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Medium: Plastic
Birch Abstract, dark mixed media, mylar, trees, abstraction, muted colors w gold
Located in Brooklyn, NY
mixed media on mylar
Among the best selling works by Audrey Frank Anastasi are the birch trees, "process-oriented works, drawn and painted in various media.
According to Ms. Anast...
Category
2010s Expressionist Plastic Drawings and Watercolor Paintings
Materials
Mylar, Mixed Media
Moonwalk - Contemporary Abstract Expressionism Work on Paper Purple+Black+White
Located in Gilroy, CA
"Moonwalk," is a mixed media abstract painting on paper by artist Vivian Liddell. This piece has an ink wash of different colors building up layers and yearn and polymer resting on t...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
Spray Paint, Monotype, Yarn, Polymer
Polish French Judaica Watercolor Gouache Painting Original Bauhaus Yiddish Art
Located in Surfside, FL
Moses Bahelfer BAGEL (1908-1995)
Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Paris (Ecole de Paris)
Moshe Bagelferyches was born on June 29 , 1908 in Vilnius, (Vilna, Poland) then part of the Russian Empire. He took up painting from at an early age, later going on to work as an apprentice at a local vocational school in Vilno while taking classes at the Vilnius Academy of Arts. Bagelferyches also joined Yungvilno, a group formed by young Jewish artists, poets and writers in the city, who hosted exhibitions. In 1927, he left for Germany where he joined the Bauhaus arts and architecture school in Dessau. From 1928 to 1932, he studied under Joost Schmidt, Paul Klee, Lyonel Feininger, and Wassily Kandinsky. His painting was close to pure abstract art. He maintained close bonds with former students of the Bauhaus school who lived in Paris, Joseph Weinfeld, Jean Leppien...
Category
20th Century Modern Plastic Drawings and Watercolor Paintings
Materials
Ink, Watercolor, ABS
Polish French Judaica Watercolor Gouache Painting Original Bauhaus Yiddish Art
Located in Surfside, FL
Moses Bahelfer BAGEL (1908-1995)
Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Paris (Ecole de Paris)
Moshe Bagelferyches was born on June 29 , 1908 in Vilnius, (Vilna, Poland) then part of the Russian Empire. He took up painting from at an early age, later going on to work as an apprentice at a local vocational school in Vilno while taking classes at the Vilnius Academy of Arts. Bagelferyches also joined Yungvilno, a group formed by young Jewish artists, poets and writers in the city, who hosted exhibitions. In 1927, he left for Germany where he joined the Bauhaus arts and architecture school in Dessau. From 1928 to 1932, he studied under Joost Schmidt, Paul Klee, Lyonel Feininger, and Wassily Kandinsky. His painting was close to pure abstract art. He maintained close bonds with former students of the Bauhaus school who lived in Paris, Joseph Weinfeld, Jean Leppien...
Category
20th Century Modern Plastic Drawings and Watercolor Paintings
Materials
Ink, Watercolor, ABS
The Whole Pie
Located in New Orleans, LA
artwork dimensions (unframed): 35.5h x 39w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Ink, Mylar
P.O.P. (Piece of Pie)
Located in New Orleans, LA
artwork dimensions (unframed): 15h x 20w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Ink, Mylar
Storm Series #53
Located in Fairfield, CT
Color Pencil
Graphite
Mylar
Category
2010s Plastic Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil, Graphite
Polish French Judaica Watercolor Gouache Painting Original Bauhaus Yiddish Art
Located in Surfside, FL
Moses Bahelfer BAGEL (1908-1995)
Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Paris (Ecole de Paris)
Moshe Bagelferyches was born on June 29 , 1908 in Vilnius, (Vilna, Poland) then part of the Russian Empire. He took up painting from at an early age, later going on to work as an apprentice at a local vocational school in Vilno while taking classes at the Vilnius Academy of Arts. Bagelferyches also joined Yungvilno, a group formed by young Jewish artists, poets and writers in the city, who hosted exhibitions. In 1927, he left for Germany where he joined the Bauhaus arts and architecture school in Dessau. From 1928 to 1932, he studied under Joost Schmidt, Paul Klee, Lyonel Feininger, and Wassily Kandinsky. His painting was close to pure abstract art. He maintained close bonds with former students of the Bauhaus school who lived in Paris, Joseph Weinfeld, Jean Leppien...
Category
20th Century Modern Plastic Drawings and Watercolor Paintings
Materials
Ink, Watercolor, ABS
Polish French Judaica Watercolor Gouache Painting Original Bauhaus Yiddish Art
Located in Surfside, FL
Moses Bahelfer BAGEL (1908-1995)
Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Paris (Ecole de Paris)
Moshe Bagelferyches was born on June 29 , 1908 in Vilnius, (Vilna, Poland) then part of the Russian Empire. He took up painting from at an early age, later going on to work as an apprentice at a local vocational school in Vilno while taking classes at the Vilnius Academy of Arts. Bagelferyches also joined Yungvilno, a group formed by young Jewish artists, poets and writers in the city, who hosted exhibitions. In 1927, he left for Germany where he joined the Bauhaus arts and architecture school in Dessau. From 1928 to 1932, he studied under Joost Schmidt, Paul Klee, Lyonel Feininger, and Wassily Kandinsky. His painting was close to pure abstract art. He maintained close bonds with former students of the Bauhaus school who lived in Paris, Joseph Weinfeld, Jean Leppien...
Category
20th Century Modern Plastic Drawings and Watercolor Paintings
Materials
Ink, Watercolor, ABS
Polish French Judaica Watercolor Gouache Painting Original Bauhaus Yiddish Art
Located in Surfside, FL
Moses Bahelfer BAGEL (1908-1995)
Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Paris (Ecole de Paris)
Moshe Bagelferyches was born on June 29 , 1908 in Vilnius, (Vilna, Poland) then part of the Russian Empire. He took up painting from at an early age, later going on to work as an apprentice at a local vocational school in Vilno while taking classes at the Vilnius Academy of Arts. Bagelferyches also joined Yungvilno, a group formed by young Jewish artists, poets and writers in the city, who hosted exhibitions. In 1927, he left for Germany where he joined the Bauhaus arts and architecture school in Dessau. From 1928 to 1932, he studied under Joost Schmidt, Paul Klee, Lyonel Feininger, and Wassily Kandinsky. His painting was close to pure abstract art. He maintained close bonds with former students of the Bauhaus school who lived in Paris, Joseph Weinfeld, Jean Leppien...
Category
20th Century Modern Plastic Drawings and Watercolor Paintings
Materials
Ink, Watercolor, ABS
Dead Eye #2
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Ink, Mylar
Cherry / Silver / Lace
Located in New Orleans, LA
artwork dimensions (unframed): 20h x 14w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Ink, Mylar
Dead Eye #1
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Maelstrom Series 67 (Abstract drawing)
Located in London, GB
Pigment pencil on Mylar. Unframed.
The Maelstrom Series include the most iconic and known of Peerna's works.
Starting from the center on a tilted table, she extends her fingers ...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Natural Lure
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Barbecue Nation
Located in New Orleans, LA
artwork dimensions (unframed): 59h x 41w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing simil...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Merrymaking
Located in New Orleans, LA
LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Tipping Point #7 (Abstract drawing)
Located in London, GB
Pigment pencil on Mylar - Unframed.
This work is from a series titled Tipping Point. This drawing has been created eyes closed. It captures an accumulation of marks made by the arti...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil
Harmony-abstraction art, made in blue, pink, yellow, green color
By Mila Akopova
Located in Fort Lee, NJ
Interior design paintings. The work was done with alcohol ink in blue, pink, yellow, green color on Yupo paper and plastic. The work is 20 by 26 inches in size, framed in fine-qualit...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Plastic, Paper, Ink
Light Box No. 2605 - electric light emanating wall or table sculpture
Located in Burlingame, CA
Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Metal
Tam-Tam
Located in Florham Park, NJ
House of Bernard
Founded 1905.
Watercolor over pencil.
Some with gold or silver leaf highlights
Paris, France.
Coats, 1923.
Evening dresses, 1926.
French fashion has influe...
Category
1920s Academic Plastic Drawings and Watercolor Paintings
Materials
Archival Paper, Watercolor, Archival Tape, Ink, Paper, Plexiglass, Rag P...
Anonymous Self Portrait LIV
Located in New York, NY
Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board
Signed and dated on label, verso
This artwork is offered by ClampArt, located in New York City.
Cub...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
Graphite, Ink, Mylar, Oil, Board
Screech of ice series 41 (Abstract drawing)
Located in London, GB
Colored pencil and graphite on plastic paper. Unframed.
Screech of Ice is a new series of drawings made by holding a bunch of pencils in two hands and letting them to do the control...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Plastic, Paper, Color Pencil, Graphite
Undulating Flowering Ovum
Located in Philadelphia, PA
"Undulating Flowering Ovum" by Hunter Stabler is an original ink and graphite on hand-cut paper mounted to plexiglass piece of artwork. The piece ships in the pictured wood frame an...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Plexiglass, Archival Ink, Archival Paper, Graphite
Low Front IV
Located in New Orleans, LA
[Tucson, AZ ::: b. 1987, Atlanta, GA]
LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes ...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
What a B***h? - Original Digital Photograph and Drawing on Plastic - 2011
Located in Roma, IT
What a B***h (Che stronzetta) is an original artwork realized by the Italian contemporary artist Nicolantonio Mucciaccia in 2011.
Mixed media (drawing and digital photo) on plastic m...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
Plastic, Rubber
Thaw #6
Located in Fairfield, CT
This piece is framed.
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil, Graphite
Dina Brodsky, Egret, Realist oil paint on mylar animal miniature, 2018
By Dina Brodsky
Located in New York, NY
Dina Brodsky's realist oil on mylar animal miniature, "Egret," 2018, depicts an Egret preening itself, its neck arched elegantly as it reaches for its furthest wings. The bird's bril...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
Oil, Mylar
White Love - Original Digital Photograph and Drawing on Plastic - 2016
Located in Roma, IT
White Love is an original artwork realized by the Italian contemporary artwork Nicolantonio Mucciaccia in 2016.
Mixed media (drawing and digital photo) on plastic mirrored support.
A...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
Plastic, Rubber
Low Front I
Located in New Orleans, LA
medium: ink on hand-cut mylar
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
What is an Alien? - Original Digital Photograph and Drawing on Plastic - 2011
Located in Roma, IT
What is an Alien? is an original artwork realized by the Italian contemporary artist Nicolantonio Mucciaccia in 2011.
Mixed media on plastic and rubber. Frame included.
Perfect condi...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
Plastic, Rubber
Untitled - Paper, White, Abstract, 21st Contemporary, Minimalist
Located in Berlin, DE
Untitled, 2016
White silicone on paper
78 × 58 3/10 in
198 × 148 cm
Signed on reverse
Berszán depicts in his drawings and paintings the primary turmoil where the violence of the un...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Silicone, Paper
POSSIBLE, IMPOSSIBLE, POSSIBLE - Circular, Contemporary Landscape/Abstract
Located in Signal Mountain, TN
In POSSIBLE, IMPOSSIBLE, POSSIBLE, Peña combines representational elements of a bright green landscape in the background with a more abstracted silhouette of a house in the middle gr...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
PVC, Wood, Paper, Acrylic, Watercolor
Boom, Bust, Repeat - Nick Peña - Contemporary Landscape/Abstract Painting
Located in Signal Mountain, TN
In BOOM BUST REPEAT17, Peña creates a silhouette of house and fills it with sharpe-edged shapes that contain gradients and saturated hues of red, green, and violet. He balances these colors with muted tones of orange and yellow . The viewer can create a house that is yet to be built in between the gaps here. In "Boom, Bust, Repeat", Peña remarks on a house and landscape that has yet to take place. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small circular lines that have been hand drawn with India ink. The Sintra board has been cut to reveal arrows in the negative space pointing upwards as to hint at a boom in the market.
Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche.
The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability.
In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with.
Nick Peña...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
India Ink, Acrylic, Watercolor, PVC, Wood, Paper
Screech of ice series 43 (Abstract drawing)
Located in London, GB
Colored pencil and graphite on plastic paper. Unframed.
Screech of Ice is a new series of drawings made by holding a bunch of pencils in two hands and letting them to do the control...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Plastic, Paper, Color Pencil, Graphite
Bla Bla Bla - Original Digital Photograph and Drawing on Plastic - 2011
Located in Roma, IT
Bla Bla Bla is an original artwork realized by the Italian artist Nicolantonio Mucciaccia in 2011.
Drawing and digital photograph on plastic support.
Frame...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
Plastic
Plaything
Located in New Orleans, LA
Plaything, 20”x20”, Ink on Hand-Cut Mylar, 2018
This piece focuses on America's cultural appropriation and exploitation of Mexican culture. Living in the desert Southwest...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Donut Dollies
Located in New Orleans, LA
Artwork dimensions (without frame): 60h x 40w inches
During World War II an the Vietnam War, women were encouraged to volunteer to travel to war zones through the Red Cross. They w...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
The Bubble - Circular Contemporary Landscape/Abstract Painting, geometric, blue
Located in Signal Mountain, TN
Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment.
In "The Buble", Peña takes a more traditional approach to representing a house in the phase of construction with bold and vivid colors and contrasts the image with cut Sintra board slowly pulsating downward from underneath the house. The light blue of the sky contrasts with a deep orange hue for the house. The work is framed with a 1 inch white border.
Nick Peña...
Category
2010s Conceptual Plastic Drawings and Watercolor Paintings
Materials
PVC, Acrylic, Watercolor
Thaw #8
Located in Fairfield, CT
This piece is framed.
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil, Graphite
WINDOW V - Contemporary Abstract Mixed Media Painting, shadow, curtains, blue
Located in Signal Mountain, TN
WINDOW V captures the soft patterned shadow of the trees veiled by a sheer curtain. This painting is is part of an on-going series that explores the light and landscape in Tennessee....
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Polyester, Oil, Acrylic, Gouache, Mesh
Undulations 27
Located in Fairfield, CT
This piece is unframed. With Jaanika.
Category
2010s Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Undulations 24
Located in Fairfield, CT
This piece is unframed. With Jaanika.
Category
2010s Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Undulations 18
Located in Fairfield, CT
This piece is unframed. With Jaanika.
Category
2010s Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Undulations 26
Located in Fairfield, CT
This piece is framed. With Jaanika.
Category
2010s Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
SPINNING PLATES - Circular Landscape Abstract Painting w/ Mid-Century Modern
Located in Signal Mountain, TN
Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of ...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
PVC, Acrylic, Watercolor
Maelstrom 78
Located in Fairfield, CT
wax pencil on mylar
36 x 36 in
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Wax, Pencil
Maelstrom 80
Located in Fairfield, CT
wax pencil on mylar
36 x 36 in
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Wax, Pencil
Maelstrom Series 68 (Abstract drawing)
Located in London, GB
Pigment pencil on Mylar. Unframed.
The Maelstrom Series include the most iconic and known of Peerna's works.
Starting from the center on a tilted table, she extends her fingers t...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil
Maelstrom Series #80
Located in Fairfield, CT
Wax pencil on mylar.
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Wax
Maelstrom Series #78
Located in Fairfield, CT
Wax pencil on mylar
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Wax
Thaw 3 (Abstract drawing)
Located in London, GB
Graphite and colored pencil on two layers of plastic paper. Unframed.
Thaw Series is a new series of drawings where the artist continues her work touching upon environmental matter...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Plastic, Color Pencil, Graphite
Untitled, 2005
Located in Kensington, MD
Acrylic on linen, unframed
Category
Early 2000s Abstract Plastic Drawings and Watercolor Paintings
Materials
Acrylic
Potential- abstract geometric holographic light drawing on wood panel
Located in New York, NY
James Minden
potential
Holographic drawing- Hand incised plastic and acrylic on panel
24 x 24 inches
2017
To get a sense of the holographic effect look at the video on that vimeo's ...
Category
2010s Abstract Geometric Plastic Drawings and Watercolor Paintings
Materials
Plastic, Acrylic, Wood Panel
Place- abstract geometric holographic light drawing on wood panel
Located in New York, NY
James Minden
Place
Holographic drawing- Hand incised plastic and acrylic on panel
24 x 24 inches
2013
To get a sense of the holographic effect look at the video on that vimeo's site...
Category
2010s Abstract Geometric Plastic Drawings and Watercolor Paintings
Materials
Plastic, Acrylic, Wood Panel
Blue eyes- abstract geometric holographic light drawing on wood panel
Located in New York, NY
James Minden
Blue Eyes
Holographic drawing- Hand incised plastic and acrylic on panel
48 x 24 inches
2017
To get a sense of the holographic effect look at the video on that vimeo's ...
Category
2010s Abstract Geometric Plastic Drawings and Watercolor Paintings
Materials
Plastic, Acrylic, Wood Panel
Lithotomy
Located in New Orleans, LA
medium: ink on hand-cut mylar
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Info-Red Infra-Structure
Located in New Orleans, LA
medium: ink on hand-cut mylar
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Plastic drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Plastic drawings and watercolor paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add drawings and watercolor paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Laura Tanner Graham, Zachari Logan, Mary Borgman, and Nicolantonio Mucciaccia. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plastic drawings and watercolor paintings, so small editions measuring 0.79 inches across are also available Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $60 and tops out at $295,000, while the average work can sell for $1,200.
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The New York artist created covers for the nation’s most illustrious magazines. Now, the originals are on display as fine art.
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