Art by Medium: Board

* No US duty or taxes to pay on works of art * A striking 1930's French post-impressionist oil on board portrait of a gentleman smoking a pipe by Antonin Guéton. Excellent quality...

Technical Sheet - Title: Santa Creu d'Olorda - Artist: Rosendo González Carbonell - Technique: Oil on panel - Dimensions without frame: 8.3 x 10.2 in - Dimensions with frame: 13 x 15 in - Date: November 22, 1981 - Condition: Excellent - Signature: Signed in the lower left corner - Location: Depicts the church and landscape of Santa Creu d'Olorda, Catalonia Description This artwork captures the bucolic essence of *Santa Creu d'Olorda*, a picturesque spot nestled in the Collserola hills of Catalonia. The painting, bathed in earthy greens and ochres, highlights Rosendo González Carbonell's mastery in rendering Mediterranean light and the interplay of shadows across the rolling hills and architectural features. His loose, textured brushstrokes evoke a warm, serene atmosphere, transporting the viewer to a tranquil rural scene where nature and architecture harmonize beautifully. The classic frame enhances the piece's artistic quality, making it an excellent choice for both seasoned collectors and lovers of Catalan tradition. Artist Bio Rosendo González Carbonell was a Catalan painter renowned for his landscapes of the Catalonia region and its surroundings. Inspired by nature and local architectural heritage, Carbonell developed a style that balances meticulous detail with an impressionistic brushstroke, bringing his compositions to life. His works often feature depictions of small villages, rural churches, and peaceful landscapes. Carbonell's artistry reflects the tradition of Catalan painters such as Joaquim Mir and Santiago Rusiñol, while also drawing inspiration from great Impressionist masters like Claude Monet and Camille Pissarro. Similar Artists If you find this piece captivating, you might also enjoy works by: - Joaquim Mir: Known for his luminous interpretations of the Catalan landscape - Santiago Rusiñol: Celebrated for his delicate depictions of rural scenes and local architecture - Josep...

Alcune lettere respinte al mittente  is an artwork realized in 1987 by Gianfranco Baruchello . Mixed media on paper (China ink and enamel on cardboard). Hand-signed and dated on the...

This charming large-scale 1973 screen print depicting various English cookies in sharp, masterful detail by Marc Foster Grant (American, b. 1947) is perfect for a bakery or biscuit l...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Antique American impressionist landscape oil painting. Oil on canvasboard. Framed. Measuring: 12 by 15 inches overall, and 8 by 10 painting alone. In excellent original condition. H...

This still life conveys a sense of quiet, almost meditative morning, where the objects on the table are filled with gentle light and warm tones. The brown jar, surrounded by light ce...

A charming, diminutive 1945 city street scene painting of Navy sailors standing beside a store front in Hanover, NH by famed Chicago artist Harold Haydon. Image size: 4 1/2" x 6". ...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

Dan McCaw's "Reverie" created in 2024, is a striking oil painting measuring 48 x 42 inches. This original artwork features an abstract composition of a figure, rendered with rich tex...

Signed lower right, 'Kunffy' for Lajos Kunffy (Hungarian, 1869-1962); additionally titled, verso, 'Budapest 1942, A váci utca ...' A Hungarian winter landscape showing a birds-eye v...

Will Foote View of Arizona Desert near Wickenberg, circa 1927 Signed lower center; titled and dated on the reverse Oil on artist's board 12 x 16 inches Foote was born on June 29, 1874 in Grand Rapids, Michigan, and died on January 27, 1965, in Sarasota, Florida. He was in Old Lyme, 1901-65; and in Cos Cob, 1903. Will Howe Foote was one of the earliest artists at Old Lyme and one who adopted the town as home. He first went there the summer of 1901 with his uncle, William H. Howe, a painter of cattle, who had been told about the beauties of the countryside by Henry Ward Ranger. Foote had himself heard of Old Lyme when he had met Clark Voorhees in France. He and his uncle were both from Grand Rapids, Michigan, where Foote's father was an executive in the furniture industry that made the city famous. Encouraged to be an artist by his father, he began his professional training at the Art Institute of Chicago in 1894. He became friends there with a fellow Michigan student, Frederick Frieseke, who would study with him again at the Art Students League in New York, where Foote worked in 1895-96 under H. Siddons Mowbray and Kenyon Cox. In 1897 he and Frieseke went to the Academic Julian in Paris, where Foote studied under Jean-Paul Laurens and Benjamin Constant. He was at Julian's until 1900, except for an Italian trip, summers at Laren, Holland, or Etaples, France, and a short period at Whistler's school in Paris. He exhibited twice at the Old Salon, and when he returned to the United States in 1900, he had a one-man exhibition in his hometown. Will Howe Foote's paintings were well received on his return from abroad. He exhibited frequently at the National Academy of Design and became an associate member in 1910. His awards included a bronze medal at the St. Louis Exposition in 1904 and a silver medal at the Panama-Pacific Exposition in San Francisco in 1915. Once he visited Old Lyme, Foote returned every summer. In 1902 he was hired as assistant to Frank DuMond at the Lyme Summer School of Art, which was sponsored by the Art Students League of New York. Sometime in 1903 he also taught a session in Cos Cob. After 1906, when the League moved its Lyme classes to Woodstock, New York, Foote continued in Old Lyme as a private instructor. In 1907 he was married to Helen Kirtland Freeman, whom he had met a year or two earlier when she had come to the Lyme art colony as a student of Henry Rankin Poore. Fellow artist William Chadwick was best man at the wedding. The Footes began building a house on Sill Lane in Old Lyme and upon its completion in 1909 spent every spring, summer and fall there, where Foote devoted full time to painting. The Gregory Smiths, old friends from Grand Rapids, arrived in Old Lyme in 1910 and became neighbors. Foote's early works in Connecticut, such as A Summer's Night reflect the artist's interest in soft, atmospheric scenes dominated by a single, overriding tone. The arrival of Childe Hassam and Walter Griffin...

John F. Carlson Hyannis Pond, 1940 Signed lower left Oil on board 16 x 20 inches Provenance Vose Galleries Private Collection, New Jersey The native Swede John Fabian Carlson beca...

Private readings - Angelo Granati Italia 2013 This is his reinterpretation of a greatest old master painting "Comparisions"by Sir Lawrence Alma-Tadema. ...

Signed pointillist oil on board landscape circa 1910 by French impressionist painter Joseph Louis Francois Lepine. The painting depicts a landscape in autumn. The green leaves are tu...

Marc Khonsky (American Russian, 1927-2017) Untitled (Winged Prophet Playing Music) 1978 Oil on board Hand signed and dated lower right Dimensions: board: 14"h x 11"w, overall (with frame): 19.5"h x 16.5"w This depicts a winged angel in the guise of a rabbi, possibly the messiah, moshiach, or Prophet Elijah blowing a shofar over the old city of Jerusalem. A masterpiece laden with mystical symbolism. Marc Klionsky (Марк Клионский) (1927 – 2017) was a Russian-American Jewish artist who worked in New York City from his immigration in 1974 until his passing in 2017. Klionsky developed a style of American Realism uniquely defined by his classical training in the Soviet Union and his perspective of daily life in New York and America. Over the course of his career, Klionsky painted portraits of prominent world figures who shaped the 20th century. John Russell, art critic for The New York Times, described him as "a good man and a brave man and one of the most eloquent painters around. We need him" and as "one of the best portrait painters around." Marc Klionsky was born in Minsk, Belarus to a Jewish family in 1927. His father, Leo (Zev Vulf) Klionsky was a printer from Borisov, Belarus. The son of a woodcutter and engraver Klionsky's father moved to Minsk and eventually married Liza (née Rozenstein) in 1926. As a child, Klionsky attended the Art School for Gifted Children in Minsk. During World War II, Klionsky's family was evacuated to Kazan, Republic of Tatarstan, where Klionsky began to earn a living producing anti-Fascist posters and illustrations for local newspapers and other publications. Klionsky studied at the Drama Institute at the Kazan Theater, where he primarily focused on developing costume designs for various productions. After the war, Mark Klionsky attended first the Serov Art Institute before entering the Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture (now known as the Russian Academy of Arts in Saint Petersburg). Klionsky's diploma piece was reproduced in an edition of 50,000 copies and distributed throughout the USSR. Klionsky received his PhD in 1957, during which period he studied with Professor Boris Ioganson. Klionsky became the youngest artist to be exhibited at the Tretyakov National Gallery in Moscow. During this period, Klionsky met his future wife of nearly 59 years, Irina Klionsky (née Korolik), with whom he had two daughters, Nadia, an artist, and Elena, a pianist. Klionsky established himself in the Soviet Union initially by producing official Social Realist works that depicted political figures and daily life in the Soviet Union. However, in the privacy of his own studio, Klionsky began to explore the themes of Jewish life, anti-Semitism and the Holocaust. He soon discovered the creative and intellectual restrictions of working as a Jewish artist in the Soviet Union. After Klionsky left the Soviet Union with his family in 1974, traveling first to Rome, Italy and then to New York, he expressed in his work the newborn freedom that he found in America. Shortly after his arrival, he was recognized in an ABC television production about his work, Canvases of Freedom. This was followed by a U.S. State Department documentary (produced by the U.S. Information Agency) shown in ninety-two countries about one of his exhibitions at Hammer Galleries. During this period, Klionsky also taught at the School of Visual Arts in New York and at the Pennsylvania Academy of Fine Arts in Philadelphia, birthplace of the Ashcan School of American Realism. While Klionsky took advantage of his creative freedom in the United States to explore a range of abstract styles and media, he ultimately gained prominence as a master of portrait painting and of American Realism. His works include portraits of leaders in the world of politics and humanitarianism, such as Israeli premier Golda Meir, Elie Wiesel, Prince Bandar Bin Sultan, and Vernon Jordan; music, including Dizzy Gillespie, Mstislav Rostropovich, and B.B. King; business leaders Armand Hammer, Steve Forbes, and Dwayne Andreas; and many others. His portraits are in the permanent collections of the National Portrait Gallery in Washington, D.C., the Russian Museum in St. Petersburg, and the Museum of Contemporary Art in Lausanne, Switzerland. Klionsky was also honored during his lifetime to have been selected to sculpt the Nobel Peace Prize Commemorative Medal for Elie Wiesel. During his lifetime, Marc Klionsky's paintings and prints were exhibited throughout the Soviet Union, Europe, America, Israel and Asia, as well as Australia and New Zealand. His Soviet works were exhibited in the Tretyakov National Gallery in Moscow and the State Russian Museum in Leningrad multiple times throughout the 1950s. In 1962, his work was shown alongside that of Marc Chagall at Grosvenor Gallery in London. Separately, his work was shown along with other Soviet artists at the time in West Berlin, Hiroshima, Rome, and New York. After emigrating to New York in 1974, his first international exhibition was held in Paris at the Salon des Reprouves with Galleries Hardy in 1978. His first solo New York show took place a Nakhamkin Fine Arts Gallery on Madison Avenue in 1979, after which Klionsky was represented by Hammer Galleries for the remainder of his career. Klionsky had several solo shows in Europe between 1991 and 1992, showing at the Musée d’Art Contemporain in Lausanne, Switzerland, the Salon Internationale des Musées at the Grand Palais in Paris, France, and his "God Bless America" traveling retrospective that began at the St. Ingbert Museum in Germany. The last exhibition of Klionsky's work during his lifetime was at an event titled "Painting the Face of Russian Jewry: The Art and Journey of Marc Klionsky” at Brandeis University in Waltham, Massachusetts in 2010, with presentations made by Sir Antony Polonsky, Emeritus Professor of Holocaust Studies, and Professor Nancy Scott, former chair of the Fine Arts department at Brandeis University. Marc Klionsky's works hang in the collections of the National Portrait Gallery in Washington, D.C., The Elie Wiesel Foundation for Humanity in New York, the Musée d’Art Contemporain in Lausanne, Switzerland, the Yad Vashem Art Museum in Jerusalem, Israel, and the State Hermitage Museum and the State Russian Museum in St. Petersburg, Russia, among other private and public collections internationally. He was part of a tradition of Soviet Jewish artists that included El Lissitzky, and Natan Altman, Marc Chagall, Robert Falk, Anatoly Kaplan, Ilya Kabakov, Oscar Rabin...

Antique French landscape oil painting. Oil on canvasboard. Framed. Signed verso. Measuring: 12 by 14 inches overall, and 9 by 11 painting alone. In excellent original condition. Ha...

Louise Bourgeois & Tracey Emin Do Not Abandon Me (Hand signed in green marker on the half title page by Tracey Emin), 2010 Cloth hardback monograph with no dust jacket as issued (Han...

"King of the Barn"-Farmyard Rooster 19th century France Oil on board Signature to be read 18 x 15 (19 3/4 x 23 3/4 frame) inches A very finely painted and expressive rendition of a...

An expressionist, colorful and direct oil painting of a nude female figure, strecthing back against an an abstract background. Aesthetically sensuous with active brushstrokes applie...

Georg Stoopendaal (1866–1953) A Woman in the Field oil on board signed G.S unframed 23 × 31 cm (9 × 12 ¼ in) framed 33 × 41 cm (13 × 16 ⅛ in) In this quietly atmospheric scene, a ...

‘Spring, glorious spring’ is celebrated in all its fresh, bright colour in this delightful painting by Ciba Karisik. A path invites the viewer to wander into the woods and experience...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1998 by a private collector, San Carlos, Palo Alto, and Oceanside, California; From the Santa Barbara Historical Society Signed "Carl Sammons" on lower right Description This luminous coastal landscape by Carl Sammons is a striking example of the artist’s signature plein air style, depicting the rolling coastal dunes and lush vegetation of California’s shoreline. Best known for his depictions of Carmel and Monterey, the composition and palette of this work suggest inspiration from the Monterey Peninsula dunes. Sammons’ ability to merge vibrant, clean color with a sense of atmospheric perspective is evident here in the interplay of bright, sunlit sands and the rich greens of windswept foliage. His vibrant yet naturalistic color harmonies, crisp edges, and keen sensitivity to light bring the fleeting beauty of the coastal environment to life. The hazy eucalyptus grove in the background adds a distinctive regional touch, situating the composition firmly within California’s coastal identity. Sammons’ paintings of California’s unique landscapes played a significant role in documenting the natural beauty of the state during the early 20th century. Connection to the Monterey Art Colony By the 1920s and 1930s, Sammons became closely associated with the Monterey art colony, an influential hub for plein air painters such as Armin Hansen (1886–1957), William Ritschel (1864–1949), and Percy Gray...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Janis Rikmanis (1901.5.IV – 1968.25.III) graduated Figurative painting studio of Latvia Art academy (1931). He took part in exhibitions since 1929. Self-exhibitions were made in Riga...

Oil study by a lake and mountains during sunset by Edward Rosenberg (1858-1934). This is a an oil study for a larger painting that Rosenberg did. A te...

Swiss artist Edith Konrad paints figurative abstract compositions with mixed media on canvas. She layers her expression of her emotional response to the subjects with dynamic texture...

Astley David Middleton Cooper (American, 1856 - 1924) Signed: A.D.M. Cooper 90 " Indian Encampment by the River ", 1890 Oil on Board 20" x 30" Housed in a Walnut Frame with a L...

Bellissima opera siglata E.K. Cornice decò Figura di donna ,Soubrette o Circense con pantera e sullo sfondo un leone dietro le tende Classico soggetto anni 20 Deco Forse per illust...

Mid Century Floral Still-Life in Oil on Canvas-Wrapped Illustration Board Classic mid century floral still-life with impasto in warm, autumn colors by Frances Christensen American, ...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Elhanan Halpern Abstract cityscape Northern Israel, Kinneret Lake, Galilee, Tiberias Hand signed lower left in Hebrew Bears label in Hebrew verso, handwritten English inscription. Ci...

This expressive still life captures an intimate arrangement of porcelain vessels—teapot, cups, and glassware - and a persimmon set against a richly textured blue background. Painted ...

Elegant Early 20th Century Floral Still Life of Cascading Yellow Hybrid Tea Roses Realistic early 20th Century floral still life by L. Griffin (English, 19th/20th century), 1904. Fe...

This small oil painting on board (21.5 x 33 cm) is a rare early work by Swedish landscape painter Carl Johansson (1863–1944). Painted during the artist’s 1894 travels to the Canary I...

Abstract modernist, minimal, Brancusi inspired three dimensional wall sculpture in light grey. Made of carved high-density foam, epoxy resin, pigment and gypsum cement. Despite it's ...

The coming of lilac season always heralds the world’s transformation into its most enchanting self. When the tender green on the trees has grown bold, and the evenings and early dawn...

Lesley Anne Spowart (American, born 1957) "Kinetic II" 2025 Mixed media, acrylic paint, and oil paint on paper glued over board Signed by the artist at the bottom right corner and on...

This oil landscape painting of fall leaves is by Ciba Karisik. The rich tapestry of colour and form found on a forest floor is captured in this faithful portrayal of fall leaves. Ka...

This luminous landscape painting by Oscar Lycke captures the rolling hills and deep forests of northern Sweden, likely from the Sundsvall region. The foreground is dominated by lush ...

Gorgeous early 20th Century American Impressionist landscape of New England Farm by George M. Bruestle (American, 1871 - 1939), Circa 1914. Signed lower left and on verso. Presented in gilt-toned wood frame. Image size: 8"H x 10"W. George Matthew Bruestle is an American Realist/Impressionist painter known for his intimate landscapes. Born and raised in New York City, Bruestle studied at the Art Students' League of New York in 1886 at the young age of fifteen and later in Paris. That same year, Bruestle visited Essex, CT and eventually purchased a second home in Hadlyme, Old Lyme as the Art Colony formed. Bruestle's main studio was in New York City. Inspired by Jean-Baptiste-Camille Corot [1796-1875] and other French landscape painters, Bruestle's style was a mix of Early Realism and Early Impressionist techniques. He was an adept draftsman and his paintings favored earlier European examples but, later took on a brighter Impressionist palette and brushy quality of the Old Lyme Art...

A stunning antique American still life painting from the recently acquired estate of New York/New Jersey artist Sallie Van Horn. Van Horn taught painting and drawing to high school ...

Surreal Dreamlike Village Scene with Figures, Dog & Moonlit Sky by British Artist, John Charlesworth (British, b. 1947) Art measures 7 x 5 in (17.8 x 12.7 cm) Fram measures 10 x 8 i...

'Abstract Composition', oil on board (circa 1960s), by Edgar Stoëbel (1909-2001). In his very original style, artist Stoëbel's abstract image seems to form a human torso with the lively colours of a modernist work. The image has a pop art quality to it and was created just as that movement was emerging. Pop art challenged traditional painting by embracing colourful images from advertising, popular culture, comic books and mundane objects from everyday life. This artwork has a powerful intensity of tone and colour having somewhat faded with time. It speaks to Stoëbel's very distinctive style which remains completely approachable and appealing. In fact, this is not pop art. This is part of the post-war concrete abstract movement, or Constructive Art...

Mountains are not just an impressive sight; they are also a test of your patience and your readiness to overcome the challenges of the climb to reach your goal. The journey will not ...

Title: Blue - Trail of Tranquility Painting Equestrian Horse Modern Gold Contemporary Striking Invest Energy Calm Blue Nature Flora One-of-a-kind Unique This painting forms part of...

1970s Architectonic Abstracted Cityscape A unique architectonic abstract composition built from scraped and layered paint in ochre, umber, teal, and turquoise with gold metallic acc...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Sunny forest cardboard/oil, 90x70cm

Mid-Century realist oil on card of a peasant woman, dated 1963 to the reverse. Artist unknown. Presented in gilt and painted wood frame under glass. A charming, grounded painting of...

Substantial small painting of a Swiss Mountain village by Otto Hamel (German, 1866-1950). Signed "Otto Hamel" lower right. Presented in a giltwood frame. Image, 9.5"H x 13"L. A Germ...

Picnic in the Park - Mid Century Figurative Landscape Gorgeous mid century figurative landscape of a a group of figures, sitting on the lake shore with a guitar by Francis Albert Ge...

This plain air sketch painted by the artist in Tsaritsyno Park is a quiet frosty winter landscape, masterfully capturing the play of light and color. The foreground is dominated by t...

Beautiful Ashcan School portrait of a woman in winter outerwear, 1909. Oil on canvas panel, measuring 17.75 x 18 inches; 21.75 x 22 inches framed. Original frame. Dated lower rig...

This unsigned painting, attributed to the circle of Martin Theodore Ward around 1840, is an exemplary piece showcasing the talent of this 19th-cen...

David Griffin's beautiful original impressionist oil landscape "Face of the Ancients" (2024) is framed at 27 x 23 inches and is ready to hang. Artist Biography and Statement: "Paint...

Antique American impressionist Max Kuehne (1880 - 1968) seascape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood mol...

This richly painted still life depicts a carefully arranged grouping of fruit—pears, apples, and dark grapes—set atop a patterned textile and rendered with warmth and restraint. Exec...

Linda Stein, All Letters Rest on a Base Line 3 - Mixed media and stone on board, sculptural diorama All Letters Rest on a Base Line 3 is from Linda Stein's Missives series--a body ...