Art by Medium: Ceramic

Linda Stein started her Knights of Protection series in 2002 after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights are shield-like forms ...

In her new works, Ruth Vidal explores the material possibilities of ceramics, working with the pieces before firing them using different materials such as rabbit-skin glue, tradition...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

“Putti” is a 19th c. terracotta antique of two nude children, babies, as mythical figures. This piece is beautifully rendered with a rich brown patina. ...

Ribbed texture porcelain folded vessel vase with blue Celadon glaze Size: 6 x 5 x 5 inches Mary Jaffe creates functional and sculptural ceramics inspired by vast landscapes and the...

glazed ceramic made by Mithé Espelt mirror with bird pattern

Veronica Moar's work is deeply imbued with the processes of porcelain manufacturing and craftsmanship, rendered in a delicate and narratively rich manner. In this piece, we can see n...

Veronica Moar's work is deeply imbued with the processes of porcelain manufacturing and craftsmanship, rendered in a delicate and narratively rich manner. In this piece, we can see n...

Newcomb College Art Pottery High Glaze Pitcher, 1908, Arts and Crafts Period Decorated by May Louise Dunn , Thrown by Joseph Meyer An especially graceful example of Newcomb College...

Elina Titane (1978) Latvia, Riga Elina Titane represents the younger generation of modern ceramic art in Latvia. Emotional and sensually high-strung ceramic artworks by Elina Titan...

Depicting a shoulder-length portrait of a long haired beauty with green drapery about her shoulders Origin: Germany Date: 19th century Signed: KPM in ver...

Ceramic sculpture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his childhood years...

Ana Hefco's (Miami based) "Smooth Touch" is an original, handmade mixed media painting made with layered resin that depicts a shore with bright blue water and shiny golden sand and r...

A deep collored totem wit creative animal forms including a rooster and a frog top.

Miniature figures balance and play upon floating planets in this blue cosmic round mixed media wall sculpture by Italian artist Vera Vizzi. Created in 2022 and titled Blue Players, ...

Paula Murray’s ethereal ceramic art valued for its exquisite craftsmanship and beautiful design can be found in many international public collections. Inner Landscape is a creamy whi...

Monica Banks Peony, Petunia (Framed), 2026 glazed English porcelain 16 x 16 in. (ban122) Wall sculpture

Anais is a muse, born from the earth. Her form embodies the transformation of raw matter into refined shapes, expressed through delicate porcelain. From the density and weight of cer...

This white ceramic vessel’s organic shape was inspired by nature. The ethereal ceramic work of Paula Murray is valued for its timeless beauty. The Canadian artist’s work is often in...

Rattle is a unique painted fired clay mounted on granite sculpture by contemporary artist Patricia Volk, dimensions are 93 × 36 × 36 cm (36.6 × 14.2 × 14.2 in). The sculpture is sig...

Ribbed texture porcelain folded vessel vase with purple/blue glaze Size: 6 x 5 x 5 inches Mary Jaffe creates functional and sculptural ceramics inspired by vast landscapes and the ...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. The works are developed through a historically informed, proprietary material pra...

"Beaded Flower 12" is an original piece by Jeff Rubio made from stoneware beads, glaze, rope, metal hardware, steel paperclip. This pieces measures 30"h x 7.5"w x 2.5"d and comes wit...

An exquisite Berlin painted rectangular porcelain plaque of a wistful young beauty, standing beside a fence in a landscape, in the manner of Baron Bodenhausen. Maker: K.P.M. Origin:...

Pair of French Porcelain de Paris Gold Urns with Scenes of Roman History, Early 19th Century 13 x 6.5 x 5 inches The base of one urn states “Tibrius Gracchus Ferme Le Temple De Satu...

JAVIER CALLEJA - Pop Top' Planter Pot (Pink Eyes) Date of creation: 2021 Medium: Ceramic, crystal Edition: 100 Size: 17 x 21 x 18 cm Condition: In perfect conditions, brand new Condi...

JAVIER CALLEJA - Pop Top' Planter Pot (White Eyes) Date of creation: 2021 Medium: Ceramic, crystal Edition: 100 Size: 17 x 21 x 18 cm Condition: In perfect conditions, brand new The ...

Linda Stein, Stories from Home 1287 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the tradition of wund...

David Hare Untitled, circa 1970s Mixed media 4 x 2 x 1 1/2 inches Provenance The artist Mercedes Matter, New York (gift from the above) Bill O'Reilly, New York (gift from the above)...

Sara Fine-Wilsons ”Turn” is a gestural 10.5 x 8 x 6.5 inch ceramic sculpture in cream and white. In this graceful and evocative sculpture individual twisted elements are assembled an...

Hannah Schelb This is Me 2025 Ceramic, Glaze, Cone 5 Oxidation, Aluminum Wire, Kanthal Wire 26 x 24 x 38 inches (66 x 63.5 x 96.5 cm) Signed COA provided *Assembly required. Instruc...

In the world of artistic collaboration, Zao Wou-Ki's limited edition plate, "Pierre de Feu" crafted by Bernardaud, emerges as a symphony of Limoges porcelain—a masterpiece that trans...

Random is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 98 × 21 × 21 cm (38.6 × 8.3 × 8.3 in). The sculp...

This contemporary sculptural ceramic wall composition is by Paula Murray. Amass is an elegant new series by ceramicist Paula Murray of contemporary wall art that references an ancie...

Hare is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 84 × 30 × 52 cm (33 × 11.8 × 20.4 in). This scul...

Elegant tall hand-coiled and pinched white ceramic vessel sculpture by Jessamyn Go. Jessamyn Go's work is deeply rooted in the visceral, meditative experience of working with clay. ...

Robert Rauschenberg Rare lifetime edition Untitled Limited Edition Porcelain Plate (Guggenheim Museum), 1997 Porcelain Plate (Limited Edition Exclusively for Guggenheim) 10 2/5 in di...

Bodies at Rest #26, is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart in a modern matte black glaze is an abstracted figural form that captures how the laws ...

Contemporary wall-mounted sculpture by Tristan Fitch composed of pit-fired porcelain cubes on a hand-carved shelf made from locally sourced pine referencing architectural forms and a...

“Cromovela A serie 21” 2018 Polychrome ceramic stele Ed 2/20 24 x 8 x 6 in

This elegant handcrafted ceramic urn with a smooth oval shape, delicate stands soft green and pink tones with fine decorative details, blending timeless design and natural inspiratio...

Waylande Gregory (American, 1905-1971) Polo Player, c. 1930s Ceramic Inscribed signature on bottom 11 x 8.5 inches Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's "Nautch Dancer," (fig. 1) and his "Burlesque Dancer," (fig. 2). He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his "Burlesque Dancer" at about the same time as "Nautch Dancer." As with the "Nautch Dancer," he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for "Burlesque Dancer," a clue to her identity is revealed in the sculpture's earlier title, "Shimmy Dance." The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the "Star Spangled Banner" and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the "Burlesque Dancer" sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his "Kansas Madonna" (fig. 3). But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of "Kansas Madonna." The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of "Kansas Madonna" totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture in the article. Gregory was from Kansas, and "Kansas Madonna" should be considered a major sculptural document of Regionalism. Gregory and his wife Yolande moved to New Jersey in the summer of 1933. And the artist began construction on his new home in the Watchung Mountains of Bound Brook (Warren today) in 1938. His enormous, custom kiln was probably constructed at the start of 1938. Gregory's new sculptures were the largest ceramic sculptures in western art, in modern times. To create these works of ceramic virtuosity, the artist developed a "honeycomb" technique, in which an infrastructure of compartments was covered by a ceramic "skin." Science and atomic energy were a theme in Gregory's most significant work, the "Fountain of the Atom" (fig. 4), at the 1939 New York's World Fair. This major work included twelve monumental ceramic figures at the fairground entrance from the newly constructed railway entrance, giving the work great visibility and prominence. The framework of the fountain itself was of steel and glass bricks. It consisted of a bluish green pool which was sixty five feet in diameter. Above it were two concentric circular tiers, or terraces, as Gregory called them; the first wider than the second. On the first terrace were eight "Electrons," comprised of four male and four female terra cotta figures, each approximately 48 inches high. These relate to the valance shell of the atom. Above them on a narrower terrace, were the much larger and heavier terra cotta figures depicting the four elements, each averaging about 78 inches in height and weighing about a ton and a half. Of the four, "Water" and "Air" were male, while "Earth" and "Fire" were female. This terrace represents the nucleus of the atom. In the center of the fountain, above the "Elements," was a central shaft comprised of sixteen glass tubes from which water tumbled down from tier to tier. At the top, a colorful flame burned constantly. The glass block tiers were lit from within, the whole creating a glowing and gurgling effect. Since the fair was temporary, the figures could be removed after its closing. But the credit for the design of the structure of the fountain belongs to collaborator Nembhard Culin, who was responsible for several other structures on the fair grounds as well. Although Gregory created a figure of "Fire" for the "Fountain of the Atom," he also executed a second, slightly smaller but more defined version which he exhibited at various locations (including Cranbrook, Baltimore Museum, etc.) in 1940-1941, during the second year of the fair (fig.5). Measuring 61 inches in height, "Fire" may be a metaphor for sexual energy, as well as atomic energy. Gregory stated, "Fire is represented by an aquiline female figure being consumed in endless arabesques of flame." Portraiture was also a significant focus of Gregory's sculpture. Gregory produced many commissioned portraits of local people as well as celebrities. He created Albert Einstein's portrait from life (fig. 6, ca. 1940) after Einstein had seen Gregory's "Fountain of the Atom." He also sculpted some of the leading figures in entertainment, including 2 sculptures of Henry Fonda, who became a personal friend. Gregory also sculpted a series of idealized female heads, both in terra cotta and in porcelain. These include "Girl with Olive" (ca. 1932) and "Cretan Girl;"(ca. 1937) both are very reductive and almost abstract works that call to mind Constantine Brancusi's "Mademoiselle Pogany" (1912, Philadelphia Museum of Art). But perhaps one of his most original female heads is "Head of a Child" (fig. 7, ca. 1933), a sensitive white glazed terra cotta portrayal with elaborately crafted braded hair, was originally created as one of a pair. Gregory also produced sculptural works for the Works Progress Administration. The WPA was a work relief project that greatly helped artists during the great depression. Founded by the Federal Government in 1935, an estimated 2500 murals were produced. Among these public works were the iconic post office murals. But, among the painted murals were also sculptural relief murals including Gregory's "R.F.D.," 1938, for the Columbus, Kansas Post Office. But, Gregory's largest WPA relief...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

"Pod" is a precious sculpture with a decorated tactile surface and a warm glaze giving the piece a soft glow. The transparent glaze enhances the creamy tones of the clay. Ms. Oka Doner created unique hand-size sculptures during the 1960s of which the "Pod" is an exquisite example. Her clay technical skills cover a wide range from enormous wall pieces to small decorative pieces that demand to be touched and held. This piece, despite being a fruit, is the perfect example of her famous "Tatooed" figurative sculptures. Michele Oka Doner (born in Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, prints, drawings, functional objects and video. She has also worked in costume and set design and has created over 40 public and private permanent art installations. She is best known for her “A Walk On The Beach,” a one and a quarter mile long bronze and terrazzo concourse at Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world. She is granddaughter of painter, Samuel Heller. She attended the University of Michigan, Ann Arbor. Her art instructor Milton Cohen was experimenting with The Space Theater and George Manupelli began the Ann Arbor Film Festival. Their students were engaged in poetry, dance, light, music, all combined into a unitary vision, a motif that shaped Oka Doner's student years and is characteristic of her work today. She participated in a Manupelli experimental film, a "Map Read" performance with art drawing instructor Al Loving and Judsonite dancer Steve Paxton as well as several "Happenings." Another influence was art historian and Islamic scholar, Oleg Grabar, who illustrated how patterns in architecture are able to dissolve space. She received her BS and MFA from the University of Michigan in Ann Arbor. In 2008 she was a U of M Penny Stamps Distinguished Speaker. Solo exhibitions of her work have been held at the Detroit Institute of Arts, Michigan; Germans Van Eck Gallery, New York; Diane Brown Gallery, New York; Art & Industrie Gallery, New York; Willoughby, Marlborough Gallery, New York; Studio Stefania Miscetti in Rome; and Gloria Luria Gallery in Miami, Florida. During the 1960s Michelle Oka Doner was living and working in Detroit, Michigan, where she became acquainted with Charles McGee and his gallery located in the Fisher Building...

Cool colors and fun inventive faces and animals are the essence of this 64” totem.

In her Quebec studio, ceramic artist Paula Murray uses her own recipe for porcelain clay that she hand-shapes into beautiful and intricate pieces. Inspired by forms and patterns found in nature, Murray’s work often reflects the deeply spiritual connection between humans and the natural world. The “Passage” series of vessels are boat-like in form. Murray does own a collection of canoes. “Transition and pods are other titles I used with this series- the idea of leaving one place - for another; the shell that held a life that is no longer of use...” Paula Murray She has received many honours and international awards and was elected into the RCA in 2006. Murray’s work has been gifted by the Canadian government to dignitaries such as US President George W. Bush and UN Secretary Kofi Annan. Murray’s pieces can be found in private and public collections including the Canadian Museum of Civilization, the Banff Centre, the Gardiner Museum, Musée national des beaux-arts du Québec, the Official Residence of the Prime Minister in Canada and Canada House...

Large 35" tall, fine detail porcelain Dehua Blanc de Chine figure of Kwan Yin, early 20th Century. The goddess is clothed in a voluminous flowing robe which is open at the chest to r...

“Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic disposition or nature. Some animals have a long cultural history while others d...

Louise Bourgeois (French-American, 1911-2010) Je t'aime, 2005/2023 Medium: Fine bone china plate Dimensions: 26.7 diameter (10.5 in) Edition of 250: Not signed, not numbered (Printed...

Glazed ceramic, Bruno Cambone

This plaque depicts a quintessential 19th century Northern European woman with blonde hair, blue eyes and modest European fashions. She holds a bushel of fresh flowers as an offering and to decorate the small stone statue of Mary and a young Jesus before...

White Banana & Apple Ceramic Totem Sculpture For Indoor - Contemporary Art This masterwork is currently on display at the Zimmerman Gallery in Carmel, CA -- "My natural flow wi...

Plum Blossom Plate is an original decorative limited edition porcelain plate realized in the 1990s. This charming and very rare plate was produced for H...

Original signed terracotta sculpture by Alexander Ney (Russian-American, 1939-2023) featuring his signature perforated surface texture and abstract stylized head form. The piece show...

After Philippe-Laurent Roland (French, 1746-1816) Bust of a Young Man, 1772 Terra cotta set on painted wood pedestal Signed and dated at back 16.5 x 11 x 8 inches Philippe-Laurent R...

Beryl Sutcliffe (b.1926) is from Wigginton, York She is known for her minimalist tableware and individual pieces in reduced stoneware and porcelain.

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. Stein's works are in mor...

Linda Stein started her Knights of Protection series in 2002 after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights are shield-like forms ...

Unity II is a unique terracotta sculpture by contemporary artist Delphine Brabant, dimensions are 26 × 19 × 12 cm (10.2 × 7.5 × 4.7 in). The sculpture is signed and comes with a cer...

Antonio Rodriguez Morey Paisaje con Rio Oil on a plate 8,5 in framed 15 in Frame included Antonio Rodriguez Morey (1874- 1967) was born in Havana on March 4, 1874. He studied at the San Alejandro Academy where Valentín Sanz...