Large Art

Alexander Calder Butterflies and Spiral, 1975 Lithograph Hand signed lower right Numbered 68/125, lower left Sheet size 67 x 98 The Spiral: A large, striking black-and-white optica...

Yayoi Kusama Pumpkin ( yellow ) Print on cotton towel Size 92 x 34 x 2.5 cm Framed with the gray aluminum frame and the acrylic glass Published by シンワ繊維株式会社

Chatsworth House, Derbyshire by Barry Renshaw, English 20th century signed oil on canvas, framed dated 98' framed: 26 x 36 inches canvas: 20 x 30 inches Provenance: private collecti...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK I Will Wait for You in Our Garden, My Dear belongs...

At the heart of the painting stands a woman holding an open book, immersed in a quiet moment of reflection. Her gaze turns inward, as if she’s listening to the whisper of the pages o...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21389 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

Kate Moss Side 1990 by Jake Chessum Portrait of a young 16 year old Kate Moss – before she shot to supermodel stardom and became the icon she is today. 40 x 30" inches / 101 x 76 ...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. The print measures 36 x 24 inches total, with an image size of 32 x 20 in. and a 2 inch...

Imponente scultura neoclassica in marmo, modello conosciuto come Afrodite Louvre-Napoli o Venus Genitrix, bottega italiana, 19 secolo. La dea è raffigurata in piedi, al momento de...

Color lithograph on Arches paper, edited in 1981. Limited edition, numbered as 49/75 in lower left corner. Signed in pencil by the artist in lower right corner. Plate size: 87,5 x 5...

Sorin Bica's "Where Are We Going, From Here?" is a 36 x 36 x 2 inch abstract expressionist oil painting on canvas. Two seated, elongated blue-toned figures with warm red, orange, and...

Atmospheric Balance original painting captures a luminous, tranquil moment inspired by light, air, and natural equilibrium. Soft layers of pale blue, warm ivory, and subtle neutral t...

A beautiful large signed and dated 1978 oil on canvas depicting the famous Horse Guards building in London, as viewed from Whitehall. Built in the mid 18th century, Horse Guards wa...

Three beings merge in a silent embrace -a white animal, a blue woman with flowers in her hair, and another blue figure resting against her. Their bodies glow with orange and yellow w...

ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspiring and influencing each other since their Master's thesis back in academia. Collectively, they p...

Sardinian Holiday Selvaggia Borromeo enjoys a yachting holiday on the Costa Smeralda in Sardinia, 1967. Gorgeous print measuring 40 x 30 inches / ca 101 x 76 cm's. Estate Stamp...

"Foothills of the Catskills," 1915 Oil on canvas Signed and dated lower right: Allen D. Cochran, titled on the frame plaque 24" H x 30" W CONDITION Visual: Generally good cond...

Oil on canvas signed R.B.FELTRAP, France, 1937. Nude. With frame : 101.5x82.5 cm - 40x32.5 inches ; without frame : 92x73 cm - 36.2x28.75 inches. Format 30F. Signed and dated "R.B.Fe...

Original painting by Natalia Yangalycheva Acrylic on canvas Image size: 97 × 97 cm Canvas size: 107 × 107 cm (includes an additional 5 cm of canvas on each side for stretching) Shipp...

European artist, second half 20th century signed lower corner oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private ...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

This work is part of the Tectonics series, exploring structure, rhythm, and material through repetitive carved patterns. The piece consists of three vertical panels forming a tripty...

Edition Details: Year: 2008 Class: Art Print Status: Official Technique: Offset Lithograph Paper: Thick manila Size: 24 X 36 Given away at Obama campaign events to show support for ...

Joshua Tree American Desert photograph from Richard Heeps' series, Dream in Colour. The iconic Joshua Tree stands proudly silhouette against the magical rich layered hues of the dese...

Artist: Pablo Picasso (Spanish, 1881-1973) Title: "L'Écuyère (The Horsewoman)" *Unsigned edition, though signed by Picasso in the plate (printed signature) lower right Year: 1960 Med...

This striking large hand painted limited Edition is No. 2 of only 10 in existence. 90% of the painting is hand-painted in oil and gesso on giclee by Shizico Yi, the edition featuring...

Marriage License by Norman Rockwell, (1894 - 1978) Date: circa 1970 Medium: Poster Edition: 2500 Size: 35 in. x 29 in. (88.9 cm x 73.66 cm)

A fantastic example of George Armfield’s renowned portraits of dogs. This work depicts a Manchester Terrier excitedly standing outside a rabbit hole on the edge of a forest. The ter...

An acrylic and gold leaf on canvas piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very color...

"Meditate" by Oluwafemi Akanmu is a thought-provoking artwork that captures a moment of introspection and contemplation. The central figure, a man seated with his hand supporting his...

A little pot of loveliness on a joyful pink ground, this contemporary still life painting celebrates the simple things that uplift the everyday. Supplied in a white wooden tray frame...

Muy interesante Inmaculada Concepción realizada en el siglo XIX. Es una copia muy bien lograda de una Inmaculada que hizo Murillo, Re-entelada, tiene alguna falta de pintura. Va con...

This work is a bold display of geometrically strong pieces, with charcoal grey and light grey and touches of gold in the strong lines which create this Diptych. "Radio City Music Hall...

Floral vintage tapestry abstract decor Red flowers still-life. Artist: Katarina Joys Title: Red bloom Technique: acrylic on canvas Painted in London, UK, in 2025 Dimensions: 95x85...

This sculpture from Linda Stein’s I am the Environment series explores the artist's relationship to the earth and addresses the interconnectedness of all living things. This sculptu...

Original World Cup USA ’94, Coca Cola sponsored vintage poster. Archival linen backed in A- condition, ready to frame. This World Cup ’94 poster is very rarely seen or available....

Robert Indiana New York City Center of Music and Drama (Hand signed limited edition), 1968 Color Silkscreen 35 × 25 inches Edition 23/144 Hand signed and dated lower right recto; num...

Ewa Ọlà (Beauty of Nobility) is a tribute to the strength and quiet confidence found in many African women. She sits calmly, but there’s power in her presence, a kind of beauty that ...

Details: Title: Red Codec Medium: Acrylic Painting Monoprinting on Paper Size: 83x65 cm ( 32.7 x 25.6 inches) Year: 2024 * Frame is for illustrative purposes only. Artwork shipped c...

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21306 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Artist Comments
Soft pink and beige hues create a calming visual effect in this minimalist abstract painting. Executed using a dripping technique, the composition exudes spon...

ABOUT THIS PIECE :French photographer Ludwig Favre continues his series on empty architectural spaces at La Sorbonne. Our curators recommend the work large...

Boxers is an original lithograph on paper realized by the artist Giuseppe Gallo in 2008. Edition 59/260, it is part of the suite "Olympic Games Beijing 2008". Excellent condition. ...

English racehorse portrait photogravure, 1906. This photogravure depicts Sandboy, a famous thoroughbred racehorse. W Rouch specialised in equine portraits. 220mm by 260mm (plate...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

This exact work was exhibited at the Art Students League in an important show. (details below) Elizabeth Catlett Homage to the Panthers, 1993 Color Lithograph on wove paper with deck...

This sophisticated contemporary figurative painting examines the psychological atmosphere of civilian life during the war in Ukraine through a carefully orchestrated symbolic interio...

In the Kingdom of Transience, everything is temporary, subject to constant change. Everything is unstable and volatile like the wind. The precariousness of our existence reminds us t...

Tranquil River Landscape by Don Vaughan (British, 20th century) signed oil on canvas, framed framed: 26 x 36 inches canvas : 21 x 30 inches Provenance: private collection, Surrey, En...

Peaceful Misty Riverside in the English Countryside with Cows & Tree Reflections by 20th Century British Artist. Unique Vintage Original, Oil on Canvas, Signed. Art measures 30...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21059 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Size: 95×95 cm (overall size with stretching 105×105 cm) Year: 2026 Materials: acrylic on canvas Shipping: rolled Series: Trust This work is part of my “Trust” series — an exploratio...

This is an Peter Max original mixed media on paper “solar view” early work . In good condition measures 34x27

This dramatic 1968 original Soviet poster powerfully proclaims: “Obstinément et audacieusement vers les étoiles. L’héroïsme ne connaît pas de frontière” (“Stubbornly and boldly towar...

Fishing Schooners and Sailboats at a dock, "Fischerschoner und Segelboote an einem Dock" by Rudolph Guba (German/American, 1884-1950) Impasto work which depicts several sailing ves...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1934. Bouquet of Wild Flowers. Artwork typical of the manner of Charles Picart Le Doux. However, the robust and contrasti...

Story about Painting: I admit it, I'm a sucker for Ferraris. On our trip to Italy in 2018, we visited the Ferrari Maranello Museum. In one of the rooms was this gorgeous Monza. As I ...