Large Art

The Westin Excelsior Hotel on the Lido in Venice, 1957. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Slim Aarons Grand Hotel Excelsior, Ve...

This lovely Victorian 19th century figurative oil painting is by Italian artist Frederick Andreotti. Painted circa 1880 it is a lovely playful depiction of a pretty seated young woma...

Donald Judd (American 1928-1994) Untitled, 1978-79. Aquatint on etching paper Signed and numbered 18/175 in pencil (there were also 15 artist's proofs) Published by the artist, with ...

The First Reading of the Emancipation Proclamation Before the Cabinet is a hand-colored steel engraving after a painting by Francis Bickne...

Feast from the Deep Dominica, 2019 36 in x 24 in (91.4 x 61cm) Edition of 20 46.5 in x 31 in (118.1 x 78.7cm) Edition of 15 60 in x 40 in (152.4 x 101.6cm) Edition of 10 90 in × 60 ...

Screen print on aluminium Sheet. Hand signed. One of the 20 Artist’s Proof, numbered and hand signed. The Italian artist Michelangelo Pistoletto, one of the most important exponent...

Beautifully framed large Thomas Kinkade "Hometown Lake, Hometown Memories IV". Measures 32.5 x 38.5 in excellent condition. Limited edition Artist Proof 267/495.

PORTRAIT OF YOUNG WOMAN - Oil on canvas painting cm.95x65, Eugenio De Blasi, Italy, 2008 The painting by Eugenio De Blasi is inspired by the work of the Venetian painter and portrai...

A fine & large antique oil painting on canvas by Raimond Louis Lecourt (1882-1946), the cliffs at the Atlantic Ocean, Etretat, Normandy, France, circa 1910. Lecourt was the quintessential painter of scenes of Normandy France, this is a large and very fine example of his work. The painting depicts the Falaise d' Amont located near Etretat, Normandy, the Falaises (cliffs) are on the Atlantic coast and are a very impressive formation of flint cliffs with huge naturally created archways. The painting is beautifully rendered and in some areas the artist has employed impasto technique (thickly applied paint) to provide texture to the ocean & cliffs, in the foreground of the cliffs is a flock of herring gulls circling overhead. The painting is signed "Lecourt" lower right with a dedication, the painting is housed in the original sponge decorated gesso frame, also created by the artist. Condition is excellent, this charming painting is ready to hang on your wall. The artist was born in Le Havre, and studied at the National School of Fine Arts and the Regional School of Fine Arts of Rouen, he studied under Charles Lhuillier and Léon Bonnat. He received the Croix de Guerre 1914-1918 Military medal during WW1. Lecourt studied at the Le Havre School of Fine Arts under the direction of Charles Lhuillier , then with Léon Bonnat at the Paris School of Fine Arts . He then lived in Fontaine-la-Mallet , where he painted in the Normandy region, which was his favorite subject. In 1899, Lecourt obtained the honorary prize for the upper course with the city's silver medal. A municipal scholarship which allowed him to enter the Paris School of Fine Arts in the studio of the painter Léon Bonnat . There he found his comrades from Le Havre who had preceded him there: Othon Friesz , Raoul Dufy , the brothers René and Henri de Saint-Delis . He debuted at the Salon of French Artists in 1901 with his painting Le Herseur . He completed his studies in the studio of Luc-Olivier Merson and it was around this time that he got into the habit of spending his holidays in Fontaine-la-Mallet with his comrade Othon Friesz . He settled there permanently in 1907, after a trip to Brittany from where he brought back numerous sketches and portraits. During the First World War , he was mobilized on August 1, 1914 in the same regiment and behaved like a hero, decorated with the Croix de Guerre and the Military Medal . During an engagement at Courcy - Brimont , September 14, he was injured by a gunshot to the right forearm. He continued to draw with his left hand then, after a long rehabilitation, he regained the use of his right hand. He became a member of the Society of French Artists, also exhibited at the Salon des Indépendants, and made regular submissions to the Salons. Many paintings by him appear in museums & galleries in Denmark , Germany, the United States, Japan, and in England where the "Dogs of the Duchess of Manchester" painting was exhibited and won Lecourt great acclaim. After the outbreak of World War II, Lecourt takes the German Occupation of France very badly. After General Philippe Petains's handshake with Hitler in Montoire-sur-le-Loir, he returned his military medal to the Chancellery, accompanied by this comment: "We have no need for decorations in a country which no longer has the sense of honor" During this period, he resided with Charles Toussaint, a Le Havre broker and companion from the 74th infantry regiment, at the Frescinet manor, a property which would disappear under the bombings of the September 11, 1944. At this time, he painted mainly on wood, as canvases were rare and expensive at this time. In the winter of 1943-1944, he was hit by a military truck which skidded on the ice, during the fighting for the liberation of the port of Le Havre, the village of Fontaine-la-Mallet, where he lived, was raised to the ground under heavy bombing. His house, his studio, his notes and sketches were destroyed. However he went back to work with courage, but something had broken inside him. The following winter, he caught a cold and contracted pneumonia which took him away in eight days, unable to be properly treated following the refusal of an American army colonel, to give to civilians penicillin that only the Americans had at the time. His friends mourned him and others said that he was a gifted painter of Cauchoise (Normandy) painting, and who knew so well how to render plough horses, Normandy cows...

GOING TO CHURCH was the very first limited edition print created by the self-taught African American artist William Tolliver (b.1951-2000) in 1987. GOING TO CHURCH is an original han...

White Road, 100x100cm

"Wild Wet Lands I" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mila...

Winter's Snowy Tatra Mountains with Pines and Stream Beautiful post-war winter snowy scene with mountains and pine by Laszlo Neogrady (Hungarian, 1896-1962), circa 1940. Lovely textu...

BEN MORE FROM AUCHLYNE ROAD oil, by Frederick Richard Lee & Thomas Sidney Cooper A beautiful 19th century landscape painting of the Scottish mountain (Munro) by the renowned artists Frederick Lee & Thomas Sidney Cooper The painting is an oil on board, signed by both artists and dated 1854.Housed in a gilt frame. The image size is 47cm x 62cm, whilst overall the size is 69cm x 85 cm The painting is in very good condition, having had a light clean. There is some slight crazing to the sky section as to be expected with age, ( see photo close ups with flash) the frame is also in very good condition. There is a handwritten label verso which reads Note: According to Cooper, it was during a visit to Lee in Devon that a mutual decision was made to '...paint some pictures conjointly'. Lee was to paint the landscape first and Cooper to introduce the animals - and, at Lee's insistence, to handle the financial arrangements. In the late 1840s both artists were at the height of their popularity and their exhibited collaborations in the Dutch tradition created a 'great sensation' at the Royal Academy when they first appeared. Prince Albert commented that they had '...caused a new want among patrons' and pronounced them 'the Beaumont and Fletcher...

Naomi Jones's richly patterned realistic paintings focus on the preservation of vulnerable wildlife. Jones finds catharsis in painting soulful animals. Portraits of vulnerable specie...

Red Rose is an original contemporary artwork realized by Giacomo Porzano in 1970s. Colored etching Hand-signed on the lower right. Numbered on the lower left. Edition 6/50. Giac...

Highland Landscape E.C Hamblin, British late 19th/early 20th century signed oil on canvas, framed dated 1914 verso framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private c...

This vibrant landscape painting captures the lush greenery of a mountainous forest, with towering evergreens in the foreground and distant peaks in muted blues. The artist employs bo...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 24 x 30 Frame Size: 33 x 39 Medium: Oil Dated 1990 "Market at San Miguel" Biography Edward Lee Reichert (1919-2011) Edward Re...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) dated 68 oil painting on canvas, unframed canvas size: 26 x 36 inches condition: overall very good, ...

Antique tourist poster for the promotion of the French National Railway Company, SNCF. The poster is based on an original staging: the image suggests that the landscape is seen from the window of a train crossing the Alps...

17th century Old Master painting depicting the Infant Christ with Mary and St. Anne attributed to Nicolas de Liemaker The artist of the present work wonderfully captured the loving gaze of Maria, looking in awe at her child. One can sense the tenderness and love in her eyes. The eyes of Christ appears to be filled with wisdom and love and a finely painted aura crowns his and his mother's heads. St. Anne, Mary's mother, gently holds the infant whilst gazing adoringly at him. The painting is not only a beautiful depiction of Christ and his mother and grandmother, but also a sweet image of the tender bond between a mother's and their children. The vibrant and soft colours of the fabric create a soft cocoon around the figures and seem to further emphasis the beauty and importance of the depicted scenery and its protagonists. Nicolaas de Liemaecker (also spelled as Liemaker or Liemackere) was a Flemish painter born in Ghent in 1601. He was also known under the name Nicolaas Roose. His father was Jacobus de Liemaecker, a painter upon glass. Nicolaas is reported to have been trained by his father and Gaspard de Crayer II (1), an apprenticeship with Otto Van Veen has also been suggested. In 1624 he worked at the Court of the Bishop of Paderborn and for Ferdinand of Bavaria. He later returned to his native city, where he focused on religious and historical paintings. He was a very accomplished and celebrated artist who attained a high rank in his profession. He witnessed the baptisms of Pieter and Janne-Marie Van Hulle...

THE HAWK is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Hand printed at Circle Gallery NYC using traditional lithography methods ...

Contemporary modernist American portrait oil painting. Oil on canvas. Signed. Measuring 20 by 40 inches.

Artist: Raya Sorkine Title: "La Roue Qui Tourne" Title: Wedding in Venice Year: 1999 Print - Lithograph on Arches Archival Paper   39'' x 29.5'' Edition: signed in pencil and number...

John Baldessari The Sprinters, 1982 Limited Edition Offset Lithograph on Parson's Diploma paper Signed in graphite pencil on the front. Accompanied by letter of authenticity from the publisher 36 x 24 inches Unframed Provenance: Acquired as part of the complete SIGNED 1984 Olympic Lithographic Print Portfolio Exhibition History: Olympic Museum in Lausanne, Switzerland, 2017 (different edition) Accompanied by a letter of authenticity from the publisher on Olympic Committee letterhead. This is one of 750 hand signed lithographic posters, published in 1982 to celebrate the 1984 Los Angeles Olympics...

Damien Hirst Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 35 2/5 × 35 2/5 in 89.9 × 89.9 cm Hand-signed on the lab...

A beautiful oil on canvas painting by the French artist, Jack Prudnik. Prudnik was an American painter known for his colorful cityscapes depicting the tim...

Italian School, circa 1700's Classical figures in landscape oil on canvas, framed framed: 36 x 32 inches canvas: 30 x 25 inches provenance: private collection, UK condition: very goo...

Abundance of Blooms with Grapes and Roses Continental School, late 20th century most likely a pastiche work after an earlier composition oil on canvas, unframed canvas : 36 x 24 inch...

A young woman at the Palm Bay Club, Miami, Florida, USA, circa 1965 Slim Aarons Palm Bay Club Black and White Photography Slim Aarons Estate Edition Num...

Antique American modernist signed abstract landscape oil painting. Oil on canvas. Signed. Framed.

A very engaging portrait of a pretty young girl holding a posy of flowers. On a large scale, this impressive piece would add grandeur to a hall or drawing room. William Edwards Mill...

In Justin Lister's captivating conceptual fine art photography project, a lone cosmonaut gracefully floats amidst a variety of landscapes, blurring the boundaries between earthly and...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Sculptures (M. 950) Year: 1974 Medium: Lithograph, signed in the plate Image Size: 19 x 27 inches Size: 20.5 x 29 in. (52.07 x 73.66 ...

STILL LIFE WITH GREEN APPLES Size: 49.5 x 85 cm (including frame) Oil on board A large and expressive mid-century modernist still life painting captures a simple yet effective arran...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

Dwight Holmes (1900-1986) Fort Worth, San Angelo Artist Image Size: 22 x 28 Frame Size: 30 x 36 Medium: Oil "Bluebonnet #10 of Comfort,Tex'' Biography Dwight Holmes (1900-1986) Dwight C. Holmes, known for ornamental architectural sculpting as well as painting and etching, was born in Albany, Oregon, 1900. He began formal art training in Galveston high school; studied five years in Texas Christian University, serving also as student assistant and art editor for College annual. He received his Certificate of Art and Bachelor of Arts Degree and became a faculty member in the Art Department. He left teaching to serve a five-year apprenticeship to achieve membership in Modelers and Sculptors of America. He studied with George Franz of Germany and Michael Lengyl of Austria. He has done ornamental architectural sculpturing over forty years and enjoys a broad art horizon that includes sculpting, painting, designing, ceramics, carving, gold-leafing, restoration, etc. He paints in any medium and any subject matter, but prefers oils and landscapes. He studied at Texas Christian University with Mary Sue Darter Coleman, Mrs. R. E. Cockerell, Sam P. Ziegler, and others. In California, he studied with George Flowers, at the Pasadena Art Institute, and in workshops with Lee McCarthy, Leonard Boreman, and etching with Bernard Wall. He has held membership in Painters' Club and Fort Worth Art Association; American Federation of Art; River Art Group and Coppini Academy of Fine Arts in San Antonio; Southwest Ceramic Society; San Angelo Art Club and Arts Council, and others. Dwight Holmes began winning art awards at age 13, and has continued receiving numerous honors and awards over the years. He has held art exhibits all over the Southwest, from Florida to California. His works have been shown in Boston, Cleveland, New York, Kansas City, Columbia, Mo. and elsewhere. He has painted along the Gulf, East and West Coasts; throughout Texas; in Mexico, New Mexico, Arizona, Utah, Colorado, California, Tennessee, Georgia, in the Great Smokies, Yellowstone, Grand Tetons, Red Rock Country, Hawaii, etc. He maintains a studio at 2401 Sherwood Way, San Angelo, Texas, but enjoys doing much of his painting out on locations, His interests include: juror for shows; giving criticisms and appraisals, and conducting art workshops and art colonies. In addition to museums works by Dwight C. Holmes may be seen in many private collections including: Mr. Levi Cole, banker, Canyon, Texas; Dr. A. McChesney, M.D., Columbia, Mo.; S. Herbert Hare, former President Nat'l Association Landscapes Architects; Mr. Scott, Quaker Oats...

Sky Flowers by Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 295 Size: 27 in. x 40 in. (68.58 cm x 101.6 cm) Ronald...

‘Jeune Fille en Blanc’ by Jacques-Émile Blanche (1861-1942). The painting – which depicts one of the artist’s favourite models Wanda Zielinska – is signed and dated 1896. It is lis...

Artist: John Urbain, Belgian/American (1920 - 2009) Title: CM Year: circa 1975 Medium: Silkscreen with Collage, signed and numbered in pencil Edition: 20 Image Size: 28 x 34 inches S...

Theodora (H10-3) from The Empresses, 2022 From an edition of 3315 (1749 NFTs, 1566 physical prints) Laminated Giclée print on aluminium composite panel, screen printed with glitter 3...

Up for sale Original Abstract Acrylic Painting on canvas in a fantasy abstract style the viewer with its swirling, vortex-like composition of vivid colors and dynamic movement. At th...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Robert Natkin Intimate Lighting, 1974 Silkscreen on Arches paper 27 × 38 inches Pencil signed, dated and numbered from the limited edition of 150 on the front Published by Chromacomp...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Edition of 30 circus ballerina

Vintage 1970's Harbour Scene with Moored Boats & Fishermen by British Artist, William Stockman (1935-2021). Art measures 31 x 15 inches Frame measures 36 x 20 inches Fishermen mend...

Hothead, 2016 Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp 82 x 78 cm - Framed 80 x 75 cm - Sheet Edition of 250 It comes with COA from t...

This lovely British Victorian landscape oil painting is by noted artist Sam Bough. It was painted in 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes alongside fellow artist Alexander Frazer. The location is the ancient forest of Cadzow in Lanarkshire which they both favoured. The landscape is of a rough path through ancient oaks heading towards more dense forest with white cattle grazing to the right. A superb balanced composition and an excellent example of Bough's skill in landscape painting. Signed lower left and dated 1855. Provenance. Christie's stencil verso 519GG. James Bourlet & Sons label verso. Condition. Oil on canvas, 28 inches by 18 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 35 inches by 25 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skil ful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

"Cherish" is a beautiful oil painting of pink cherry blossoms. The texture and color covers the entire 39x39 inch canvas in a stunning and saturated composition. The artist uses oil ...

The Finding of Baby Moses Fontainebleau School, circa 1580's period oil painting on thick wood (walnut wood) panel, framed framed: 32.5 x 27 inches wood: 25 x 30 inches provenance: p...

Frank Walters (British, late 19th century) - Highland Cattle at the Lake. 51 x 76 cm without frame, 57 x 82 cm with frame. Old oil painting on canvas, in a gilded wooden frame. - ...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2024 Style: Impressionism Title: Ocean Side Size: 29.5" x 39" x 0.8'...

This lovely Scottish Edwardian portrait oil painting is by noted artist William Alexander Cuthbertson. It was painted in 1909 before Cuthbertson left Scotland on a travel scholarship...

Looking back now, I see 2020 as a year not just of isolation and loss, but also of adaptation. As painful as the COVID lockdowns were, they created a powerful incentive to simplify a...

The Carlton Hotel (1955) - Limited Estate Stamped - Silver Gelatin Fibre Print (Photo By Slim Aarons/Getty Images Archive) A Cadillac with Florida plates parked outside the Carlto...