Paper Drawings and Watercolor Paintings

"The Garden Within” 27.5x19.5in / 70x50cm Ultramarine tempera and ink on textured paper. Shipped rolled in a tube, from my studio in Bucharest, Romania, with DHL to the US and EMS ...

In this contemporary drawing in pastel and graphite on BFK Rives paper, layered undulating lines investigate the properties of abstract curvilinear forms found in the localized condi...

This piece titled "Nesting" is an original artwork by Christina Mrozik and is made of watercolor on paper, and measures 17.5"h × 17.5"w framed. It is signed en verso by the artist. ...

The Road Dreams of Star Beneath Two Moons Tonight A dreamy moonlit landscape inspired by poetry and quiet night atmospheres. The composition features a winding luminous path beneath...

"In Chains" male nude, pencil and tempera on paper. Size is 27.5x19.5in / 70x50cm . Shipped rolled in a tube from Fort Lauderdale, Florida by priority express mail. This particular p...

Sunset Song Series stands as one of the most iconic works featured in her Solo Exhibition - Modern Ancient, GSY Studio Gallery, London, UK. 2025; this is one of the latest in the ser...

This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of the Sun as seen from the c...

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

Medusa and Perseus part of my Neo Mythology series. Shipped rolled in a tube, well packed, from Europe, by DHL. Artist Statement "I started by painting interiors, being interested...

This is an exclusive handprinted limited edition cyanotype. "Azure Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky, showing shades of blue. Details: + Tit...

'Insubria' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches ...

Ama Liyanage, a contemporary artist and printmaker, creates whimsical paintings from her home studio in Ontario, Canada. Each piece holds minuscule painted details waiting to be disc...

This original Ink/Charcoal/gouache drawing was created by Shizico at the transitional sunset light in early spring. Like a modern-day Monet, Shizico has built her own garden over the...

Signed lower left 'C. Werner' for Carl Frederich Heinrich Werner (German, 1808-1894) and dated 1855. Watercolorist Carl Werner studied first with Veit Hanns Schnorr von Carolsfeld ...

watercolour portrait of woman naked lady white cloves nu erotic art unique piece one-of-a-kind watercolour tempera on paper hand signed 51x41cm

Keith Haring Original Handwritten, hand signed Letter, ca. 1987 Ink on Haring's Private letterhead Stationery, Hand written and hand signed by Keith Haring Unique, original piece: ch...

The artist has always liked divas and femmes-fatales. My grandmothers spoke often of these actresses and admired them openly as if they were real. They created a collective imaginati...

"Shape of Water", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Europe. DHL to the USA...

"Blessed" Part of "Nude in Interior" series. Original work on colored paper, with pencil and blue ultramarine tempera on red colored paper, inspired by Matisse. Size is 7.5x19.5in...

“Nocturne for a Feline Soul", tempera acrylic pencil on paper. Shipped rolled in a tube, well packed, from Fort Lauderdale, Florida. This particular piece is in my studio in Fort ...

A Grand Tour image of the Alps. English School, 19th century C1840. Graphite and ink and wash in sepia and brown ink on two sheets of heavyweight wove paper, 8 1/8 x 11 inches (207 x...

Ama Liyanage, a contemporary artist and printmaker, creates whimsical paintings from her home studio in Ontario, Canada. Each piece holds minuscule painted details waiting to be disc...

“Girl in Love with Mask”, tempera acrylic pencil on paper. Check 1stDibs free shipping code for items over $500. Shipped rolled in a tube, well packed, from Europe, using DHL or Fed...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's evening wear by Lilly Daché, Likely an illustration study for a print advertisement for the famed Chic...

A French Impressionist Fauvist Colour-Field gouache and watercolour on paper landscape by Gabrielle Ricard-Cordingley. The painting is not signed but there is another painting of a m...

A Charming 1940s Mid-Century Modern Watercolor of Pirate's Alley, New Orleans by Arlene S. Ezickson (Am. 1927-2003). Titled "Vieux Carre, New Orleans" the artwork is watercolor and ...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's jacket dress; Lucien Lelong ”Indiscrete”. Artwork size: 11 x 8 1/2 inches. Archivally matted t...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's coat, hat and muff, inscribed "Marshall Field & Co". Likely an advertisement illustration study...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's evening gown. Artwork size: 11 x 8 1/2 inches. Colored pencil and pencil on paper. Archivally ma...

Vintage Watercolor Still Life -- The Antique Store Santa Cruz Watercolor of an antiques store titled "Paradox" by Ross Jones (American, 20th century). Signed "Ross Jones" lower right...

"Sunset on the East Coast. Singapore" is an expressive watercolor that captures the iconic, moody atmosphere of the city's beloved coastline at twilight. The painting is a masterful...

Baobab N11 from the series: ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’), is a drawing by the contemporary Spanish artist, Calo Carratalá. This drawing is mounted on a w...

Rosarian, 2026 (After Van Gogh) is Shizico Yi's latest work, inspired by the lost seventh painting from Vincent van Gogh's celebrated Sunflowers series, often referred to as Six Sunf...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

A finished primary study for Bonheur's major oil paintings of the late 1850s, capturing the quiet, unadorned dignity of animals in their native environment. Circa 1855. Graphite and...

The red fish is a symbol of confidence, stable good fortune, and abundance. It represents moving in one’s own rhythm, trusting intuition, and inner stability. The red color emphasize...

Gestural abstract expressionist painting on canvas in colorful hues green, blue, and orange on a gold and silver background "Untitled Green", 2022 by Bruce Murphy 40.5 x 40.5 inches...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's active wear by Hattie Carnegie. Inscription reads: Left - White jersey slack suit Red gaberdine jacke...

Baobab N2 from the series: ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’), is a drawing by the contemporary Spanish artist, Calo Carratalá. This drawing is mounted on a wo...

Indistinctly signed in Bengali, dated ‘79 Bangladesh/Indian Indistinctly signed in Bengali and dated ‘79 Untitled - Fishermen 1979 Watercolour on paper Paper size: 34 x 53 cm Frame Size: 46 x 62.5 cm Provenance: From a private UK family A fabulously evocative watercolour painting showing fisherman, struggling against the elements. This is Bangladesh, 1979, not long after Independence, when the focus was on the working classes, the everyday struggle to make a living and when the artists depicting these times were concurrently exploring and establishing a new aesthetic. The painting combines naturalism with the wash method of watercolour painting and a reduced palette which allows for a rich harmony of shadow and light. Although appearing to simply utilize monotone colours, closer inspection reveals splashes of quite vivid colours; the yellow on the horizon, a deep crimson on the trousers of one of the figures, blue in the nets etc. The colour is subtle but adds a richness to the overall composition implying that this artist has received an academic training; knowing how to get the most from the materials. Add to this the beautiful watery effect from the wash on the paper and we can immediately see references to Bengal school art techniques. It is not surprising that the artist employs this medium. Neuroarthistory points to the rich heritage of Bengal school painters and the fascination with wash technique emanating from their connection to the water which provides the backbone for the region. From supplying food; fish and seafood, to transportation, agriculture and festivities. Bengal and Bangladesh live and die with the water. Some of the leading protagonists of the mid 20th century Bengal school of painters were equally captivated by the same subject and ideology. D P Roy Choudhury was a leading figure in the academic art institutions in the first half of the 20th century. He was also a great experimenter of style. In the image shown,, we can see Choudhury’s treatment of the same subject and how he to chose the monotone palette. It is through observing the similarities and differences that we begin to learn more about the times these artists were painting in and in the case of the Bangladeshi artists how they were approaching the political traumas of the time. The label to the back of the frame tells its own story;. Saju Arts & Crafts, Dacca-12. “Saju was born in 1944 in Ramu, Cox's Bazar. At one point, he became friends with Shamsul Islam Nizami, one of the veteran painters of Bangladesh. At that time, Nizami was a teacher of the Institute of Fine Arts (now Faculty of Fine Arts, University of Dhaka). Nizami introduced Saju to all the notable painters in the contemporary art scenario -- from master painters like Zainul Abedin, Quamrul Hassan...

Young Woman Portrait by Enrico Crespi Signed Located Dated Italian Watercolor Beautiful and evocative watercolor technique painting by the great Milanese school artist Enrico Crespi...

'The Cabaret Dancer', crayon on art paper, by Kolomon Moore (circa 1930s). The Crazy Years (les Années Folles) of Paris in the 1920s hit an abrupt end in...

A French Impressionist Fauvist Colour-Field gouache and watercolour on paper landscape by Gabrielle Ricard-Cordingley. The painting is signed bottom right. There is another painting ...

George Dannatt (1915-2009) 'Gates' No 1 1976 Medium: Oil & crayon on oil wash Image: 21.0 x 33.0 cm Reference no: 0450 George Dannatt’s long career as a painter and sculptor ended ...

Sliced Venus. Original art, signed 100x70cm / 30x27in, ink, graphite, tempera on paper. large size, shipped rolled in a tube Drawing has on the back 2 white wood sticks, and it's rea...

"Sensory Experience", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. Choose between express or standard shipping. This particular piece is in my studio in Fort Lauderdale, Florida. Other pieces are in my other studios in Europe, or in NY. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's red gown, evening wear. Artwork size: 11 x 8 1/2 inches. Archivally matted to 16 x 12 inches. P...

This colourful contemporary pastel on paper in grid form is by Milly Ristvedt. The classic grid pattern becomes more than a ‘container’ for colour in the hands of master colourist M...

Blue (Female) Nude. Inspired by Matisse. Part of my Nude in Interior series. Original, signed. 50x70cm / 19.5x27.5in actual size ink, graphite, tempera on paper Shipping rolled in ...

390 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2024 Style: Classic Art Title: Hoopoe Size: 12 x 16 inch, ...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

Title: Mid Century French Abstract Expressionist Black Ink Gestural Painting Medium: Black ink/ gouache painting on paper, unframed French, circa 1950's Size: 25.75 inches x 19.75 (h...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalt...

Important work by one of the greatest artists of the Italian artistic avant-garde Fausto Pirandello It depicts one of his iconic subjects ‘Bathers’ with five characters depicted in ...

A Fine, Expressive 1930s Modern Figure Study Drawing of a Seated Male Circus Acrobat by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). A wonderful, early example of Chapin's ...

"The Sphinx" The Sphinx is a mythical creature with the head of a woman, the body of a lion, and the wings of an eagle. Part of "Neo Mythology" series. Original work on colored pape...

Indian miniature showing Krishna, cows and the gopis (girls) Watercolour on paper, c mid 20th century Size Mounted: 33 x 22 cm Image Size: 24.2 x 13.4 cm Signed bottom right with a...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...