artist, center lef...

This striking etching by Andre Masson from circa 1970 depicts the mythological Pegasus through the lens of Surrealist Figurative art and classical symbolism. Masson’s interpretation ...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

An 18th century, Mughal painting of a tribal chief, shown richly dressed and reclining in a courtyard surrounded by numerous concubines. Exceptional attention to detail throughout, p...

Ingrid Smuling Dark Red Helleborus 20 x 15 cm olieverf Framed size! 30 x 25 cm ( Frame is included) Oil on wood panel Ingrid Smuling, the Grand Lady of Still life painting is stil...

Jules CAVAILLES Carnival of Nice : Battle of Flowers Original lithograph Handsigned in pencil Limited / 50 copies On vellum 97 x 63 cm (c. 33 x 25 in) Excellent condition

Size: 110×97 cm (overall size with stretching 120×107 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled "The Inner Light" is a visual meditation on preserving one's true...

Autumn Trees - Mid Century Small-Scale Landscape, Signed Oil Painting Vivid mid century landscape of autumn trees blurring into colorful abstraction by Helen Gleiforst (American, 19...

The original 1898 lithography entitled "Le Concert" by Henri de Toulouse-Lautrec is a work of great artistic finesse, capturing both the artist's distinctive style and the elegant scene of society at the time. This lithograph features a well-dressed, wealthy couple in a red theater box. The gentleman is Gabriel Tapié de Céleyran and the lady is Émilienne d'Alençon. The woman is dressed in fur and wears an elaborate black hat, exuding undeniable elegance and sophistication. Lautrec meticulously captures the details of their clothing and expressions, creating a striking depiction of 19th-century high society. This lithograph was commissioned from Toulouse-Lautrec by Ault and Wiborg, American manufacturers of lithographic ink. It was part of a limited edition printed in Paris, with the original zinc plates subsequently shipped to America for printing in the main edition. The four original zinc plates are now housed at the Art Institute of Chicago. This work is all the more remarkable as it is believed to be the only lithograph Lautrec...

'The Fisherman', oil on board, by Gabriel Vié (circa 1940s). This artwork depicts a solitary man fishing in a river surrounded by abundant foliage. He is p...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 8.5 x 5.75inches condition: excellent provenance: all the paintings we hav...

ABOUT THIS PIECE: My first job out of school was on a trading floor playing a never ending game of probabilities. Days and nights filled with nodes, sign...

“White Cat” presents a quiet, contemplative moment centered on a simple porcelain cat figure. The artist uses soft, atmospheric brushwork and muted tones to evoke a sense of solitude...

Title: Mid Century French Abstract Tree Expressionist Ink Painting Medium: Black ink and wash on paper, unframed French, circa 1950's Size: 23.75 inches x 15.75 (height x width) Condition: The work is structurally sound though with visible creasing, surface rippling and age related toning throughout the sheet. There is a horizontal fold line across the centre and light edge wear consistent with storage. The ink remains bold and stable. This would benefit from professional flattening and framing. Provenance: from a large collection in Paris Description: A striking mid-century French abstract expressionist ink painting on paper, executed in bold black gestural marks with a strong sense of movement and rhythm. The composition reads as a lively field of calligraphic brushwork, with sweeping strokes, broken textures, and clustered forms that suggest foliage, energy, or a landscape fragment without becoming literal. The confident use of black against the raw paper creates a dramatic, graphic impact, making this an ideal piece for modern interiors, particularly for collectors drawn to monochrome abstraction, post-war European modernism, and expressive works on paper. In this particularly powerful example, the abstract gestures resolve into a sculptural tree form. A thick, sweeping trunk rises from the lower edge of the sheet, curving upward into branching limbs that extend dramatically across the upper half of the composition. The bold, loaded brushstrokes create dense black passages, contrasted with dry-brushed edges that reveal the speed and physicality of execution. The central mass gives the composition weight and presence, while the upward branching creates a sense of growth and vitality. The organic structure is rendered through expressive, economical mark making, aligning closely with the spirit of post-war French Art Informel and modernist landscape abstraction. This fabulous mid century original French expressionist abstract tree painting...

The Old English Sheep Dog English School, circa 1950's period signed oil on board, framed framed: 10 x 8.25 inches board : 7 x 10 inches Provenance: private collection, UK Condition:...

In this piece, I poured my emotions through textured acrylic strokes, blending soft pastels with bold contrasts. It captures the delicate balance between chaos and calm, inviting a c...

One of the many Iconic images by Shepard Fairey from the 2008 Campaign trail. This is a print that will stand the test of time in both artist and political forums. Edition Detail...

In Trois Plants, François Houtin envisions a fantastical botanical specimen rising like an ornate tower of intertwined foliage and blossoms. Each element—stem, leaf, and tendril—is r...

A striking cubist study attributed to sculptor Liliane Avignon (1936-2023). Unsigned. Well presented in a handmade strip frame. On canvas on stretchers. Image size: 91.5 x 72.5cm.

Date: 1990 Screenprint Poster, signed and dated in plate, numbered in pencil Edition of 1000 Image Size: 28 x 20 inches Size: 32 x 23 in. (81.28 x 58.42 cm) Commissioned by Playboy. ...

Acrylic on canvas Oil pastel accents Mixed media painting Textured surface Contemporary art Lemons, Italian Afternoon captures a moment of abundance as order gives way to chance. Sc...

This work appeared without a clear plan. Sometimes I simply begin painting objects that seem able to coexist within a single composition. I like the feeling that things somehow know ...

This oil on canvas by artist Jean-Jacques Boimond (1930-1995) depicts a picturesque, tranquil scene, probably of Amsterdam, as indicated on the back of the canvas by the artist. The ...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Short Description Original charcoal artwork on cotton canvas by Italian artist Marilina Marchica. A unique work from the Frammento series, inspired by memory, antique wallpaper, and ...

Jasper Johns 50th Anniversary of the Whitney Museum of American Art in New York City, 1979 Original lithograph on heavy wove paper 46 × 30 inches Limited Edition of 5000 (unnumbered) Stamped with copyright mark and publisher's blindstamp Published by Stony Johns, Inc. and Gemini G.E.L. Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery Unframed This stunning, impressive, large vintage lithograph...

Golden Yellow Orange Sunset in New York, Contemporary Cityscape Painting Framed by British Urban Landscape Artist Angela Wakefield. This original is part of the New York Series, a bo...

"Silent Grace" The gracefulness of the horses of Sable Island is only intensified by their steadfast, silent gaze that draws you in and embrac...

Painted plein air in oil on panel, this work captures the landscape of the artist’s childhood home, rendered directly from life. The immediacy of outdoor observation is evident in th...

The 1957 original exhibition poster titled Pâtes Blanches: Empreintes Originales éditées par Madoura et Gravures Rares by Pablo Picasso is a significant piece that reflects the artist's deep involvement with ceramic art and printmaking during that period. The poster was created to promote an exhibition at Galerie 65 in Cannes, France, showcasing Picasso’s ceramics and rare engravings, with a particular focus on his work with pâtes blanches, or white clay. By the late 1940s, Picasso had become increasingly involved with ceramics, producing a vast number of pieces at the Madoura pottery studio in Vallauris, France. The studio, owned by Georges and Suzanne Ramié, became a creative haven for Picasso, where he could explore new forms of expression beyond painting and sculpture. His work with ceramics brought forth a unique blend of classical forms and modernist abstraction, often infusing traditional pottery with his distinctive artistic style. The term pâtes blanches refers to the white earthenware clay that Picasso used for creating his ceramic pieces. This material allowed him to experiment with various textures and finishes, which he combined with his characteristic line work and engraving techniques. The poster advertises this innovative work, highlighting the original prints and rare engravings that were part of the exhibition. The exhibition at Galerie 65 in Cannes ran throughout the summer of 1957 and offered art lovers and collectors the opportunity to view and acquire some of Picasso's rarest ceramic works and prints. It was a testament to Picasso's versatility as an artist, showcasing his ability to transcend different mediums while maintaining the boldness and originality that defined his career. The poster itself, with Picasso's handwritten details and a depiction of one of his engravings, serves as both a promotional tool and a work of art in its own right. It reflects Picasso's personal touch and his deep connection to the work he produced during this period. Today, this exhibition poster remains a coveted item for collectors of Picasso’s works and 20th-century art, representing a unique moment in Picasso's extensive and varied artistic journey. Exhibition - Galerie 65 Cannes...

Rémy Duval, 'School Children, L'ile Saint Louis, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives p...

PIERRE-AUGUSTE RENOR (1841 - 1919) SUR LA PLAGE, a BERNEVAL (D.: S. 5) Drypoint on laid paper. The plate was created in c. 1892. Plate 5 3/8 x 3 3/4". Sheet 11 1/4 x 10 1/8". This...

Artist Comments
Dorothy Gaziano builds layers of orange and cream over deep blues and black using oil paint and cold wax. The interplay of light and dark draws the viewer in,...

Shepard Fairey Fractured Harmony Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and numbered by hand; each COA provided *Edition number may vary from the image shown. The Fractured Harmony print by Shepard Fairey explores the tension between unity and division through the symbolic use of the mandala, a form traditionally associated with balance, wholeness, and spiritual harmony. In Fairey’s interpretation, the mandala appears torn or disrupted, transforming a symbol of collective interconnectedness into a reflection on social fragmentation and environmental neglect. At the center of the composition is a female figure partially obscured behind the fractured form. Her gaze toward the viewer introduces a psychological and emotional dimension, suggesting disappointment and concern over humanity’s continued inability to maintain mutual respect—for one another as well as for the planet that sustains life. The torn mandala functions both literally and metaphorically, representing the breakdown of collective responsibility and shared purpose. Consistent with Fairey’s broader body of socially engaged work, the print challenges ideological polarization and simplistic oppositions. The artist argues against the notion that personal freedom and collective well-being are inherently incompatible, instead proposing that self-determination and environmental or social responsibility can coexist in a balanced and mutually supportive relationship. Visually, the composition combines Fairey’s characteristic graphic clarity with more introspective symbolism, balancing activist messaging with emotional resonance. Fractured Harmony reflects recurring themes in his work: unity, environmental consciousness, social responsibility, and the search for constructive coexistence in an increasingly divided world. Fractured Harmony print, Shepard Fairey mandala...

Echoes, By Murray Duncan Mixed media on paper Size: 32" × 40" Unframed, signed "Echoes" is an evocative abstract composition where expressive line work emerges from a richly layer...

Original 1974 Blazing Saddles Linen-Backed Movie Poster — Mel Brooks. Archival linen backed in Grade A- condition. (Original theater-issued fold marks restored.) BLAZING SADDLES ...

Work : Original Oil Painting, Handmade artwork and Unique Work. Medium : Oil painting on naturel wood panel. Artist : Jade Boissin Subject : Ricqlès pour une sorcière (FR -Title) Ri...

Portrait of a Distinguished Gentleman by John Arthur Machray Hay (Scottish, 1887-1960) signed and dated 1910 oil on canvas, unframed canvas: 30 x 24 inches provenance: private co...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. c 1690. Gouache and ink with heightening in gold on light ...

YOUNG DOUGLASS is a hand pulled, original limited edition relief print created using linoleum cut printmaking techniques on white archival Somerset White paper, 100% acid free. Hand signed in pencil by Elizabeth Catlett on the lower margin, embossed with printer's chop mark on lower left, print documentation provided. YOUNG DOUGLASS is an impactful graphic statement by the renowned African-American and Mexican woman sculptor and printmaker, Elizabeth Catlett, created as a tribute to Frederick Douglass, the most distinguished black American human rights leader of the 19th century. Strong impression printed in rich black ink on white wove paper, a powerful portrait of Douglass as a young man, with his distinct facial features, thick black hair, well-dressed in a formal high collar shirt...

Paper Size: 35 x 25 inches ( 88.9 x 63.5 cm ) Image Size: 35 x 25 inches ( 88.9 x 63.5 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Ser...

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 8 3/4 x 6 inches (225 x 150 mm). Jean Cocteau executed this original lithograph to depict a...