Art by Medium: Lithograph

Steve McCurry Sharbat Gula, Afghan Girl, Pakistan (Hand Signed), 1984 Offset Lithograph poster Hand signed by the photographer in black felt pen on the front 24 × 20 inches Unframed...

Emile OTHON FRIESZ Sainte Victoire Mountain near Aix en Provence Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Exce...

Poster-Talmadge Gallery, 1981. Plate signed. Publishing Information: Up Front Graphics, San Diego, California, 1981. Measures 36 x 20 in. Unframed. Fair/Distressed Condition-shows si...

Etching and lithograph on cream wove paper, 6 x 8 3/4 inches (151 x 220 mm), full margins. With some scattered light spots of yellowing in the margins on the recto, outside of image ...

Signed lower right, "M. Mouly" for Marcel Mouly (French, 1918-2008). Inscribed lower left with number and limitation, '106/300'. Previously with: Park West Gallery, Southfield, Michi...

Lithograph page from XXieme siecle, a publication of art magazines first published in 1938 by Gualtieri di San Lazzaro until his death in 1974. The magazine reviewed new art, poetry...

This original framed graphic art lithographic poster entitled "Chez Panisse Cafe & Restaurant Seventeenth Birthday" was created by David Lance Goines in 1...

ROADS is an original hand drawn lithograph(not a photo reproduction or digital print) by the artist Frank Licsko printed using traditional hand lithography techniques on archival Arc...

"Fast Trotting in the West (Milwaukee Race)" is an original hand-colored lithograph published by Currier & Ives. It depicts two horses pulling racing carts. The text below the picture reads "Fast Trotting in the West...Lucy and Goldsmith Maid...trotting their closely contested race over the cold spring course Milwaukee, Wis. Sept. 6th 1871...Where Goldsmith Maid won the 2nd heat in 2:17!! The fastest Mile heat in harness on record. Purse $4000 $2500 to 1st $1500 to 2nd horse____ 8 in. in harness. TIME 2:20 1/2 2:17 2:20" 16 3/4" x 26" image 22" x 27 3/4" paper 35 3/4" x 41 7/8" frame Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders...

STEPPIN OUT is a hand drawn original lithograph by the Austrian artist De Es Schwertberger printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. STEPPIN OUT is a highly detailed figurative drawing printed in light sepia brown ink depicting a procession of muscular stone men walking...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif XII, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 c...

Medium: original lithograph. Printed in 1966 for Derriere le Miroir (No. 160) and published in Paris by Maeght. Size: 14 3/4 x 10 3/4 inches (373 x 270 mm). There is text on verso, a...

“Allegorische Frauengestalten – Darstellung Weiblicher Handarbeiten” is a breathtaking circa 1900 original lithograph by renowned Belgian Art Nouveau artist Privat-Livemont. This elegant composition is a striking celebration of femininity, seasonal beauty, and traditional craftsmanship, rendered in the lush, flowing aesthetic that defined the Belle Époque. Composed of four vertical panels, the poster depicts allegorical female figures, each engaged in a different form of delicate needlework or handcraft. Framed by blooming branches and set against pastel backdrops, the women appear dreamlike—goddesses of domestic artistry. Their elaborate hairstyles, soft drapery, and floral adornments echo the organic elegance typical of the Art Nouveau movement. Each figure exudes grace and purpose: one spins thread, another embroiders, one weaves, and another ties a ribbon. Their expressions are serene, lost in creative concentration, embodying an idealized vision of harmony between nature, beauty, and labor. This work was published in Germany and printed by E. Höchstädt, Stuttgart, as part of a decorative arts portfolio titled “Decorative Models” (Decorative Vorbilder), intended to inspire design and aesthetic sensibility at the turn of the century. The text at the bottom, "Nach Originalen von Privat Livemont...

Sam Francis (1923-1994) - For James Kirsch Lithograph from 1973. The edition of 13/32 . Dimensions of work: 71.1 x 105.1 cm. Hand signed. Publisher: The Litho Shop/Hitoshi Takat...

Henri Matisse (1869-1954) - La Perruche et la Sirène Lithograph from 1958. Dimensions of work: 78 x 35.5 cm. Publisher: Tériade, Paris. Each copy of this Lithograph was originall...

'1. Cynthia juliana 2. Anartia amalthea 3. Junonia orthosia' Late 19th century colour lithograph of butterflies.

This piece is a limited edition, pencil signed by the artist on the print and in the plate. It is part of my private collection of artists from the School of Paris era. It is in very...

Lithograph on paper, edited in 1972. Limited edition of 300 pieces, numbered as 255/300 in lower left corner. Titled "Malinconia" in pencil at the bottom centre. Hand-signed in lower...

Les Laveuses, 2e Pensee (The Washerwomen) Lithograph, c. 1910 Unsigned (as issued) Edition: c.30-50 impressions Condition: Rust spot, associated with pape...

Vincent HADDELSEY (1934-2010) Horse : Canadian Rodeo, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spr...

Abstract French lithograph, circa 1980. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plasti...

Paul Jenkins (July 12, 1923 – June 9, 2012) The paintings of Paul Jenkins have come to represent the spirit, vitality, and invention of post World War II American abstraction. Employing an unorthodox approach to paint application, Jenkins is as much identified with the process of controlled paint-pouring and canvas manipulation as with the gem-like veils of transparent and translucent color which have characterized his work since the late 1950s. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions...

Robert Indiana Original postmarked LOVE First Day Cover, with handwritten letter on the back (hand signed twice), 1973 Handwriten latter on the verso of postmarked First Day Cover (H...

Original 1989 Louis Vuitton Automobile Classiques Poster –Hand Signed, Archival Linen-Backed. This poster was created for the Concours d’Elegance ...

Medium: original lithograph. The catalogue reference is Mourlot 284. This print was pulled in Paris in 1960 by the Mourlot Freres atelier. The total sheet measures 12 1/2 x 9 5/8 inc...

An original hand signed and numbered lithograph by contemporary master artist Peter Max called "The Dream". This work is an artist proof and is designated "...

'Winter Heath' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur ...

Created by David Shapiro in 1994, Savasan 8 is an original lithograph, collagraph, and aquatint in colors on Japon paper. Hand-signed in pencil, titled, dated, and numbered from the ...

Medium: original lithograph. Printed on a thin japon-type paper and published in Milan by Groupe Espace for the very rare 1955-56 volume of Documenti d'Arte d'Oggi. Sheet size 12 1/2...

Richard Smith Bramble, 1970 Lithograph on wove paper Signed, numbered and dated 10/75 in pencil lower left Frame included: held in original vintage period frame Pencil signed, dated ...

This is an original 1st edition John James Audubon hand-colored lithograph entitled "Harlan's Buzzard", No. 2, Plate 8 from Audubon's "Birds of America, lithographed, printed and col...

Hilliard Dean, '#5', color lithograph, 1970, edition not stated but small. Signed, titled, and annotated 'AP' in pencil. Dated 'June 11, 70' in pencil in...

This powerful 1962 Soviet poster celebrates one of the defining achievements of the 20th century: humanity’s first journey into space. Created in the immediate aftermath of Vostok 1 ...

Lithograph on paper. Edition of 99 prints. Hand signed and numbered. Excellent condition. Rafael Alberti (1902 – 1999) was a Spanish poet and painter.  He became a symbol of a poe...

Norman Rockwell (American, 1894–1978) Signed recto Norman Rockwell remains one of the most celebrated illustrators of the twentieth century, renowned for his ability to translate na...

Louis Lozowick, 'Tanks #1', lithograph, 1929, edition 50, Flint 39. Signed, titled, and numbered '11/50' in pencil. Signed with the artist's monogram in the stone, lower left. A superb, richly-inked impression, on cream wove paper, the full sheet with margins (3/4 to 1 7/8 inches), in excellent condition. Matted to museum standards. Image size 13 15/16 x 8 1/16 inches (355 x 204 mm), sheet size 15 3/4 x 11 1/4 inches (400 x 286 mm). Exhibited: 'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008. Literature: 'Prints and Their Creators, A World History', Carl Zigrosser, Crown Publishers Inc, 1974; 'American Lithographers...

This unique and highly evocative work by Jeff Koons unites art historical exhibition ephemera and the artist's own hand into a one-of-a-kind object. The work originates as a rare fol...

Medium: original lithograph. Printed on Arches paper in 1974 at the Mourlot Freres atelier. Size: 12 1/2 x 9 1/4 inches (318 x 235 mm). Not signed.

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

This exhibition poster, created for David Hockney's show at the Louisiana Museum of Modern Art, was held from February 7 to March 7, 1976. The poster is based on Hockney's artwork Ho...

This work is captivating in every sense as it seeks to represent this cylindrical bottle from every angle against a two-dimensional space – as is the goal of most cubist works. It blends into a series of brown, yellow, and black tones that appear to be arranged in a chaotic geometry that continues to make perfect sense to his audience. This is a truly groundbreaking and magnificent still life work of art, whose large scale and grandeur makes this a quintessential Picasso for any art collection. This print was based off of the oil painting of the same name which is housed in the Metropolitan Museum of Art, New York), part of the Jacques and Natasha Gelman Collection. Picasso painted the original work in the French Pyrenees town of Céret during the summer of 1911, and is a perfect example of his most abstract phase of Cubism, his "high" Analytic Cubism period. Picasso included lettering in this work, one of the first examples of him doing so. The letters "LETR" possibly refer to "Le Torero," a popular bullfighting magazine at the time, of which Picasso was known to be a fan of. They could also refer to the French word for word, "lettre." Created in c. 1965, this original color lithograph is hand signed by Pablo Picasso (1881 – 1973) in pencil in the lower right margin, and H.C. 6/25 in pencil in the lower left margin, aside from the regular edition of 250. Published by Guy Spitzer, Paris after an original oil on canvas of the same title by Picasso created in 1911. Catalogue Raisonné & COA: Pablo Picasso Bottle...

Medium: original lithograph. Printed in 1972 for the art revue Derriere le Miroir (issue number 197) and published in Paris by the Maeght atelier. Sheet size: 15 x 22 inches (378 x 5...

Pierre Alechinsky (1927) - Volturno II Lithograph from 1989. The ea edition. Dimensions of work: 90 x 60 cm. Hand signed. The work is in Excellent condition.

'Calceolaria' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur b...

Juan Reus (1912-2003) Original Vintage Bullfighting Poster August 1942 107cm x 53cm Juan Reus was born in 1912 in Valencia, where he became a well-known pai...

Pablo Picasso Hommage à René Char, 1969 Color lithograph on Arches wove paper by Henri Deschamps, Paris Signed in the plate Image size: 63.6 x 44.7 cm Sheet size: 75.7 x 52 cm Prin...

Medium: pochoir (after the watercolor). Printed in Paris in 1957 by Jacomet and published by the Galerie Berggruen for a rare catalogue. Image size: 6 3/4 x 3 3/4 inches (173 x 97 mm...

Artist: Sonia Delaunay (After) Title: Jazz, 1923 Medium: Lithograph in colors with embossing Year: 1994 Edition: 230/600 Framed Size: 19 1/2" x 15 1/2" Sheet Size: 15 3/4" x 11 3/4" ...

Medium: pochoir (after the painting). Printed in Paris at the atelier of Daniel Jacomet and published in 1975 by the Berggruen Gallery. Image size: 6 x 3 7/8 inches (153 x 98 mm). Th...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition. This striking framed Gould...

Pierre Alechinsky (1927) - Rossaert Lithograph from 2003. The edition N/N. Dimensions of work: 94 x 56 cm. Hand signed. The work is in Excellent condition.

This art work titled "Les Amoureux sur ub Banc" c.1980 is an original colors lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numb...

Sarah Morris November 2021, 2021 Lithograph on wove paper Accompanied by a certificate of authenticity - hand signed by Sarah Morris (the artist) as well as the head of ICA Editions...

Jean-Gabriel DOMERGUE Paris, Going at Maxim's Cafe, 1956 Original lithograph (Mourlot workshop) Printed signature in the plate On Japan paper 40 x 31 cm (c. 16 x 12") INFORMATION :...

Richard Corman Madonna NYC 83, 2013 Offset lithograph poster on high quality thin card paper (hand signed by the photographer) Hand signed by Richard Corman on the lower left front P...

Original vintage lithograph poster with depiction of Munich-based balletic duo Peter Pathe and Maria Hagen. Design by Walter Schnackenberg (German, 1880-1961). A very scarce example....

Gothic Decorative Motifs is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork represents Gothic Decorative motifs i...

This is an original framed 19th century hand-colored lithograph entitled "The Citadel of Cairo, Residence of Mehmet Ali-Egypt" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the Citadel and Mosques with addititional buildings on a hill in the background as it appeard on the day of Roberts' visit. An Arab man is looking down from a ledge as a camel caravan passes below People are dressed in their colorful local costumes. Roberts' signature and hand written title are reproduced in the plate on the lower eft. This hand-colored lithograph is printed on wove paper with wide margins. The print is in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high, 29" wide and 1.25" deep. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...

Medium: pochoir (after the watercolor and collage). Printed in Paris by the atelier of Daniel Jacomet, and published in 1955 by Heinz Berggruen for a rare catalogue. The image measur...