Art by Medium: Cord

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

"We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

This tufted work features hues of red, blue and green. Trish Andersen is inspired by the work of Shelia Hicks, Cy Twombly, Judith Scott and Nick Cave. Savannah-based artist Trish A...

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

These thread-and-vellum drawings document the aftermath of the earthquake and tsunami in Japan in March 2011. They began as a reaction to photographs of the devastated landscape, p...

These thread-and-vellum drawings document the aftermath of the earthquake and tsunami in Japan in March 2011. They began as a reaction to photographs of the devastated landscape, p...

"Material Pleasures: Artemisia", acrylic on linen, dyes on rayon; woven, 53" x 77", 1993. This contemporary abstract mixed media tapestry was done by California-based American fib...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

"Vestiges I" 32" x 83" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a tho...

Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna...

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Clay pigment, gesso, needlepoint, and oil on canvas Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Los Angeles, and now resides in Palm Desert. An...

This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). Minkowitz mixes her own interlacing technique with the...

Needlepoint designed by artist, hemp cord, paper, white gesso, modeling paste, resin, and Flashe Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Lo...

"Three Chairs" (Triptych) steel mesh, gold, silver and background rust steel board, 35" x 42 1/2" x 2", 2010. This three-piece mixed media textile work was done by artist, Jin-Sook ...

Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around the world and throu...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

Extensions of rope, impeccably wrapped, woven, tied and embellished with recycled beads, zip ties, ribbon, lace, tape and beads lure you into a hue-imbued, installation symbolizing n...

medium: fabric, thread, ink, paint, synthetic hair Gina Phillips is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, s...

The 3 paintings in this small body of work reflect some of the influences from my visit to Menorca. The needlepoint especially is inspired by the cobbled streets and fences that mean...

"Sweet Dreams" mixed media, 68 1/2 x 24 1/4 x 8, 2012. This mixed media textile wall sculpture was done by American fiber artist, Norma Minkowitz (b....

Needlepoint designed by artist, hemp cord, paper, white gesso, modeling paste, resin, and Flashe Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Lo...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Jurate's work explores the materiality of textiles and engages with themes of femininity, identity, and the cultural codes embedded in everyday life. Incorporating threads, non-woven...

Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...

"Abstract Melange I" Abstract Collage 35" x 39" inch by Neama El Sanhoury Fabric Collage on Linen on Wood ARTIST BIO Neama El Sanhoury's upbringing...

Vintage magenta abstract by Maureen Fenton-Hanson a Monterey artist (American, 1946-2007). Signed "Fenton" and dated "74" lower right and on verso. Unf...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors ...

This archival pigment print on linen with embroidery and gold paper collage featuring hues of brown, yellow and orange. Tokie Rome-Taylor is inspired by the works of Harmonia Rosales...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it. Theda Sandiford...

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

Thread, metal and acrylic paint on wooden panel Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Interna...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Atticus Adams is a sculptor whose work embodies the transformative power of art to create beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—...

Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...

Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...

Nailed It Series No.60 27 x 51 x 2 in acrylic paint and thread an wood Born in 1986 in Agra, India Lives & works in New Delhi, India Sumit Mehndiratta is a multi-disciplinary artist from India whose works have been exhibited in the United Arab Emirates, Italy, India and Japan. Always open to new techniques and styles and weary of how repetition can stifle creativity, he creates abstract works that move from geometric and structured to soft and shaded. Education MSc. International Fashion Marketing, Manchester Metropolitan University, Manchester, UK, 2007-08 ​BSc Hons. Marketing, University of Bradford, UK, 2004-07 ​ Solo Exhbitions 'Fluid Resonance', Solo exhibit by Sumit Mehndiratta, Bestcollegeart Gallery, New Delhi, India, 2017 'Solo show by Sumit Mehndiratta', Gallery Alerid, Impulse arts Gallery, New Delhi, India. September 2011 ​ Group Exhibitions Movement in Art, Group exhibit of 8 artists at Pullman, Dubai Creek City Centre, February-April 2020, UAE. ​Goa Affordable Art Fair, 2nd Edition, Museum of Goa, Goa, India 2019-2020 "Awakening", LGBT Group show at Hotel Lalit Great Eastern, Kolkata, organised by InsideOut Delhi, 2019 ​"Awakening", LGBT Group show at Art Junction Gallery, Hotel Lalit, organised by InsideOut Delhi, Connaught Place, New Delhi, 2019 ​Group show by Art4You Gallery at The Art Expo, New York, 2019 "Nailed it Series", Group exhibit by PetitMorpho Gallery at Art Future Taipei, Taiwan, 2019 "Karmascope Series", Exhibit by ArtRooms London, Melia White House, London, UK, 2019 ​"Refracted Lives", LGBT Group show at Art Junction Gallery, Hotel Lalit, Connaught Place, New Delhi, 2018 ​Group show at MAD Gallery Milano from October 2018 to October 2019, Milan, Italy 'WeContemporary Palermo', MUSA International Art Space, Palazzo Castrone di Santa Ninfa, Palermo, Italy, 2018 ​"Nailed it Series", Wall sculpture exhibit by Petit Morpho Gallery at Art Fair Asia Fukuoka, Japan, September 2018 ​"Value Beyond", Group Exhibition by Gallery Veda, July 2018, Chennai, India. "Absolute Abstract", Group Exhibition by Art Smiley Art Gallery at Hilton, Dubai, UAE, May 2018 ​"Neoflora", Group exhibition with Art Smiley Art Gallery at World Art Dubai Art Fair, April 2018, Dubai, UAE ​"Edelweiss Pallate Art Show Part 2" Charity Fundraiser by Edelgive Foundation, February 2018, New Delhi, India. "Within Reach", 7th Edition Presented by Burgundy Events at Gallery Nvya, Saket, 2016, New Delhi, India. "Edelweiss Pallate Art Show" Charity Fundraiser by EdelGive Foundation, February, 2016, Mumbai, India. "God Particle", AIFACS (All India Fine Art & Crafts Society), New Delhi, August 2015, India. "Indian Art Foundation Group Exhibition", Open Palm Court Gallery, India Habitat Centre, February 2015 New Delhi, India. 'Strings Attached', United Art Fair 2nd Edition, Pragati Maidan, New Delhi, 2013, India 'Art to heart, season 4', Lalit Kala Academi, New Delhi, April 2013, India. 'Simply Strokes Part 2', Open palm court gallery, India Habitat Centre New Delhi, Jan 2013, India 'Simply Strokes part 1', Visual arts gallery, India Habitat Center, New Delhi, Nov, 2012, India 'Shutters and brushes', Manchester amateur photographic arts society, Manchester, UK, August 2008 ​ Projects ​ Series of Limited edition prints for the Raffles Resort, 5 star luxury resort based in Maldives, January 2020. Large scale abstract works for a Chinese Bank in Houston, Texas 2019. ​Black and white abstract drawings and painting Project with FSCA in collaboration with K. Associates for drawing and acrylic works in Mumbai, India. Triptych Wall art installation at WIPRO headquarters in Coimbatore, TN, commissioned through ArtFlute Gallery based in Coimbatore, India, 2019. Thread Artworks commissioned by Indiewalls for display at Dulles Airport Terminal, Washington DC, USA, 2019. ​Limited edition archival prints for a project in Hyatt Place/House, Indianapolis, USA, 2019. ​The Four Seasons, Dubai, Wall Sculpture installations at Burj Alshaya, Kuwait, 2018 The AC Hotels Project- Wall sculpture installations for AC Hotels by JW Marriott, Texas, USA, 2017 ​The Bahamas Resort Project - Commissioned black and white floral photographic prints...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

HANNAH REEVES There May Bloom (Bleeding Heart) 2021 Chalk, graphite, and stitching on paper and found object Framed: 11.5 x 8 x 1 inches

Floating in Space Paper collage 4.5 x 4.5 unframed

Overview Paper collage 4.5 x 4.5 unframed

Headdress; knitted, crocheted, and felted yarn, embroideries, pearls and ceramic

Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around the world and throu...

"Shining City" 51" x 75" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a t...