Paper Drawings and Watercolor Paintings

"Blue Tears” 27.5x19.5in / 70x50cm Ultramarine tempera and ink on textured paper. Shipped rolled in a tube, from my studio in Bucharest, Romania, with DHL to the US and EMS to Euro...

This Oil impasto and Goldleaf on Paper, named Peony Summer, is a part of Summer Bloom Series by Award winning British artist Shizico Yi. She created the painting in her garden paint...

In this contemporary drawing in pastel and graphite on BFK Rives paper, layered undulating lines investigate the properties of abstract curvilinear forms found in the localized condi...

"The Garden Within” 27.5x19.5in / 70x50cm Ultramarine tempera and ink on textured paper. Shipped rolled in a tube, from my studio in Bucharest, Romania, with DHL to the US and EMS ...

This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of the Sun as seen from the c...

"In Chains" male nude, pencil and tempera on paper. Size is 27.5x19.5in / 70x50cm . Shipped rolled in a tube from Fort Lauderdale, Florida by priority express mail. This particular p...

Medusa and Perseus part of my Neo Mythology series. Shipped rolled in a tube, well packed, from Europe, by DHL to the US and by EMS to Europe and rest of the world. Medusa and Pers...

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

This is an exclusive handprinted limited edition cyanotype. "Azure Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky, showing shades of blue. Details: + Tit...

This piece titled "Nesting" is an original artwork by Christina Mrozik and is made of watercolor on paper, and measures 17.5"h × 17.5"w framed. It is signed en verso by the artist. ...

'Insubria' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches ...

This original Ink/Charcoal/gouache drawing was created by Shizico at the transitional sunset light in early spring. Like a modern-day Monet, Shizico has built her own garden over the...

The Road Dreams of Star Beneath Two Moons Tonight A dreamy moonlit landscape inspired by poetry and quiet night atmospheres. The composition features a winding luminous path beneath...

Vibrant Post War Bay Area Garden Landscape - Original Watercolor Painting Lively landscape of a path and steps through a garden by Turkish-American artist Ömer Şahingil (Turkish/Ame...

"Blessed" Part of "Nude in Interior" series. Original work on colored paper, with pencil and blue ultramarine tempera on red colored paper, inspired by Matisse. Size is 7.5x19.5in...

A French Impressionist Fauvist Colour-Field gouache and watercolour on paper landscape by Gabrielle Ricard-Cordingley. The painting is not signed but there is another painting of a m...

Keith Haring Original Handwritten, hand signed Letter, ca. 1987 Ink on Haring's Private letterhead Stationery, Hand written and hand signed by Keith Haring Unique, original piece: ch...

“Girl in Love with Mask”, tempera acrylic pencil on paper. Check 1stDibs free shipping code for items over $500. Shipped rolled in a tube, well packed, from Europe, using DHL or Fed...

Untitled Prakash Jogi Ink on Paper 30cm x 42cm Signed and Dated 2014

This Set of 2, work on paper, named Le Bleu are a part of Jardin d'Hiver Series by award winning British artist Shizico Yi. She created the series in her winter studio while longing...

A Grand Tour image of the Alps. English School, 19th century C1840. Graphite and ink and wash in sepia and brown ink on two sheets of heavyweight wove paper, 8 1/8 x 11 inches (207 x...

Vintage Watercolor Still Life -- The Antique Store Santa Cruz Watercolor of an antiques store titled "Paradox" by Ross Jones (American, 20th century). Signed "Ross Jones" lower right...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Composed of nine cards, each of which measures 5 x 3 in. Framed dimensions: 23.5 x 17.5 in Initialed "KZ" in blue pen lower right corner on all cards except the horse, which is sign...

A wonderful study of Grecian vases at the Louvre. English School, early 20th century c1910. Watercolor and ink light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In v...

Boleslaw Cybis (1895-1957). Unnamed Horses (Wild Horses), ca. 1930's. Conte on paper, sheet measures 20 x 23 inches. Signed by the artist some years after its creation in blue ink...

"Washington Square" is an original painting by Tom Haugomat, made as part of his traveling artist residency with The Jaunt. Traveling from France to Philadelphia, Haugomat was inspir...

A Charming 1940s Mid-Century Modern Watercolor of Pirate's Alley, New Orleans by Arlene S. Ezickson (Am. 1927-2003). Titled "Vieux Carre, New Orleans" the artwork is watercolor and ...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

Young Woman Portrait by Enrico Crespi Signed Located Dated Italian Watercolor Beautiful and evocative watercolor technique painting by the great Milanese school artist Enrico Crespi...

Baobab N11 from the series: ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’), is a drawing by the contemporary Spanish artist, Calo Carratalá. This drawing is mounted on a w...

Post War Berkeley Hills Victorian House Original Watercolor Painting, Signed Original 1947 watercolor painting of Berkeley home in the featuring an iconic Queen Anne Victorian house...

Gestural abstract expressionist painting on canvas in colorful hues green, blue, and orange on a gold and silver background "Untitled Green", 2022 by Bruce Murphy 40.5 x 40.5 inches...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Figure with Orange and Blue - Original Signed Abstract Expressionist Work Dynamic figural abstract piece by Felix Ruvolo (American, 1912-1992). In the center of the composition is a...

The red fish is a symbol of confidence, stable good fortune, and abundance. It represents moving in one’s own rhythm, trusting intuition, and inner stability. The red color emphasize...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

A finished primary study for Bonheur's major oil paintings of the late 1850s, capturing the quiet, unadorned dignity of animals in their native environment. Circa 1855. Graphite and...

Signed lower left 'C. Werner' for Carl Frederich Heinrich Werner (German, 1808-1894) and dated 1855. Watercolorist Carl Werner studied first with Veit Hanns Schnorr von Carolsfeld ...

Indistinctly signed in Bengali, dated ‘79 Bangladesh/Indian Indistinctly signed in Bengali and dated ‘79 Untitled - Fishermen 1979 Watercolour on paper Paper size: 34 x 53 cm Frame Size: 46 x 62.5 cm Provenance: From a private UK family A fabulously evocative watercolour painting showing fisherman, struggling against the elements. This is Bangladesh, 1979, not long after Independence, when the focus was on the working classes, the everyday struggle to make a living and when the artists depicting these times were concurrently exploring and establishing a new aesthetic. The painting combines naturalism with the wash method of watercolour painting and a reduced palette which allows for a rich harmony of shadow and light. Although appearing to simply utilize monotone colours, closer inspection reveals splashes of quite vivid colours; the yellow on the horizon, a deep crimson on the trousers of one of the figures, blue in the nets etc. The colour is subtle but adds a richness to the overall composition implying that this artist has received an academic training; knowing how to get the most from the materials. Add to this the beautiful watery effect from the wash on the paper and we can immediately see references to Bengal school art techniques. It is not surprising that the artist employs this medium. Neuroarthistory points to the rich heritage of Bengal school painters and the fascination with wash technique emanating from their connection to the water which provides the backbone for the region. From supplying food; fish and seafood, to transportation, agriculture and festivities. Bengal and Bangladesh live and die with the water. Some of the leading protagonists of the mid 20th century Bengal school of painters were equally captivated by the same subject and ideology. D P Roy Choudhury was a leading figure in the academic art institutions in the first half of the 20th century. He was also a great experimenter of style. In the image shown,, we can see Choudhury’s treatment of the same subject and how he to chose the monotone palette. It is through observing the similarities and differences that we begin to learn more about the times these artists were painting in and in the case of the Bangladeshi artists how they were approaching the political traumas of the time. The label to the back of the frame tells its own story;. Saju Arts & Crafts, Dacca-12. “Saju was born in 1944 in Ramu, Cox's Bazar. At one point, he became friends with Shamsul Islam Nizami, one of the veteran painters of Bangladesh. At that time, Nizami was a teacher of the Institute of Fine Arts (now Faculty of Fine Arts, University of Dhaka). Nizami introduced Saju to all the notable painters in the contemporary art scenario -- from master painters like Zainul Abedin, Quamrul Hassan...

Sliced Venus. Original art, signed 100x70cm / 30x27in, ink, graphite, tempera on paper. large size, shipped rolled in a tube Drawing has on the back 2 white wood sticks, and it's rea...

"Silence", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Size 39x27.5in /100x70cm. Shipped rolled in a tube from For...

This painting named "Sunkissed sunflowers in a terracotta vase " celebrates my love for these beautiful joyful summer flowers. Van Gogh and my admiration for his art, inspired me ...

Marisa Mu’s watercolor paintings celebrate liberated bodies in motion, using playful gesture and vivid color to create scenes that feel joyful, intimate, and full of momentum. "Showg...

Three botanical studies, watercolor on paper, mounted together in a single frame. Signed and dated Ester Brunstedt, 1898 on the reverse. This elegant group of three botanical waterco...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

Emperor Jahangir in his harem surrounded by lotus blossoms; symbols of paradise itself. Circa 1690. Gouache and ink with gold heightening on cream laid paper, 8 1/2 x 6 1/4 inches (...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's active wear by Hattie Carnegie. Inscription reads: Left - White jersey slack suit Red gaberdine jacke...

"The Sphinx" The Sphinx is a mythical creature with the head of a woman, the body of a lion, and the wings of an eagle. Part of "Neo Mythology" series. Original work on colored pape...

An Elegant, Stylish Gilded Age Themed Interior Scene / Set Design by notable stage set, costume and fashion designer, Andre Delfau (Fr./Am. 1914-2000). Artwork is gouache on paper, ...

'Landscape with Man and Goats', gouache on paper, by Raymond Guerrier (circa 1960s). After the artist moved from Paris to the South of France, he started painting landscapes illumina...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Original watercolor on archival paper of a horse drawn carriage heading up a house lined street. The watercolor is attributed to the hand of Colin Michael Hind, a British born artist...

Internationally acclaimed watercolorist Gary Bukovnik has devoted his career to celebrating the beauty, abundance, and vitality of the natural world. Renowned for his exuberant flora...

A joyful scene of lighthearted merriment in the palace of Jangahir Mahal Agra Circa 1750. Gouache and ink with gold heightening on light weight cream laid paper, 8 1/4 x 6 inches (2...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

Wonderful and evocative watercolour on paper by the great Austrian-born artist who lived in the United States John Haymson (Vienna 1902 - New York 1980). This beautiful still life de...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Pablo Ruiz Picasso (Malaga, Spain, October 25, 1881 - Mougins, France, April 8, 1973). Mère et fil (Évocation d’Horta d’Ebre). Ink and watercolor on paper. ca. 1904. 24 x 25 cm (...