Art by Medium: Board

FIELDS OF SPRINGTIME Size: 36 x 44 cm (including frame) Oil on board An expressive mid-century oil painting depicts a sweeping landscape view, freshly awakened with the vitality of ...

Sun glare in warm water. 1983. Oil on cardboard, 31x24 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in d...

"At the Fair" is a 20th century impressionist oil depicting a country horse fair in Croatia. The painting measures 22" x 28" framed.

Boulders near the field. 1983, cardboard, oil, 68x94 cm

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Street Shadows 4 by Eleanor Woolley [February 2021] original Oil Paint on Gesso Board Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:20 cm x W:20 cm x D:2cm Sold...

Dusky Shore and Peach Panorama Diptych [2021] original Acrylic on unstretched canvas and mixed media on gessoed cardboard Image size: H:23.5 cm x W:47.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Dusky Shore and Peach Panorama Diptych is a collection of work by Luisa Holden...

Boats/Tulips. Bilateral. 1975., cardboard, oil, 34.5x46.3 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingr...

When fabled female illustrator Mary Blair was not creating fantasy images for Disney, she was doing freelance illustration work for commercial clients. We think that is one of those ...

Sometimes I want to painted a small sketch. What I am doing. It takes almost the same amount of time as a regular etude of medium size 25 x 35 cm. Since...

“Choosing the Love Nest: Lil and Sandy Find a Cozy Spot for Their Bungalow of Dreams,” original cover for Liberty magazine, published June 18, 1927 Lil and Sa...

Alison Groom Harbour Ripples. Original textured landscape painting. Oil on textured acrylic medium on board. Total Artwork Size: H 59cm x W 83cm x D2cm. Sold Unframed. Harbour Ripp...

Aaron Bohrod Golden Girls, 1987 Signed lower right Oil on gesso panel 9 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Priscilla Roberts Antique Toys Signed lower left; identified through gallery label affixed to backing Oil on board 20 x 24 inches Provenance Grand Centra...

Brightly colored yellow pop art painting of a wolf with clowns floating in the background. The wolf character is reminiscent of the classic Looney Toons ch...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Small Bouquets by Lu Haskew Oil 16x16" image size Still Life of spring flowers, pansies, daffodil, in blue vases. This painting is unframed, canvas on gator board, the price reflects that it is unframed. ​Online Order Only, not in gallery display. ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is...

Chinese Lily — American Cubist Still Life, 1940 Artist: Harry Crowley (1898–1979) Title: Chinese Lily Date: 1940, according to the inscription on the reverse Medium: Oil on fiberboard Measurement: 15 x 19 inches. Signature: Signed lower right Framing: Unframed. Three Things Worth Noticing 1. A Remarkably Restrained Palette Despite its visual complexity, the painting relies on a surprisingly limited range of greens, mauves, browns, and creamy whites. Crowley achieves richness not through an abundance of color, but through the inventive repetition and juxtaposition of a few carefully chosen hues. 2. A Table That Defies Gravity The tabletop tilts dramatically toward the viewer, presenting its contents almost as though they were displayed vertically. This deliberate distortion of perspective, borrowed from Cubism, allows Crowley to reveal multiple surfaces simultaneously while transforming an ordinary still life into a dynamic geometric composition. 3. A Picture Within a Picture In the upper left corner, a small framed landscape...

Triptych. Cardboard, mixed media, each artwork 49x70 cm total size 49x210 cm + frames Abstract composition from three separate artworks which can be combined as you wish

Christopher Rainham has always been inspired by the natural world and more specifically an experience of the natural world. He is inspired by the way flora and fauna are woven into l...

Suchitra Bhosle's "Poem at Dusk" is an original, handmade oil painting that depicts a pink rosebush in an evening glow. About the Artist: Suchitra Bhosle is an India-born artist ba...

Church. Cardboard, oil, 49x35 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russi...

Oil on board realized by Cristiano Guitarrini. Not signed. Good condition.

"Harvest" Working Women Hungarian European Modernism Expressionism 1926 WPA Era. 10 x 11 inches oil on board. Painted in Hungary. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

Oil on cardboard realized by Charlotte Gardelle (1879-1931) in the early 20th Century. Not signed. Very good condition.

Boats Approaching the Coast Kohler Fritz Moritzberg, Germany 1887 – 1972 Düsseldorf, Germany German Painter Signature: Signed bottom right and placed Medium: Oil on board Dimension...

Signed lower left. Born in Rockport, Massachusetts, impressionist painter William Stevens lived and worked in the area for many years. In the later part of his life, he moved to Co...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Green, yellow, and blue abstract impressionist Western landscape by Texas artist Fred Darge. The painting depicts an arid desert with a huge desert sage bush against a mountainous landscape with overcast clouds. Signed by the artist at the bottom right corner. Unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago painting...

Abstract acrylic on high impact styrene board painting by Polish artist living in the USA, Monika Rossa. Artwork is colorful. It can be exhibited vertically or horizontally. MONIKA ...

Signed lower left, *Fleecydale Road in Winter* is a captivating example of George Gallo's mastery of contemporary American Impressionism. A quiet country road winds through a snow-covered landscape as brilliant winter light spills across the scene, illuminating the trees and cottages beyond. Rather than portraying winter as subdued, Gallo fills the composition with vibrant violets, warm oranges, and luminous blues, demonstrating his remarkable ability to capture the ever-changing effects of natural light. His confident brushwork and expressive palette create a landscape that feels both immediate and immersive. Though widely recognized for his distinguished career as an Academy Award-nominated screenwriter and director, Gallo has devoted decades to painting, studying under renowned Impressionist artists while developing a style uniquely his own. His work reflects the traditions of American Impressionism while embracing a bold, expressive approach that emphasizes atmosphere and emotion over strict realism. Meyer Fine Art...

EDWARD BECKETT 1920–2005 Sailing Ship Being Towed into Harbour Oil on canvas board Signed lower left Presented in an ornate gilt frame with floral and scrolling foliate decoration ...

An impressionist painting of a band concert in the gazebo at night done by English / American artist Walter Farndon (1876-1964). Farndon was born in...

Medium: Gouache on Board Signature: Signed Lower Left Saturday Evening Post Cover, June 30, 1951

"Hudson Highlands," by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 14 inches. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Suchitra Bhosle's "Morning Light" is an original, handmade oil painting that depicts a four poster bed with white sheets and curtains next to a window with sun streaming in. About the Artist: Suchitra Bhosle is an India-born artist based in California. Suchitra paints in a representational realistic style drawing inspiration from 20th century naturalist painters. She embraces impressionism to depict everyday representational scenes. Suchitra excels at capturing and expressing the mood of her subjects, often in contemplative classical settings. This lends a timeless yet intimate quality to her paintings. Though primarily a portrait and figurative painter, she has recently been painting urban and architectural subjects. Suchitra is represented in leading fine art galleries across USA including Santa Fe, Washington D.C., Carmel and Houston. Her paintings have won awards at international juried shows hosted by The Portrait Society of America, Oil Painters of America and American Impressionist Society.

"Study for Long Beach" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan Daniel Ralph Celantano (1902-1980) "Study for Long Beach" 8 x 10 inches Oil on artist bo...

Yard. Oil on cardboard, 14 x 17, 5 cm

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

The American landscape – endless skies, calming waters and the varied shores of the East and West coasts - are Cople’s passion and she travels far and wide to capture her subjects. “I love painting the landscape en plein air. In the outdoors, exposed to the sun, wind and rain, you can incorporate not only what you see, but also the sounds and the smells of the landscape. All of this lets me convey the sense of wonder I feel at the subject,” says Cople. Undeterred by nature’s extremes, Cople has painted in blizzards in the Wasatch Mountains...

Aaron Bohrod Gallimaufry, 1989 Signed on the right Oil on gesso panel 14 x 11 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism...

Frank Hill is a professional artist living and working in North Norfolk. He studied art at Waltham Forest School of Art and later at St Martins School of Art. Frank’s professional career included employment with various advertising agencies and commercial studios as a designer and illustrator, later becoming self-employed as a freelance illustrator working for both advertising and publishing clients. Over the course of his long career Frank has illustrated many children's and educational books, including Enid Blyton...

This painting depicts an impressionistic portrait of a woman in a light sage blouse and brown hair. Painted in the Art Students League art studio in 2010. Against a moody pale green ...

Charles Bertie Hall The Tuileries Garden, Paris Contemporary Impressionist Style Oil on board, circa 2025 Signed lower left and on the reverse Presented in a vintage French frame A ...

Hand signed and numbered by the artist. Edition of 200. From the Myths Portfolio. Screenprint With Diamond Dust on Lenox Museum Board. Published by Ronald Feldman Fine Arts, Inc.,...

Original pen and Ink on watercolour paper Pen and ink on watercolour paper Image size: H50 cm x W 65cm x D0.1 cm Sold Unframed Please note that in situ images are purely an indicatio...

Tree silhouette. Oil on cardboard, 43x53,5 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at ...

Robert Deborne Vue du Viviers (View of Viviers) 1870-1944 Oil on board, signed lower right Image size: 27 x 41 1/4 inches (68.8 x 104.7 cm) Contemporary-style frame Provenance Artist's estate Vue du Viviers (View of Viviers) Robert Deborne Vue du Viviers (View of Viviers) 1870-1944 Oil on board, signed lower right Image size: 27 x 41 1/4 inches (68.8 x 104.7 cm) Contemporary-style frame Provenance Artist's estate Enquire View in Room...

Alice Kent Stoddard 1885-1976 Sledders (circa 1950-1960) Black chalk on card Image Dimensions: 19.75 x 16 inches (50.2 x 40.6 cm) Framed Dimensions: 26.5 x 22.3 inches Signed lower right: Alice Kent Stoddard Alice Kent Stoddard was born in Connecticut, but spent much of her career as an artist in Philadelphia and on Monhegan Island in Maine. She studied with Thomas Eakins, William Merritt Chase and Thomas Anshutz at the Pennsylvania Academy of Fine Arts, as well as at the Philadelphia School of Design for Women. While serving with the YMCA in France during World War I, Stoddard executed many drawings and paintings of the battlefield. However, she is most widely recognized for her bold landscapes and marine paintings of Maine...

By the river. Canvas, cardboard, oil, 55.5x70.5 cm

1950s Oil on Board – Industrial Constructivist Factory Scene mid-century oil painting on board (signed “Alex” lower right), depicting an abstracted industrial complex in neo-Constr...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

This vibrant work by noted 20th century American artist, Joel Durand, employs a bold palette and sophisticated approach in this dramatic and abstracted sti...

A dramatic and highly accomplished landscape, Toccata and Fugue in D Minor (Bach) by Frederick Waugh captures the grandeur and emotional force for which the artist is celebrated. Lik...

Margaret Michel (American, 20th Century) Signed: Michel (Lower, Right) " Ramono's Foods ", c. 1960s Gouache and Watercolor on Illustration Board 20" x 30" Housed in a 3/4" Frame...

Antonio Saura Atarés (Huesca, 1930 - Cuenca, 1998) "Autodafé" 1985. Oil and lacquer on cover, applied on board. 30 x 53 cm (44 x 67.5 cm) Signed and dated lower right: “Saura 8...

UN Poster Design American Scene Mid 20th Century Modernism WPA World Peace Jo Cain (1904 – 2003) We Are All Members of the Human Race: UN Poster Proposal 21 x...

Original Holiday Greeting Card Christmas Illustration featuring a snowy scene with dogs chasing a horse-drawn sleigh Medium: Egg Tempera on Illustration Board Signature: Unsigned Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

Solvita in the garden 1990, cardboard, oil, 35x50 cm.

John McCaw's (US based) "Whirling Dervish" is an oil painting that depicts colors in motion. John McCaw (b. 1967), the eldest son of American expr...