Vertical Art

Artist/ School: Manner of Guido Reni (1575-1642) Italian Title: The Prophecy of Simeon Medium: oil painting on canvas, unframed Painting: 21.5 ...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

Rocky Coastline French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), unframed ove...

Ingrid Smuling 'Stack of French bowls' 24 x 18 cm olieverf Framed size! 32 x 26 cm ( Frame is included) Oil on wood panel Ingrid Smuling, the Grand Lady of Still life painting is ...

This charming oil painting depicts a woman and her faithful dog set against the atmospheric backdrop of a moor, with a quaint cottage nestled in the background. Signed and dated to t...

Henri MATISSE Teeny Original linocut Printed signature in the plate On light wove paper 31 x 24 cm (c. 12.5 x 10 in) REFRENCES : Catalogue raisonne Duthuit #723 From the unsigned, ...

Figurative male nude drawing made of graphite, charcoal, and conte crayon on Arches paper 30 x 20 inches, unframed This unique life study drawing of a standing male nude was made...

This painting resonates with silence dissolved in shades of blue. Gentle layers of color, from the lightest to the deepest, unfold into an invisible vibration—an echo that seems to...

This poster reproduction of Alexei Jawlensky’s Crown of Thorns captures the artist’s bold Expressionist style and spiritual depth. The subject’s mask-like face, rendered in thick bru...

Original Alphonse Mucha decorative panel. Linen backed in very good condition A-/B+ condition. This lovely poster looks just like an oil painting. It is a rare design by Alphonse ...

Original oil on canvas painting of a lavish interior dinner party scene by Venancio Zolla. Signed lower right. Condition is excellent. Bibliography printed label on frame verso. O...

Sku: CB1512 Artist: Alex Katz Title: Sarah-American Dance Festival Year: 2011 Signed: No Medium: Serigraph Paper Size: 48 x 34 inches ( 121.92 x 86.36 cm ) Image Size: 48 x 34 inches...

Artist: Warhol, Andy Title: Flowers (Hand Colored) II.119 Date: 1974 Medium: Screenprint & Watercolor Unframed Dimensions: 40.5" x 27" Framed Dimensions: 47" x 33.5" x 2" Signat...

A garden of broken vows— where lilies bloom with ash in their throats and mirrors drip with the sweat of secrets. Two shadows entwine, Yet one dissolves into smoke, The other crumble...

Johann Till II (Austrian, 1827-1894) Plethora, c. 1860 Oil on canvas Signed lower right 47.5 x 35.5 inches 54.5 x 43 inches, framed Johann Till the Younger trained in Vienna under h...

Glenn Ligon 30 Americans Rubell Family Collection (hand signed and dated by Glenn Ligon), 2012 Hardback monograph with no dust jacket as issued (hand signed and dated by Glenn Ligon) Hand signed and dated 2012 by Glenn Ligon 11 1/2 × 9 × 1 1/4 inches Provenance Hand signed by Glenn Ligon at the opening reception for the present owner (see included documentation) Makes a fantastic gift! This hardback monograph with illustrated boards was published on the occasion of the exhibition at Luhring Augustine Gallery in NY from October 26 to December 8, 2012. Hand signed and dated 2012 by Glenn Ligon for the present owner From its inception in the 1960s, the Rubell Collection has been able to boast a particularly fine range of African-American art. Recent New York exhibitions inspired the Rubell family to mount an exhibition of their holdings in this area, reproduced here in 30 Americans. With a late addition to this exhibition, there are in fact 31 artists: Nina Chanel Abney, John Bankston, Jean-Michel Basquiat, Mark Bradford, Iona Rozeal Brown, Nick Cave, Robert Colescott, Noah Davis, Leonard Drew, Renée Green, David Hammons, Barkley L. Hendricks, Rashid Johnson, Glenn Ligon, Kalup Linzy, Kerry James Marshall, Rodney McMillian, Wangechi Mutu, William Pope L., Gary Simmons, Xaviera Simmons, Lorna Simpson, Shinique Smith...

Lithograph on vélin vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Résurrection de l'oiseau, Georges Braque, 1958. Publ...

Amleto Dalla Costa, Italian (1929 - ) - Maria, Year: 1978, Medium: Poster, signed and numbered in pencil, Edition: 100/325, Size: 18 x 13.25 in. (45.72 x 33.66 cm)

James Lesesne Wells, 'Sisters', linocut, edition not stated but small, 1928. Signed, titled, and annotated 'imp' in pencil. A fine impression on off-white wove Japan paper, with wide margins (1 7/8 to 3 3/4 inches), in excellent condition. Printed by the artist. Very scarce. Matted to museum standards, unframed. Image size 8 3/16 x 6 3/4 inches (208 x 171 mm); sheet size 13 1/2 x 10 3/4 inches (343 x 273 mm). Exhibition and Literature: 'Narratives of African American Art and Identity: The David C. Driskell Collection,' The Art Gallery at the University of Maryland, extensive touring exhibition, 1998-2000. Collections: Pennsylvania Academy of the Fine Arts, Smithsonian Institution (Anacostia Community Museum). ABOUT THE ARTIST “Wells is more than an artist with a deep concern for his fellow man. He carries many of his themes a step further into an apocalyptic world, a world of revelation and shifting lights. … He works on large blocks in a bold free style. … His work has a vigor, therefore, that is not often used in the medium today.” —Jacob Kainen (painter, critic, and collector) from Richard J. Powell’s 1986 essay Phoenix Ascending: The Art of James Lesesne Wells. James Lesesne Wells was an American painter, printmaker, educator, and pioneering figure of the Harlem Renaissance, whose work established a vital connection between African heritage, modernist form, and African American cultural identity. Known for his innovative use of linoleum and woodblock printing, Wells played a key role in shaping 20th-century African American art and inspired countless students throughout his lengthy career as a teacher at Howard University. Born in Atlanta, Georgia, Wells' early exposure to the arts came through church and community, where African American cultural traditions were central. He pursued formal artistic training at Lincoln University in Pennsylvania (earning a B.A. in 1924), followed by studies at the Pennsylvania Academy of the Fine Arts and the Barnes Foundation, where he encountered European modernists as well as traditional African sculpture, which profoundly influenced his style. Wells moved to New York in the late 1920s, swiftly immersing himself in the lively artistic and intellectual scene of Harlem. There, he became associated with artists, writers, and thinkers of the Harlem Renaissance, contributing to the growth of Black cultural identity. Considered a mentor to many famed artists of the Harlem Renaissance, Wells served as director of a summer art workshop in Harlem where his assistants included Charles Alston, Jacob Lawrence, and Palmer Hayden...

Empire Evening Image is 16 x 12 unframed, 22.5 x 18.5 framed. An oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautiful nocturne in N...

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Antique European impressionist oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in period giltwood molding. Excellent cond...

Promotional Poster by Jim Dine for Gilbert and Sullivan Production at New York City Center, 1968 This promotional poster, designed by Jim Dine, w...

NEW DREAMS is an original limited edition lithograph by the Harlem Renaissance, social realist African-American artist ERNEST CRICHLOW (1914-2005). NEW DREAMS was printed from hand d...

TITLE: Shepard Fairey "The Woman Who Defeated Pain" Frida Kahlo Silkscreen Print Contemporary Art YEAR: 2023 CLASSIFICATION: Limited edition MEDIUM TYPE: Print MEDIUM/MATERIALS: Fine...

A stylish, vintage, 1940s fashion study featuring a colorful design for women's lounge wear & pajamas. Artwork size: 11 x 8 1/4 inches. Archivally matted to 16 x 12 inches. Prov...

Still Life of Vases by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 22 x 15 inches Provenance: all the paintings we have by this artist ...

Anthony d’Offay Gallery, London. Hand signed in pencil by the artist. This iconic exhibition poster features a striking portrait of Joseph Beuys, created by Andy Warhol, merging two ...

The Broad x YAYOI KUSAMA The Souls of Millions of Light Years Away (Infinity Mirror) Skate Deck, 2013 Limited edition skateboard. Signed on the deck and numbered 31 × 8 inches Limite...

This artwork titled "Au Repos (At Rest)" 1983 is an original color lithograph on paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered 157/20...

Original acrylic on canvas painting by the well known Saint Tropez artist, Michel Guy Nochet. Signed lower right, “Guy Nochet. Dated in pencil on f...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Mother and Child, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island, New York, 1946. Mother and Child conveys Picassos timeless exploration of tenderness, intimacy, and the human bond, distilling the universal theme of maternal love through graceful line and lyrical composition. With rhythmic simplicity and emotional clarity, the work captures the purity of affection and the quiet strength of motherhood—an enduring motif throughout Picassos artistic life. Executed as a lithograph and pochoir on velin paper, this work measures 18.75 x 12.63 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exemplary standards and artistic integrity of the fine art publishing and printmaking of Pantheon Books, Inc., and Albert Carman whose next collaborative project following this edition was with Marc Chagall in the creation of his monumental suite, Four Tales from the Arabian Nights in 1948. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Mother and Child, from the folio Picasso, Fifteen Drawings, 1946 Medium: Lithograph and pochoir on velin paper Dimensions: 18.75 x 12.63 inches (47.6 x 32.1 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1946 Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso Publisher: Pantheon Books, Inc., New York Printer: Albert Carman, City Island, New York Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs & Woodcuts. Catalogue Raisonne. 2023, illustration 388–402 Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946 About the Publication: Picasso, Fifteen Drawings (1946) was one of the earliest fine art portfolios issued in the United States to feature the work of Pablo Picasso in the mediums of lithography and pochoir. Published by Pantheon Books, Inc., New York—a press renowned for its pioneering role in introducing European modernism to American audiences—the portfolio marked an important cultural bridge between postwar Paris and the emerging art scene in New York. The suite comprised fifteen images selected from Picassos prolific oeuvre, including depictions of mythological figures, musicians, and introspective portraits. Each work was rendered using a combination of lithography and pochoir, printed by Albert Carman at his atelier in City Island, New York, whose craftsmanship ensured a remarkable fidelity to the tonal and chromatic nuances of Picassos originals. The portfolio was produced in an edition of D, primary edition; L, out of commerce, hand signed by Pablo Picasso, issued unbound within a printed paper folder, and distributed primarily through Pantheons art book division under the direction of Kurt Wolff and Monroe Wheeler—key figures in shaping the intellectual reception of modern art in the United States. Picasso, Fifteen Drawings helped establish the artists postwar reputation among American collectors, scholars, and institutions, introducing a generation of viewers to the expressive immediacy and psychological depth of his draftsmanship. The publication also exemplified Pantheons broader mission to make modern European art accessible to an American audience, alongside their landmark editions devoted to Henri Matisse, Georges Rouault, and Marc Chagall. Technically refined and historically significant, the portfolio stands as a testament to the transatlantic exchange of modernist aesthetics during the mid-20th century and remains one of the most sought-after Picasso print editions issued in the United States before 1950. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Mother and Child...

Salvador Dali (1904-1989) Hell 24 - The Thieves Original woodcut Printed signature in the plate 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFERENCE...

A very interesting set of five mid-20th-century Italian oils on copper. All five are classical landscape subjects and are signed Roger, though we don't know which artist with the n...

Jean-Gabriel DOMERGUE (1889-1962) Young Woman with Pink Ribbon and Hat, c. 1950 Oil on hardboard Signed lower left On hardboard, 45 x 38 cm (c. 28 x 15 in) Presented in a giltwood f...

Shepard Fairey End Gun Violence Together Peace Fingers Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard...

Joan Miro Danse Barbare (from Artigas) Original Color Lithograph Year: 1963 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 139-140 Publisher: Maeght Editeur, Paris 1963 Catalogue ...

A Fine 1930s, Art Deco Modern Academic Figure Study Drawing of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed earl...

Günther Förg (Germany, 1952-2013) 'Erker-Gallery', 1995 Original poster from exhibition of 1995 lithograph on paper 36.5 x 22.6 in. (92.7 x 57.4 cm.) Unframed Ref: FOR100-201 Günthe...

Title: Blue - Trail of Tranquility Painting Equestrian Horse Modern Gold Contemporary Striking Invest Energy Calm Blue Nature Flora One-of-a-kind Unique This painting forms part of...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. The painting is unframed, we can frame it in natural wood or black on request. The title of this w...

An 18th century, Mughal painting of a tribal chief, shown richly dressed and reclining in a courtyard surrounded by numerous concubines. Exceptional attention to detail throughout, p...

A striking portrait after Nathaniel Schmitt (1847-1918) depicting a gypsy wearing traditional clothing, with red beads, a yellow cap and a shawl. The composition focuses on the girl'...

René Magritte Magritte at Galerie Alexandre Iolas, Milan, Italy, ca. 1980 Offset lithograph lettering and silkscreen poster on thin wove paper ...

Les Vins de Bourgogne de Henri de Bahèzre - Nuits-St. Georges Original Vintage French Wine Poster by Guy Arnoux, c. 1916 Linen-backed. This wine poster is one of the earliest zinc lithographs. The poster does have a printer's mark or flaw above and on the man's leg. This was done at the time of printing. This is the only issue that keeps the poster from being graded A. Great colors, linen-backed, and otherwise excellent condition. This rare and exquisite original vintage poster, created by renowned French artist Guy Arnoux around 1916, stands as a true testament to Burgundy's rich winemaking heritage. Made to promote the distinguished wines of Henri de Bahèzre, this poster is a highly sought-after piece for serious collectors of wine memorabilia...

An expressive floral study by the artist Leslie Charles Boyce (1892-1989). Unsigned. Well presented in a distressed vintage frame. On board. Image size: 40 x 29cm.

Midday water lilies 2 size: 27" x 18.5" (69cm x 47cm), 2023 acr. oil, canvas “Pond with water lilies” is a painting replete with green colors and various shades derived from this co...

Classical Still Life English School, signed and dated 1968 signed oil on board, unframed board : 28 x 25.5 inches Provenance: private collection, England Condition: a very few minor ...

Anita Zotkina’s “My Peace” is an 8 x 10 x 0.7 inch surrealist oil painting on canvas depicting a luminous white dove standing within a quiet atmosphere of soft blue and lavender tone...

Bob Dylan Train Tracks, 2010 Giclee on Hahnemuhle 350gsm Museum etching paper hand-signed and numbered by the artist Sheet: 70 x 56 cm Image: 54.5 x 40 cm Edition 25 of 295 Acknowle...

Barcelona artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to material. De La Torre allows the materials to take over during the process and collaborates wi...

This abstract fine art mirror by Alina B is made with dichroic film on mirror, and is framed in a champagne-toned frame. The film on the mirror allows for it, and the space it reflec...

Red Geraniums and Yellow Curtain Original Paul Schmitt California Impressionist Geraniums in an interior setting with a yellow curtain or drape behind by Paul A. Schmitt (American, 18983-1983). Oakland, California artist. Size 23.5"H x 16.5"W Signed lower left "Paul A. Schmitt" Exhibition label on verso, "Alameda Art Association, Paul A. Schmitt Oil Still Life No 10" Painter, watercolorist, illustrator and teacher, Paul Schmitt was born in Philadelphia, in 1893 and moved to San Francisco in 1898 where he lived until the 1906 earthquake took his family home. He then moved to the Fruitvale district of Oakland. He died of natural causes at the age of 90 in San Leandro, California. Paul Schmitt studied under Perham Wilhelm Nahl, at the California College of Arts and Crafts. He also learned various crafts, woodworking and carving skills from his father, Herman Schmitt, a German wood carver working in San Francisco. Herman's works are still found in various San Francisco public buildings including the city hall chambers and the garden court of the Palace Hotel. Schmitt joined twelve other local San Francisco artists to form the group called "The Thirteen Watercolorists", a group that eventually evolved into the Society of Western Artists. Their early members included Alfred Owles, Will Cameron, Maurice Logan, Maynard Dixon and many others. Paul worked with engineers and architects doing models of many projects. He was versatile in that he also did illustrations for various publications and advertisers. He fathered thirteen children. In the late 1930's he decided to accept a teaching position in the local adult schools where he retired in his eighties. Paul was very fond of the Sierra Nevada Mountains and yearly took his large family there on camping /sketching trips. He did a series of oils of the California missions. He also traveled extensively on sketching trips including Mexico where he did a series of Mexican churches...

Title: Original French Anatomical Pencil Study of a Horse Being Fitted with a Bridle Artist: Robert Ladou (French, 1929-2014) Medium: Pencil and Watercolor on Paper Size: 18.75 (Heig...

This work is part of the Modern Muses series, where intimate everyday moments become spaces for quiet reflection. The reclining figure appears suspended between wakefulness and dream...

Myril Adler "Moonscape" c.1960s Intaglio etching collage, ink on paper 3"x6" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (n...

"Passion #3" . Composition with Two Male Nudes, oil on canvas, 35.5x19.5in / 90x50cm Part of "Wings of Gods" solo show, April 2024. see pictures from the show. Shipped as it is, stre...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Artists tend to peak quite young, and I often love their early work. It tends to have an infectious enthusiasm, great vigour, originality, imagination and a sense of fun. René Marie...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Ciel a Honfleur (Sky at Honfleur), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de Stael, P...