Medium Art

Damien Hirst (1965) Butterfly Spin Painting (2009) acrylic and metallic paint on paper 21 h × 27 w in (53 × 69 cm) Signed and stamped with Damien Hirst's studio's blindstamp; st...

These calendula flowers seem to whisper that they can help heal humanity. They aren’t imagined or artificial — they hold life itself, remembering both our fragility and our strength....

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...

This contemporary landscape painting by Carol Young features a cool, vibrant palette and captures a rural scene of a two barn structures sitting in bright yellow-green grass beneath ...

Mediterranean Harbor Scene French School, signed oil on canvas, unframed Canvas : 20 x 24 inches Inscribed verso, dated 1974 Provenance: private collection, Paris Condition: very goo...

MECKLENBURG AUTUMN is an original limited edition color lithograph printed using traditional hand lithography methods on archival Arches printmaking...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France an...

Nicola Ortiz Poucette (1935-2006). Ladies of the Evening, ca. 1960. Ink and casein on illustration board. Image measures 15 x 26 inches; 19 x 30 inches framed. Signed lower right...

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope I Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 29.5 x 22 inches ...

Aesthetes vintage pattern of climbing plants and vegetables creating a on a grey background, inspired by William Morris. - Original oil painting - 50х70 cm - no framing necessar...

The painting "Summer Silence", made in oil on canvas, measuring 70x60 cm, conveys the atmosphere of a warm and peaceful June in Switzerland. The painting depicts a landscape with a v...

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

Juan Genovés Candel (Spanish, 1930-) Painter, illustrator, and graphic printmaker engraver. He painted 'El abrazo' ('the embrace'), which became an emblematic poster during the Spanish political transition. He was born in Valencia in 1930. The son of Juan Genovés Cubells, an artisan whose family was close to the labor movement. His mother Maria Candel Muñoz came from a family of practicing Catholics. In 1946 Genovés studied at the Escuela de Bellas Artes de San Carlos in Valencia and then settled in Madrid. He set up the 'Los Siete' group together with other artists in 1949, and the following year he travelled to Madrid, where he was influenced by the works by Fra Angélico and Hieronymus Bosch in the Prado Museum. In 1957 he had his first solo exhibitions in the gallery Alfil, Madrid and in the Museo d'Arte Moderna, Havana. He is considered the most important representative of modern Spanish painting. His images, executed in a politically engaged, critical realism...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirties, Karl Heinrich Lämmel produced several photographic reports of cities, including Munich and Cologne. Photographs that have yet to be seen and appreciated. Lämmel's pictures show a different view of Germany. His documentation is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of cities and their architecture before the destruction of WWII . The print is new, a Premium-FineArt-Print ( Hahnemühle 308g ), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description: Ein Paar sitzt auf einer Bank vor dem Schloss in Heidelberg, Deutschland 1930er Jahre. A couple sitting on a bench at Heidelberg castle...

This lovely Scottish Impressionist Victorian oil painting is by noted artist Joseph Henderson. Painted circa 1880 it is entitled Washing Day. The composition is of two women laying o...

Edwina Sandys, British (1938 - ) - The Daily Telegraph, Year: circa 1974, Medium: Lithograph, signed in the plate and numbered in pencil, Edition: 7/200, Image Size: 19 x 23 inches, ...

Dorothy Rivo Untitled (Bridge Tower), c. 1960s–70s Acrylic on paper, floated in a mat Framed dimensions: 30 in. H × 24 in. W Contemporary walnut or black wood frame with white archiv...

The painting presents a dynamic abstract composition built from intersecting geometric shapes and rhythmic graphic elements. Wide diagonal bands and angular lines create a strong sen...

A vibrant, 1960s Mid-Century Modern painting, "Vermont Landscape, Spruce Tree and Shoreline" by notable Chicago artist Harold Haydon. Painted near the artist's longtime summer studi...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Autumn Palette, Size: 30" x 24"...

Francesco Zugno (Venice 1709 - Venice 1787) - Death of Saint Joseph. 61 x 48 cm (unframed) - 76 x 63 cm (framed). Oil on canvas, in a carved and gilded wooden frame (not signed). ...

Erik van Elven Lightbulb 50 x 70 cm Framing options available This painting is by Dutch Impressionist painter Erik van Elven. This young artist likes to paint in the style of the...

Artist/ School: Italian School, mid 20th century Title: The Neapolitan Coast Medium: oil on board, framed Framed: 21 x 29 inches Board: 19 x 26 inches Provenance: private collect...

Jean Jansem (1920-2013) La petite danseuse, 1990 Lithographie sur papier Arches Justifiée Signée au crayon 50 x 65 cm / 53.5 x 75.5 cm Imprimeur: Mourlot, Paris Editeur: Jansem, Par...

Fraternal kiss - Dmitry Vrubel (created in 1990) Description for print Origin: from the collection of the artist's family. Each copy is accompanied by certificate of authenticity ...

This gorgeous British 1930's triple dog portrait oil painting is by female artist Hilda Walker. She was born in Yorkshire and studied art in Leeds and London and was also a sculptor....

Shire Horse & Man by Woodland River in the English Countryside by British Artist, Peter J Greenhill Art measures 24 x 18 inches Frame measures 3...

Artist: FAITH RINGGOLD Title: Self Portrait Year: 2023 Screen print on paper Edition: signed in pencil and marked 87/100 Size: 28 x 23 inches Hand-signed and numbered A striking se...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 25 x 30 Frame Size: 34 x 39 Medium: Oil on Canvas Circa 1950 "Lazy Day Blues" Texas Bluebonnet Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas is in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit, and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Black and white iithograph realized by Franco Marzilli. Hand signed in pencil. Edition of 100. Not numbered.

Vaclav Vytlacil Woman Reading in an Interior, circa 1915 Signed lower right Oil on canvas 16 x 20 inches As a child, Vytlacil had taken art classes at the Art Institute of Chicago....

Abstract expressionist figurative nude by California artist Stephanie Heit (American, b. 1947). The paint in this piece has a metallic quality in some areas, possibly created with th...

The Old Wooden Fence by David Witcher, English circa 1970's signed oil on canvas, framed framed: 24 x 29 inches canvas: 20 x 24 inches Provenance: private collection, UK Condition: ...

Kenny Scharf Ratfinkbonerthunk : Surrealist Rat, 1990 Original Giclee Print Handsigned in pencil On Arches vellum 56 x 76 cm (c. 22 x 30 in) Published by Editions Vermorel in 1990 ...

A dramatic original seascape oil painting on canvas, capturing powerful waves crashing against a rugged rocky shoreline under a wide, cloud-filled sky. The artist builds the motion o...

Katherine Bello Title: Beach Oil, Oil stick and graphite on canvas Year: 2021 Dimensions: 28"x22"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA provided --------...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Artist: Alejandra Gauzen, Chilean (1967 - ) Title: Still Life with Wine Glass Year: circa 2000 Medium: Oil on Canvas, signed l.r. Size: 30.5...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Mixografia “Man in Black” by well-known Mexico artist Rufino Tamayo (1891-1991). Signed “R. Tamayo” in pencil lower right. Numbered in pencil “60/140" lower left. In excellent unfram...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21051 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Jean-Michel Basquiat Skateboard Decks 2014: A triptych of 3 individual skate decks licensed by the Estate of Jean Michel Basquiat (image: Basquiat, Untitled Skull, 1981). Medium: ...

Jean-Baptiste Perroneau (Paris, 1715 – Amsterdam, 1783) Portrait of a lady Oil on oval canvas 60 x 50 cm. - In frame 77 x 66 cm. Work accompanied by expertise: Raffaelle Colace (Cremona), Ferdinando Arisi Reference bibliography: d’Arnoult, Dominique (2014) Jean-Baptiste Perronneau, c 1715-1783, un portraitiste dans l’Europe des Lumières Excerpt from the expertise of Dr. Colace: This refined portrait of a lady is a perfect example of the style of Jean-Baptiste Perroneau, a very talented French painter, whose most beautiful works are located, just like this one, between the fifth and sixth decades of the eighteenth century. "Perroneaeu is more naturally colored than La Tour, the est, in the peinture de poussière colorée, tout plein de tons clairs, frais, presque humides": this is how his brothers wrote about him in La Maison d...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21201 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

"Light eternal" is a dreamy abstract floral landscape painting, inspired by the unfurling of the yellow rose, light pouring out into the world. It is made in an ethereal palette of y...

Rufino Tamayo, Mexican (1899 - 1991) - La Calabaza, Year: 1984, Medium: Etching, signed and numbered in pencil, Edition: 31/99, Size: 30 x 22 in. (76.2 x 55.88 cm), Publisher: E...

Artist: Norman Rockwell (1894-1978) Title: Snow Sculpture Snowman Year: 1985 Edition: 350/350, plus proofs. Medium: Offset lithograph on wove paper Size: 24.5 x 18.5 inches Condition...

Henri Lebasque French 1865 - 1937 La Lecture Oil on canvas, signed lower right Image size: 20 3/4 x 25 inches (52.7 x 63.5 cm) Original style frame Provenance: M.F. Manaut Vente Lou...

Offset lithograph in colors, on lightweight off-white wove paper. Hand signed by the artist. From the edition of unknown size. Published by Leo Castelli Gallery, New York. Printed by...

A beautiful modernist still life floated in a wooden frame. The work is signed lower center right and again verso. It's titled, signed and dated 2001 on the verso. The canvas measure...

Original oil painting on canvas . How often are we in the moment, genuinely captivated by the beauty of nature, connecting with ourselves? Filled with the nature of Thailand, I exp...

Jacqueline De Butler, French (1928 - ) - Red Composition, Year: circa 1968, Medium: Etching with Aquatint on Arches, signed and numbered in penc...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21126 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

A stunning ready to hang vibrating bold painting. READY TO HANG with the edges painted. Dimensions: 80x80X2 cm, 31.5x31.5x0.8 inches. The technique I used: gallery stretched canva...

Alfred Edward Emslie A beautiful example of Arthur Emslie's work combining his renown ability for portraiture and genre. The soft tones of the background and dress contrasted with the highlights in the face and the large, vibrant bouquet of roses creates a piece perfect for any situation. It is a painting showing class, technique and subtlety. Provenance: Bonhams Canvas Size: 22 x 18" (56 x 46cm) Outside Frame Size: 32 x 28" (81 x 71cm) 1848-1918 Alfred Edward Emslie was an English genre and portrait painter and photographer. He was the son of the engraver, John Emslie...

Kamil Kubik (Czech / American, 1930-2011). Pastel on paper, New York City Hall. Signed and dated 68 lower right. 17 1/4" x 23 1/4" (with frame 26" x 32"). New York City Hall was comp...

OIL PAINTING SIGNED 19th Century BRITISH SCHOOL Fine Original Antique 19th Century British OIL PAINTING GOLD GILT FRAME By Major John Edward Bale Excellent Condition Panel, Professional Cleaned & re-varnished Ready to hang. frame is in wonderful condition . John Edward Bale, was born at Low Farm House, Pattesley-cum-Oxwick, South Creake, Norfolk on 27 July and baptised at South Creake on 1 August 1834, eldest child of John Edward Bale (1803-27 April 1862), a farmer of 620 acres, and his wife Mary née Branford, who married at Horningtoft, Norfolk on 27 November 1833. In 1841, a 6 year old, living at Low Farm with his parents, 35 year old John and 28 year old Mary, and his two sisters, Mary 3 and Esther 1. In 1861, a 26 year old 'artist architecture' boarding at 11 Bulstrode Street, Marylebone, London but in October 1863, he was an Ensign by purchase in the 1st West Indian Regiment. As a lieutenant, whilst on a tour of duty in West Africa, Surgeon Major Augustus Frederick Elliott (born 1834), kept a diary (now at Duke University Library) which is embellished with calligraphy and watercolour titles by Bale. During this tour, Bale was promoted to Captain and retired from the army in 1881 with the rank of major. Bale married at Christ Church, Ealing on 10 November 1868, Charlotte Gordon Lee née Johnson (c1847-1910). A painter in oil and watercolour and a member of the Ipswich Fine Art Club 1886-1890 and as Major Bale exhibited from 9 Creffield Terrace, Colchester, Essex in 1888, 'View from Museum...

Peter Beard The End of the Game (Hand Signed by Peter Beard), 1977 Offset Lithograph Poster (hand signed by Peter Beard and inscribed with a heart) Han...

Title: Chanel Year: 1997 Medium: Offset lithograph on archival paper mounted on canvas Size: 30 x 21 inches Condition: Excellent Inscription: Signed in the plate Notes: This special ...