Art by Medium: Board

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Cover of The Saturday Evening Post, October 27, 1906 Medium: Watercolor on board Dimensions: 17.00" x 12.00" Signed: Lower Right EXHIBITED: Norman Rockwell Museum, Stockbridge, Ma...

Wanawhite (Abstract painting) Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in th...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and pure colour. "Night 01" is a stylish and contemporary bright blue abstract painting. It is created us...

Original cover illustration for The Saturday Evening Post, November 13, 1948 The Post described, “Artist Stevan Dohanos felt like a baseball coach who had everything he needed excep...

An interior depiction of the patio de las Doncellas Reales Alcazares de Sevilla, the oldest royal European palace still in use today in Seville, Spain. A beautiful Orientalist rendition of this grandiose space, the viewer peers through an archway within a scalloped arcade at a covered walkway and into an interior space with a set of red horseshoe arches. Brilliant plaster of Paris decoration is rendered gorgeously in shades of cream paint. A prayer mat and floor pillow are situated in the mid ground with a small fountain footsteps away.  Fernando Liger...

THE PATH LESS TAKEN Size: 24.5 x 25.5 cm (including frame) Oil on board A brilliantly executed abstract figurative oil composition painted by the established Swedish artist Ivar Mor...

Original cover illustration for The Saturday Evening Post, June 18, 1955 The Post described, “Through this community is sweeping Hurricane Harry, leaving in i...

Oil on board Board size: 14 x 18 inches Framed size: 18.25 x 22.75 inches Signed lower left

Acrylic on cardboard Tengiz Cholokava is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. He is graduated from Fine Arts School of Iakob Nikoladze in Tbilisi,...

From Interior Series. Woodcut and screen print in colors on Museum Board. Hand signed, dated and numbered by Roy Lichtenstein. Published by Gemini G.E.L., Los Angeles.. Corlett 247...

"Old School Haying", is a 18x36 oil painting on board by artist Leslie Peck featuring two Amish farmers and their horses in the hay field harvesting food f...

Signed lower right, 'Edmond Woods' (American, 1905-1990) and painted circa 1975. Born in Ogden, Edmond Woods first studied under LeConte Stewart at th...

Caspar von Reth (1858-1913) The Home Guard signed and dated ‘C. v. Reth/ 1905’ (lower right) oil on canvas, laid on board 13 ¾ x 19 ½ in. (34.9 x 49.5 cm.)

Female Illustrator of the Golden Age Alice Barber Stephens renders in an academic style and women sitting in a chair and responding to something outside of the frame. Signed lower left. Most likely done for a major newsstand magazine like Harper's, Century or Scribner's Monthly. Work is framed under glass in a simple black wood frame. Perhaps period. Matt is new. Frame size: 20.5 x 14.5 From: Wikipedia Alice Barber Stephens (July 1, 1858 – July 13, 1932) was an American painter and engraver, best remembered for her illustrations. Her work regularly appeared in magazines such as Scribner's Monthly, Harper's Weekly, and The Ladies Home Journal. Early life and education Alice Barber was born near Salem, New Jersey. She was the eighth of nine children born to Samuel Clayton Barber and Mary Owen, who were Quakers. She attended local schools until she and her family moved to Philadelphia, Pennsylvania. At age 15 she became a student at the Philadelphia School of Design for Women (now Moore College of Art & Design), where she studied wood engraving. The Women's Life Class (1879), Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. She was admitted to the Pennsylvania Academy of the Fine Arts in 1876 (the first year women were admitted), studying under Thomas Eakins. Among her fellow students at the Academy were Susan MacDowell, Frank Stephens, David Wilson Jordan, Lavinia Ebbinghausen, Thomas Anshutz, and Charles H. Stephens (whom she would marry). During this time, at the academy, she began to work with a variety of media, including black-and-white oils, ink washes, charcoal, full-color oils, and watercolors. In 1879, Eakins chose Stephens to illustrate an Academy classroom scene for Scribner's Monthly. The resulting work, Women's Life Class, was Stephens' first illustration credit. New Woman As educational opportunities were made more available in the nineteenth century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior by the art world, and to help overcome that stereotype women became "increasingly vocal and confident" in promoting women's work, and thus became part of the emerging image of the educated, modern and freer "New Woman". Artists then, "played crucial roles in representing the New Woman, both by drawing images of the icon and exemplifying this emerging type through their own lives." Alice Barber Stephens, The Women Business, oil, 1897, Brandywine River Museum, Chadds Ford, Pennsylvania One example of overcoming women stereotypes was Stephens' Woman in Business from 1897, which showed how women could focus not only in the home, but also in the economic world.[8] As women began to work, their career choices broadened and illustration became a commendable occupation. People's ideas about education and art started to merge, and the outcome of a certain sensitivity to the arts began to be seen as uplifting and educational. By using illustration as a means to further their practices, women were able to fit the traditional gender role while still being active in their pursuits for the "New Woman". According to Rena Robey of Art Times, "The early feminists began to leave the home to participate in clubs as moral and cultural guardians, focused on cleaning up cities and helping African Americans, impoverished women, working children, immigrants, and other previously ignored groups." Stephens took advantage of the explosion of illustration opportunities, including the opportunity to work from home. Women's education Edwin Forrest House, formerly the home of the Philadelphia School of Design for Women. Throughout the period before the civil war, textile and other decorative work became acceptable occupations for those who aspired to be in the middle class. The Philadelphia School of Design for Women, founded in 1848 by Sarah Worthington Peter was first among a group of women's design schools established in the 1850s and 1860s; others appeared in Boston, New York, Pittsburgh, and Cincinnati. It began as a charitable effort to train needy and deserving young women in textile and wallpaper design, wood engraving, and other salable artistic skills, providing a means for training women who needed wage work. The Pennsylvania Academy of the Fine Arts (PAFA) was established in 1805 by painter and scientist Charles Willson Peale, sculptor William Rush...

Golden Seascape with Waves Crashing onto Rocks at Sunset by 20th Century Irish Artist, Mattie Waugh. Art measures 25 x 14 inches Frame measures 30 x 19 inches Signed, VIntage Ori...

Gregory Block's (US based) "Iced Cruller" is an original, handmade oil painting that depicts a pastry filles with ridges and translucent frosting. Gregory was born in Kansas City,...

Frame size 73x81 cm. Oil on canvas laid on cardboard. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of the also painter Rafael Benet. He is a di...

"Morning Sky" is a beautiful original oil painting, created on linen panel by American artist Sandra Pratt. Depicting snow-capped mountains covered in blue ice looming over the villa...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 19.00" x 16.00", Framed 26.00" x 23.00" Good Housekeeping Magazine Cover, July 1928. Jessie Wilcox Smith...

Beautiful oil on fiberboard painting of a view of Switzerland done by the American artist, John William Casilear. Signed with monogram lower left. Condition is excellent. Circa 1857/1858. The painting is housed in a contemporary frame. Overall framed measurements are 6 5/8 by 8 5/8 inches. lProvenance: Long Island, New York collector. Biography John William Casilear was born in New York City on June 25, 1811. Like his fellow Hudson River School landscapists Asher B. Durand and John F. Kensett, he worked as an engraver before turning to painting. In 1826 Casilear was apprenticed to the engraver Peter Maverick (1780-1831), and at first he primarily executed bank notes. Durand encouraged him to attempt other subjects, however, and during the 1830s he madeengravings after some of the most prominent paintings of the day, including Daniel Huntington's The Sybil (New-York Historical Society). In 1832 he began submitting engravings to the National Academy of Design exhibition and he first showed paintings there in 1836. In 1833 Casilear was elected an Associate of the Academy; he was elevated to full Academician status in 1851. In 1840 Casilear accompanied Durand, Kensett, and another painter, Thomas P. Rossiter (1818-1871), on a trip to Europe. There the artists studied and copied paintings...

Acrylic on Cardboard on Wood Panel. Orange Mustard blue Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel. William is showing his work locally and nationally and being collected in Palm Beach Island, Washington and New York. William is also represented with DTR Modern Galleries on Worth Ave Palm Beach, Fl and New York, and Gary...

Acrylic on cardboard Tengiz Cholokava is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. He is graduated from Fine Arts School of Iakob Nikoladze in Tbilisi,...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Artist: Harry H. Howe Title: Wharf - Gloucester, Massachusetts Medium: Oil on board, signed lower right Size: 6 x 7.5 inches Frame Size: 7.5 x 9.25 inches

Isabella Howland Portrait of a Woman, Paris, 1925 Oil on canvas laid on board 19 1/2 x 16 1/2 inches Provenance: Hammer Galleries, New York Private C...

This evocative orientalist oil painting captures the vibrant atmosphere of a North African marketplace in the early 1900s. The painting depicts a street with a perspective toward a t...

blue drops effect original abstract acrylic paper painting . framed Artwork by Spanish artist ISIDRO CAHUE. The personality of the artist is reflected in different fields of art...

Signed and dated oil on board landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of the picturesque port of Doelan in Britanny, France. ...

Original Painting Published Fortune Mag Cover 1935 Jewels Jewelry Illustration Antonio Petruccelli (1907 – 1994) Fortune cover published, Decembe...

Dave Seeley's "Chrysalis" is a 2022 oil painting on canvas mounted to panel, offering an intimate and immersive depiction of the human form in a tightly coiled, almost fetal posture....

Aaron Bohrod Baa-Relief, 1986 Signed lower left Oil on gesso panel 8 x 10 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

ABSTRACT PLANTS Oil on linen board Size: 14.5 x 19.5 cm (including frame) A small and visually impactful semi-abstract composition in oil, painted by British artist Lloyd Durling, ...

Grey Graphite (Abstract Painting) Pigmented cement on foam panel with wood frame. Auville works with construction cement. Applying techniques used in the construction and ship buil...

FISH & FLOWERS Size: 47 x 62 cm (including frame) Oil on Canvas Laid onto Board A characterful mid-century modernist style still life oil composition, painted onto canvas. At the h...

FLORAL & FIGURINE Size: 50 x 71 cm (including frame) Oil on Canvas An elegant and serene mid-century still life interior scene, executed in oil on board. The composition presents a...

A stand of birch trees—their distinctive white bark playing against a backdrop of verdant green. This is the work of Ciba Karisik. He is known for his highly realistic portraits of b...

A finely rendered oil by the nautical artist Brian Coole. The scene shows various vessels entering and leaving the Boston harbor with an iconic display of an American flag, including...

Peter Hoffer Princeton Maple, 2025 acrylic with textured epoxy on board 72 x 48 in. (hoff206) Of his work, Peter Hoffer says "These latest paintings are my most recent in the Landsc...

Guy C. Wiggins (1883 - 1962) Locomotive Train in Snowstorm, 1957 Oil on paperboard 8 x 10 inches Signed lower left; signed and dated on the reverse Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork.  Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry).  Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon...

This atmospheric painting by James E. Butterworth depicts a group of yachts leaving New York Harbor on the annual New York Yacht Club cruise. In 1887, when this was painted, upon arr...

Gregory Block's (US based) "Powdered Jelly" is an original, handmade oil painting that depicts a powdered donut with a white background. Gregory was born in Kansas City, Missouri, ...

“I don’t have any Seine River like Monet, I’ve just got US 66 between Oklahoma and Los Angeles.” — Ed Ruscha True First Edition of Ruscha's most iconic book - hand signed with except...

"Veiled Guardians, Micah 7:7" (2025) by Thomas Kegler is an original, handmade oil painting that depicts a serene forest landscape with several buffalo traveling through. About the...

I think this is one of the finest paints Gustavo Novoa has done. It's from his early period in the mid-1970s. I am privileged to own it. The artist creates a dreamy world of magica...

For your consideration, we have a pen and ink drawing of an interpretation of The Three Graces, who strike a pose for a 1930s fashion ad. In Greek mythology, they were goddesses w...

Dog Portrait of a Great Dane Jules Chardigny (1842-1892) Circa 1870 Oil on cardboard Signed upper left 9 1/2 x 12 3/4 (17 1/2 x 20 1/2 frame) inches Jules Chardigny was born in L...

Anthony Rickards This piece titled "Summer Park" was created using oil on board and is in a handmade swept composite frame. Keywords: park, summertime, grass, field, fields, tree, ...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on board. Signed and dated lower right and verso, titled verso. 36.25 x 48 in. 40.5 x 52.25 in. (framed) Framed in contemporary silver, tiered floater frame. Dennis Eugene Norman Burton was a Canadian modernist who was born in Lethbridge, Ontario. He attended the Ontario College of Art from 1952 to 1956, and worked for the Canadian Broadcasting Corporation (CBC) as a graphic designer until 1960. Inspired by a 1955 exhibition of the “Painters Eleven” at Toronto’s Hart House, as well as American Abstract Expressionist artists such as Robert Motherwell, Jack Tworkov, and Willem de Kooning, Burton shifted his focus toward abstraction in the mid-1950s. Burton showed with the famed Isaacs Gallery in Toronto, becoming one of the youngest members on the gallery’s roster. A talented musician, he also played saxophone in the Artist’s Jazz Band in Toronto - a pioneering Canadian free-jazz group...

Original cover for Good Housekeeping, published October 1922. The Young Scholar, reproduced on the cover of the October 1922 issue of Good Housekeeping, demonstrates Jessie Willcox ...

A native of Philadelphia, John Pierce Barnes began his artistic training at the Philadelphia School of Industrial Design. He then attended the Pennsylvania Academy of the Fine Arts, ...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Original oil on linen painting laid down to original fiberboard by the well know American artist, Max Kuehne. Signed in pencil verso upper left. Circa 1928. Condition is very good. ...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

Patrick Hughes Street 2021 hand-painted multiple 38.9 x 74.8 x 19.6 cm (15¼ x 29½ x 7¾ in.) edition of 50 Provenance Direct from the artist’s studio Notes “I have lived and worked in Shoreditch for a quarter of a century and I have watched with delight and amazement the rise of Street Art...

A dog sleeps in a bed as a little boy sleeps next to the dog on the floor This piece was first illustrated on the cover of the 1971 issue of Panorama magazine and then featured in Allers Magazine, 1973. The illustration features a young boy sleeping on the ground next to an empty dog bed. The beagle dog has taken over the little boy's bed. Much like Norman Rockwell, Kurt Ard...

Stem #227 (Abstract painting) Acrylic on poster board - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto composi...

Study of Nicolas Poussin Landscape with a Man Washing His Feet in Oil on Board+ Small-scale study of Poussin's famous work by an unknown artist (early 20th Century). A man sits at t...

Date: 1917 Medium: Oil on Board Dimensions: 32.00" x 21.00" Signature: Signed Lower Right Story illustration: Group of people gathered around seated old woman. “Isn't it quite as i...

Signed post impressionist animals in landscape oil on board by French painter Henri Le Sidaner. This stunning piece depicts cattle in a field. The sun is starting to set casting blue...