Art by Medium: Gouache

Di Gesu Estate (American, 1914-1988) stamp verso and painted circa 1955. Framed dimensions: 18 x 1 x 13 inches Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los...

Romain de Tirtoff, called Erte (French/Russian, 1892-1990) A set design featuring a tree for Une Noce chez les nudists (A nudist wedding) Gouache on paper Signed with atelier stamp (...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Little Madeline is at it again, but this time with a big magician cloaked in a commanding red gown. In the Christmas spirit of giving, Madeline reaches up and offers him a plate of n...

Noel Daggett, American (1925 - 2005) - Guarded New Bride (Ute Indians 1870's), Year: 1987, Medium: Gouache on Board, signed and dated, Size: 10 in. x 17 in. (25.4 cm x 43.18 cm), ...

Desmond Mclean (1929-2015). Untitled, ca. 1960 Mixed media onpaper. Sheet measuring 12.25 x 16.5 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Am...

"Femme des Imerrhane" translated to "Woman of the Imerrhane is plate number 34 in Jean Besancenot's stunning portraits and depictions of the people of ...

In this contemporary botanical cyanotype painting in watercolor, gouache, and cyanotype on Hot Press watercolor paper, meticulously detailed plants and flowers, including anemones, h...

"A Different Beat" by Washington DC artist Jeanne Cosimano. Painting in gouache and chalk on paper and dated 2022. Artist is known for her dynamic composit...

Artist: Merton Clivette (American, 1868-1931) Title: Landscape II Year: Circa 1925 Medium: Gouache Paper: Watercolor Size image: 17.35 x 22.65 inches Size paper: 17.35 x 22.65 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...

Includes a Certificate of Authenticity

Figurative illustration of people arriving at a church by Charles Kinghan (American, 1895-1984). The church is rendered with exquisite detail, typical ...

This contemporary painting in ink, gouache and pencil on archival paper is composed of solid shapes surrounded by a pattern of delicate lines and dots in bright blue, luminous yellow...

French Modernist Portrait of an Elegant Red-Haired Woman Holding a Small Dog Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: gouache on artist paper, unframed. ...

In this piece, I set out to evoke the quiet mystery of a spring night illuminated by moonlight. A glowing full moon hovers above, casting golden highlights that shimmer through the s...

French Modernist Mediterranean Coastal Landscape with Pine Trees and Blue Sea Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: gouache on artist paper, unframed....

French Modernist Country House Garden with Trees and Arched Courtyard Entrance Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: gouache on artist paper, unframed...

In this painting, I aimed to capture the quiet magic of a moonlit orchard. A radiant silver moon rises above distant hills, casting a soft, ethereal glow and scattering stars like pe...

Freddy WITTOP( 1912 -2001 ) " SRGE LIFAR " gouache sur papier . signé . encadré : 57 x 39,5 cm feuille : 47,5 x 31 cm Freddy Wittop est un créateur de costume qui eu parallèlement ...

Il Festino is a beautiful etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work, which presents a remarkable quality of strokes and brillian...

Walpole Champneys (British, 1879 – 1961) A musical idyll; and The masked ball (a pair) The former signed and dated ‘W.CHAMPNEYS /.28.’ Pencil and watercolour and gouache on paper The...

Woman Abstract Portrait Repaired tear upper left and minor wear along the edges of the work, otherwise in good condition Artist signed lower right corner, 23.5h x 18.5"w Rolph Scarl...

Sandy Litchfield’s “Lingerlin” (mixed media on paper, 30 x 22 in.) reflects her signature practice of transforming landscapes into lyrical, layered compositions. Drawing inspiration ...

This painting immerses you in the mesmerizing stillness of an autumn night, illuminated by the gentle radiance of a full moon. Golden trees, like intricate lacework, stand gracefull...

Attributed To French Master Jean-Baptiste Pillement (1728 - 1808). Magnificent rococo pair paintings depicting scenes from the life of Europe of the 18th century. Two scenes tell us about the lives of travelers and fishermen of the time. Two frames of the same century perfectly complement these paintings. Paintings made in the technique: Pastel, Bodycolor, chalks, and perhaps gouache on paper or paperboard supported by wooden boards. Gold leaf neoclassical frames of early 1800s (not examined under frames). On the reverse side of the wooden substrate, there is a stamp, "Bundesdenkmalamt Wien", Perhaps Jean-Baptiste Pillement (1728 –1808). Antique old paintings...

Work : Original Drawing, Handmade Artwork, Unique Work. Not Framed. Museum matting & backing included, ready to be framed in a standard frame 40x30 cm. Medium : Watercolour, Gouache...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

"Sculpture Model" Abstract American Drawing Modernism Mid 20th Century Cubism Charles Biederman (American, 1906-2004) Sculpture Model Ink and gouache on Arches paper Sight: 18 x 1...

This work is an exceptional example of Kádár's mature Cubist style. It's effortlessly designed around a complex composition of nude men and women tending to horses in a surreal landscape with Greek columns, friezes, and marshmallow clouds set against a rich, saturated blue sky. Kádár was a Hungarian painter influenced by Der Blaue Reiter...

For those who appreciate good academic painting and drawing, study Pearl Frush. She gets it right. In the present work, Frush paints a perfect face. Not just anatomically, but also i...

Alan Davie, Scotland (1920-2014). Gouache painting with watercolor 'Village Myth' Hand signed ('with love') lower left, 1982 Dimensions: with frame 37.5"H x 30.25"W; image, 28"H x 22.5"W. James Alan Davie (1920 – 2014) was a Scottish painter and musician. Davie was born in Grangemouth, Scotland in 1920, the son of Elizabeth (née Turnbull) and James William Davie, an art teacher and painter who exhibited at the Salon des Artistes Français in 1925. During this formative period Davie discovered the poetry of Walt Whitman and T.S. Eliot, whose prose is echoed in letters home as well as his own verses. Alan Davie studied at Edinburgh College of Art from 1937 to 1941. An early exhibition of his work came through the Society of Scottish Artists. After the Second World War, Davie played tenor saxophone in the Tommy Sampson Orchestra, which was based in Edinburgh and broadcast and toured in Europe. He also earned a living making jewellery during the postwar period. Davie began teaching basic design in the jewellery department at London’s Central School of Arts and Crafts led by the Scottish artist William Johnstone, where colleagues included artists Nigel Henderson, Eduardo Paolozzi, Richard Hamilton and Patrick Heron. In 1961, Davie’s jewellery was featured in The International Exhibition of Modern Jewellery at London’s Goldsmith’s Hall, a milestone in the history of jewellery making in Britain where an impressive roster of international and British artists including Alexander Calder, Naum Gabo, Victor Pasmore and John McHale...

Original mixed media painting by Budd Hopkins executed in 1967. The artwork is composed of gouache and acrylic paint on archival paper. Signed and dated lower right, 1967. Conditi...

J. Wilson. English ( fl.1837 - 1870 ). Looe Town & Harbor, Cornwall. Watercolor. Monogramed Lower Left. Image size 6.5 inches x 10.4 inches ( 16.5cm x 26.5cm ). Frame size 12.6 inc...

Girl with a cup of coffee 70x50 cm

Norman Mills Price depicts a handsome, nude blond boy with classical good looks. He is lying on his stomach in straw in the loft of a barn with his buttocks exposed. The artist captu...

This elegant work by Jean Lurçat reflects the artist’s deep appreciation for classical form interpreted through a distinctly modern sensibility. Depicting a standing female figure dr...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

This pink and black abstract painting titled "Malignant" is an original artwork by Christine Larsen made of gouache & ink on wood. This piece measures 12"h x 12"w. Originating f...

Donald Stacy "Orange Nude Lounging" c.1950s Oil pastel and gouache paint on paper 23" x 20" framed black gallery wood frame float mount Unsigned Came from artist's estate Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art...

Playful Garden I (Abstract painting) Mixed media - acrylic, oil pastels, gouache on raw linen This artwork will be shipped rolled in a dent-resistant tube. This method is especiall...

Late 20th century gouache and watercolour on paper by British artist Derek Carruthers. The painting is signed to the bottom right and signed and dated 1985 to the reverse. An impos...

Robert Freimark (1922 - 2010), Watercolor painting of a Farm Laborer in Mexico Hand signed and dated 1961 upper right, Dimensions: 24.5 inches x 30.25 inches, image is 16.75 X 23 ...

A watercolor painting by Clarence Holbrook Carter from 1953. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes...

Jean La Forgue (French 1901-1975) signed gouache on paper, unframed dated 1953 painting: 21 x 15 inches provenance: the artists estate, France condition: very good and sound conditi...

When fabled female illustrator Mary Blair was not creating fantasy images for Disney, she was doing freelance illustration work for commercial clients. We think that is one of those ...

The Cigarette is an original Contemporary Artwork realized in the 20th Century by Roberto Cuccaro. Original Gouache on paper. Hand-signed on the lower left corner: Cuccaro. Mint ...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Impressionist autumn landscape with lake, around 1905. Pastel on cardboard, 46 cm x 31 cm (inside dimension), 52 cm x 37 cm (frame), s...

Mathieu (Matei) ROSIANU (1897-1969) Untitled, circa 1945 Gouache on card stock Stamped on the reverse side 4 x 3 inch frame : 11,8 × 11,8 inch Born in Bucharest in 1897 to a father...

Art Deco/Cubist rendition of two Black Men with Muscular Bodies in an artistically formal pose with shovels and pitchforks. The work is executed in an Art Deco/Cubist style. Titled ...

Norman Bluhm (American, 1921-1999), Untitled (Lyrical Abstraction), Gouache and Watercolor on Paper, 1961, signed and dated "Bluhm '61" lower right, giltwood frame. Image: 22.5" H x...

Gloria Dudfield Red at Top Abstract 1960s Oil Pastel and Gouache on Paper 36"x32" unframed Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a portfolio of her work ...

Donald Stacy "Eve" c.1950s Gouache and oil pastel on paper 14x17" black wood frame 14.75"x17.75" Unsigned, Eve written in paint along right margin Came from artist's estate Donald S...

This delightfully vivid 19th century portrait depicts a third generation Franquet. Unsigned. Beautifully presented behind glass in a decorative gilt frame. On paper. Image size: 15 x...

[CHINESE EXPORT WATERCOLOURS ON PITH PAPER]. Group of 12 Courtiers. Mid to late nineteenth century. 12 hand painted water-colours on pith paper, pale blue silk borders, a few minor...

A Brun (French, circa 1900) Raising a glass Pencil, watercolour and gouache on canvas Signed ‘A Brun’ (lower right) 20.1/2 x 15.3/4in. (52 x 40 cm.)

Le Portail de Provence by Raoul Dufy (1877-1953) Gouache on paper 49 x 64.5 cm (19 ¹/₄ x 25 ³/₈ inches) Signed lower centre, Raoul Dufy Provenance: Palais Galliéra sale, Paris,1966 ...

Vivid and contemporary style gouache portrait of a female cellist at work by G. Lachausse, circa 1970. Original one-of-a-kind artwork on paper displayed on a white mat with a gold...

Untitled (Fashion Design) was created for Harper's Bazar and appeared in the February, 1920 edition of the magazine. This is a gouache painting on tissue paper measuring approximately 10 x 6.5 inches and framed in a custom, closed-corner Art Deco...

Jewel Heads in Darkness [2021] Original Flowers Gouache, watercolour ink and gesso. Image size: H:53 cm x W:64 cm Paper Size: H:56 cm x W:67.5 cm x D:0.01cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look 'Jewel Heads in Darkness' is an original painting by Jo Haran. "I wanted to try and capture the frailty of anemones nestled in darkness. I used jewel colours....strong pink, yellow, hints of ultramarine and neon green as a contrast to the moody foliage backdrop." 'There are always flowers for those who want to see them" - Henri Matisse. "I have been painting flowers for over 20 years as an artist and as a senior textile designer selling prints to clients internationally including Valentino, Leonard, Paul and Joe and high street brands such as Topshop and Marks and Spencer...

Covers 3 - orange (Abstract painting) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. Unframed. "Edition 5/20 This piece is ...