Medium Art

Black and white photo of a rocky coastline with a large rock formation featuring a natural arch, the ocean waves surrounding the rocks, and a cloudy sky overhead. Great Pollet Sea A...

Martin Whatson is a Norwegian street and stencil artist who got his start in Oslo’s emerging graffiti scene in the ’90s. Whatson begins each of his works with a detailed grayscale co...

A very attractive French Post-Impressionist Rouen School (Normandy), oil on canvas still life painting, by Franck Innocent (1912-1983), signed and dated 1941. This colorful still lif...

I poured my passion for ballet and light into this painting, capturing a dancer's quiet moment of reflection and dedication. With oil, I brought warmth and realism to her pose and ex...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 361 Year: 1971 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Image Size: 25 x 20 inches Size: 29...

Modern Vintage Oil on Canvas, signed by the artist, Youri Panchine (Russian) in the bottom left. This jewel of a painting is rich in beautiful autumnal or fall hues. Here, the artis...

Emile BARAU 1851-1930 Antique, nineteenth century oil painting Inscribed on the reverse Signed. Picture size: 24 x 20 inch (61 x 51 cm) Frame size: 31 x 27 inch (79 x 69 cm) S...

ARTIST: John Roy Eldershaw (1892-1973) Australian TITLE: "Cattle At A Watering Hole NSW" SIGNED: lower right MEDIUM: watercolour on paper SIZE: 68cm x 58cm incl frame CONDITION: ...

Artist: Le Corbusier Medium: Lithograph, Signed & Dated in Stone in a limited edition, 1963 Dimensions: 25.5" x 19.75" About The open hand, a symbol of reconciliation, open to receive and to give, is a recurring motif in Le Corbusier’s work. Many sculptures were erected of this optimistic design, the largest being a public monument in the Indian city...

Keith Haring Fun Gallery 1983: Original 1983 Keith Haring illustrated exhibition poster published on the occasion of Haring's historic 1983 show at the Fun Gallery in the East Village. A classic array of early Haring imagery that reveals red and black interlocking figures. A rare example in very good overall vintage condition. Offset lithograph in colors on smooth wove paper. 23 x 29 inches. Only some minor signs of handling; in otherwise very good overall vintage condition with strong colors; one of the better examples we've come across. Stored away from light; never mounted or framed. Unsigned from an edition of unknown; scarce. Catalog Raisonne: Keith Haring: Posters (Prestel Publishing). References: Included in the collection of the Cooper Hewitt, Smithsonian Design Museum. About the Fun Gallery: Historic, short-lived, East Village gallery known for giving Keith Haring, Basquiat & Kenny Scharf some of their first solo shows. “FUN Gallery was a place where neighborhood kids, downtown artists, b-boys, rock, film, and rap stars mixed with museum directors art historians and uptown collectors at wild openings featuring artists like Futura, Fab 5...

Jean-Claude PICOT (1933-) French Riviera : The old village of St Tropez, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Co...

Waverly, Pennsylvania by the esteemed artist Gretchen Dow Simpson is a captivating limited edition serigraph that showcases the serene beauty and charm of Waverly, Pennsylvania. Publ...

"Man and the Machine #1", oil on canvas, 31.5x23.5in / 80x60cm Part of New Mythology series. Shipped as it is, stretched, framed. "Man and the Machine #1" is a striking fusion of cl...

Artist Comments
A minimalist abstract piece employs the drip painting technique to evoke the gentle essence of winter. The layers of acrylic in muted blue tones exude a sooth...

This artwork "Rathaus in Vienna" c. 1960 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark...

This wonderful 17th-century French School vanitas painting is a meditation on mortality and the transience of earthly pleasures. The composition centers on a finely rendered human sk...

The Weaver by John Edwards (English, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, England Condition: ver...

Compelling pop art silkscreen of hot lips and target after Andy Warhol titled "Casualty" by David Mar(American, 20th Century). Edition 3/3. Signed and dated "Mar 1991" below lower ed...

Alexander CALDER (1898-1976) Four red, three black, one yellow Original lithograph, 1967 Unsigned and unnumbered Aside the edition of 90 copies numbered and hand signed On Lana vell...

Henry Arthur Roberts. French ( b.1819 - d.1900 ). Academic Life Study Of A Male Nude Carrying A Staff. Pencil & Charcoal On Paper. Paper size 23.4 inches x 13.6 inches ( 59.5cm x 34.5cm ). Frame size 28.3 inches x 18.7 inches ( 72cm x 47.5cm ). Available for sale; this academic life drawing of a male nude is by the French artist Henry Arthur Roberts and dates from the early 1840s. The drawing is presented and supplied in a modest hand painted glazed wooden frame dating from the mid-20th century (which is shown in these photographs). This antique drawing is in good condition, commensurate with its age. It is in an untouched condition having never been restored. The paper has handling marks, some light surface dirt, the odd foxing mark and general age toning. The overall patina adds to the aesthetic and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Henry Arthur Roberts. Henry Arthur Roberts was a recognised French artist, notable for his portraits and paintings of religious subjects. Born in Paris in 1819, he was the son of British watercolour artist James Roberts, himself active in Paris from 1819 -1846. Henry became a student of his father. Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style. Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist. Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA. © Big Sky Fine Art This striking academic nude study...

Mary Lee Bendolph, born in 1935 in Boykin, Alabama, is a renowned American quilt maker associated with the Gee's Bend Collective. Her work has been exhibited in prominent institution...

Through vibrant pinks cascading like joyous laughter, I captured a serene harbor’s embrace. Using oil with impressionist touches, I wanted to evoke the gentle warmth of sunlit moment...

" ALMOND BLOSSOM original acrylic painting. framed Julien was born in 1948 in Vichy, France. He studied art and theater in Clermont-Ferrand at the same time as finishing his degree ...

Periodically I create nude paintings, but a half-naked body is more interesting). The artwork is done in mixed media. Dutch acrylic paints Amsterdam and It...

"Black Diamond" This award-winning image is a fashion-inspired portrait of an elite horse wearing the attire of his discipline. The print series Equus: Light & Form focuses on the...

Title: Riverside Medium: Oil on canvas Size: 31 x 23.75 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

“Meet A man of unshakeable self-worth and conviction. He protects his essence and values, refusing to compromise his integrity while remaining true to himself. With quiet confidence ...

This artwork titled "Winter's Tales" 1995 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 409/950 in pencil...

Marc Chagall (Russian/French, 1887-1985), "Les Vendanges" [The Harvest], Lithograph in Colors, 1961, from Daphnis et Chloe, unsigned and unnumbered as issue, printed by Mourlot, Pari...

When the Day Awakens — the world fills with a quiet breath of renewal. In the first rays of sunlight, the boundaries between dream and reality, earth and sky, begin to dissolve. The ...

Original "France du Pacifique, Nouvelle-Calédonie" vintage poster by Cras Monique (c. 1960s). L'île de Lumière (The Island of Light). Archival linen-backed in very good condition (see images), ready to frame. Printer: Sicard – Paris. The poster combines Art Deco and modernist influences, highlighting a romanticized view of travel and exotic destinations. Embodies the spirit and traditions of New Caledonia. He is shown in bold, stylized colors typical of mid-century travel art. The man’s skin is a rich, warm brown, and his dark, curly hair is topped with a simple headband or traditional accessory that hints at local customs. His clothing is minimal, reflecting both the tropical climate and authentic ceremonial attire—perhaps a patterned sash or wrap around his waist. He lifts a large conch shell to his lips, caught in the act of blowing into it. The shell itself is an impressive, natural object, likely a Triton’s trumpet...

Oil painting on canvas Spaniel and Terrier dog in a kennel by Samuel Fulton . A Portrait of a Dog by Fulton achieved US $17,640 at Christie’s in New York — his auction record Info :...

VENDEDORA, a limited edition lithograph by the renowned American-born Mexican sculptor and printmaker Elizabeth Catlett(b.1915–2012) depicts a sensitive black and white portrait of a...

Born in Philadelphia John Hamilton was known for portraits, figure paintings and illustrations. He studied at the Pennsylvania Academy of the Fine Arts with Christian Schuessel and Thomas Eakins and then traveled to Europe where he studied in Paris with Jean-Léon Gerome at the Ecole des Beaux-Arts and at the Royal Academy of Fine Arts in Antwerp. He lived abroad, mostly in London, for many years, although he maintained a Philadelphia address. He was the official painter to the English Prime Minister, William...

Walter SPITZER (1927-) Jewish Wedding Original lithograph Handsigned in pencil Numbered /75 ex On Japan paper 55 x 75 cm (c. 22 x 30 inch) Excellent ...

5049 Colorful Fauvist painting on stretched canvas set in an artist frame Signed E,Burnes

RED GROOMS (Untitled), for Alice + Bo, Provincetown 1966 Original ink drawing on paper Signed, inscribed and dated with a dateline of Provincetown on recto. Vintage frame included Th...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

Silent Connection explores a quiet bond between a woman and her dog. The figure gently holds the animal, creating a moment of tenderness and protection. The composition combines styl...

This original oil painting on board by Mary Cane Robinson depicts a scenic view of the Colorado Springs mountain landscape. The composition reflects t...

A Quiet Companion captures a gentle moment of intimacy and reflection. A young woman sits quietly with a small dog resting on her arm, creating a scene filled with calm and tendernes...

The Woodland Path circle of George Turner (English 1841-1910) oil painting on canvas, framed framed: 19 x 25.5 inches canvas: 14 x 21.5 inches condition: very good provenance: privat...

Very finely painted 19th Century Spanish impressionist landscape painting. Oil on canvas. In excellent original condition. Handsomely framed in a period giltwood molding. Excelle...

Work on canvas with a frame; total size 80x93 cm

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Museum-quality gold ground painting from the Renaissance period by Smeraldo di Giovanni. It depicts the “Virgin of the Roses” seated on a throne h...

Richard Anuszkiewicz (American, 1930 - ) created the "Inward Eye" portfolio after a conversation with a friend who said that Anuszkiewcz's works reminded him of William Blake's work....

OIL PAINTING SIGNED 19th Century BRITISH SCHOOL Fine Original Antique 19th Century British OIL PAINTING GOLD GILT FRAME By Major John Edward Bale Excellent Condition Panel, Professional Cleaned & re-varnished Ready to hang. frame is in wonderful condition . John Edward Bale, was born at Low Farm House, Pattesley-cum-Oxwick, South Creake, Norfolk on 27 July and baptised at South Creake on 1 August 1834, eldest child of John Edward Bale (1803-27 April 1862), a farmer of 620 acres, and his wife Mary née Branford, who married at Horningtoft, Norfolk on 27 November 1833. In 1841, a 6 year old, living at Low Farm with his parents, 35 year old John and 28 year old Mary, and his two sisters, Mary 3 and Esther 1. In 1861, a 26 year old 'artist architecture' boarding at 11 Bulstrode Street, Marylebone, London but in October 1863, he was an Ensign by purchase in the 1st West Indian Regiment. As a lieutenant, whilst on a tour of duty in West Africa, Surgeon Major Augustus Frederick Elliott (born 1834), kept a diary (now at Duke University Library) which is embellished with calligraphy and watercolour titles by Bale. During this tour, Bale was promoted to Captain and retired from the army in 1881 with the rank of major. Bale married at Christ Church, Ealing on 10 November 1868, Charlotte Gordon Lee née Johnson (c1847-1910). A painter in oil and watercolour and a member of the Ipswich Fine Art Club 1886-1890 and as Major Bale exhibited from 9 Creffield Terrace, Colchester, Essex in 1888, 'View from Museum...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

This mid-18th-century French oil painting depicts a bourgeois gentleman wearing a pale grey-blue coat with a white waistcoat and a prominent lace jabot. He's reserved, comfortable, a...

Oil painting on Canvas, a reclining odalisque Nude 20Th Additional Info: Title: reclining odalisque nude Medium: original oil on canvas Signature: Signed lower right Provenance: pr...

San Antonio . Oil on canvas by Spanish artist Chico Montilla. Measurements: (H) 65 x (W) 81 x 2 (D) cm. Framed 85 x 101 x 5 cm. San Antonio, another expressionist view of the countr...

The original 1927 poster entitled "Panthère noire" by Paul Jouve is a captivating work that embodies the artist's talent for capturing the majesty and powe...

"Calligraphy" is an original mid-20th-century abstract painting by celebrated Denver artist Edward Marecak (1919–1993). Executed in mixed media on paper, the composition features dyn...

Original oil painting on canvas, still life painting made under natural light. This artwork is painted using high-quality fine linen canvas and sold unframed. Signed on the back of a...

Artist: Bernard Buffet Medium: Lithograph on Arches, 1988 Dimensions: 29.75 x 22.75 in, 75.6 x 57.8 cm

Michael Knigin, American (1942 - 2011) - Advance notice, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 300, AP, Image Size: 17 x 26.5 inches, Size: 21...

The Female Artist Sketching in the Garden by Arthur Rankley (British, 1819-1872) signed and dated 1862 with monogram oil painting on canvas, in antique period gilt frame canvas: 24...

This artwork "Wien" c.1930, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 18 x 12.65 inches, framed size is 28 x 22.75 inches. Custom framed in a wooden gold stressed frame, with off white/green matting and green and black fillets It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...