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Medium: Plastic
Tipping Point #7 (Abstract drawing)
Located in London, GB
Tipping Point #7 (Abstract drawing)
Pigment pencil on Mylar - Unframed.
This work is from a series titled Tipping Point. This drawing has been created eyes closed. It captures an a...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil
Maelstrom Series 77 (Abstract drawing)
Located in London, GB
Maelstrom Series 77 (Abstract drawing)
Pigment pencil on Mylar - Unframed
The Maelstrom Series include the most iconic and known of Peerna's works.
Starting from the center on a...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Screech of ice series 42 (Abstract drawing)
Located in London, GB
Screech of ice series 42 (Abstract drawing)
Colored pencil and graphite on plastic paper. Unframed.
Screech of Ice is a new series of drawings made by holding a bunch of pencils in...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Plastic, Paper, Color Pencil, Graphite
Screech of ice series 41 (Abstract drawing)
Located in London, GB
Screech of ice series 41 (Abstract drawing)
Colored pencil and graphite on plastic paper. Unframed.
Screech of Ice is a new series of drawings made by holding a bunch of pencils in...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Plastic, Paper, Color Pencil, Graphite
Maelstrom Series 68 (Abstract drawing)
Located in London, GB
Maelstrom Series 68 (Abstract drawing)
Pigment pencil on Mylar. Unframed.
The Maelstrom Series include the most iconic and known of Peerna's works.
Starting from the center on a...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil
Maelstrom Series 67 (Abstract drawing)
Located in London, GB
Maelstrom Series 67 (Abstract drawing)
Pigment pencil on Mylar. Unframed.
The Maelstrom Series include the most iconic and known of Peerna's works.
Starting from the center on ...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Big Melt #16 (Abstract drawing)
Located in London, GB
Big Melt #16 (Abstract drawing)
Pigment pencil and water on mylar - Unframed.
This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captu...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil
Storm Series (Ref 844) (Abstract drawing)
Located in London, GB
Storm Series (Ref 844) (Abstract drawing)
Pigment pencil on Mylar. Unframed.
So many different storms, so hard to capture.
Beginning in the wake of hurricanes Irene and Sandy, th...
Category
Early 2000s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil
Screech of ice series 43 (Abstract drawing)
Located in London, GB
Screech of ice series 43 (Abstract drawing)
Colored pencil and graphite on plastic paper. Unframed.
Screech of Ice is a new series of drawings made by holding a bunch of pencils in...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Plastic, Paper, Color Pencil, Graphite
Storm series (ref. 845) (Abstract drawing)
Located in London, GB
Storm series (ref. 845) (Abstract drawing)
Pigment pencil on Mylar. Unframed.
So many different storms, so hard to capture.
Beginning in the wake of hurricanes Irene and Sandy, t...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Maelstrom Series 77 (Abstract drawing)
Located in London, GB
Maelstrom Series 77 (Abstract drawing)
Pigment pencil on Mylar - Unframed
The Maelstrom Series include the most iconic and known of Peerna's works.
Starting from the center on a...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Big Melt #10 (Abstract drawing)
Located in London, GB
Pigment pencil and water on mylar - Unframed.
This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captures the moment when solid is turn...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil
Big Melt #16 (Abstract drawing)
Located in London, GB
Pigment pencil and water on mylar - Unframed.
This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captures the moment when solid is turn...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil
The Whole Pie
Located in New Orleans, LA
artwork dimensions (unframed): 35.5h x 39w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Small maelstrom (Ref 855) (Abstract drawing)
Located in London, GB
Pigment pencil on Mylar - Unframed.
The Maelstrom Series include the most iconic and known of Peerna's works.
Starting from the center on a tilted table, she extends her fingers ...
Category
Early 2000s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Low Front I
Located in New Orleans, LA
medium: ink on hand-cut mylar
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Maelstrom Series 68 (Abstract drawing)
Located in London, GB
Pigment pencil on Mylar. Unframed.
The Maelstrom Series include the most iconic and known of Peerna's works.
Starting from the center on a tilted table, she extends her fingers t...
Category
2010s Abstract Expressionist Plastic Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil
Donut Dollies
Located in New Orleans, LA
Artwork dimensions (without frame): 60h x 40w inches
During World War II an the Vietnam War, women were encouraged to volunteer to travel to war zones through the Red Cross. They w...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Plaything
Located in New Orleans, LA
Plaything, 20”x20”, Ink on Hand-Cut Mylar, 2018
This piece focuses on America's cultural appropriation and exploitation of Mexican culture. Living in the desert Southwest...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Maelstrom Series 77 (Abstract drawing)
Located in London, GB
Pigment pencil on Mylar - Unframed
The Maelstrom Series include the most iconic and known of Peerna's works.
Starting from the center on a tilted table, she extends her fingers t...
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Dorothy
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Mixed Media, Ink
Natural Lure
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Cherry / Silver / Lace
Located in New Orleans, LA
artwork dimensions (unframed): 20h x 14w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
A.121-013- abstract geometric black and white ink drawing on mylar
Located in New York, NY
abstract geometric black and white ink drawing on mylar framed in white frame
For over twenty years now Patrick Carrara has lived in Brooklyn, where he has maintained a studio and s...
Category
21st Century and Contemporary Abstract Geometric Plastic Drawings and Watercolor Paintings
Materials
Mylar, Archival Ink
A.103-013- abstract geometric black ink drawing on mylar
Located in New York, NY
abstract geometric black and white ink drawing on mylar framed in white frame
For over twenty years now Patrick Carrara has lived in Brooklyn, where he has maintained a studio and s...
Category
21st Century and Contemporary Abstract Geometric Plastic Drawings and Watercolor Paintings
Materials
Mylar, Archival Ink
A. 161-014- abstract geometric black and white ink drawing on mylar
Located in New York, NY
Abstract geometric black and white ink drawing on mylar framed in white wood frame with UV Plexiglass.
For over twenty years now Patrick Carrara has lived in Brooklyn, where he has m...
Category
21st Century and Contemporary Abstract Geometric Plastic Drawings and Watercolor Paintings
Materials
Mylar, Archival Ink
Low Front IV
Located in New Orleans, LA
[Tucson, AZ ::: b. 1987, Atlanta, GA]
LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes ...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Lithotomy
Located in New Orleans, LA
medium: ink on hand-cut mylar
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Jane
Located in New Orleans, LA
artwork dimensions (without frame): 33h x 45w x 6d inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sha...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Mixed Media, Ink
Untitled, 2005
Located in Kensington, MD
Acrylic on linen, unframed
Category
Early 2000s Abstract Plastic Drawings and Watercolor Paintings
Materials
Acrylic
The Bubble - Circular Contemporary Landscape/Abstract Painting, geometric, blue
Located in Signal Mountain, TN
Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment.
In "The Buble", Peña takes a more traditional approach to representing a house in the phase of construction with bold and vivid colors and contrasts the image with cut Sintra board slowly pulsating downward from underneath the house. The light blue of the sky contrasts with a deep orange hue for the house. The work is framed with a 1 inch white border.
Nick Peña...
Category
2010s Conceptual Plastic Drawings and Watercolor Paintings
Materials
PVC, Acrylic, Watercolor
Birch Abstract, dark mixed media, mylar, trees, abstraction, muted colors w gold
Located in Brooklyn, NY
mixed media on mylar
Among the best selling works by Audrey Frank Anastasi are the birch trees, "process-oriented works, drawn and painted in various media.
According to Ms. Anast...
Category
2010s Expressionist Plastic Drawings and Watercolor Paintings
Materials
Mylar, Mixed Media
Untitled
Located in Barcelona, BARCELONA
the painting is being offered with a work and authenticity certificate
Category
Early 2000s Plastic Drawings and Watercolor Paintings
Materials
Rubber, Mixed Media, Foam Board
La Medecine Operatoire Dessinee d'Apres Nature par N.H. Jacob
By Daniel Spoerri
Located in London, GB
DANIEL SPOERRI b.1930
born in Galati, Rumania 1930 (Swiss)
Title: La Medecine Operatoire Dessinee d'Apres Nature par N.H. Jacob, 1993
Technique: Collage of objects on old print
size: 21 x 19 cm / 12.6 x 9.5 in
Additional Information: The collage consisted of various objects (sea shells, cross, chain) glued to an old print.
The work is signed in pencil "Daniel Spoerri" in the lower right part.
Spoerri, a central figure of European post - war art, is well known for his assemblages.
Provenance: Yvon Lambert...
Category
1990s Plastic Drawings and Watercolor Paintings
Materials
Archival Pigment, Plastic
P.O.P. (Piece of Pie)
Located in New Orleans, LA
artwork dimensions (unframed): 15h x 20w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Dead Eye #2
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Dead Eye #1
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Info-Red Infra-Structure
Located in New Orleans, LA
medium: ink on hand-cut mylar
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Sweet Milk
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Peachtree Battle
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Sweet and Salty
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
On the Hunt
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Ink
Undulations 24
Located in Fairfield, CT
This piece is unframed. With Jaanika.
Category
2010s Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Maelstrom Series #80
Located in Fairfield, CT
Wax pencil on mylar.
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Wax
Undulations 26
Located in Fairfield, CT
This piece is framed. With Jaanika.
Category
2010s Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Undulations 2
Located in Fairfield, CT
Jaanika Peerna is an Estonian-born artist living and working primarily in New York since 1998 as well as in Berlin and Tallinn. Her work encompasses drawing, video, installation and performance, often dealing with the theme of transitions in light, air, water and other natural phenomena. She is often involved in collaborative projects working with designers, dancers and musicians. She has exhibited her work extensively in the entire New York metropolitan area as well as in Berlin, Paris, Tallinn, Helsinki, Venice, Rome, Dubai, Sydney, and Moscow. Her work is in numerous private collections in the US and Europe and was recently acquired by Fonds National d’Art Contemporain, Paris. Her work is represented in the United States by ARC Fine Art...
Category
21st Century and Contemporary Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Wax Crayon
Storm Series 66
Located in Fairfield, CT
Jaanika Peerna is an Estonian-born artist living and working primarily in New York since 1998 as well as in Berlin and Tallinn. Her work encompasses drawing, video, installation and performance, often dealing with the theme of transitions in light, air, water and other natural phenomena. She is often involved in collaborative projects working with designers, dancers and musicians. She has exhibited her work extensively in the entire New York metropolitan area as well as in Berlin, Paris, Tallinn, Helsinki, Venice, Rome, Dubai, Sydney, and Moscow. Her work is in numerous private collections in the US and Europe and was recently acquired by Fonds National d’Art Contemporain, Paris. Her work is represented in the United States by ARC Fine Art...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Color Pencil, Graphite, Mylar
Storm Series #53
Located in Fairfield, CT
Color Pencil
Graphite
Mylar
Category
2010s Plastic Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil, Graphite
Undulations 27
Located in Fairfield, CT
This piece is unframed. With Jaanika.
Category
2010s Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Undulations 18
Located in Fairfield, CT
This piece is unframed. With Jaanika.
Category
2010s Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil, Pigment
Maelstrom 80
Located in Fairfield, CT
wax pencil on mylar
36 x 36 in
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Wax, Pencil
Maelstrom Series #78
Located in Fairfield, CT
Wax pencil on mylar
Category
2010s Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Wax
Undulations 3
Located in Fairfield, CT
Jaanika Peerna is an Estonian-born artist living and working primarily in New York since 1998 as well as in Berlin and Tallinn. Her work encompasses drawing, video, installation and performance, often dealing with the theme of transitions in light, air, water and other natural phenomena. She is often involved in collaborative projects working with designers, dancers and musicians. She has exhibited her work extensively in the entire New York metropolitan area as well as in Berlin, Paris, Tallinn, Helsinki, Venice, Rome, Dubai, Sydney, and Moscow. Her work is in numerous private collections in the US and Europe and was recently acquired by Fonds National d’Art Contemporain, Paris. Her work is represented in the United States by ARC Fine Art...
Category
21st Century and Contemporary Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Wax Crayon
Undulations I
Located in Fairfield, CT
Jaanika Peerna is an Estonian-born artist living and working primarily in New York since 1998 as well as in Berlin and Tallinn. Her work encompasses drawing, video, installation and performance, often dealing with the theme of transitions in light, air, water and other natural phenomena. She is often involved in collaborative projects working with designers, dancers and musicians. She has exhibited her work extensively in the entire New York metropolitan area as well as in Berlin, Paris, Tallinn, Helsinki, Venice, Rome, Dubai, Sydney, and Moscow. Her work is in numerous private collections in the US and Europe and was recently acquired by Fonds National d’Art Contemporain, Paris. Her work is represented in the United States by ARC Fine Art...
Category
21st Century and Contemporary Abstract Plastic Drawings and Watercolor Paintings
Materials
Mylar, Wax Crayon
Hive No. 5, Dandelion (from "Wildman Series")
Located in New York, NY
This is an artwork by Zachari Logan.
Hive No. 5, Dandelion (from “Wildman Series”)
2023
Accompanied by a certificate of authenticity
Blue pencil on Mylar
12 x 9 inches
Contact g...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Pencil
Bouquet (Avian), from Enigmas
Located in New York, NY
This is a drawing in blue color pencil on Mylar by Zachari Logan, depicting a bouquet of feathers.
Bouquet (Avian), from Enigmas
c. 2023
Accompanied by a certificate of authenticit...
Category
21st Century and Contemporary Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil
Pomegranate, Veneto, 2017, Contemporary Colored Pencil Drawing by Zachari Logan
Located in New York, NY
This contemporary drawing of a hand reaching for a pomegranate in a tree by Zachari Logan is made with colored pencil on Mylar.
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil
Water No. 1, after Tom, Self Portrait by Zachari Logan, Blue Pencil on Mylar
Located in New York, NY
This is a drawing and self portrait by Zachari Logan in blue colored pencil on Mylar of the artist nude and submerged in a body of water.
This is a drawing made with blue colored pencil on Mylar of a nude man with long dark hair in water up to his thighs surrounded by branches.
Water No. 2, After Tom
2022
Accompanied by certificate of authenticity signed by the artist
Colored pencil on Mylar
7.5 x 5.25 inches
“This drawing is a tribute to Tom of Finland, whose work has long-influenced my own in relation to drawing, the construction of space, and self-portraiture. In Finland’s compositions, images of men in the landscape—logging, foresting, and relaxing (together, naked, clothed, alone, in pairs and in groups) had a profound effect on my own thinking about the queer body represented. I see no separation between land and body—we are nature. The queer body is not unnatural (that is a false dichotomy, often espoused by religious and conservative world views). Finland’s renderings of bodies in nature are for me a rupture of the largely European tradition of only representing male nudity...
Category
2010s Contemporary Plastic Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil
Plastic drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Plastic drawings and watercolor paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add drawings and watercolor paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Laura Tanner Graham, Zachari Logan, Mary Borgman, and Nicolantonio Mucciaccia. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plastic drawings and watercolor paintings, so small editions measuring 0.79 inches across are also available Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $60 and tops out at $295,000, while the average work can sell for $1,200.
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