Large Art

A Way Of is a unique collage on panel, created entirely from hand-torn vintage print materials. The coloration in the work is hand dyed to optimal archival specifications. The artist...

Bud is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 30 × 90 cm (11.8 × 35.4 in). The artwork is signed, sold unframed and comes with a cer...

La Festa del Vino Nuovo - Oil on canvas Elio Ferrara, Italy, 1980s Elio Ferrara was born in Naples in 1945, he attended the Academy of Fine Arts and then worked as a set designer at ...

Marc Chagall Nature morte bleue, 1957 Lithograph in colors on wove paper Hand signed lower right Numbered 89/90 lower left Sight size: 31 x 31 cm Frame size: 85.5 x 75 x 4 cm Referen...

New Frontier by Charles Magistro, (American, 1942) Date: 1979 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Image Size: 23 x 30 inches Size: 26 in. x 33 in. (66.04...

This stunning Old Master 17th century oil portrait painting is attributed to Francesco Fieravino, an artist famous in his day for still lifes and carpets. This painting which dates t...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The mustard yell...

Thomas Pradzynski (1951 - 2007) Montmartre Street Scene, Paris, France Oil on canvas 16 x 32 inches Signed lower right At the age of 26 Thomas Prad...

In this acrylic painting, I've captured the essence of tranquility and the harmony of nature. My brushstrokes bring to life the delicate interplay of light and shadow, as the lush gr...

'The New Arrival' A Mother with her Children A first class example of Pothast's work. The faces are beautifully done with fantastic light cascading into the room. The mother is shar...

Shipped from Thailand because i am living here in 2025 Acrylic on canvas Shipped well protected, unframed

Artist Comments
Soft greens, blues, and earthy tones suggest an abstract river nestled among dense foliage. The water reflects the overcast sky, creating a sense of depth and t...

In this piece, I poured vibrant emotions through acrylic, oil pastel, and colored pencil, blending expressionism, impressionism, and pop art to capture the delicate yet bold spirit o...

Harland Miller, York So Good They Named It Once, 2020 Offset lithographic poster printed in colours on wove paper 841 x 555mm (33 1/8 x 21 7/8in) Edition of an unknown size Unsigned...

A Rare Jacobean Portrait of Lady Elizabeth Wheeler (née Cole), 1623 Attributed to Cornelius Johnson (1593–1661) This remarkably rare early oil on panel, presented by Titan Fine Art, has emerged as far more than an anonymous “Portrait of a Lady.” Preserved in outstanding condition—its surface retaining exceptional clarity in the lace and textiles—it has only recently been reunited with the identity of its sitter: Elizabeth Cole (1607–1670), later Lady Elizabeth Wheeler, a Westminster gentlewoman whose later life brought her into intimate royal service as laundress for His Majesty’s person. That combination—high quality, uncommon survival, a newly identified sitter, and a life that intersects directly with the last acts of Charles I—places this portrait in a category of genuine rarity. It is not simply a beautiful Jacobean likeness; it is a rediscovered historical document - legible and compelling. The sitter is presented half-length against a dark ground, enclosed within a painted sculpted oval surround that functions like an architectural frame. This device, fashionable in the 1620s, concentrates the viewer’s attention and heightens the sense of social presentation: the sitter appears both physically and symbolically “set apart,” as if viewed through a refined aperture. The portrait’s immediate power, however, lies in the costume—an ensemble of striking modernity for c. 1623 and rendered with a precision that survives with remarkable crispness. She wears a deep green gown—a fitted overgown with open sleeves—over a finely embroidered linen jacket (a stiffened bodice/waistcoat garment). The sleeves form pronounced “wings” at the shoulder, a structurally assertive fashion detail of the early 1620s that enlarges the silhouette and signals sophistication. Beneath the green overlayer, the white linen jacket is richly ornamented in gilt embroidery. The goldwork is arranged as scrolling foliate forms—looping, curling tendrils punctuated by seed-like stippling—organised into balanced compartments across the bodice and sleeves. The motifs read as stylised botanical forms with rounded fruit-like terminals and leaf elements: not literal naturalism, but controlled abundance. The technique is described with extraordinary intelligence, mimicking couched metallic thread through patterned, “stitched” marks, while tiny dots and short dashes create a lively tactile shimmer. This embroidered jacket sits above a newly fashionable high-waisted, sheer apron or overskirt. The translucent fabric falls in soft vertical folds and is articulated with narrow lace-edged bands, giving the skirt a crisp rhythm of alternating sheer and patterned strips. At the neck, a fine ruff frames the face: a disciplined structure of pleated linen finished with delicate lace. Draped diagonally across the torso are long gold chains, painted to suggest weight and metallic gleam; they function both as ornament and as a further signifier of status. The cumulative effect is controlled luxury: she is not overloaded with jewels, but clothed in textiles whose cost and craftsmanship speak unmistakably. The recent sitter’s identification rests on heraldic and genealogical analysis: the arms shown on the painting correspond to those recorded for several families in armorial sources, but when the lines of descent are tested against survival and chronology, the viable bearer by 1623 resolves to Cole, and—crucially—to the London branch. That resolution matters because it anchors the portrait to a very specific social world: London/Westminster civic gentry and Crown administration, the milieu in which portraiture served as both self-fashioning and social instrument. The recent identification of the sitter (the London Cole branch of the family) is not merely genealogical; it has direct implications for authorship. A London-based mercantile or civic-gentry family would have ready access to leading immigrant artists, familiarity with heraldic display conventions, and the means to commission oil on panel, still standard among Netherlandish-trained painters. In that context, the portrait’s age inscription and date become especially revealing. The painting states the sitter to be nineteen years of age. Yet Elizabeth Cole’s birth in 1607 suggests she would be younger if the portrait is dated as early as 1623. The key insight is that the “incorrect” age is best understood not as a mistake but as a deliberate social adjustment, a performative statement rather than a documentary one. The most persuasive explanation is strategic. Portraits of high-status unmarried women were frequently made in connection with marriage negotiations. In the early 1620s, Elizabeth’s future husband, William Wheeler, was resident abroad at Middelburg in Zeeland in the Dutch Republic. If a portrait was intended to support or facilitate a match with an educated, ambitious man—“a man of learning and letters,” —then presenting a seventeen-year-old as nineteen would subtly reposition her as more mature and more nearly a peer in age, Wheeler being around twenty-two. The portrait thus becomes an instrument of alliance, not merely a likeness: an image designed to persuade, reassure, and elevate. This reading aligns perfectly with the period’s wider conditions. The early 1620s in England were charged with anxiety and expectation: James I’s later reign was marked by court faction, diplomatic tension, and the pressures of European conflict. The so-called “art market” was inseparable from these dynamics. Portraiture flourished because it served multiple functions: it fixed lineage, advertised alliance, signalled readiness for marriage, and projected the stability of elite households in an uncertain world. For Westminster families whose power came through office, portraiture was also a declaration of belonging—proof that administrative elites possessed the cultural polish traditionally associated with older aristocratic rank. Elizabeth’s later life vindicates the portrait’s impression of steadiness. Although no record survives of her marriage ceremony to William Wheeler, wills suggest she had married him by the mid-1630s, and there are strong grounds—consistent with the portrait’s implications—for a union already in place by the early 1630s, possibly earlier. Wheeler himself rose rapidly. By 1639 he held a manor at Westbury Leigh in Wiltshire and sought letters of denization due to overseas birth, enabling him to stand as Member of Parliament for Westbury. He leased the principal manor of Westbury the following year, coinciding with his election. In government service he became Remembrancer of the Exchequer and held office across regime change, a testament to administrative skill and political pragmatism. It is Elizabeth, however, who makes this portrait exceptional. She became laundress for His Majesty’s person, responsible for the washing and oversight of the King’s personal linen—an office that, despite its domestic description, required unusual trust, discretion, and access. Her role becomes visible in 1643 when she was granted a warrant signed by the Speaker of the House of Commons to follow the King to Oxford with her servant after the outbreak of the Civil War. She continued to serve during the King’s captivity after 1646, and at Carisbrooke Castle in 1647 she and her maid were implicated in smuggling secret correspondence to and from Charles I, in service of escape plans. After the King’s failed attempt to escape in March 1648, she was removed—yet the King’s trust persisted: he was permitted to send her remaining jewels in an ivory casket...

A pop piece depicting New York City's iconic Times Square in Midtown Manhattan with taxis, cars and people in a bursting street scene filled with color and impasto paint, with quick ...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism, Subject: Summer Lake, Size: 21" x 38" x ...

Jean-Gabriel Domergue (1889–1962) was a distinguished French painter and engraver, celebrated above all for his portraits of elegant women ; or, perhaps more accurately, for a partic...

Signed and dated oil on canvas coastal landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of Cap Sizun, a headland forming the western e...

A voice without words, born within the silence of ocher walls. It calls us to look deeper, where temptation ceases to be external and becomes a reflection of our innermost desires. I...

Ekaterina Ermilkina’s original, abstract fine art paintings are created using a skillful combination of applying and removing oil paint with a palette knife on canvas. Her inspiratio...

La obra se presenta enmarcada con su marco original de la época (el marco presenta faltas y desgastes) El estado de la obra se puede ver, tiene perdidas y de pintura y faltas en la ...

Vintage Painting of Children Fishing at River in Summer in the English Countryside by 20th Century British Artist, Paul Morgan Art measures 30 x 20 inches Frame measures 38 x 28 inc...

This painting depicts an interior scene done in Paris. The fun details are what make this painting so attractive and desirable; the living room opens out into the terrace, as we are ...

A fine New England landscape with a cart path and birch tree by Swedish-American artist Theodore Victor Carl Valenkamph (1868-1924). Valenkamph was born in Stockholm, Sweden, and emi...

This striking Aeroflot Soviet Airlines poster, dating from around 1960, promotes the Trans-Siberian route as the shortest way from Europe to Japan. With its bold graphic design and m...

Artist/ School: French School, circa 1960's, indistinctly signed with monogram Title: Portrait of a Young blonde haired lady dressed in white. Presented in beautiful ornate frame. ...

Contemporary floral painting in a vase with voluptuous flowers. Delicate color and texture. Tropical Fantasy Floral #4 - Still Life Painting - Oil Paint By Marc Zimmerman This mast...

This atmospheric winter scene by Swedish artist Birger Borgman captures the stillness and quiet beauty of a snow-covered landscape at dusk. Soft lavender and blue shadows stretch acr...

"Colombe à l'Arc-en-Ciel" after the 1952 oil on canvas painting of Pablo Picasso is a limited-edition (Edition 1000) offset color print on 250g Rives-Bütten Paper, done by the Succes...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Wedding list, Wedding gift, Wedding,White,Wild Cherry,Russian,impressionism Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 201...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees will be requested for this type of frame + shipping Hugo Pondz...

Antoine Blanchard 20th Century. Picture size: 15 x 30" (38 x 75cm) Outside Frame Size: 22 x 37 (56 x 94cm) Signed bottom right Oil on canvas BIOGRAPHY - Antoine Blanchard (1910 - 1...

Still-life in Studio 85 x 100 cm (framed in a black wooden frame 95 x 110 cm) Oil on canvas Ksenya Istomina graduated in 2018 at the 'Imperial Academy of Arts in St Petersburg'. S...

Judd Mercer's "Summer Falls" is an original, handmade oil painting that depicts a stream cutting through a forest as a log creates a natural bridge over it...

Lionel Kalish (American B.1931) "A Villa on the Sea", c. 1980 Oil on canvas Hand signed lower right L.Kalish Bark Frameworks Inc. N.Y. label verso 16" x 24" Lionel Kalish born...

Jose Ortega, Spanish (1921 - 1991) Title: Seated Woman and Bull Figure Year: 1962 Medium: Watercolor on BFK Rives, signed and dated l.l. Size: 20 x 25...

Signed fauvist oil on canvas riverscape c.1908 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view of the River Seine in Rouen, with Saint Catherine'...

This piece titled "MySpace Tom No. 4" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...

Campbell's Soup, the iconic architecture of the UK factory, photograph by Richard Heeps. Printed full frame presented with the Kodak film border, first executed in Richard's darkroom...

Issued by the United States Dept. of Information during the Second World War, this poster serves as a rallying cry for all Americans to serve their country as well as they can. It cl...

An accomplished watercolour study after Scottish artist Sir William Russell Flint. The scene depicts a life model posing for picture whilst studying some of the artist's other work. ...

Joan Miró produced this original color lithograph especially for Rafael Alberti's text 'Maravillas con Variaciones Acrósticas en el Jardín de Miró' (Wonders with Acrostic Variations ...

David T. Kessler, American (1950 - ) - Reflected Overhang III, Year: circa 1980, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 96/100, Image Size: 23.5 x 3...

Deux Hôtels de Paris by Charles Levier, French (1920–2003) Date: circa 1965 Watercolor on Paper, signed l.r. Image Size: 18 x 23 inches Size: 22 x 30 in. (55.88 x 76.2 cm) Frame Size...

Artist: Marcella Doane Title: Exodus Year: circa 1970 Medium: Oil on Canvas, signed l.l. Size: 30 x 24 inches Frame Size: 25 x 31 inches

Anna Kruhelska, a talented visual artist and practicing architect from Lodz, Poland, merges her expertise in both fields to create captivating artworks. With a background in major ar...

This rare exhibition poster features Pierre Bonnard’s La Terrasse, created around 1918–1920, and published as part of the Collection of European Masters for the Kunstsammlung Nordrhe...

signed by Josine Vignon (French 1922-2022) signed oil painting on canvas, framed (wooden frame) framed: 37 x 26 inches canvas: 36 x 25 inches very good condition provenance: privat...

This painting combines a lavish still life with human figures. On the left, large jugs and bowls of fruit are presented by a servant depicted as a “Moor”; on the right, a young boy p...

"From the Island to the Eiffel Tower II" is a Naïve style painting by the French artist Maestro Bouchon. Through her art, she has a very sharp and unique style of bright and colorfu...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Original acrylic painting on linen by Viktoria Ganhao. This abstract artwork masterfully intertwines vibrant hues of blue, green, and hints of red, creating a dynamic yet harmonious ...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

Marco Marcola (Verona, 1711 - 1780) Carnival scene with masks from the commedia dell'arte with Harlequin Oil on canvas, 60 x 82 cm In frame 77 x 100 cm The canvas reflects ty...

Sidera reflects that kind of radiant intimacy, the soul's longing to chart constellations in another person, to navigate the galaxies of their experiences, and to leave behind light,...

Robert Falcucci 🇫🇷 (1900 - 1989) was a French painter, illustrator, poster artist and decorator. He worked for the car manufacturer #Renault from 1923 to 1927, creating many advert...

This artwork "Kimono" c.1970 is a watercolor on paper by American impressionist artist Jane Burnham, 1926-2016. It is signed at the lower right corner by ...