Plastic Drawings and Watercolor Paintings

Antonia's Line, named after the Dutch film written and directed by Marleen Gorris. The film has been described as a "feminist fairy tale." It tells the story of the independent Anton...

Sam Gilliam Untitled Abstract Expressionist mixed media painting on paper, Ex-Museum of Modern Art Collection, 1968 Watercolor and Aluminum Paint on Fiberglass Paper. (Framed with Mu...

Robert Morris Investigations (with Guggenheim Museum Labels), 1990 Graphite drawing on Mylar. Framed with the original Guggenheim Museum label (lent by Sonnabend), & Castelli Gal...

Untitled, 2016 White silicone on paper 78 × 58 3/10 in 198 × 148 cm Signed on reverse Berszán depicts in his drawings and paintings the primary turmoil where the violence of the un...

Susan Kiefer Goddess Charcoal, pastel and reflective mylar on paper Year: 2000 Size: 30x25x0.35in Signed, dated and inscribed by hand COA provided Ref.: 924802-1660 Framed drawing o...

This etching is from my private collection of 20th Century artists. It is original, signed and numbered. Edouard Righetti (1921-2001) was a French post impressionist artist who speci...

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Pa...

Big Blue Melt 14 (Abstract drawing) Pigment, Color Pencil and Ice on Mylar. Unframed. Big Blue Melt are works that have been created with pigment pencils and ice. Peerna starts th...

Dina Brodsky's realist oil on mylar animal miniature, "Egret," 2018, depicts an Egret preening itself, its neck arched elegantly as it reaches for its furthest wings. The bird's bril...

This painted work-on-paper is an abstract geometric design that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The...

Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them. These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact. Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that. Mary Borgman Portrait of Justin Shanitkvich, 2022 charcoal on mylar 53h x 40w in 134.62h x 101.60w cm MBG009 [This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass] FRAMED DIMENSIONS 55.25h x 42.50w x 2.25d in 140.34h x 107.95w x 5.71d cm Mary Borgman b. October 4, 1959 St. Louis, MO SELECTED EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR 2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C. SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2011 Gallery Group Ann Nathan Gallery, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...

In Wayfinding No. 1, Katherine Filice invites the viewer into a fluid, intuitive search for orientation—a quiet mapping of the soul through subtle, luminous gesture. This intimate wo...

Jaanika Peerna (Estonian, 1971), Puff Series, Graphite and Colored Pencil on Mylar, 2013, signed, titled, and dated to the verso, painted white wood frame. Image: 10.75" H x 8.75" W;...

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Pa...

abstract geometric black and white ink drawing on mylar framed in white frame For over twenty years now Patrick Carrara has lived in Brooklyn, where he has maintained a studio and s...

This is a unique drawing, synthetic polymer on paper. Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The And...

In this contemporary landscape in black sumi ink on Mylar, a peaceful forest scene is intricately detailed, beautifully capturing the serenity of a walk in the woods. This ink drawi...

In this contemporary landscape in black sumi ink on Mylar, a peaceful forest scene is intricately detailed, beautifully capturing the serenity of a walk in the woods. This ink drawi...

In this contemporary landscape in black sumi ink on Mylar, a peaceful forest scene is intricately detailed, beautifully capturing the serenity of a walk in the woods. This ink drawi...

Abstract Flowers Blue Red Yellow Purple Painting entitled 'When Sonny gets Blue' from Modern British Artist Margaret Francis, widow of famous Abstract Expressionist Artist, Sam Francis. Margaret Francis received her Degree in Fine Art from Winchester Art...

Harmony Korine Original Drawing (Hand signed and inscribed to Nadine), 2015 Original marker drawing held inside hardback monograph Signed, dated and inscribed by Harmony Korine with ...

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...

In this contemporary landscape in black sumi ink on Mylar, a peaceful forest scene is intricately detailed, beautifully capturing the serenity of a walk in the woods. This ink drawi...

John Emanuel embarking on a series of works using new life models. Unusual for a artist who has over the last 40 years only had 3 previous sitters. Now working with Sarah Jane and Ro...

Interior design paintings. The work was done with alcohol ink in blue, pink, yellow, green color on Yupo paper and plastic. The work is 20 by 26 inches in size, framed in fine-qualit...

Striking watercolor and ink painting of a nude female figure lying on her side, in brilliant shades of red against blue paper by artist Kei Mitsuuchi, 1994. Signed and dated lower le...

Calligraphic brushstrokes in black ink are used to render the nude figure of Aphroditus in contrapposto similar to ancient Greek and Roman representations of the male Aphrodite. Lynne Fernie is a Toronto artist...

This drawing by Zachari Logan is offered by CLAMP in New York City.

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...

This drawing by Zachari Logan is a self portrait made with colored pencil on Mylar depicting the artist nude immersed in the foliage of the forest. Forest No. 1, After Tom 2022 Accompanied by certificate of authenticity signed by the artist Colored pencil on Mylar 9 x 6.5 inches “This drawing is a tribute to Tom of Finland, whose work has long-influenced my own in relation to drawing, the construction of space, and self-portraiture. In Finland’s compositions, images of men in the landscape—logging, foresting, and relaxing (together, naked, clothed, alone, in pairs and in groups) had a profound effect on my own thinking about the queer body represented. I see no separation between land and body—we are nature. The queer body is not unnatural (that is a false dichotomy, often espoused by religious and conservative world views). Finland’s renderings of bodies in nature are for me a rupture of the largely European tradition of only representing male nudity...

Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them. These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact. Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that. Mary Borgman Portrait of Matt Latham charcoal on mylar 60h x 40w in 152.40h x 101.60w cm MBG011 FRAMED DIMENSIONS 62h x 42w x 2.25d in 157.48h x 106.68w x 5.71d cm [This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass] Mary Borgman b. October 4, 1959 St. Louis, MO SELECTED EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR 2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C. SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2011 Gallery Group Ann Nathan Gallery, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...

The new works of Mylinh Nguyen designed from polymer resin, bring us into a nature whose refinement commands admiration. From the physiognomy of living or extinct plant species, the ...

Car rally. Fiat factory team. Marco Silombria (Savona, 1035- Turin, 2014) Mixed media: drawing, watercolor, pencils on paper, applied to hard support Around 1980. Marco Silombria...

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Pa...

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Pa...

In this contemporary landscape in black sumi ink on Mylar, a peaceful forest scene is intricately detailed, beautifully capturing the serenity of a walk in the woods. This ink drawi...

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Pa...

In this contemporary landscape in black sumi ink on Mylar, a peaceful forest scene is intricately detailed, beautifully capturing the serenity of a walk in the woods. This ink drawi...

The new works of Mylinh Nguyen designed from polymer resin, bring us into a nature whose refinement commands admiration. From the physiognomy of living or extinct plant species, the ...

Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board Signed and dated on label, verso This artwork is offered by ClampArt, located in New York City. Cub...

"Undulating Flowering Ovum" by Hunter Stabler is an original ink and graphite on hand-cut paper mounted to plexiglass piece of artwork. The piece ships in the pictured wood frame an...

James Minden potential Holographic drawing- Hand incised plastic and acrylic on panel 24 x 24 inches 2017 To get a sense of the holographic effect look at the video on that vimeo's ...

James Minden Place Holographic drawing- Hand incised plastic and acrylic on panel 24 x 24 inches 2013 To get a sense of the holographic effect look at the video on that vimeo's site...

This painted work-on-paper is an abstract geometric design that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The densely layered compositio...

"Descriptions I have heard or read of my work, most of which either delight or offend me, are: allegorical, apocalyptic, provocative, prophetic, dream-like, surreal, fantastic, weird...

abstract geometric black and white ink drawing on mylar framed in white frame For over twenty years now Patrick Carrara has lived in Brooklyn, where he has maintained a studio and s...

Love Affair 9 (Abstract drawing) Colour pencil on two layers of Mylar — Unframed. Love Affairs" is a series of drawings on two layers of thin, translucent paper resembling ice. Each...

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Pa...

Love Affair 6 (Abstract drawing) Colour pencil on two layers of Mylar — Unframed. Love Affairs" is a series of drawings on two layers of thin, translucent paper resembling ice. Each...

WINDOW V captures the soft patterned shadow of the trees veiled by a sheer curtain. This painting is is part of an on-going series that explores the light and landscape in Tennessee....

This feminist work of a nude gazing directly at the viewer, features graphite on mylar over cut paper, aligned to amplify the forms while maintaining the delicacy of the drawing. These recently discovered 1984 oversize works on mylar and archival papers were created with a live model. The series shows the last existing observational drawings prior to the artist's switch to working with her non- dominant left hand. As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze...

Pigment pencil on Mylar. Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a tilted table, she extends her fingers t...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of ...

Tipping Point #7 (Abstract drawing) Pigment pencil on Mylar - Unframed. This work is from a series titled Tipping Point. This drawing has been created eyes closed. It captures an a...

Screech of ice series 41 (Abstract drawing) Colored pencil and graphite on plastic paper. Unframed. Screech of Ice is a new series of drawings made by holding a bunch of pencils in...

Screech of ice series 42 (Abstract drawing) Colored pencil and graphite on plastic paper. Unframed. Screech of Ice is a new series of drawings made by holding a bunch of pencils in...

Tipping Point #7 (Abstract drawing) Pigment pencil on Mylar - Unframed. This work is from a series titled Tipping Point. This drawing has been created eyes closed. It captures an a...

This work features graphite on mylar over cut paper, aligned to amplify the forms while maintaining the delicacy of the drawing. These recently discovered 1984 oversize works on myla...

Big Melt #10 (Abstract drawing) Pigment pencil and water on mylar - Unframed. This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captu...

Screech of ice series 43 (Abstract drawing) Colored pencil and graphite on plastic paper. Unframed. Screech of Ice is a new series of drawings made by holding a bunch of pencils in...