Framed Art

Impressionist winter pastoral scene of a quaint snow covered home by Solebury, Bucks County PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and h...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Antique American modernist abstract oil painting by Ervin B. Nussbaum (1914 - 1996). Oil on canvas. Framed. Signed. Dated 1950. Artist Bio: Ervin B. Nussbaum was born in Co...

Wonderful mid century landscape of Ojai, California with charming stucco cottage and almond trees in bloom and mountains in background titled, "Storm over Ojai" by Margaret Anna Dobson (American, 1888-1981), 1959. Signed faintly, lower right. Signed in pencil "Margaret Dobson", titled "Storm Over Ojai" and dated "1959" on verso. Presented in vintage gilt-toned wood frame. Image size: 12"H x 16"W. Framed size: 14"H x 17.75"W. Margaret Dobson was a painter, illustrator, muralist, etcher. Born in Baltimore, MD on Nov. 9, 1888. Dobson studied at the Maryland Institute, PAFA, Fontainebleau School of Art (Paris), and Syracuse University. She studied privately with Daniel Garber, Cecilia Beaux, Violet Oakley, Emil Carlsen, Robert Vonnoh, Hugh Breckenridge, and others. She was active in London, England until 1933. She then settled in Los Angeles where she remained until her death on Jan. 20, 1981. Primarily a muralist, she also painted floral still lifes and landscapes of the Sierra and southern California. Member: NAC; Royal Society of Etchers (London); Laguna Beach AA; Women Painters of the West; Santa Monica AA; Calif. Art Club; LAAA; Artists of the SW. Exhibits: Fontainebleau, 1927 (prize); Egan Gallery (LA), 1933; Calif. PM Society, 1935, 1936; Ebell Club (LA) 1936 (1st prize); Academy of Western Painters, LACMA, 1937; Santa Cruz Art League, 1938; Friday Morning Club (LA), 1939; GGIE, 1939; Society for Sanity in Art, CPLH, 1944. Murals: Santa Monica Women's Club; Palace of Fontainebleau and Fontainebleau Hospital (France); Kaufman (TX) Post Office (Driving the Steers); Girl Scouts...

William Ablett was born in Paris of English parents. He was accepted at the prestigious Ecole des Beaux-Arts and began working in oils. Under the tutelage of his professors and mento...

[Bruce Sargeant (1898-1938)] Two Rowers, Early Morning Practice n.d. Signed in red, u.r. Oil on canvas mounted to Masonite 38 x 82 inches (96.5 x 208.3 cm) $10,000 + $900 framing...

Original plaka painting on paper. Hand signed on front by Tomas Sanchez; also hand signed, titled and dated on verso by Tomas Sanchez. Artwork size: 13 x 19.6 inches (visible artwo...

A warm sunset over Norfolk's Cromer beach. Between Thoughts is a sublime oil painting that captures the mesmerizing tranquility of a sunset over thw North Sea. The horizon is ablaze...

Plum Tree from Higashiyama I is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink and Japanese pigments on cardboard, dimensions a...

The Fisherman and his Catch 19th century British School, unsigned oil on canvas, framed framed: 13 x 15 inches canvas: 10 x 8 inches Proven...

Artist/ School: French Modernist artist, late 20th century Title: The Old Cafe Medium: oil painting on canvas, framed frame: 30 x 42 inches canvas: 24 x 36 inches Provenance: pr...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 24 Frame Size: 29.5 x 33 Medium: Oil on canvas "Spring Showers" Mr. Geral...

Antique American modernist signed abstract landscape oil painting. Oil on canvas. Signed. Framed.

This vintage oil on canvas presents a dramatic maritime scene featuring a large sailing ship navigating turbulent waters beneath a dark, expressive sky. The vessel is angled sharply ...

Hans HERRMANN (1858-1942) Watercolour Painting c1900 An exceptional watercolour painting by one of Europe’s leading exponents Hans Herrmann. Signed, painted on paper, mounted on ca...

'Balazuc' (Ardeche region of the South of France) Artist: Pierre Neveu (French b.1929) signed lower right Medium: oil on canvas, framed Framed: 9.5 x 15.5 inches Canvas: 7.5 x 13 in...

An important authenticated & documented 18th century portrait by John Russell R A (1745-1809), England, signed & dated 1789. This rather charming & sensitive portrait of a young girl...

Antonio Tempesta (Florence 1555 - Rome 1630) Circle Saint James defeating the Moors in battle Oil on canvas 112 x 102 cm - Framed 125 x 114 cm A valiant knight with his sword...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Artist: Joan ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Charming 19th-century oil on panel attributed to the Flemish School, anonymous artist. This work depicts an intimate interior scene with several figures engaged in daily life, charac...

Times Square in the Winter 12 x 9 approximately 16 x 12 signed LR An oil painting on panel by artist Johann Berthelsen that showcases a view of Times Square in the Winter in New Yor...

This elegant late 19th-century French School portrait presents a sophisticated lady of high standing. The woman stands in a three-quarter pose, turned slightly with her head gently i...

Contemporary architectural painting featuring a colorful geometric arch structure arranged within an abstract spatial composition, exploring balance and modular construction. This a...

This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s Industry and Commerce, 1936, tempera on panel, 16 ½ x 39 ½ inches, signed verso “John Ballator, Portland Ore.” provenance includes: J.C. Penney Company, represented by Russell Tether Fine Arts Assoc.; presented in a newer wood frame About the Painting Industry and Commerce is a prime example of WPA Era muralism. Like a Mediaeval alter, this mural study is filled with icons, but the images of saints and martyrs are replaced with symbols of America's gospel of prosperity through capitalism. Industry and Commerce has a strong narrative quality with vignettes filling the entire surface. Extraction, logistics, design, power generation, and manufacturing for printing, chemicals, automobiles and metal products are all represented. To eliminate any doubt about the mural's themes, Ballator letters a description into the bottom of the study. Ballator also presents an idealized version of industrial cooperation, as his workers, lab-coated technicians and tie-wearing managers work harmoniously toward a common goal in the tidy and neatly designed environments. Although far from the reality of most industrial spaces, Ballator's study reflects the idealized and morale boosting tone that many mural projects adopted during the Great Depression. About the Artist John R Ballator achieved success as a muralist, lithographer, and teacher during the Great Depression. Born in Oregon, he studied at the Portland Museum Art School, the University of Oregon and at Yale University where he received a Bachelor of Fine Art. In 1936, Ballator was commissioned to paint a mural panel for the new Department of Justice Building in Washington DC, an important project that spanned five years with several dozen artists contributing a total of sixty-eight designs. Ballator completed murals for the St. Johns Post Office and Franklin High School, both in Portland, Oregon. He also contributed to the 1938 murals at Nathan Hale School in New Haven, Connecticut. During the late 1930s, Ballator taught art for several years at Washburn College in Topeka, Kanas, where he completed a mural for the Menninger Arts & Craft Shop before accepting a professorship at Hollins College...

Antique American signed modernist flower still life oil painting. Oil on canvas. Signed. Framed. Image size, 16L x 30H.

Fifth Avenue Manhattan New York City Panoramic Painting by Contemporary Artist, Angela Wakefield. This is a major work from her New York Series. Art measures 48 x 24 inches Frame me...

Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...

Antique American modernist abstract oil painting. Oil on canvas. Signed.

Unusual and very attractive set of four blue Wedgewood framed teapot prints. These large vintage prints are likely to be from the late 1990's and would have originally been sold by ...

A charming 20th century oil painting depicting a large white sow in a fenced pen with an empty feed bucket overturned in the rough grass. The oil has been painted in a delightful naï...

This is a ‘dancing peacock Japanese maple’ (Acer Japonicum Aconitifolium) also known as ‘Maiku-jaku' in Japanese. Its massive leaves have nine points instead of 5. They can be as b...

Rufino Tamayo (Mexican, 1899-1991). Deux Tetes, from Mujeres Suite (P. 107), 1969. Lithograph in colors on wove paper  Signed in pencil and numbered 27/150 (there was also an edition...

Mercedes Matter Reclining Nude, circa 1920 Signed "Mercedes Matter" on the overlap Oil on canvas 32 x 51 inches Born in New York in 1913 to famed Philadelphia Modernist, Arthur B. ...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

'Winter' by George Ames Aldrich. ASL, Paris, Société des Artistes Français, South Bend, Indiana, AIC ----- Signed lower left, 'G. Ames Aldrich' for George Ames Aldrich (American, 18...

Artist: Pablo Picasso Title: Jeu de la Cape (III) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 17 1/4" x 19 3/4" Sheet S...

My floral paintings consider the same elements as when painting an abstract painting. I put paint on the canvas and push and pull with the paint: addressing value, color, shape and m...

This sweet little boy sits quietly like a well brought up child, but you can see in his eyes how much he likes to run and play. In this sensitive portrait painted in circa 1860 by Fé...

Manuel Isidor Valle Micolau (1874-1959) - Spanish landscape - Oil on board Oil mesures 11.5x19 cm. Frame measures 22x28 cm. Photographer and artist from Lleida trained at the "Círcu...

This superb British Old Master portrait oil painting is attributed to circle of noted artist Michael Dahl. Although born in Sweden, Dahl lived and worked most of his life in England ...

Impressive early American impressionist flower still life oil painting. Framed. Oil on canvas. Signed. Image size, 30.5H by 21.5L.

Unidentified Artist Schoolboy, Early 1900s century signed lower left oil on canvas unframed 24 × 29 cm (9.4 × 11.4 in) framed 41 × 47 cm (16.1 × 18.5 in) This intimate genre pain...

This painting depicts an impressionistic scene of luminous flowers in a white and blue ceramic vase. The work reminds us of Claude Monet, with impressions similarly captured, reminis...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts three delicate butterflies in ascension placed in a wonderful golden landscape. Slone...

Moonrise Sailing II oil/panel 6 x 8 image unframed, 11.63 x 9.63 framed Moonrise Sailing II is an oil painting on canvas panel by award winning contemporary artist Michael Budden ...

* No US duty or taxes to pay on works of art * A striking 1930's French post-impressionist oil on board portrait of a gentleman smoking a pipe by Antonin Guéton. Excellent quality...

A pair of old master paintings by August Querfurt (1696-1761). Oil on panel, one signed with initials in the lower left. Two scenes depicting hawking parties from the 18th century. I...

Oil on canvas – 31.9 x 25.6 in (81 x 65 cm) Framed dimensions: 34.6 x 28.3 in (88 x 72 cm) Black or light wood floater frame (collector's choice) – Signed by the artist – Certificate...

Antique English portrait oil painting. Oil on canvas. Signed. Framed. Measuring: 31 by 36 inches overall, and 25.5 by 30.5 painting alone. In excellent original condition. Handsomel...

Comprised of shapes with lines and sharp angles, this composition depicting the running of the bulls is hectic and energized. Rendered in gradiated rainbow colors, the animals in thi...

Friedel Dzubas Idelic Summer, circa 1975 Signed, titled, and dated on the reverse Magna on canvas 31 x 72 inches Provenance The artist Andre Emmerich Gallery, New York Private Colle...

A superb example of a Barbizon inspired landscape painted by George Boyle, "the Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute ...

Henry Woolway, Hath a Future, 2025 Acrylic on canvas board 80.5 x 120.5 cm (31.7 x 47.44 in) Artwork is hand-framed in dyed and waxed oak with a 2mm shadow gap around painting Hand-...

Ingrid Smuling (1944) White Hydrangea in Chinese Jug Oil on canvas 25 × 25 cm (framed 33 × 33 cm, included in price) This serene contemporary still life ...

David Hockney The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 5 May, 2011 Signed, dated and numbered in pencil iPad painting in colours on wove paper 139....

Antique American impressionist painting of kids in a park. Oil on canvas, circa 1920. Unsigned. Displayed in a giltwood frame....

Philip Pearlstein (1924-2022) View Over Soho, Lower Manhattan, 1977 Aquatint in colors on wove paper Edition 7/41 Signed, editioned and titled in pencil lower left Printed by the Orl...

Le scenografie di questo genere pittorico, chiamate "rovine", erano solitamente animate da diversi personaggi e storie; un tema tipico tra questi è il capriccio con rovine e oratore ...

VICTOR VASARELY – "ZEBRES 1" ⚜ Serigraph ⚜ Hand Signed and Numbered ⚜ Edition of 120 VASARELY’S ICONIC ZEBRAS Created in 1976 and published by the Foundation Vasarely in an edition ...