Large Art

Twentieth Century Traditional style Figurative Portrait Oil Painting on Canvas of Lady in a Victorian Dress. Beautiful Model in a white Victorian Gown wearing elegant gloves and looking pensive. Beautifully modelled and featuring Helen as the model who worked with the artist in the late 1980's. RENE JEROME LEGRAND British born 1953 Rene Legrand...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

Yellowstone Falls Landscape - Original Turn of the Century Oil Painting Substantial and period painting of Yellowstone Falls by an unknown artist (American, 19th-20th Century), c.18...

Signed oil on canvas landscape by German neo-impressionist painter Paul Baum. The work depicts an apple orchard filled with trees in bloom on a sunny spring ...

Exile and Embraces is a visual exploration of migration—its pain, hope, and the unbreakable ties to home. This series reflects the bittersweet reality of leaving behind familiarity f...

Gentlemen prefer them blondes and pop artists as well. Silkscreen and acrylic on canvas Artwork size: 75 x 75 x 3 cm. Frame size: 87 x 86 x 5 cm. Acquired directly from the artist...

Hand-colored drypoint etching on extremely fine Japanese paper, edited in 1975. Limited edition, numbered in lower left corner as HC (horse commerce). Signed in pencil by artist in l...

Josef Heimerl (Austrian, 1867-1918) Signed: Jos. Heimerl (Lower, Right) " Kittens at Play ", circa 1900 Oil on Canvas 14 3/4" x 22 7/8" Housed in a 5 1/2" Ornamented Frame in Go...

Resonance of Contrasts is a powerful abstract oil painting by French contemporary artist Sophie Dumont, known for her layered textures and architectural compositions. This 80 × 80 cm...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With ...

This artwork titled "Taking a Rest" is a watercolor on paper by noted California artist Nat Levy 1896-1984. It is signed at the lower right corner by the artist. The artwork size is ...

Xavi Carbonell (b. 1971) is a Spanish artist who paints with the uninhibited spirit of a child. He leaves all his works untitled, inviting viewers to create their own stories. Playfu...

This late 19th-century oil on canvas by Léon Richet (1843-1907) captures a quiet stretch of water in the Forest of Fontainebleau - a place the artist knew with intimate devotion. It ...

Water has been the backdrop to the significant events in my life. The reconstruction of radiant moments that exist in memory define the images I choose to paint, of swimming in the l...

Painted bronze sculpture realized by Rabarama (Paola Epifani) in 2006. Signed and numbered 2/8. Certificate of authenticity by Vecchiato Art Galleries. Excellent condition. A str...

This artwork forms part of the "Power of the Mountain" - series, inspired by the striking landscape of the Du Toit's Kloof, where towering rock faces and layered valleys create one o...

This compelling work by Markus Raetz features the phrase "Quietly with Determination Boycot Exxon" prominently across the composition. The intentional misspelling of “boycot” may be ...

Georges D’Espagnat French, 1870-1950 Still Life with Roses Oil on canvas 25 ¾ by 32 in, w/ frame 33 ¾ by 40 in Signed lower right Inventory Number: 01547 Born at Melun on 14th Aug...

Claude Venard, French (1913 - 1999) - Nature morte au vase, Year: 1970, Medium: Oil on Canvas, signed lower right, Size: 29.5 x 29.5 in. (74.93 x 74.93 cm), Frame Size: 35.5 x 35...

This contemporary wall mounted fiber sculpture, Catherine Latson's Specimen 21 reads as an artistic rendition of a beautiful sea specimen. Rich, jewel-toned purple hand-dyed cotton t...

David Leverett (British, B. 1938) Storm. signed lower right. Provenance: Merrill Chase Galleries, Chicago 22" x 29.5" Frame: 28.25" x 35.5" DAVID LEVERETT British, born 1938 Known...

This sumptuous early 18th-century portrait by leading French artist Louis de Silvestre (1675-1760) depicts Baron Pierre de Gaultier, a nobleman and diplomat active during the final y...

Work on canvas laid down on panel Wooden frame and gilded plaster 100 x 70.5 x 4 cm

This original abstract watercolor painting by Nealy Hauschildt features a warm pink, orange, and lavender palette, with three large organic planes of washy color layered over one ano...

This artwork titled "Dogon Mask" 1996 in a color off set lithograph with screenprint by African/American artist Nathaniel Bustion, b.1942. It is hand...

Sunset Song with Blue and Green is part of Sunset Song Series, a major new body of work created by British awarded artist Shizico Yi for her solo exhibition Modern Ancient. Painted e...

Set against a luminous turquoise ground, "Zebra in Motion" captures the animal in a state of raw movement. Zura renders the figure using his signature technique of free, uninterrupte...

Additional information: Title: Coastal scene - Nightfall on the North Sea Medium: oil on canvas Signature: signed lower right Provenance: Private collection Brussels Canvas dimensio...

Formally documented in The Life and Letters of John Burroughs (Vol. II, p. 168), this monumental canvas is not merely a portrait; it is a primary historical document. Painted in 1911...

FIRST TO ARRIVE by the woman artist Robin Morris, is an original limited edition lithograph printed in 14 colors using hand lithography techniques on archival Arches paper, 100% acid free. FIRST TO ARRIVE is an amusing cocktail party portrait...

Beautiful couple of Roman Landscape by J. F. Van Bloemen, in very good conditions and with later wooden frames. Bibliography and Exhibitions: Old Master Exhibition, H.Terry-Engell, ...

This is an offset print, limited edition 118 of 300, signed and numbered by Artist. It is beautiful, brand new, and framed using archival materials at a reputable framer in Los Angeles. Ready for installation or gifting. Last One Available. Enjoy video of the unwrapping of this brand new print at our Los Angeles framer! This print is now sold framed, in Los Angeles, CA. "Kansei : The Golden Age" 潤声 ゴールデンエイジ 4c offset w/cold stamp + spot varnishing オフセット印刷4色＋箔＋厚盛ニス Diameter: 710 mm / 28 in. Framed: approx 34 x 34 x 2 in. Edition 300 Signed and numbered: edition 118 of 300 Made in Japan Pristine condition, brand new, framed in Los Angeles, California Seller in Los Angeles...

Interior design paintings. Abstraction art, made in black, orange, yellow on white foam board. Also, you can read name Sasha in Russian at the middle of the painting. Can be as a s...

HENRI JOSEPH HARPIGNIES(1819–1916) Landscape at Twilight Oil painting on canvasImage Size: 24.6”x 20.6”Signed in oil, lower left Verso: Gallery label reading “The Lenz Gallery –Mi...

A highly desirable early Colorado landscape by Charles Ragland Bunnell, this circa 1928–1929 oil on canvas captures the dramatic terrain of Manitou Springs with sweeping views of Pik...

Edition of 30 circus ballerina

Le scenografie di questo genere pittorico, chiamate "rovine", erano solitamente animate da diversi personaggi e storie; un tema tipico tra questi è il capriccio con rovine e oratore ...

Paper Size: 39.25 x 27.5 inches ( 99.695 x 69.85 cm ) Image Size: 30.75 x 24.25 inches ( 78.105 x 61.595 cm ) Framed: No Condition: A: Mint Additional Details: Special edition poste...

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Dominique Rozier Signed Antique Frame and Painting. Exhibited painting Canvas Size: 24 x 29" (61 x 74cm) Outside Frame Size: 34 x 39" (86 x 99cm) Dominique Rozier was a French pain...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

John Steuart Curry "Sketching Wisconsin," 1946 oil on canvas 31.13 x 28 inches, canvas 39.75 x 36.75 x 2.5 inches, frame Signed and dated lower right Overall excellent condition Presented in a 24-karat gold leaf hand-carved wood frame John Steuart Curry (1897-1946) was an American regionalist painter active during the Great Depression and into World War II. He was born in Kansas on his family’s farm but went on to study art in Chicago, Paris and New York as young man. In Paris, he was exposed to the work of masters such as Peter Paul Rubens, Eugène Delacroix and Jacques-Louis David. As he matured, his work showed the influence of these masters, especially in his compositional decisions. Like the two other Midwestern regionalist artists that are most often grouped with him, Grant Wood (American, 1891-1942) and Thomas Hart Benton (American, 1889-1975), Curry was interested in representational works containing distinctly American subject matter. This was contrary to the popular art at the time, which was moving closer and closer to abstraction and individual expression. Sketching Wisconsin is an oil painting completed in 1946, the last year of John Steuart Curry’s life, during which time he was the artist-in-residence at the University of Wisconsin in Madison. The painting is significant in Curry’s body of work both as a very revealing self-portrait, and as a landscape that clearly and sensitively depicts the scenery of southern Wisconsin near Madison. It is also a portrait of the artist’s second wife, Kathleen Gould Curry, and is unique in that it contains a ‘picture within a picture,’ a compositional element that many early painting masters used to draw the eye of the viewer. This particular artwork adds a new twist to this theme: Curry’s wife is creating essentially the same painting the viewer is looking at when viewing Sketching Wisconsin. The triangular composition of the figures in the foreground immediately brings focus to a younger Curry, whose head penetrates the horizon line and whose gaze looks out towards the viewer. The eye then moves down to Mrs. Curry, who, seated on a folding stool and with her hand raised to paint the canvas on the easel before her, anchors the triangular composition. The shape is repeated in the legs of the stool and the easel. Behind the two figures, stripes of furrowed fields fall away gently down the hillside to a farmstead and small lake below. Beyond the lake, patches of field and forest rise and fall into the distance, and eventually give way to blue hills. Here, Curry has subverted the traditional artist’s self-portrait by portraying himself as a farmer first and an artist second. He rejects what he sees as an elitist art world of the East Coast and Europe. In this self-portrait he depicts himself without any pretense or the instruments of his profession and with a red tractor standing in the field behind him as if he was taking a break from the field work. Here, Curry’s wife symbolizes John Steuart Curry’s identity as an artist. Compared with a self-portrait of the artist completed a decade earlier, this work shows a marked departure from how the artist previously presented and viewed himself. In the earlier portrait, Curry depicted himself in the studio with brushes in hand, and with some of his more recognizable and successful canvases behind him. But in Sketching Wisconsin, Curry has taken himself out of the studio and into the field, indicating a shift in the artist’s self-conception. Sketching Wisconsin’s rural subject also expresses Curry’s populist ideals, that art could be relevant to anyone. This followed the broad educational objectives of UW’s artist-in-residence program. Curry was appointed to his position at the University of Wisconsin in 1937 and was the first person to hold any such position in the country, the purpose of which was to serve as an educational resource to the people of the state. He embraced his role at the University with zeal and not only opened the doors of his campus studio in the School of Agriculture to the community, but also spent a great deal of time traveling around the state of Wisconsin to visit rural artists who could benefit from his expertise. It was during his ten years in the program that Curry was able to put into practice his belief that art should be meaningful to the rural populace. However, during this time he also struggled with public criticism, as the dominant forces of the art market were moving away from representation. Perhaps it was Curry’s desire for public acceptance during the latter part of his career that caused him to portray himself as an Everyman in Sketching Wisconsin. Beyond its importance as a portrait of the artist, Sketching Wisconsin is also a detailed and sensitive landscape that shows us Curry’s deep personal connection to his environment. The landscape here can be compared to Wisconsin Landscape of 1938-39 (the Metropolitan Museum of Art), which presents a similar tableau of rolling hills with a patchwork of fields. Like Wisconsin Landscape, this is an incredibly detailed and expressive depiction of a place close to the artist’s heart. This expressive landscape is certainly the result of many hours spent sketching people, animals, weather conditions and topography of Wisconsin as Curry traveled around the state. The backdrop of undulating hills and the sweeping horizon, and the emotions evoked by it, are emphatically recognizable as the ‘driftless’ area of south-central Wisconsin. But while the Metropolitan’s Wisconsin Landscape conveys a sense of uncertainty or foreboding with its dramatic spring cloudscape and alternating bands of light and dark, Sketching Wisconsin has a warm and reflective mood. The colors of the foliage indicate that it is late summer and Curry seems to look out at the viewer approvingly, as if satisfied with the fertile ground surrounding him. The landscape in Sketching Wisconsin is also revealing of what became one of Curry’s passions while artist-in-residence at UW’s School of Agriculture – soil conservation. When Curry was a child in Kansas, he saw his father almost lose his farm and its soil to the erosion of The Dust Bowl. Therefore, he was very enthusiastic about ideas from UW’s School of Agriculture on soil conservation methods being used on Wisconsin farms. In Sketching Wisconsin, we see evidence of crop rotation methods in the terraced stripes of fields leading down the hillside away from the Curry’s and in how they alternate between cultivated and fallow fields. Overall, Sketching Wisconsin has a warm, reflective, and comfortably pastoral atmosphere, and the perceived shift in Curry’s self-image that is evident in the portrait is a positive one. After his rise to favor in the art world in the 1930’s, and then rejection from it due to the strong beliefs presented in his art, Curry is satisfied and proud to be farmer in this self-portrait. Curry suffered from high blood...

Heidi von Faber Stack of Dishes II Acrylic on linen 100 x 80 cm ( framed/ included in price 105 x 85 cm) Dutch artist Heidi Von Faber lives and works in The Hague. The Stillllifes...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

"Unspoken" Striking black and white photo of a lion looking at the viewer Black and white portrait of a large male lion looking at the viewer, with his face half in the frame Exce...

This piece, "Moon Over the Marsh", by artist Dennis Sheehan is a 30x40 oil painting on canvas featuring a landscape at sunset. Remaining light from the setting sun burns the sky in a...

Untitled #504 by Murray Duncan, 2024 Mix media on paper Unframed Size: 32" x 40" Murray Duncan Studio: Murray Duncan, born in 1966, is a self-taught creative visionary celebrated f...

Oil with paper collage on found card stock board, with vintage reproduction on reverse, 1956. Signed by the artist and dated in oil, lower right. Stella (1936-2024) made this work ...

John Beerman, American (1958 - ) - Sunset, Year: 1994, Medium: Lithograph, signed and numbered in pencil, Edition: CTP #3, Image Size: 18 x 30 inches, Size: 25.5 x 37 in. (64.7...

Pablo Picasso (1881 - 1973) " Plante Aux Toritos" Original Linocut, 1959, Color linocut June 25, 1956 – April 9, 1960 Sheet Size 66 × 54 cm Framed 35'H x 31"W x 1.5"D Printed in 5...

Artist Statement This work focuses on atmosphere rather than place, allowing the image to hover between land, water, and sky. Broad, layered passages of blue are interrupted by a so...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

George Armfield (British, 1808–1893) Terriers in a Barn Interior Oil on canvas, circa 1850 Signed lower right This spirited and characterful work by George Armfield captures two al...

Photographer Michael James O'Brien documented with beautiful and unique images the final part of Matthew Barney's lyric opera cycle about a tragic love story set in romantic Budapest...

Jan Van OOLEN (Dutch, 1651 – 1698) Consort of birds in an ornamental landscape Oil on canvas Dimensions: 32 in (H) x 38 in (W)

Series "The Imaginary traveler nº29" Expressionist corner with flowers and cat. Oil on linen by Chico Montilla. Measurements: (H) 100 x (W) 81 x (D) 2 cm. Framed (H) 112 x (W) 93 ...

Portrait Of Emperor Nicholas I Of Russia (1796-1855) On Horseback, 19th Century circle of Heinrich Muller (1781-1851) Large 19th Century portrait of Nicholas I, Emperor of Russia o...

Venice. Oil on canvas, 73x93 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. When Vadim was f...

This striking 40" × 24" giclée on canvas by Stephen Holland captures the electrifying presence of Kobe Bryant in full motion. In this limited edition (KP4/20), Holland has applied ha...

An abstract work from the series **“The Assembled Whole. 1”**, in which fragmented elements are brought together into a unified composition through the interplay of geometry, texture...