Art by Medium: Board

Circa 1990 Signed lower right Overall size with frame 24 x 20 in.

Beautiful winter landscape of the snow covered countryside by an unknown artist (American, 20th Century). Signed "Mallek" lower right. Displayed in a painted rustic frame. Image, 7"H...

Beautiful oil on fiberboard painting of fishing boats at the docks of Gloucester by the well known North Fork Long Island artist Caroline M. Bell. Circa 1945. Signed lower left by the artist. Condition is very good. Housed in its original silver leaf over wood frame in restored condition. Overall framed measurements are 20 by 18 inches. Provenance: Sarasota, Florida estate. Biography: Caroline M. Bell (1874 -1870) Caroline Bell was the leader of a group of artists known as the Peconic Bay...

Here for your consideration is a very well executed original oil on board painting by the American artist, George A. Traver. Signed lower right. Signed and titled verso. National Academy of Design exhibition label verso. (1923) Condition is very good; no issues. The painting done in an impressionist style depicting a mother and her child picking wild flowers in a field. A beautiful variety of greens and blues dominate the composition. The figures are painted with a soft white palette are equally well done. The painting has recently been professionally cleaned. The painting is housed in its original wood frame with a hand hammered copper metal wrap over wood. The frame is from the arts and crafts period and is in fine condition. Overall framed measurements are 18.75 by 4.75 inches. Provenance: A Sarasota, Florida collector. In 1864, George Traver was born in Corning, New York. George Traver was working as an artist in New York City by the 1890's. He studied with J. Alden Weir, Henry Siddons Mowbray and Thomas Wilmer Dewing...

Importante studio per una grande opera dal titolo , Risveglio di metropoli sempre del 1930 L’opera è stata archiviata dall’archivi futuristi italiani CRALI TULLIO (1910 - 2000) Nel...

A beautifully painted character study of a terrier dating from the Victorian era. Edward Aistrop specialised in such intimate portraits of dogs and clearly held them in great affecti...

A fine small plein air study of three women picking flowers on the meadow next to white cliffs and sea. In the horizon where the sky ends, the contours of mainland is visible as a sh...

Artist: Nelson Serob Shirvanyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Cardboard Year: 2002 Style: Abstract art, Title: Allegory in Dante, Size: 17" x 12.5" x 0.1'' inch, (44x32x0.2 cm), Unframed. Nelson Serob Shirvanyan was born in 1944 in Armenia. In 1970, he graduated from the Sculpture Department of the Yerevan State Institute of Fine Arts. Nelson Shirvanyan is a sculptor, artist, and teacher. His artistic journey began with his graduation from the Faculty of Fine Arts at Yerevan State University. In 1975, he became a lecturer in sculpture at the University of Armenia. In his work, Shirvanyan draws inspiration from the architecture of medieval Armenian stone...

Fantastical surreal landscape with a floating castle in an idyllic, dream-like setting with bright blue sky and green grass by Melissa Barkley (Ameri...

Painted sculpted cardboard Unique work Coming from the artist's studio

Ross Bleckner (American, b. 1949) Untitled, c. 20th century Oil on board 18 x 20 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo...

Original Watercolour of Farmhouse in the Northern Ireland Countryside by 20th Century Irish Artist, D Hall Art measures 8 x 6 inches Frame measure...

A wonderful depiction of an Italian landscape with a church in the distance by the country side. For this beautiful depiction, we find distinct attention to detail luring us down the pathway on this Italian scene. Among other things, this Italian artist is notable for his painting with the trends of the times. The result of this beautiful oil painting is one of provoking imagery and emotion in an impressionistic technique. This piece is signed by the artist lower right and it comes housed in a beautiful decorated gold tone wood frame with linen inner and is ready to hang with hanging wire on verso. Art measures 12.75 x 17.5 inches Framed measures 7.5 x 12.5 inches Eugen Ankelen was born in 1858 Laupheim, Germany and was a well-known German painter and writer of the late 19th-early 20th century. He studied at the Academies of Stuttgart and Munich in 1879-81. His works are displayed in the museums of Munich and Ludwigshafen. He died in 1942 Munich, Germany. PROVENANCE: Estate of a Private collection Queens, New York; Private Collection Manhattan, New York; Lilac Gallery...

Swedish Mountain Landscape with Lake oil on canvas laid on masonite 18 x 27 cm (7 1/8 x 10 5/8 in) 28 x 37 cm (11 x 14 5/8 in) Provenance: Acquired...

Francis Henry Richardson Open Pasture, Winter Signed lower right Oil on board 10 3/8 x 13 inches Richardson, born in Boston, entered the formal art world in his late twenties. His ...

Abstract geometric, minimalist, three dimensional wall sculpture in light grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the scul...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Dani Humberstone's Lime radiates with vibrant intensity, its ri...

Chuzo Tamotzu Tama, Mimi, Chan, circa 1950 Signed lower left Oil on canvasboard 40 1/2 x 28 inches Tamotzu was born in Kagoshima Prefecture, Japan, in 1888. He was educated in poli...

Gwen Verdon "Redhead" Original Caricature Drawing NY Times Published Tony Awards Al Hirschfeld (1903 – 2003) Gwen Verdon in "Redhead" Sight: 14 1/2 x 19 inches Ink on board Signed l...

A beautiful oil on board painting by American artist Maurice Monnard. Monnard was a Post-Impressionist painter known for his colorful cityscapes depict...

Painting of the Wasdale Head Inn in Lake District England by Leading Contemporary British Artist, Angela Wakefield. Art measures 20 x 12 inches Frame measures 24.5 x 16.5 inches Th...

A satirical, surreal depiction of a pig at a lunch counter by an unknown artist (20th Century). This scene, full of symbols and satire, portrays the anth...

Antique American school modernist still life painting. Oil on board. Signed. Framed. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent c...

**TECHNICAL SHEET** - **Author:** Rafael Durán Benet (1931-2015) - **Title:** Robledo - **Technique:** Oil on canvas mounted on board - **Dimensions:** 13 x 16 in - **Framed:** No -...

COASTAL CURVE Size: 44 x 59 cm (including frame) Oil on board A serene and uplifting mid-century modernist coastal landscape painting, executed in oil onto board. The painting capt...

Bruce Kurland – Still Life with Decoy and Shells Oil on board, framed in antique gold leaf A master of intimacy and restraint, Bruce Kurland’s Still Life with Decoy and Shells is a ...

Oil on cardboard realized by Sirio Pellegrini in 1960s. Includes a wooden frame realized by the Artist. cm. 157.5x113.5. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo...

Impressionist winter pastoral scene of a quaint snow covered home in Tinicum, Bucks County, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and h...

A stunning impressionist oil painting by listed female artist Clara Elizabeth Sackett.

A fine and pertinent example of Nathan Hoffman's charming New York City scenes. Here we find a Central Park pathway looking South East and the General Motors Bulging along with some ...

Provenance: Acquired directly from Katarina Gunnarsson, who inherited the painting from her mother, Barbro, the daughter of the artist. This striking landscape by Oscar Lycke depict...

A beautiful large 1930's Modern British oil on board depicting a horse in an extensive farmyard. Excellent quality work, presented in a fine antique gilt frame. Artist: British Scho...

“We will remember” The painting "We Will Remember" was created as a continuation of the theme of memories tied to the city of Mariupol. Why this city in particular? It was devastat...

Rafael Duran Benet (1931-2015) - Amsterdam - Oil on canvas on board Oil measurements 33x41 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter,...

"Dr. Snapp House" Oil Painting Don Prechtel (born 1936, American). The historic Dr. Snapp House in Cottage Grove, Oregon was built in 1886, by one of the ...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

We are pleased to offer a captivating small oil painting by the Swedish artist Georg Stoopendaal. Despite its modest dimensions of 14 x 18.5 cm, this piece exudes a powerful presence...

Antique American modernist abstract oil painting. Oil on board. Framed. Signed. Measuring 29 by 35 inches overall and 23 by 29 painting alone. In excellent original condition. Handso...

Sweeping Big Sur landscape of rolling hills in beautiful pastel colors illuminated with sunlight, by California artist Kathleen Murray (American, 1958). Oil on artists canvas board (...

This captivating scene of Venice from the 20th Century is a wonderful display of Van der Plas's true passion for outdoor genre paintings. The vibrant colors and impressionistic brush...

Unique still life of a table with geraniums and a lit cigar, with a framed painting of a nude in a forest setting in the background by an unknown artist (American, 20th Century). Pre...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

This painting, titled On the Medway, is by George Stanfield Walters (1838–1924), a renowned British maritime artist celebrated for his atmospheric depictions of coastal and river sce...

Lesley Anne Spowart (American, born 1957) "Running for the Barn" 2022 Acrylic Paint, Mixed Media, Board The artist signed the bottom left and back of the painting. "Running for the ...

This exquisite early 20th-century oil on panel by Dorothea Sharp captures the timeless and universal bond between mother and child in a tender Impressionist style. Painted circa 1900...

Title: Olive Trees, Sóller, Mallorca Artist: José Ventosa Domènech (1897-1982) Technique: Oil on panel Unframed dimensions: 15 x 18 in Framed dimensions: 23.6 x 26.7 in Signature: Si...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white rose and two crimson flowers in a white vase set on top of a wooden glossy tab...

This mesmerizing post-cubist and colorist abstract oil on board painting was designed by A. Rigollot (France, 20th Century). Colorist paintings are characterized by intense color use...

In Bouquet with Pink Background, Robert Kulicke distills the still life tradition into its most essential forms. A single-tone bouquet of black flowers, stark and silhouetted, sits d...

Artist: Carol Sideman– American (1925-2021) Title: Blue Sea #57 Year: circa 1975 Medium: Acrylic paint, gouache, chine colle on heavy watercolor paper Si...

'Still Life with Pitcher and Flowers', oil on board, by Anna Costa (circa 1960s). In addition to her many landscapes, Costa painted many still lifes, mostly bouquets of flowers as su...

blue and pink drops abstract. original.acrylic paper painting.. framed Artwork by Spanish artist ISIDRO CAHUE. The personality of the artist is reflected in different fields of art...

Wonderful late 20th century portrait of a Bassett Hound dog. Painted in England circa 1996 the artist was capable of painting the most amazing character in this portrait. Oils on...

This is a beautiful 20th-century Russian Art Deco cubist gouache painting on cardboard. There is no obvious signature on the artwork. Although this painting is a typical example of t...

Composition is an original drawing in oil on cardboard realized by an unknown artist in 1989. This Artwork is depicted through strong and confident s...

"Revelation 1" by Mark Bradley Schwartz is an original oil on board depicting a nude female in a monochromatic palette. A native of Illinois, He began his professional life as a graphic designer and art director in St. Louis, Missouri and later moved to Southern California to further his design career. Although Schwartz’s career was successful, he wanted to pursue work of a more personally fulfilling nature. To reach these new goals Schwartz first attended life drawing classes at Associates in Art, in Sherman Oaks, California. He later studied at the California Art Institute in Westlake Village, California, where he received extensive training in drawing and painting the human figure from life. While studying with famed illustrator Glen Orbik...

Rafael Duran Benet (1931-2015) - Sevilla - Oil on canvas on board Oil measurements 38x46 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, n...

Wonderful mid century landscape titled "Late Afternoon in Novato" by Ted Lewy (American, 1912-1963). Presented in a rustic wooden frame. Signed "Ted Lewy" and dated "1962" lower righ...